From The Gazette, Feb. 10
Saw this ad in the paper today. It's nice that MoneyGram is willing to support athletes going to the Games, not to mention athletes from another country - and advertising it in a Canadian newspaper. But, of course, the Jamaican Bobsled Team gets support from all corners of the globe (at least ever since Cool Runnings came out).
It's unfortunate that the team didn't qualify and won't be there.
I'm using this still of Rue Frontenac's Gabrielle Duchaine to illustrate this post because my focus groups have told me that readers respond better to pictures of young pretty girls looking really serious with their hair flowing in the breeze as a camera slowly zooms in on them than pictures of Florian Sauvageau explaining the relationship between journalism and advertising while waving his hands around
In case you haven't seen it yet, there was an interesting documentary, shown over the past two weekends, about the revolutionary changes happening to journalism and the media. It featured interviews with (francophone) journalists from various (Montreal) media, as well as with experts and people involved in the new media journalistic ventures that are slowly taking their place.
The second part of it aired this weekend on ... V? Wait, that can't be right. ... Really? OK, V. You can watch the whole thing online starting here. It's produced by B-612 Communications, which gave us La Maison de Maxim Lapierre, of all things.
What struck me about this documentary wasn't so much that it brought anything new to the table - if you have even a passing interest in media you probably already know what's going on - but the serious, sober way in which it's discussed. It consists almost entirely of individual interviews, with Nathalie Collard and Patrick Lagacé of La Presse, with Richard Martineau and Benoît Aubin of the Journal de Montréal, with Gabrielle Duchaine of Rue Frontenac, with Stéphane Baillargeon and Bernard Descôteaux of Le Devoir, with Patrice Roy of Radio-Canada, Pierre Bruneau of TVA, Jean-Luc Mongrain of LCN, Jean Pagé and Ève Couture of V, and many others.
It's jarring to see people like Martineau, Mongrain and Pagé speak so seriously about this, considering the personalities they've developed on TV. Maybe it's just an impression I got, or maybe it's an indication that they're putting on a show for TV that doesn't necessarily reflect their true personalities.
The doc also features interviews with people on the other side of the equation, like Jean Trudel of 25Stanley.com, Frédéric Guindon of 33mag.com, as well as experts like Florian Sauvageau of UQAM Université Laval.
If anything, the film relies too much on interviews, combined with a little bit of voice-over and edited with extreme close-ups. It also has bite-size bits of information scrolling along the bottom - some of which is dubious, like the claim that only UQAM offers a bachelor's degree in journalism in Quebec, by which I can only conclude that either Concordia isn't considered in Quebec or that it doesn't offer a bachelor's degree acceptable to the producers.
It also confines itself - it doesn't talk to anyone at any anglo media, nor anyone at any media based outside Montreal. (Sauvageau is the closest thing they get to a regional perspective)
And it doesn't talk to Steve Proulx. Or me. Or a bunch of other media experts named Steve.
Still, as a balanced discussion into the future of the media, and as a way to see your favourite media personalities in high definition, it's worth a watch.
After launching in a few major cities in October, and then expanding to more second-tier cities in December, Google Street View has expanded to just about every populated area of the country.
Before: North American Street View map in October
After: North America on Street View
Of note is that now the entire Trans Canada Highway, from St. John's to Victoria (or Sydney to Vancouver, if you prefer) is on Street View. If someone wants to waste a lot of time, they can construct a video simulating a drive from one end of the country to the other.
If you were watching the U.S. broadcast of the Super Bowl on Sunday, you missed a few dozen CTV commercials reminding you that the Olympics are coming. Among them, this video featuring Montrealer Nikki Yanofsky singing the English version of CTV's Olympic theme song, I Believe:
http://www.youtube.com/watch?v=7v0o27BPIIk
Of course, this being Canada, there's also a French version, sung by Annie Villeneuve, called J'imagine:
http://www.youtube.com/watch?v=2G8RYAQXVCM
How does this compare to previous Olympic songs?
Spotted at Concordia University last week
Nice to know I have a government that will spend my tax money on giant, unnecessary signs that advertise to me other ways the government is using my tax money.
I wonder if there's a similar sign outside Canada's sign-making factories, saying the government is "investing" in them too.
(From left) Arthur Holden, Jean-Guy Bouchard, Ellen David, Sheena Gazé-Deslandes and Howard Rosenstein in David Sherman's The Daily Miracle
Over the weekend, I joined a group of journalists (in fact, two distinct groups - one veteran and one up-and-coming) to see a production of the Infinitheatre play The Daily Miracle, written by former Gazette copy editor David Sherman.
I'll spare you the usual theatre review stuff, because (a) I'm not a theatre critic and (b) it's already been talked about in The Gazette (along with a feature article), La Presse, Mirror, Hour, the Suburban, the West Island Chronicle, the McGill Tribune, the Concordian, the Link, Le Quatrième and maybe some other places too.
We'd first heard about this play years ago, when Sherman left his copy editing job at The Gazette. By the time he made his leave permanent to become a playwright (and work on his first play Have a Heart for Centaur), there were rumours floating that he would use the copy desk as the basis for a production - and the editors potentially as models for his characters.
I should add here that I know Sherman - he was a copy editor when I was an intern at The Gazette, and he was one of the people who I got the most on-the-job training from.
Though I got a sneak preview at a reading a while back, the people I went with on Saturday didn't quite know what to expect from this play. Though the name of the newspaper is the Montreal Star (taken from the former newspaper of the same name - they even used the same logo on computer screens and papers on set) and its parent company is called WestPress, it's pretty clear which major newspaper the play is based on. Even some of the characters are familiar, either as composites (Gazé-Deslandes's Carrie, the pretty young desk intern) or as near-ripoffs (Jean-Guy Bouchard's Roland reminded most of my former colleagues of a particular person with a similar personality and accent).
But what's most familiar is the work. The play, staged at the Bain St-Michel (literally inside a pool that had been converted into a theatre) is set in real time, between the 10:30pm first edition deadline and the midnight final. It's a time when copy editors and other night staff get chatty (the stress of making first edition deadline having just been lifted) and start airing their grievances with the paper and the news industry, along with spreading personal gossip.
It's hard to evaluate the play objectively because I'm so familiar with what it's based on. It's the life I lived for three and a half years at The Gazette. I know the terminology, I know the stress, and I know the characters and their roles.
Still, for the benefit of those who don't work on a copy desk, I can tell you that what happens in this play is a dramatization. I for one never saw anyone come to work five hours late, pop pills like they were candy and start sexually assaulting his coworkers. But maybe it's just because I wasn't there in the old days.
One of the people who saw the play the same night as me was Thomas de Lorimier, who works as a copy editor at La Presse. He agreed that there was a lot more drama here than you'd see on a normal night (but then, that what we'd want in an entertaining play, right?) but that the elements of the characters' personalities and the way things work are what you'll find on the copy desk of a major newspaper. A line about how disasters in China need a triple-digit death count before becoming news is entirely true. Having a picture of a pop diva on the cover solely because she's famous and she performed at the Bell Centre that night is also spot on, as are the staff's reactions to the burying of (what they considered to be) real news in order to emphasize fluff.
One thing de Lorimier and I both agreed on that was missing from the play was pun-offs. That's when an editor takes a story and makes a really bad pun (like saying Haiti's "all shook up") and other editors jump in with even worse ones. It's part defence mechanism against the horrors of life they're exposed to on a daily basis, and partly a way to hone their skills as wordsmiths.
It's a skill Sherman clearly doesn't need too much help with, judging by this play.
If you're interested in getting a dramatic look at a newspaper's news desk on deadline, The Daily Miracle is a good way to spend an evening. It's on every night until Sunday, Feb. 14. Details at Infinitheatre.com
All Ukrainian Viktors look alike to Metro (from Feb. 8 issue)
I guess the person who edited this page isn't familiar with Ukraine, its politics or that whole Orange Revolution thing.
(Did I mention I'm available for editing work?)
What is the significance of the shaded area of this map?
UPDATE: COOL FAT MICHAEL FROM THE JERSEY SHORE ‘87 and Jim both got the right answer: these are the borders of the village, town, city and ward of Sainte-Cunégonde, sandwiched between St. Henri (whose eastern border was Atwater) and Montreal.
Not only was this independent city tiny (in 1840 it had 10 inhabitants), it was also short-lived. It was developed after it was bought by Alexandre Delisle and William Workman around 1850. At first, it relied heavily on bordering St. Henri for basic services like schools and a church, but the village's inhabitants, upset with the distance they'd have to travel and the taxes they'd have to pay, wanted some of their own.
Ste. Cunégonde was founded as a parish in 1875, taking its name from Cunégonde de Luxembourg. It was incorporated in 1887 and became its own city in 1890.
But around the turn of the century, Ste. Cunégonde faced the same fate as many other towns around Montreal at the time: merger. In 1905 it became a ward of the city of Montreal. By the midpoint of the 20th century, the boundaries ceased to have any meaning.
Today, the only remnants of the town are the buildings (including the old Sainte-Cunégonde church, now the Korean Catholic Mission on St. Jacques), and the street and park named after it.
For more on the village, you can read this book, published in 1893 by E.Z. Massicotte.
From left: Chantal Desjardins, Pete Marier and PJ Stock, the morning crew at CHOM
There are a lot of people on the Internet who don't like PJ Stock. The former NHL player (who had twice as many penalty minutes as games played) has jumped into media in his retirement, as an analyst with Hockey Night in Canada and until recently a show host at the Team 990. He has been criticized for everything from being clueless about hockey to having a tenuous grasp of the rules of English grammar (not that I agree with these criticisms).
On Wednesday, two days after his contract expired at the Team 990, Stock officially joined the morning team at CHOM-FM, effectively replacing the departing Ted Bird.
It's odd that PJ is considered a full member of the team because he's only present half the time. The deal is he comes in from 7 to 9 Mondays to Thursdays (Desjardins and Marier do the full show from 5:30 to 9 Mondays to Fridays). And even when he's present, it's mostly Marier doing the talking. Desjardins reads the news and Stock reads sports (Abe Hefter is still reading sports news while Stock isn't present).
Aside from the peanut-gallery comments that are common throughout the show, Stock's actual talk time is about 10 minutes a day. This includes "Stock Options" (the latest bad pun on his name), a sports commentary segment at 7:20am. (Day 1, Stock criticized the Canadiens for being overhyped - hardly a unique idea. On Day 2, he criticized the media for not being more hostile to Tiger Woods's wife for allegedly attacking him with a golf club - something even Marier wasn't comfortable endorsing.)
Rather than try to summarize it all, I'll let you listen to compilations of his sports reports and banter from his first two days:
Day 2 includes his first major blooper, when he couldn't figure out how to turn on his microphone.
It's clear from his first days on CHOM that Stock is the sports guy. If you don't like sports, and you don't like how much time is spent on the radio talking about sports and the Canadiens in particular (there are people who listen to CHOM who don't like sports, believe it or not), then you're not going to like PJ Stock.
Hell, even if you're a die-hard Canadiens fan, you might not like Stock. He calls it "Pete Marier's favourite team" and doesn't seem to share his city's blind support for the bleu-blanc-rouge.
Otherwise, Stock is comfortable on the radio. He's not awkward, he doesn't slur his speech or say "umm" a lot. He's not a radio professional by any means but he fits in well.
I don't know how long this weird schedule can last though. It's understandable that Stock wouldn't want to get up at 4am the morning after a Habs game, and that travel to and from Toronto might make him unavailable on Fridays, but this just highlights the fact that to Stock, Hockey Night in Canada comes first and his job at CHOM comes second.
I have a feeling that, eventually, he's going to have to choose between the two.
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