Posted in Media, Opinion

This isn’t just about one photo of missiles

from AFP

Media around the world (including The Gazette) got pwned by a photo that turns out was badly doctored by the Iranian government. The image shows four missiles firing when in fact there were only three.

USA Today is already moving to the analysis phase, asking: “Who can you trust?” The problem of doctored news photos is hardly new, as shown in this Chicago Tribune gallery, though in most cases it’s the photographer who is the one at fault.

One thing that the fakes shown in the Tribune gallery have in common is that they were all discovered after the fact because they were such obvious fakes. It forces you to wonder how many subtle fakes, done by the same people who alter celebrity photos for magazine covers, are still out there having never been discovered.

But even if a state-of-the-art auditing system was put in place to make sure that news agency photographers never even touched Photoshop, that still wouldn’t have prevented this problem. The photo in question was taken from a website and presented as-is. Captions (including the one The Gazette used) identified the photo as having originated at the Iran Revolutionary Guard website, but the fact that the news agencies feel betrayed suggests that they all took the photo at face value.

Was that wrong? Did the media err here? Did they implicitly trust that the photo showed something accurately? Did republishing it imply vouching for its integrity?

(This isn’t just a problem with photos. Non-political stories from China’s Xinhua news agency get copied by other agencies all the time, almost always with a mention that Xinhua is controlled by the government, in a take-it-with-a-grain-of-salt way that they wouldn’t say about, say, the CBC. But headlines over those stories don’t suggest any question as to their authenticity.)

As image editing software becomes more widespread and easy to use, more fake images will emerge and they will be harder to spot. Relying on someone noticing the atrocious Photoshop skills and ridiculously bad use of the clone tool hardly sounds like an appropriate way to ensure editorial integrity.

And what about those images that skirt the line between ethical and not? What about handouts from auto manufacturers, that are used without question even though they’ve obviously been severely altered in Photoshop to make them (and the backgrounds they’re set in) look as smooth and appealing as possible? What about movie stills that have been airbrushed to death? Or should they get less scrutiny because they’re not news photos?

Someone needs to have a debate here, and fast.

UPDATE (July 13): Lots and lots of people are having crazy Photoshop fun with this photo on the Flickr.

UPDATE (July 14): Regret the Error is, of course, all over this with correction highlights.

3 thoughts on “This isn’t just about one photo of missiles

  1. Blork

    A couple of quick observations:

    1) I can’t believe this got through. Even in the small, almost thumbnail size you reproduce here, I can spot the manipulation. Mind you, it’s because I’m looking for it, but when you’re looking for it, it’s very obvious. You’d think the photo editors at the big news outlets would by now always be looking for it as a matter of course.

    2) In this case (but certainly not in all cases), it doesn’t really matter because it doesn’t change the story. The story is that Iran is shooting off missiles. It doesn’t matter if they shot three or four (especially since that fourth one is there, in the undoctored photo). The only thing about it that might matter is if # 4 didn’t go off because of a misfire, which may say something about their technology, but we don’t know that. Maybe it was timed a second or two off from the others. But the point remains that Iran is shooting off missiles, and this photoshop debate shoudn’t detract from that.

    Reply

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