Monthly Archives: August 2016

Jay Walker crosses the language barrier with TV show Resto Mundo on Zeste

This isn’t Jay Walker’s dream job. Nor are his other broadcasting gigs, hosting the weekly Montreal Rocks show on CHOM, or contributing to Global Montreal’s Morning News, or contributing music picks this summer to the Radio-Canada radio show Tandem. Nor is his actual day job, working as a real estate broker. Or his unpaid job of being a parent to three-year-old Emma Rose.

No, Jay Walker’s dream job is to be the next George Stroumboulopoulos. (Cool MuchMusic VJ George, not fired-from-Hockey-Night-in-Canada George.)

“I wanted to be on MuchMusic so bad,” he told me this week in an interview. He built a career designed to slowly move him toward that goal. He interned with CHOM when Andrew Carter and Steve Anthony were the morning men. He produced Expos games for The Team 990. He worked as a researcher on the TQS entertainment show Flash. And for the past six years he’s been hosting a show in one of the most ratings-unfriendly time slots (10pm to midnight on Sundays) in which he features Montreal artists on the radio.

But like the Expos and TQS, MuchMusic doesn’t exist anymore. The channel that replaced it, Much, has all but abandoned its focus on music, just as its French-language counterpart MusiquePlus has.

But Walker’s not complaining. He enjoys everything he does right now, including selling real estate, and he’s thrilled about his latest gig, hosting a new culinary lifestyle show on the TV channel Zeste.

Resto Mundo, which debuts Wednesday on the food channel owned by Groupe Serdy, could best be described as the reverse of a food travel show. Instead of heading to different countries and sampling their cuisine, he heads to local restaurants that feature people who have brought culinary culture from all over the world and promise an authentic experience.

Some of the nationalities are more common, like Brazilian, Portuguese and Japanese. Some are less so, like Tibetan, Senegalese and Afghan.

But while the food is all different, Walker says there are a lot more commonalities than differences.

“What I learned personally is that we are all truly the same. Every recipe starts with butter or oil, onion, garlic or ginger, and fresh ingredients.”

Each half-hour episode starts with an interview with the guest, talking about the food and the culture, and the particular dish being showcased. It’s about the food, but also about the person making it and the culture of where both come from.

“I’m not a chef, I’m in no way shape or form a culinary expert,” Walker warns. “For me it’s always about meeting and talking to the people.”

Talking might seem to be an issue for this anglophone who speaks quite well in French but with a slight anglo accent (sounding a little like Sugar Sammy in the process). Walker didn’t quite understand himself at first why he was picked. He said Olivier Tétreault, who directed the Guide Restos Voir show starring Walker’s wife, Anne-Marie Withenshaw, thought of Walker for this new project and proposed that he audition for it. He did, and was offered the job.

He still didn’t quite believe it. “I said ‘you know I’m an anglo right?’ He said ‘you’re the guy, I want you’.”

Walker happened to not have any real estate brokerage contracts, so he took advantage of the opportunity and shot 13 half-hour episodes.

Now he has to get people to watch. Which might be difficult for a show hosted by someone unfamiliar to francophone audiences on a channel not many people get.

Which is probably why even a post on some crappy media blog might help.

Resto Mundo airs Wednesdays at 6pm on Zeste starting Aug. 31.

Virgin Radio brings in new talent, loses Lee Haberkorn

It was two years ago that Virgin Radio 96 had a silly idea to hold a contest to find a new on-air talent, and the winner was some bearded kid named Lee Haberkorn.

Since then, Haberkorn has become a regular at the station, most recently hosting weekend mornings but also being very active on social media, which he uses to post videos of him engaging in a prank war with afternoon host (and program director/boss) Mark Bergman.

So it was perhaps inevitable that he’d be moving on to better opportunities sooner than later. This month he left the station to join the new Virgin Radio in Kitchener, becoming their new morning man.

Haberkorn’s departure follows that of Andrea Collins, who also left the station but stays in the Bell Media family.

Collins has been replaced in late mornings by perennial schedule-hole-filler Kelly Alexander, who now finally has a solid weekday job. Alexander’s weekend shift is being filled by a new import, Shannon Brooksbank, known on the air as Brooksy, who comes from Corus’s Jump 106.9 in Ottawa (where she worked with former Virgin host Tony Stark).

No replacement for Haberkorn’s weekend morning shift has been announced yet. So far the station has been filling weekend mornings with announcerless music.

91.9 Sport adds live evening programming, including Habs postgame show

91.9 Sport schedule (click for PDF)

91.9 Sport schedule for 2016-17 (click for PDF)

The station didn’t mention this in its press release, but the best news is that for the first time since 2013 (and only the second time since 2011), CKLX-FM 91.9 in Montreal will not be starting its fall season with a new name and radical change in format.

What began in 2004 as Couleur Jazz and then became Planète Jazz, then Radio X in 2012, then Radio 9 in 2014 and finally 91.9 Sport in 2015, will stick with that last brand for a second year, as Montreal’s only full-time French-language sports talk station.

And it’s expanding its programming into the evening. No, it isn’t airing live sporting events, but it will have talk weeknights until midnight, the last two hours of which on game nights will be an open-line Canadiens postgame show, even though the Habs game airs on competitor 98.5 FM.

There’s also a pregame show on weekends, from 5-7pm.

The weeknight show is called Sports Extra, and hosted by Meeker Guerrier, who has been their soccer specialist. Soccer and Football have their focus earlier in the show (when hockey fans will be listening to the game). Perhaps the most interesting thing is that he’ll also be taking calls during intermissions. (Why not take calls during commercials why you’re at it?) That will require some juggling, since they can’t have dead air otherwise. Similar to how RDS does l’Antichambre on Saturday nights, it means finding very flexible filler programming otherwise. Fortunately that’s easier to do in radio than on TV.

The weekend show Le 5 @ 7 will also be an audience-driven show, giving people the chance to make predictions before games. Sunday’s show will include a week in review and a focus on football.

The other big addition is Pierre Houde, the RDS Canadiens play-by-play man, who will become a columnist on the morning show. Other than saying he’ll be commenting on the news, it doesn’t give much detail on what we should expect, but you can make a good guess. Houde does a similar thing on a regular basis on CHOM-FM with his friend Terry DiMonte.

So here’s what 91.9’s lineup looks like now:

Weekdays

  • 6-10am: Du sport, le matin with Michel Langevin and Enrico Ciccone. News-focused. Contributors include Michel Villeneuve (7:03), Réjean Tremblay (8:03), Pierre Houde (9:03) and more.
  • 10am-12pm: Gilbert Delorme. Call-in show.
  • 12-1pm: Du sport, le midi with Charles-André Marchand. Commentary-focused. Last half hour devoted to football.
  • 1-3pm: Laraque et Gonzalez with Georges Laraque and Stéphane Gonzalez. Debate-focused.
  • 3-7pm: Jean-Charles en liberté with Jean-Charles Lajoie. Analysis-focused. Contributors include Réjean Tremblay (3:45pm), Yvon Pedneault and Mike Bossy (4pm), Mathias Brunet (4:45pm) and Bob Hartley (5:03pm).
  • 7pm-12am: Sports Extra with Meeker Guerrier. Includes segments on soccer (7-7:30pm) and football (7:30-8pm, rebroadcasting the 12:30pm show), and call-ins after Canadiens games.

Weekends

  • 6am-noon: Les faits saillants, a best-of from the week.
  • Noon-5pm: Les légendes du rock with Jeff Paquet. Rock music.
  • 5pm-7pm: Le 5 @ 7 with Louis-Philippe Guy (starts Oct. 1). Lookahead and look back. More hockey focused on Saturdays and football focused on Sundays.
  • 7pm-midnight: 100% Rock, with francophone rock music from the 70s to 2000s.

Outside of these hours will be mainly rebroadcasts and highlights of other shows.

The morning show interviewed general manager Yves Bombardier this morning to explain the changes and video is up on their website.

One thing he points out, and is clear from the schedule, is an attempt to structure the programs to create rendez-vous moments. Soccer and football fans will know when to tune in to hear programming related to their preferred sport. People who want to listen to Pierre Houde will know to tune in at 9am. And there are top-of-the-hour three-minute newscasts during morning and afternoon drive and at noon.

More people are listening, but is it enough?

The station is cautiously optimistic, and their ratings explain why. The station’s reach and average audience is about 1/10th that of 98.5 FM, and even among men 25-54, which should be its core demographic, its market share is stuck around 4-5% vs 30% for 98.5. (For women, it’s virtually nil.)

But its numbers are better than it used to be. If you look at overall (ages 2+ 24/7) ratings measured by BBM/Numeris in the spring of each year, you see the station was much better in 2016 than any of the previous five years.

  • 2011 (Jazz): 1.0% share, 55,900 reached each day
  • 2012 (Jazz): 1.2% share, 63,400 reached each day
  • 2013 (Radio X): 0.7% share, 42,400 reached each day
  • 2014 (Radio X): 1.2% share, 51,100 reached each day
  • 2015 (Radio 9): 0.9% share, 43,000 reached each day
  • 2016 (91.9 Sport): 2.4% share, 54,800 reached each day

A doubling of ratings isn’t that fantastic when you’re so low to begin with, but it’s enough that they’re sticking with the plan. The increase in share with a more modest increase in reach means that people are tuning in longer.

UPDATE (Oct. 9): The weekend lineup has been tweaked. I’ve updated it above.

CTV’s Your Morning: A formulaic morning show that misses chances to inform

Your Morning cast, from left: Kelsey McEwen, Melissa Grelo, Ben Mulroney, Anne-Marie Mediwake, Lindsey Deluce. (photo: Bell Media)

Your Morning cast, from left: Kelsey McEwen, Melissa Grelo, Ben Mulroney, Anne-Marie Mediwake, Lindsey Deluce. (photo: Bell Media)

YOUR MORNING is a new approach to morning television. The series will deliver an original perspective and unique insight into the stories of the day, while showcasing lifestyle topics of interests to Canadians from coast-to-coast-to-coast.

That’s how CTV announced, in June, the show that would replace the long-running Canada AM morning show.

On Monday, the show finally debuted. I watched the first three episodes of this new show, curious how it would take this “new approach” and offer “original perspective and unique insight”, but mostly how it would make morning television relevant to a generation of people who turn to Twitter and Facebook before turning on the TV.

I was disappointed.

Despite the long preparation time, the show is still in its infancy, so I won’t judge it for the kind of opening-day jitters that affect any new show. A few awkward handovers as the hosts figure out their timing, some confusion over what videos to show during discussions, or not knowing what camera to look into. Though technically it has actually been very smooth.

I’ll also preface my review by noting that I’m not the target audience for a morning TV show. I wake up well after 9am, and I don’t have the TV on in the background while I’m making lunch for my kids.

But I’m trying to keep that audience in mind. People who won’t tune in for the full three hours, but maybe some half-hour block. People who aren’t paying full attention, and mainly want the basics: knowing what’s in the news, what the weather is going to be like, and maybe a little bit of entertainment in between.

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The missing nuance of the Mike Ward debate

An unelected quasi-judicial board of PC police with no respect for fundamental freedoms is trying to force a comedian to pay thousands of dollars because someone didn’t like one of his jokes about a public figure.

A bigot who makes a career out of vulgarities and insults is finally being brought to minor justice after bullying a young boy by mocking his disability and expressing a desire for him to be murdered.

Either one of those sentences could describe the much-discussed legal battle between comedian Mike Ward and Jérémy Gabriel, the boy born with Treacher Collins syndrome who made headlines a decade ago when his wish to become a singer led to him singing in front of Céline Dion and the pope.

Just before he began a week of hosting the Nasty Show at Just For Laughs, Ward was ordered by Quebec’s human rights tribunal to pay a total of $42,000 in moral and punitive damages to Gabriel and his mother for comments he made during a one-man comedy show.

If you’re unfamiliar with the case, pat yourself on the back, because it seems like everyone has been talking about it. Even visiting American comedians were asked about the case during JFL.

Since the decision was announced, and even before while we were waiting for it, just about every communications medium that exists has hosted discussions on it. On one side, comedians and free speech absolutists who say this is a slippery slope toward government censorship of comedy. On the other side, social justice warriors who say comedy is no excuse for bullying a disabled child.

I’ve been thinking about the case for the past couple of weeks, trying to decide which side I’m on. I believe in protecting the vulnerable people of society from hate speech and children from bullying, but I also like Ward’s comedy.

And I saw the comedy bit in question, and I laughed. I still do.

So unlike most people who have commented on this case publicly, my position is more nuanced.

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Dave Fisher calls it a career, is added to CJAD Wall of Fame

That’s it for Dave Fisher, the CJAD weekend morning man who retired Sunday after 32 years entertaining Montrealers on the air.

For those of you who missed it (and weren’t among the invited guests to see it in person), CJAD has posted the last hour and a half of Fisher’s final Trivia Show online:

There’s also coverage from CTV News, the Montreal Gazette and of course CJAD itself. The Gazette’s Bill Brownstein wrote a tribute to Fisher when the retirement was announced in June. Contributor Gary Beauvais writes about Fisher in the Eastern Door.

Fisher has been added as the fourth face on CJAD’s Wall of Fame, which started last December. The honour comes with a special Aislin cartoon in his honour. Fisher is the only living recipient of this honour so far.

Ken Connors takes over as CJAD’s weekend morning man starting next Saturday.

Global, City TV withdraw demands to reduce local programming minimums in Montreal

Corus Entertainment, which owns Global TV, and Rogers Media, which owns City TV, have each decided that in light of recent changes in local television policy, they are willing to accept the requirement that their stations in Montreal produce the standard 14 hours per week of local programming, and have withdrawn requests that their quota be reduced to 10 or seven hours a week.

The requests came as part of a proceeding to renew licences for Canada’s major television broadcasters. The large groups all have their licences expiring in 2017, and the CRTC is holding a public hearing in November to discuss what conditions should be in their renewed licences for over-the-air television and specialty channels.

Bell Media proposed no such changes for CFCF-DT, which is the market leader in the city and whose local newscasts often have a market share above 50%. But even the #1 broadcaster warned about the failing business model of local television, and said that for its network “at this time, we can only commit to the current local programming requirements and even these regulatory minima may need to be revisited once the Commission’s decision on local programming is released.”

Normally, television stations in “metropolitan” markets of more than 1 million people are required to broadcast 14 hours of local programming every week, while stations in smaller markets are required to broadcast seven.

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TTP Media abandons 850 AM, shows no progress on other unlaunched stations

For the past five years, one of the most common questions I’ve been asked by people in the local broadcasting industry is what’s going on with TTP Media, a group of local businessmen who won CRTC licences to launch three AM talk radio stations in the city and had promised to revolutionize the market with big investments in quality programming.

Unfortunately, for years now the answer has been “nothing that I know of.” And unfortunately that continues today.

Since getting the licence for 850 AM in 2013, the group’s only on-the-record activity has been asking for extensions and technical changes from the CRTC, each time indicating that the stations were mere months from launch.

But now there’s finally some news, even though it’s not clear what it means. In June, the authorization from the CRTC to launch a French sports-talk station at 850 AM expired. Because the decision approving the station was published in 2013, and the first extension given last year, a second request for a final one-year extension should have been a matter of formality.

But that request was never issued. So on June 19, when the deadline was reached, the authority to launch the station expired.

According to the CRTC, the frequency is now available for anyone else to apply for.

I chronicle my attempts to seek comments from the partners in Tietolman-Tétrault-Pancholy Media in this story published by Cartt.ca. Paul Tietolman, whose father Jack founded the station that used to be on 850 AM in Montreal, was the only one who would talk to me, but he wouldn’t answer questions about the group’s plans, wanting to defer to his partners and not act as a company spokesperson.

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Elliott Price joins Sportsnet, kinda

Elliott Price, right, with co-host Grant Robinson in the CFMB studio.

Elliott Price, right, with co-host Grant Robinson in the CFMB studio.

It was a bit of a head-scratcher of an announcement: Elliott Price is now part of the Sportsnet Network. But what’s the Sportsnet Network?

I asked the parties involved for a story that appears in Monday’s Montreal Gazette, about what Price has been up to since he was let go from TSN Radio 690 last November.

Basically, it’s an agreement for cooperation. Price gets access to Sportsnet’s branding and personalities he can interview on his show, plus Sportsnet’s website hosts his podcast. On the flip side, Sportsnet’s radio stations in Toronto and Calgary get access to Price to give a Montreal perspective on sports stories, and Sportsnet has a “presence” in the market, a benefit that is less tangible.

I could not get them to either confirm nor deny that money is changing hands as part of this deal, but Dave Cadeau, program director of Sportsnet 590 The Fan in Toronto said the deal isn’t financial in nature. Price is not a Sportsnet employee, and he maintains his editorial independence. Price’s show (which has been renamed Sportsnet Tonight with Elliott Price) also carries some Sportsnet-related advertising, including spots for the upcoming World Cup of Hockey.

It was Price that got the ball moving on this deal, and he said he had been working on it since the beginning. Unlike TSN Radio, which has eight stations in five provinces (in every NHL and CFL market except Calgary and Regina), Sportsnet has only stations in Toronto and Calgary, and so needs some help to cover other major sports markets.

So does this mean we could see other deals like this in the future?

“Could I see it? Sure. Are we thinking about it? No,” Cadeau says. “This is all that is planned.”

Price’s situation is pretty unusual. CFMB is licensed as an ethnic radio station (it is required to broadcast programming in 16 languages for 16 ethnic groups, but there’s no particular limit on the amount of non-ethnic programming it can broadcast otherwise), and so is only sports for 10 hours a week.

The likelihood of Rogers starting a full-time all-sports station in Montreal is virtually zero while TSN 690 is on the air. Outside of Toronto, the market for sports-talk simply isn’t robust enough for more than one station. (Rogers did suggest it might be willing to buy TSN 690 during the Bell-Astral hearings, but it’s unclear how serious that offer was.)

So this represents the next best thing. Sportsnet gets a presence in the city that it doesn’t have to pay for, and Price gets to look a lot more professional and get lots of expert guests by associating himself with this big brand.

Price also is now a regular panelist on Sportsnet Central Montreal, the weekly sports talk show that airs on City Montreal.

Is Price’s show viable?

I asked Price whether he thinks he can get enough advertising to make his show break even. The initial response from advertisers has actually been quite impressive. Since it started as a one-day-a-week show on CFMB, the show has had several local sponsors. He said it was enough that the Sunday show paid for itself, but with the expansion to five days a week (making this a de facto full-time job for Price and co-host Grant Robinson), the advertising demands are greater. He guesses he’s about halfway there, though.

CFMB's main studio.

CFMB’s main studio.

This was my first visit to the new studios of CFMB since the Evanov Radio Group bought the station and moved it to new offices on Papineau Ave. in Rosemont. The building, which doesn’t have any exterior signage, has newly renovated offices on several floors (and half-floors). Upstairs are the studios of sister station AM 980.

The new studio is clean and reflects a the new reality of radio, and the big windows will expose hosts to a lot more natural light than the basement studios the station vacated in Westmount.

CFMB's ground-floor studio on Papineau Ave.

CFMB’s ground-floor studio on Papineau Ave.

UPDATE (Aug. 11): Price is interviewed on Breakfast Television Montreal about his new show.

The Beat swaps morning, afternoon drive hosts

 

The Beat 92.5 is continuing its summer of transformation. On Monday morning, it announced that it’s moving Cat Spencer to afternoon drive and Cousin Vinny Barrucco to mornings. The changes take effect immediately.

Vinny will be joined in the mornings by co-host Nikki Balch, who has returned to Montreal after leaving Virgin Radio two years ago, as well as Stuntman Sam and Kim Kieran on news and traffic. Kieran is also moving to mornings from afternoons, replacing the departing Natasha Hall.

Spencer seemed excited about the change, even though morning host is traditionally the most prestigious of the radio jobs. (The 9-to-5 workday shifts are The Beat’s highest rated.) Spencer’s on-air time isn’t only reduced to two hours a day, but four days a week, Mondays to Thursdays. He’s joined by Claudia Marques on traffic.

Spencer explained on the air that he had planned to do mornings for five years when he joined The Beat in 2011, and wanted to move to afternoon drive and have his mornings back.

The rest of the schedule is unchanged. Donna Saker does 9am to 1pm, Christin Jerome does 1pm to 5pm, and Jeremy White takes over at 7pm. Rob Kemp and Nat Lauzon do weekend mornings and afternoons, respectively.

The changes (which also include new headshots for everyone) come less than two months after The Beat brought in a new station manager, Luc Tremblay. Tremblay, who had been working at La Presse+ since 2012, will also act as program director, replacing interim PD Martin Tremblay.