Monthly Archives: December 2013

| Media

Journal de Québec reaches four-year deals with unions

There will be four more years of labour peace at the Journal de Québec.

Sun Media announced on Friday that it has reached labour deals with three unions at the Quebec City newspaper, representing printing, office and editorial workers, each lasting four years.

The press release doesn’t give details, but FM93, which reported on the deals on Thursday, says the employees made some serious concessions, including virtually eliminating the four-day work week for those who still had it, reducing compensation for personal car use on the job, and reducing the workforce by 10-15 jobs (out of a total of 175) through voluntary departures.

Nevertheless, the deal was met with strong support from the unions, with 85% support from editorial and even higher from the other two. The fact that no one will be forced out of jobs for another four years seems to be the big selling point.

Financially, the SCFP union reports there will be pay increases, but only starting in 2015. After a freeze for next year, pay will go up 1% in 2015, 1.5% in 2016 and 1.5% in 2017. That’s about in line with inflation over the past year, which has been around 1%.

More telling is the union negotiator’s statement that talks “progressed with mutual respect” and that “the union takes its place as a partner in the company.”

The last labour deal at the JdeQ was reached after a long bitter lockout in 2007-08, that saw employees producing their own newspaper as a pressure tactic, and the employer making increased use of external sources of news. That lockout set the stage for a much bigger one at the Journal de Montréal in 2009, in which both sides stepped up their game. It also prompted a legal review over the legality of replacement workers working remotely, a battle the union ultimately lost.

The 2008 JdeQ labour deal, reached as the U.S. financial crisis was turning into a global recession, had pay increases of 2.5% a year.

At the end of August, Quebecor-owned Videotron reached a deal with 800 employees in eastern Quebec and the Saguenay. Could this be a sign that Quebecor’s lockout strategy is coming to an end?

UPDATE: The story published in the Journal de Québec about its own labour deal just republishes word-for-word Quebecor’s press release (with some style changes) and then tacks on a quote from the union’s press release. It doesn’t mention that the quotes are from press releases.

| Montreal, My articles, TV

ICI launches, giving Montreal its 10th local television station

Afromonde host Henry Ngaka on his virtual set, as seen through a monitor in ICI's studio.

Afromonde host Henry Ngaka on his virtual set, as seen through a monitor in ICI’s studio.

As radio stations that were supposed to launch in 2013 seek delays in whole or in part because of technical problems, an independent startup television station has managed to get on the air just under a year after getting a licence from the CRTC.

ICI began airing regular programming on Wednesday morning, launching on Videotron at the same time. (Apparently on Bell Fibe it’s still “coming soon”.) And so I’ve written about it in this story, which appears in Wednesday’s Gazette, and this story, from a more technical and business angle, for Cartt.ca.

As I’ve been watching the channel on and off on Wednesday, I notice it’s been lacking a bit of regularity right out of the gate. There were long awkward seconds of dead air, at one point a single ad or video aired three times in a row, leading to eight minutes between actual programming.

The station has very little advertising to start with, limited to some ads that look more like sponsorship messages, including one from Mike FM, whose parent company CHCR produces the Greek program. As a result, commercial breaks are only a few seconds long, enough for a station ID, and the hour is backfilled with music videos or other short-form programming.

For the quality of the actual programming, I’ll wait until they’ve had a chance to air more of it (and even then I can’t comment much on content because I can’t understand the language most of the time), but my first impression is that it’s uneven. Some of it looks like the kind of long-form talking-head shows that fit the stereotype of low-budget ethnic TV. The only thing that’s different is that it’s in a green-screen set and in high-definition, and has flashier computerized graphics (though not quite as well produced as the stuff you’ll find on the big national broadcasters). The shows are better when they take their cameras out in the field, which they do and want to do more (at least when the weather is nice).

It’s considered a soft launch, without a major marketing push behind it, and it’s being run by a group of people who, while they have experience in television production, don’t have much experience running television stations.

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| Radio

CRTC filing gives reasons for TTP Media delay

TTP Media, the company of three Montreal businessmen who have three licences for AM radio stations and hasn’t launched any of them yet, remains quiet. I haven’t heard anything from them since I wrote this story in October trying to explain what happened to them.

In that story, I report that the company, officially 7954689 Canada Inc., asked for a one-year extension on their first radio station (a French-language news-talk station at 940 AM), whose deadline to launch had been Nov. 21, 2013, and that it was granted.

Last week, the CRTC finally published that request, as part of a bimonthly dump of decisions that are not subject to public comment. (The same day, it announced it would publish such decisions as they’re made instead of doing so in bulk months later.)

The application consists of a single document, a form requesting an extension. The document is undated, but the filename carries a timestamp of Sept. 16. The decision approving the request is dated Sept. 30.

Though it’s brief, the document provides reasons for requesting the extension. It specifically cites the Bell-Astral acquisition process, which caused uncertainty in the market and it says stopped the company from going forward with its plans. It also cites the licence granted to it in November 2012 for an English-language news-talk station at 600 AM, and its desire to launch both stations simultaneously. (It makes no mention of its third licence for a French-language sports talk station at 850 AM, approved in June.) And it says changes are needed to the transmitter site to make it work at 600 AM, and that can only be done in the spring.

Citing the Bell-Astral situation as reason for a delay seems a bit odd, until you remember that the group had expressed an interest in buying CKGM if Bell was forced to sell it as a result of the deal. (Buying CJAD was also something they would have been interested in.) Had they bought one of the stations, their plans would have changed dramatically.

But the Bell-Astral deal was approved in June, and it’s not clear what’s keeping them beyond that, other than the technical changes to the transmission site (the former CINF/CINW site in Kahnawake, which is currently run by Cogeco).

With this extension, the deadlines to launch both stations are now November 2014, which all points to both stations launching some time next fall.

Unless they don’t.

Here is the full text of the reasoning TTP Media gave to the CRTC in asking for the extension (I’ve added links for context):

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| TV

CTV adds more Sunday NFL football, which could kill Sunday evening news

As Bell Media tries to figure out how it will deal with losing NHL hockey to rival Rogers, the company has already started solidifying its deals for other sports programming. On Monday, it announced that it has extended and expanded its deal with the National Football League, and will, starting next season, be presenting football games at 4pm on Sundays on CTV and CTV Two in addition to the 1pm games it currently airs.

NFL games normally go three hours, and sometimes longer, so basic math suggests that airing games at 4pm on Sundays means those games will still be going at 6pm. But Bell Media couldn’t say right away what would happen to 6pm local newscasts on Sundays.

“The specific programming plan is evolving, but we have every intention of meeting our local news obligations in eastern Canada,” was the response from Bell Media when I asked about the Sunday newscasts.

CTV stations in large markets like Montreal and Toronto are required to air 14 hours of local programming a week. Currently, they air about 16 hours a week of local news, so they could cancel Sunday newscasts and still meet their CRTC obligations. Because the CRTC requirement doesn’t distinguish between original programs and repeats, they could also cheat by repeating an evening newscast the next day at 6am. (Global Montreal did this every weekday before the launch of Morning News. CTV also does this in some markets.)

Not having Sunday evening news wouldn’t be the end of the world. They could do like CBC and just have a late-night newscast on Sundays. City Toronto, which airs NFL football at 4pm on Sundays, cancels the evening newscast when it airs those games.

Moving the news to another time would be tricky, though. They can’t make it earlier without bringing it all the way back to noon. Pushing it an hour later might work, but ask any fan of 60 Minutes how often the 4pm football game ends before 7pm. CTV also airs primetime shows at 7pm. Right now that’s when it airs ABC’s Once Upon a Time.

Making this even more complicated is that the NFL season is only 17 weeks long, running from September to early January. So they might have one schedule for the fall and another for the rest of the year.

They have a few months to figure it out. The change takes effect with the 2014-15 season which starts in September.

| Radio

Fall radio ratings: Any way you slice it, Virgin beats The Beat

Virgin Radio ad on its website thanking listeners

Virgin Radio ad on its website thanking listeners

Fall ratings for markets including Montreal came out on Thursday, and like they usually do, they showed nothing earth-shattering. Everything is pretty well where you expect them to be.

For the past few quarters, after the ratings report comes out, both Virgin Radio and The Beat make a big deal about how they did better than the other. This time, it was just Virgin crowing. And with good reason: by almost every metric, they have more listeners than their competitor.

Of course, with only five commercial stations, the English-language market in Montreal has plenty to go around. In any other large market, a 15% share would be enough to send champagne corks popping. But here, that’s fourth place out of five.

The numbers

Ratings period is always a penis-measuring contest, so let’s go ahead and whip ’em out.

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| Radio

The Beat puts CJ in the big chair, eases Donna Saker’s workload

Christin Jerome is now the early-afternoon host at The Beat

Christin Jerome is now the early-afternoon host at The Beat

Radio is a tough business, and sometimes it doesn’t matter how many hours you put in or how much experience you have or how eager you are when it comes to choosing who gets the big jobs.

But sometimes it does. And so Christin Jerome, better known to The Beat’s listeners as CJ, is getting a more high-profile role, becoming the host of the early afternoon show on the station. She takes over for Donna Saker, whose shift is being shortened to just mid-mornings.

“When we launched the station (as The Beat), we didn’t have the intention of her doing 2.5 years at that shift,” program director Leo Da Estrela tells me. “At the back of our minds we knew it wasn’t going to last forever. We were really stretching her to the limit.”

Jerome filled in on the afternoon drive show as the station waited for Cousin Vinny’s contractual obligations to Virgin Radio to expire last year. She also filled in for Saker while she was away.

“We always got good feedback with her on the air,” Da Estrela said. “You could see her doing better and better every day.”

Jerome has been a fixture at the station for many years. Her previous role was side-kick to Vinny on the afternoon drive show, doing traffic. That role is now being taken up by Shaun McMahon. “It gave us an opportunity to give Shaun space, a good opportunity to elevate everybody’s game,” Da Estrela said.

The move was made on Nov. 25, about two weeks before the latest ratings report came out showing The Beat’s daytime shows losing a significant chunk of its audience among young adults and losing ground to competitor Virgin Radio.

Needless to say, Jerome is thrilled about the new status. “It’s been a great experience so far,” she said. “I think we all give (Da Estrela) credit for recognizing our versatility and believing in us. Too often, radio PDs typecast their team. The traffic reporter never gets a crack at anything else. The swing or overnight announcer never gets a shot at working days. Leo isn’t that program director.”

Just be careful with that chance, because it can be fleeting. This is radio, after all.

| Media

Quebecor ends community newspaper war with Transcontinental by selling them all their papers

It was 2010 when it really started to heat up. Quebecor Media started up new community weekly newspapers in Laval and the north shore, encroaching onto territory served by Transcontinental Media. A few months later, new papers in Joliette and Repentigny. It was clear at this point that Quebecor was starting a war.

Transcontinental responded with papers on Montreal’s south shore, in Sainte-Agathe, Mont-Tremblant and Abitibi.

Before then, both companies had dozens of community newspapers across Quebec. There was sort of a gentlemen’s agreement, or maybe just a fear of competition, so they didn’t encroach on each other’s territory. Until Quebecor decided it would expand into fast-growing areas and take on Transcon directly.

But on Thursday, that ended, with this matter-of-fact announcement from Quebecor that it is selling all 74 of its community weeklies to Transcontinental for $75 million. The announcement comes a day after it said it would cut 200 more jobs at Sun Media, including 50 in editorial positions.

Quebecor has 600 employees at these papers.

“The digital revolution has brought profound changes in local print media markets,” Quebecor CEO Robert Dépatie said in the press release. “Advertisers now have a multitude of platforms available to them that did not even exist little more than 10 years ago. We believe in the future of print media but we cannot ignore the new market realities”.

Quebecor talks about how the papers are in good hands, but the reality is that with many papers in overlapping markets (and many of those in fierce, unfriendly competition with each other), some mergers and shutdowns are inevitable.

The fact that this leaves Quebec with only one major community weekly publisher will mean it should get attention from the Competition Bureau. Sun Media will keep running the papers until it gets approval.

UPDATE (Dec. 19): Quebecor has also killed Le Sac Plus, its Publisac competitor. The shutdown will result in the loss of about 30 jobs, not including all the people who actually deliver it. Selling the regional weeklies prompted it to re-evaluate Le Sac Plus’s viability as a business, Quebecor said.

The list of papers TC Media is acquiring is below.

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| Radio

CRTC approves frequency change for Radio Fierté

It hasn’t launched yet, but Radio Fierté has already gotten approval to improve its signal, particularly during the night.

On Wednesday, the CRTC approved a technical amendment to the licence of the French-language LGBT-focused music and talk station owned by Dufferin Communications (Evanov Radio). The licence was first awarded in 2011, on the same day that the CRTC approved a move of CKGM (TSN Radio) from 990 to 690 AM. Dufferin was given CKGM’s old frequency and technical parameters as part of that decision.

But as I reported in July, 990 isn’t that great of a frequency for a radio station (which is why CKGM applied for the change in the first place). So Dufferin asked that it change frequency to 980 AM (ironically itself a former frequency for CKGM), reducing power but replacing a highly directional nighttime signal with a much less directional one.

5 mV/m day signal patterns: existing 990 (green) and proposed 980 (yellow)

5 mV/m day signal patterns: existing 990 (green) and proposed 980 (yellow)

5 mV/m night signal patterns: existing 990 (blue) and proposed 980 (red)

5 mV/m night signal patterns: existing 990 (blue) and proposed 980 (red)

The move made sense because another station at 980 AM, CBV in Quebec City, was no longer on the air. That station has since moved to FM. The 990 frequency, meanwhile, has to protect two distant Canadian stations overnight, which severely restricts the signal’s pattern.

With no one opposing the proposed change, the CRTC gave its okay.

Dufferin also applied for an extension of the deadline to launch the new station, which passed on Nov. 21. Wednesday’s decision notes that it must file a separate application for this. It did on Aug. 15, and that was approved without a public comment period. Dufferin now has until Nov. 21, 2014 to launch Radio Fierté.

Dufferin Communications and parent Evanov Radio own Jewel FM stations in various Ontario cities, plus stations branded The Breeze and Energey. It also owns Proud FM in Toronto, which Radio Fierté is based on.

Dufferin also has a licence for an FM station serving Hudson/St-Lazare, to be branded Jewel 106.7. It has also applied for a technical amendment for that station, to move its antenna location due to lack of space on the originally proposed tower. If approved, it says that station could launch within weeks. The application received some opposition from competing stations who feel it is trying to extend its coverage beyond its licensed area. It is still awaiting a decision from the commission.

| TV

V to buy MusiquePlus and MusiMax, the last of the Bell-Astral castoffs

The announcement Tuesday from both Bell Media and V that the latter has won the bidding to purchase music specialty channels MusiquePlus and MusiMax means that all of the assets that the CRTC forced Bell to get rid of as a condition of the Astral acquisition now have prospective new owners.

Neither company revealed the amount of the sale, but we’ll know it when the matter comes before the CRTC. La Presse reports it’s $15 million total, which is low for a well-known specialty channel (much less two), and well below the price it was evaluated at when Astral acquired CHUM’s 50% share of the channel for $34 million in 2007.

To recap, here’s what is being sold, and the status of those sales:

To Corus Entertainment:

  • 50% interest in Teletoon (includes four Teletoon channels and Cartoon Network Canada), for $249 million total (Corus already owns the other half)
  • 50% interest in Historia and Séries+, for $138.6 million total (Corus is also acquiring Shaw’s 50% interest for the same amount)
  • CKQB-FM Ottawa (106.9 The Bear) for $10 million
  • CJOT-FM Ottawa (Boom 99.7) for $3 million

All of the acquisitions listed above (with a total purchase price of $400.6 million) were dealt with at a CRTC hearing that began Nov. 5. We are now awaiting a decision. The acquisitions were approved in December and January.

To Jim Pattison Broadcast Group:

These acquisitions were announced on May 16. The purchase price is unknown. The CRTC has not yet set a hearing date for this acquisition. UPDATE (Jan. 15): The total purchase price is $25.5 million (but valued by the CRTC at $29.8 million). The transaction was approved without a public process.

To Newcap Radio:

These acquisitions, total price of $112 million, were announced on Aug. 26. The CRTC has not yet set a hearing date for this acquisition.

To DHX Media:

These acquisitions were announced on Nov. 28. The CRTC has not yet set a hearing date for this acquisition.

To V Media:

  • MusiquePlus Inc. (MusiquePlus and MusiMax). Price unknown (La Presse reports $15 million).

The CRTC has not yet set a hearing date for this acquisition.

V, turnaround artist

It’s been a bit over five years since a company effectively owned 50% each by Maxime and Julien Rémillard got CRTC approval to take over the bankrupt TQS network. Thanks in part to a successful reboot that banked on a counter-programming strategy, and in part to getting the CRTC to agree to virtual elimination of its news department, the Rémillards got the network that has never made money to finally make some money.

The road hasn’t been easy, though. As competitors like Bell Media, Quebecor Media, Radio-Canada and others can make liberal use of other sources of funding, V had only advertising revenue to go on. It had no money-making specialty channels or lucrative cable distribution networks.

Remstar does have licences for three unlaunched specialty channels:

Each of these has four years (so until 2015) to launch before their licences are taken away.

It also had a licence for a user-generated-content channel, which has since expired because it never launched.

Launching new specialty channels is difficult for various reasons, but a big one is that you need to get carriage. And unless you own a cable provider, that can be an uphill battle.

Getting control of MusiquePlus and MusiMax means V doesn’t have to go through that process. MusiquePlus already has 2.4 million subscribers. MusiMax has 1.9 million. They’ll already have the audience. It’ll just be a question of turning that into profits.

Unlike most popular specialty channels, MusiquePlus and MusiMax are not highly profitable. MusiMax has been hovering around the break-even mark, and MusiquePlus has lost more than $5 million since 2009. (This is probably why Bell decided to let them go.)

Media critics blame this unprofitability on the channels having lost their way. There’s no music on MusiquePlus, they complain, but rather a series of reality shows about pregnant teenagers, models, cars, washed-up celebrities, people who are famous for being famous and whatever Criss Angel is.

Sure, there’s Rajotte, but MusiquePlus has a long way to go to make itself a music channel again. On the bright side, V has already shown that it can revitalize a television channel and keep it young at heart. If it can do the same with these channels, while also keeping them tied to their raison d’être — music — then they should be able to win a lot of fans, and hopefully make a good amount of money too.

| Montreal, TV

Ethnic TV station ICI sets Dec. 11 launch date

Sam Norouzi in the control room at ICI's studios in Ahuntsic

Sam Norouzi in the control room at ICI’s studios in Ahuntsic

“I lose more and more hair,” Sam Norouzi says with a laugh, “and what’s left is getting more and more grey.”

The manager of CFHD-DT (ICI), Montreal’s newest television station, has had to deal with all sorts of technical headaches while trying to launch it. But with the last of the technical issues resolved, he has finally set an official launch date: Wednesday, Dec. 11.

It’s been almost a year since the CRTC granted Norouzi’s 4517466 Canada Inc. a licence to operate a new multilingual ethnic television station as part of a three-way deal that saw CJNT switch hands from Channel Zero to Rogers and become an English-language City station.

As part of that deal, ICI will receive $1.067 million from Rogers for programming, in addition to free content from Rogers’s OMNI network. It also gets a loan of up to $1 million from Channel Zero, plus five years of free master control services. All this for simply taking over CJNT’s ethnic programming obligations and clearing the way for a City station in Montreal.

ICI had hoped to launch by late spring or early summer, but a series of unforeseen problems caused delays. Like when his new antenna was delivered and parts of it were shattered in a million pieces. Or when, after finally getting a repaired antenna installed, it caused interference with a Sûreté du Québec antenna on the same tower (moving the SQ antenna up a bit solved that, but that took a long time because of all the coordination work involved).

And, of course, there was the legal threat from the CBC, which wants to use the “ICI” brand for itself. That case is still ongoing.

In August, the station began transmitting a test signal. It was then pulled off the air when the SQ interference problem came up. Last week, it returned, repeating an Italian-language program about Montreal’s Italian Week. The station is still officially testing until Dec. 9.

ICI green-screen studio with new HD cameras.

ICI green-screen studio with new HD cameras.

When the station does launch on Dec. 11, it will meet its requirement of 14 hours of original local programming a week, though Norouzi said that some of its producers are still waiting for some acquired programming.

ICI is run as a producers’ cooperative. So the producers who work in various languages will buy airtime and produce or acquire their own programming and sell their own ads with it. Norouzi’s production company Mi-Cam Communications has been put at their disposal to help with the technical production aspects.

ICI has a small green-screen studio at the Mi-Cam offices on Christophe-Colomb Ave. in Ahuntsic, though Norouzi said he wanted as much programming as possible to be shot in the field. No more poor-quality interview shows people are used to seeing on previous incarnations of Montreal’s ethnic television station.

Shows ready to go include a Portuguese soap opera Norouzi says looks very good, as well as a cooking show and other programming from OMNI. ICI will, at least at first, carry OMNI News programs in Mandarin, Cantonese and Punjabi about 2-3 days a week. But overall the amount of OMNI programming on the station is very small, Norouzi said.

Carriage: Norouzi said ICI will be carried on both Videotron cable and Bell Fibe when it launches. (Because ICI is a local station, its carriage is required by local cable companies, and that carriage comes without a fee.) He said he’s in talks with others (notably Bell satellite TV) for additional coverage.