Monthly Archives: May 2009

Some people should not be designing websites

I have a feeling I'm going to break someone's heart with this post, but it's true. There are professional web designers, and there are people whose pages belong on Geocities in the 90s.

The website for (long-shot) mayoralty candidate Louise O'Sullivan belongs in the latter camp:

partimontrealvillemarie.ca

partimontrealvillemarie.ca

Let us count the ways:

  • <title>Test2</title>
  • Candidate's photo in 256-colour GIF
  • Photo of the city stolen from Google Image Search
  • Drop shadows on everything
  • Scrolling marquee
  • Coloured boxes inside other coloured boxes inside even more coloured boxes
  • Text is all in bold
  • Date written via JavaScript
  • No links in main text

I'm sure you can add more in the comments. Feel free.

Sadder still, there are other atrocities where this came from, people who presumably spent hundreds of dollars for these sites. Perhaps the "© 1999" at the bottom might have something to do with it.

How to win Eurovision

  1. Get a pretty person to sing a happy love song in English. Bonus points for constant smiling and similarity to Sanjaya
  2. Have dancers in the background, wearing black, do lots of crouching and jumping
  3. Use tall, pretty, female backup singers
  4. Involve string instruments, especially violins and/or cellos
  5. Include lots of sound that clearly does not come from any instrument on stage
  6. Exploit screens, fireworks and coloured lights in the background

Am I the only one to have expected a bit more from a pan-European talent competition?

Bill Haugland launches new book

Mobile 9

Bill Haugland, the former evening anchor of Pulse/CFCF/CTV Montreal news, is launching his new novel Mobile 9 with a signing at Paragraphe bookstore (2220 McGill College Ave.) on Tuesday at 6:30 p.m.

The book is about a young television reporter in Montreal in the 60s whose life suddenly becomes a lot more exciting than Haugland's was.

CTV wants you to help save [insert local station name here]

Todd Van der Heyden wants to show you inside CTV Montreal

Todd Van der Heyden wants to show you inside CTV Montreal

CTV has gone on the offensive in its campaign to "save local television" by forcing cable companies through legislation to give them money. Ads have already started appearing on TV, and a website and online petition has been setup to get people to tell their MPs to approve a "fee for carriage" scheme that would give CTV, Global, Rogers and other conventional television broadcasters hundreds of millions of dollars, with very vague ideas of where that money would actually go.

I'm still kind of on the fence about fee for carriage or related schemes. On one hand, I agree that it's unfair for cable broadcasters to be able to charge subscription fees and get advertising revenues while spending little money on original programming (and no expensive local programming whatsoever). I also think cable and satellite distributors like Videotron and Bell have profit margins that are way too high and more of that money should be going either to the broadcasters or back in the pockets of consumers.

On the other hand, as a consumer, I object to the idea that I could be forced to pay for a signal I get over the air for free. It's like adding a surcharge on an air conditioning bill for the oxygen. My cable company doesn't "take" or "sell" CFCF programming, it simply retransmits the station's signal to my television set (should broadcasters also demand fees from antenna manufacturers?) And my solution to the disparity between cable channels and conventional broadcasters would have more to do with eliminating cable subscription fees altogether, except for channels like HBO that provide a large amount of original programming.

What is "local television"?

Besides, what exactly are we saving when we talk about saving local television anyway? There is no local television production besides the newcasts anymore, at least not in Montreal. Where once you could count on your local station to carry the Christmas or St. Patrick's Day parades live, now they produce five-minute packages for the evening news. Current affairs, entertainment, consumer affairs and other programming has been merged into mid-day and weekend newscasts on shoestring budgets. Even local sports teams can't get their games televised on local TV. They have to hope they can get a spot on the schedule of TSN, RDS or Rogers SportsNet.

So when we're talking about "local television", what we're really talking about is "local newscasts." That's not necessarily so bad. Local newscasts are the most important part of local television, and it's what people care about the most.

But what exactly do we get on local newscasts? We get:

  • two-minute package reports about issues that were reported in the morning newspapers
  • briefs about road accidents they could scramble a cameraman to get B-roll for
  • softball interviews with newsmakers, activists and politicians
  • whatever sounds good on a press release and can provide good visuals
  • reports on criminal court proceedings (reporter stands in front of courthouse cut with B-roll of lawyers and family members walking down hallways)
  • 20-second anchor voice-overs with B-roll from community events they didn't want to send a reporter to
  • recaps of sports games with footage taken from other networks
  • entertainment listings
  • a weather presenter (usually female) showing us the latest fashions and waving her hands over forecast maps
  • silly banter between anchors to fill time
  • packaged reports taken from the national network, other regional stations or international sources like CNN.

This isn't to bash CFCF, which produces the best of Montreal's three anglo newscasts (and has the ratings to show for it). But they want us to pay for this in addition to seeing all the advertising?

Your friendly neighbourhood corporate conglomerate

CFCF12 logo

Former CFCF12 logo

This slick marketing campaign really rubs me the wrong way. It's a giant corporate behemoth owned by an even more giant corporate behemoth, and it hasn't exactly shown a commitment to local television in the past. What was once a member-owned collective of television stations across Canada has since been bought up by a corporate profit-seeking enterprise that has imposed its power on local stations. CFCF Television in Montreal was forced to dump its iconic logo and rename its signature newscast solely to please the whims of head office that wanted all the stations in the network to look identical.

Now, suddenly, it's in CTV's interest to get people to feel nostalgic about their local television station. So it created this campaign and setup this website, which has cookie-cutter versions for each CTV and A-Channel station (it even has a French version which is actually mostly English). They've produced 30-second ads where community leaders read from nearly identical scripts that give vague references to how important local TV is in promoting local events. They're running ads on local television stations and even arranging one-sided fluff interviews with their news employees.

CFCF opens its doors

CTV Open House contact info

They're also organizing open houses next weekend at all their stations. CFCF, which has offices at Papineau and René-Lévesque, will be open as of 9am on May 23. People who want to visit are asked to call or email to "reserve your tour."

Whether or not you agree with or even care about this issue, this is a rare opportunity to see what it's like inside a local television station and meet some of the people you see on air. I'd recommend against passing this chance up.

How to get me on board

Despite my reservations about their funding idea, despite how much they've destroyed local television so far through budget cuts and local brand suppression, despite how obviously self-serving it all is, despite the fact that they still made money last year (though not the hundreds of millions of dollars that they're used to) and despite the fact that they want us to pay for the fact that they made unwise investments and couldn't see that their business model was doomed, I'm willing to hear CTV's case and even open to the idea of supporting their cause, on one condition:

I want to see their numbers. All of them.

While the CRTC releases so-called "aggregate" financial information about conventional broadcasters so we know how much money they make as a whole and how much they spend in total on certain types of programming. From that we learn that they're spending more on licensing U.S. programming than creating Canadian programming (including news). The argument is that the advertising profits from simulcasting U.S. programming subsidize the Canadian programming and newscasts. But we have only their word that this is true.

The CRTC has moved to increase such transparency in reporting of financial information, but that has met resistance from broadcasters who argue it may expose trade secrets.

If CTV wants my support, they have to get over that paranoia and let the public see those numbers. How much are senior executives getting paid? How much does their Canadian programming cost? How much are they spending on public relations and marketing? How much of the cost of importing U.S. programming is shared with the cable channels that also broadcast it?

These are questions I'd like answers to before I start pressuring my MP.

UPDATE (June 1): CTV says "100,000 expressions of support", with 30,000 visiting open houses.

Musique moins

Musique Plus

Astral Media's Musique Plus is laying off 13 people behind the camera, Rue Frontenac reports (via Richard Therrien).

To think that the production qualities of Musique Plus might get worse now because of this.

Of course, I'm not in a position to judge. I haven't had Musique Plus on my cable lineup for years.

UPDATE (May 20): Richard Therrien has more details: Cameramen are being replaced by robots.

BIXI’s economics don’t make sense

I find myself agreeing with La Presse's Pierre Foglia about BIXI:

C'est seulement que je me demande à qui il s'adresse au juste. Je n'arrive pas à me faire une idée du client type du Bixi. Celui qui va travailler en vélo sur une base régulière? Me semble que celui-là va finir par s'en acheter un, un vélo de ville, non? Le touriste? Ne vient-on pas de dire que ce n'était pas un vélo pour se promener?

I like the idea of being able to rent bikes, and they seem to be getting good reviews in the technical sense (except from Foglia). But the high subscription rate and exponentially-increasing use rate make me wonder what kind of person would use this system and how.

As Foglia says, tourists will be easily turned off by BIXI because the system is designed to discourage long-time use. You can't take out a bike and bring it back a few hours later unless you want your wallet sucked dry.

Commuters, meanwhile, will find the annual subscription fee expensive. You can get your own (used) bike for $78 a year and do what you want with it. Besides, the BIXI footprint is small (I don't even have one near where I live), and a lot of people will find they're coming from or going to a place where BIXI can't go (like NDG).

I just don't get the exploding scale. It's backwards to the way economics work. You want to reward customers for purchasing something in bulk, not punish them.

Something tells me a lot of people are going to be spending half their time checking their watches and looking for the closest BIXI station to top up their ride and give themselves another half hour free. As long as they keep bringing it to a station every half hour, BIXI users can keep the bikes for as long as they want.

Does that make sense?

Right now, we're still in the honeymoon phase, with BIXI reviews from journalists who wouldn't spend more than half an hour toying with it even if it wasn't time-limited. We'll see after this year (or maybe next) whether regular people will find a use for this service.

UPDATE: Just to clarify, I support the idea behind a bicycle-rental system, even one that is partially subsidized by the government. My issue is with the fare structure that uses an exponentially-increasing scale instead of one that uses a flat per-hour rate.

What do I have to do to get you to stop honouring me?

The Mirror, May 14, 2009, Page 14

The Mirror, May 14, 2009, Page 14

I give up.

Last year, I asked you specifically not to vote for me in the Mirror's Best of Montreal poll. You (or at least some of you) wilfully disobeyed me and I placed eighth on the list of best blogs.

This year, I decided to avoid the reverse psychology and say absolutely nothing about the annual readers' survey when it came out. That failed miserably, because this year I placed No. 2 (behind Midnight Poutine, who are again humble about taking the top spot) and the paper has an interview and picture for all my friends to see (it's at the bottom, below the giant head of Ted Bird).

The article by Lorraine Carpenter is complimentary (though "Fagstein" wasn't a schoolyard taunt - they really didn't need to invent a new name to make fun of me), and Rachel Granofsky's photo - well let's just say she took about a hundred shots of me and that was probably the best one (the best photos of me are the ones where part of my face is hidden).

The full list of most popular local blogs, for those interested:

  1. Midnight Poutine
  2. Fagstein
  3. ThriftyTable.com
  4. Mike Ward (*cough*)
  5. Pregnant Goldfish
  6. Said the Gramophone (*cough*)
  7. Nouveau Queer (*cough*)
  8. Spacing Montreal
  9. Black Sheep Reviews (*cough*)
  10. Bitchin Lifestyle (*cough*)

Honourable mentions:

It's sad that in order to place on this list you essentially have to whore yourself out to your readers (half of the top 10 asked their readers to vote for them in this poll, though some tried to remove the evidence after the fact - I'm looking at you Mike Ward). Two others - Spacing Montreal and Pregnant Goldfish - pimped themselves last year but not this year and subsequently fell in the standings.

But hey, it's a popularity contest, and that means Céline Dion is on the list for "Most desirable woman", Jean Charest is on "best politician", Global on "best TV station", Metro on "best newspaper", 3 Amigos tops "best Mexican" and McDonald's places in multiple food categories.

Unfortunately, that means many high-quality candidates are left off the list. Among them Montreal City Weblog, Coolpolis, Patrick Lagacé, Dominic Arpin, Indyish and Urbania (feel free to nominate your favourite unhonoured blog below).

All that said, I'd still like to thank those who think so highly of this blog and voted for me (which, in the interests of full disclosure, I should admit includes myself - but only once!)

If you'll excuse me, I have to go pick up a few extra copies for my mom.

Mike Finnerty leaving CBC Daybreak

Mike Finnerty giant ad outside Maison Radio-Canada

Mike Finnerty giant ad outside Maison Radio-Canada

Mike Finnerty, the host of Daybreak on CBC Radio One in Montreal, announced this morning that he will be leaving the show at the end of June and moving to London (England, the good London) to take a new job as multimedia news editor for The Guardian.

The reasons are mostly personal. Finnerty's partner moved with him to Montreal when he took the Daybreak job in late 2006, but had trouble finding work here. Finnerty's partner got a new job back in London, and Finnerty decided two and a half years was enough sacrifice to ask of someone else.

Mike Finnerty leaving CBC Daybreak (MP3, 6:05)

Both of them came here from London when Finnerty was tapped for the Daybreak job to replace veteran Dave Bronstetter. He worked at BBC World Services for 10 years, and before that he was a radio reporter for CBC in Quebec City and Montreal. Lest anyone question his loyalties, the Esterhazy, Sask. native told The Gazette's Kathryn Greenaway in 2007 that he still wants to be buried in Montreal. I assume that sentiment still applies.

Among Finnerty's legacies at Daybreak are the Daybreak Daily Podcast (a daily "best of" featuring interviews from that morning's show), the Daybreak Twitter account and the guest editor series.

Who wants to host a morning talk show?

Finnerty says that although the Daybreak crew has known about this departure for months, they don't know who will be replacing him in the show's anchor chair.

The job has a lot of exposure, but also involves a lot of work. Getting up at 3:30 every weekday morning is a deal-breaker for me (you know, in case they were considering me for the job).

So who should jump into the big chair now? With the budget crunch hitting the corporation, acquiring a high-paid external candidate would probably not look too good, and there are plenty of capable people from within the organization.

Two names that jump immediately to mind are Steve Rukavina, who has been a temporary host of Radio Noon and seemed to connect with some listeners until Sue Smith was given the job, and Sonali Karnick, who has been the hardest-working person in that office for years now and is currently on the sports beat for Daybreak. Both are young, dedicated, and most importantly adorable.

UPDATE: Brendan Kelly (who double dips as a Daybreak columnist) writes about Finnerty's decision in The Gazette.

Journal Weeklyish Digest: Péladeau speaks

Today was the annual general meeting of Quebecor shareholders, so Pierre-Karl Péladeau had to come out of his cave and answer questions about how he does business. Lesaffaires.com has video highlights of Péladeau's press conference.

When asked about the Journal de Montréal lockout, Péladeau's minions at Quebecor gave the usual response about how the unions don't understand the seriousness of the financial situation the company is under thanks to the various economic crises it faces (which is forcing it to consider shutting down newspapers).

Of course, that's not stopping Quebecor from wanting to buy the Canadiens.

Needless to say, locked-out Journal workers were protesting outside,

30 ways to lead your lockout

The Fédération professionnelle des journalistes du Québec magazine Le Trente explores the Journal lockout in its April issue, with an article by Hugo Joncas that talks a bit about the months leading up to the Jan. 24 lockout. It's mostly union accusations, since the Journal and Quebecor aren't talking, but it's clear that Quebecor was planning for a lockout for a long time. Among the things that happened, the Journal:

  • Hired more managers, ensuring most of them were journalists
  • Started up new columns by freelancers who could still write in the event of a lockout
  • Created Agence QMI, a wire service the allows Quebecor-owned media outlets to share stories
  • Setup a system so page layout could be outsourced to another company under Quebecor control (it's believed this is on the floor above the Toronto Sun newsroom)

Another piece by Florent Daudens looks at Rue Frontenac, the centre piece of the union's pressure tactics.

Carbo (the other one) soldiers on

Claudette Carnonneau, the head of CSN who is suing the Journal de Montréal over a misquote related to the Caisse de dépôt, isn't dropping her case. She's seeking $250,000 in compensation from the newspaper.

Big advertisers fleeing

The Institut de coopération pour l'éducation des adultes pulled a lucrative ad contract from the Journal because of the conflict (as it did last year for the Journal de Québec) and spent more money having their speecial section printed as part of La Presse.

Similarly, the Société Saint-Jean-Baptiste has moved a contract to print Fête nationale schedules from the Journal to Transcontinental-owned Metro.

Neither of these are surprising (both had previously expressed support for locked-out workers), but it highlights some of the advertising pain the Journal is facing. The question is whether the money they save from salaries offsets the loss of ads.

Having to pay a $10,000 fine (for a story that appeared years before the lockout started) doesn't help either.

In other news

And at Le Réveil...

Not much, other than getting some moral support during the fête des travailleurs.

Why do marketing companies hate themselves?

On Île Bigras, they don't tolerate shit.

On Île Bigras, they don't tolerate shit.

Patrick Lagacé has a column in today's La Presse (and accompanying blog post) about a fake blog put together by a marketing company to promote Montreal's Bixi bicycle rental system.

Lagacé chronicles the various methods used to pull the wool over people's eyes: fake authors with fake Facebook pages and a fake story about how they met. He tries to get professional marketing experts to denounce the practice and cites rules for marketers that prohibit astroturfing like this. Patrick Dion also outright condemns the practice.

But curiously, the company behind this fake campaign defends the blog, apparently suggesting that the creation of fictitious personalities does not qualify as deception. Lagacé rightly tears Morrow Communications a new one for that.

So why go through all this trouble?

The answer is mentioned in passing by André Morrow:

"Si on avait fait un blogue hébergé par Stationnement de Montréal, personne n'aurait été intéressé."

Think about it: This guy runs a marketing company, and says that if people knew a marketing company was behind this, they wouldn't be interested, regardless of the content.

What kind of self-confidence problem must you have that you need to create fake personalities because you're convinced nobody will like you?

Of course, I reject the premise of what he's saying. I subscribe to plenty of marketing outlets. I get press releases from public transit agencies, official notices from the government, blogs from newspaper editors promoting their content, even some CNW feeds. I do this because I want the official word from the company, and in a lot of cases that's where the news comes out first.

The problem is that this stuff is informative but boring. It's not edgy or creative, won't get you talked about in the news or win any marketing awards.

But you can be creative and still be honest. Even knowing it came from a marketing agency, this video of a bike racing the 24 bus (legally) is still impressive. And there are plenty of other examples of this kind of marketing, even clearly labelled as such.

Morrow Communications needs to grow up and realize that they don't have to pretend to be someone else just so we'll like them. Be honest with us and we'll appreciate them for who they are.

A marketing company being honest ... now that's edgy.

UPDATE: More reactions in the blogosphere: