Category Archives: Navel-gazing

Posted in My articles, Radio

The Beat beats Virgin: a fluke, or a turning point?

The quarterly radio ratings haven’t interested me much in a while, mainly because there’s few stations owned by even fewer owners, and the ranking never changes. People talk about a few extra listeners here and some demographic shift there, but overall it’s always the same: CJAD has the highest market share*, Virgin is No. 1 with adults 25-54, CHOM does best with men, and we ignore the fact that all three of those stations are owned by the same company.

This time though, there was a noticeable change. And it made a big difference. The Beat 92.5, which had been slightly ahead of Virgin Radio 96 in most reports the past two years but behind in the key demographics, shot ahead under both measures. Instead of them fighting it out at around 16% or 17% of the audience, The Beat had 20% and Virgin was under 15%.

That was enough to write a story for the Gazette and get the program directors on the record.

That wasn’t easy, mind you. Sam Zniber, who was hired last August at The Beat, flat-out refused to tell me what he thought contributed to the ratings increase, fearing his competitor would find out and copy him. He would only say it’s a team effort.

Mark Bergman at Virgin, meanwhile, did his best to put a positive spin on the ratings, pointing out that the station has a larger reach, and saying that because the measured period included December, the numbers biased in favour of The Beat.

That’s half true. Virgin’s market share does go down in the winter ratings period, but The Beat’s doesn’t spike during that period. And it wasn’t nearly this bad last winter, so it must be something else.

I listened to The Beat, trying to figure out what changed. Was it the announcers? No, because their lineup has been stable for the past year. Was it the amount of music? Anne-Marie Withenshaw’s lawsuit suggests a shift toward less time on air for announcers, and I’ve noticed that many breaks are very brief — like seven seconds brief. But studying the “recently played” lists of Virgin and The Beat, they play about the same number of songs per hour (about eight during peak hours when they have contests, traffic and other stuff, and about 13 an hour during off-peak hours).

The type of music played seems to have changed. Instead of just Katy Perry pop, it’s got more R&B, more dance. Its slogan “Montreal’s perfect mix” and describing itself as airing a “variety” of music make it seem more and more like The Beat of today is the Mix 96 of a decade ago.

Or maybe it’s a combination of factors — a new program director bringing in some new ideas, an experienced on-air staff (many of whom used to work at Virgin) keeping the audience loyal, a more popular mix of music, lots of contests and stunts to keep people engaged, a better-than-expected boost from Christmas music season, and a bit of luck.

We’ll know in three months (or maybe six) how sustainable this lead is. I suspect it won’t last long, but the trend (at least among 2+ audience) has clearly been in The Beat’s favour since it relaunched in 2011.

radioratings

* An earlier version of this post said CJAD had the “most listeners”. As a reader points out, if you count everyone who listens for at least a minute during a day or a measuring period, Virgin has more listeners. I’m more interested in the average, but for clarity I’ve referred instead to market share.

Wayne Bews let go from The Beat

Wayne Bews, hired only a year ago as general manager of The Beat, filling the role vacated by Mark Dickie, has once again fallen victim to corporate management deciding that a station doesn’t need its own general manager. Cogeco tells me that the position has been eliminated and his functions taken over by other people within the company.

Bews left his job at TSN 690 for similar reasons in the fall of 2013, though at least that time Bell got him a job at CTV Montreal.

Charli Paige is Virgin’s new evening announcer

Meanwhile, a new face at Virgin. Tony Stark’s old evening show has been given to Charli Paige, who comes from 101.3 The Bounce in Halifax, where she was Jillian Blinkhorn. Her show airs 6-11pm Mondays to Thursdays.

Stark, meanwhile, is in the middle of a contest at The Jump in Ottawa to find a morning co-host.

Posted in Media, My articles, Radio, TV

CBC holding its first public consultation for English-language minority in Quebec

The CBC wants to hear from you, not just because it wants to, but because it’s required to by a condition of licence.

In fact, it’s the very first condition of licence for CBC’s English and French-language services in a new CRTC licence approved in May 2013: The public broadcaster has to consult with minority-language communities: Francophones in Atlantic Canada, Ontario, Western Canada and the North, and anglophones in Quebec. It has to happen once every two years and it has to be reported to the CRTC.

As CBC Quebec Managing Director Shelagh Kinch explains in this story I wrote for the Montreal Gazette, this is merely a formalizing of regular consultations the CBC did with anglophone community groups in Quebec and collection of audience feedback.

The consultation takes place Tuesday (Feb. 24) from 6:30pm to 8pm at Salle Raymond David of the Maison Radio-Canada in Montreal. You can also tune in via live webcast and participate on Twitter using the hashtag #CBCconsults.

In addition to Kinch and a panel of local journalists (All in a Weekend/Our Montreal host Sonali Karnick, C’est la vie host and political columnist Bernard St-Laurent, Shari Okeke and Raffy Boudjikanian, plus travelling journalist Marika Wheeler), there will also be two bigwigs from CBC who can make a real difference: Jennifer McGuire, editor-in-chief of CBC News (who is also responsible for local radio across the country) and Sally Catto, general manager of programming for CBC Television. (Sadly, there isn’t anyone from national CBC radio, nor is CEO Hubert Lacroix on the panel.)

The CRTC imposed this condition of licence among several changes in the last licence renewal to ensure CBC is fulfilling its mandate toward minority language communities that aren’t large enough to have commercial broadcasters catering to them. And while Montreal is big enough that we have four English TV stations and several commercial radio stations, the rest of Quebec is pretty underserved. The only major broadcaster catering to them directly is the CBC Radio One station in Quebec City.

So if you have some beef with CBC’s programming, or feel as though it needs to better reflect your reality, whether you live on the Plateau or in Gaspé, this is your chance to make yourself heard.

And yeah, the just-shut-down-the-CBC suggestion has already been made.

The Facebook event for the discussion is here.

I can’t make it because of a meeting I have to be at, so I won’t get a chance to ask why our public broadcaster took a pass on the only English-language Canadian scripted drama series that’s actually set in Montreal.

Posted in My articles, Radio

The Jewel in Hudson hires Ted Bird as morning show host

Ted Bird

Ted Bird

Three months after it began on-air testing, The Jewel 106.7 (CHSV-FM) in Hudson/St-Lazare is getting ready for a launch in early March and has hired its morning man: Ted Bird.

I have some details in this story in the Montreal Gazette’s Off-Island section.

With the hire, Bird gains his fifth employer and fifth station in five years. He left CHOM in 2010 over “creative differences” with management and months later landed at community station K103 in Kahnawake. In 2012, he left K103 and joined what was then TSN 990. In the fall of 2013, after the Bell/Astral merger put his old CHOM bosses in charge of TSN, he was let go, and joined KIC Country 89.9 in Kahnawake. His last shift at that station was on Friday.

Bird also freelances as a sports commentator. He had a regular segment on CTV Montreal, and recently started doing the same thing for City’s Sportsnet Central Montreal.

Evanov Radio, which owns The Jewel, confirms that it has hired Bird as the morning show host.

“We have also hired a sales team which consists of three representatives to start and are looking to add our sales manager shortly,” says Evanov vice-president Carmela Laurignano.

There’s no word yet on other talent, but we’ll know that in the coming weeks. I’ve heard of a few names familiar to Montreal radio listeners that have tried out.

The Jewel is licensed to serve Hudson and St-Lazare, and its signal also covers Vaudreuil, Rigaud, Oka, Île Perrot and the western part of the West Island. Its programming will be mainly easy-listening music, but will have news and information specific for the Hudson/St-Lazare community (its application promised four hours and 22 minutes a week of news, of which half would be local to that community). Evanov told the CRTC in applying for the licence to the station that this community of should be considered a separate market from Montreal. (According to the CRTC’s measure, Hudson and St-Lazare alone have about 22,000 anglophone residents.)

Posted in My articles, Radio

CRTC denies CJLO transmitter at 107.9 FM

Vermont Public Radio fans in Montreal can exhale. At least for now.

On Monday, the CRTC denied an application from Concordia’s CJLO to add an FM retransmitter at 107.9 FM, which would block out VPR in downtown Montreal and an arguable radius around it.

But the commission makes it clear that objections from VPR and its fans had nothing to do with the decision: “because VPR operates a U.S. station, its station was not considered in the examination of this application.”

This is consistent with a previous decision allowing CHLT-FM in Sherbrooke to move to 107.7 FM despite interference problems it might cause VPR listeners in the townships.

Instead, the CRTC determined that CJLO had not presented a compelling technical need to get the new allocation, particularly since 107.9 would be one of the last frequencies available for a station in Montreal.

More about this decision below and in this story in the Montreal Gazette.

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Posted in My articles, Opinion, Public transit

Crunching the numbers in the STM’s budget

A week ago, the STM hiked its fares yet again, making it more expensive to take public transit in Montreal. The hikes represent about a 50% increase over a decade, well above the rate of inflation.

Politicians, social activists and regular transit users complained, as they do every year, that this is unacceptable, making it harder for those who don’t have money to get to and from work. The STM and its defenders point to the fact that public transit in Montreal is still much cheaper than Toronto and other comparable cities. The other side comes back with the argument that income and costs of living are lower in Montreal, so you can’t compare cities like that.

A few weeks ago, I started wondering whether the STM’s rate increases were truly reasonable, so I started going through its budgets and plugging numbers into a spreadsheet. I also got some numbers from Statistics Canada, such as the consumer price index in Montreal, the population of the city, the median family income.

The result is a story published in Thursday’s Gazette that tries to give a quantitative picture of the situation. The headline is that the increase in fares, at least for the years 2005-2013 (we don’t have figures for 2014 yet), corresponds to an increase in service in both métro and bus service, all going up about 30% over that period.

But is that the proper way to measure whether it’s reasonable? The increased service came with an increase in the number of users, which means more fare revenues. Should that be taken into account? What about our ability to pay?

With the help of the Gazette’s data guru Roberto Rocha, we put together an interactive chart with the story that allows you to make comparisons for yourself of how things have changed since 2005. Fare price versus total trips. Total salaries and benefits vs. total bus service. Revenue per trip versus total passes sold. Total revenue versus population.

But even that’s only a subset of the data analysis that can be done. So I invite you to do your own: Download this spreadsheet and compare numbers to write your own story.

STM fares in context (.xls, 42kb)

The figures don’t all look good for the STM. Salaries and benefits are going up higher than the amount of work done to justify them. And the amount of subsidies from the Quebec government has gone up more than 200%.

But before you blame the unions or some other invented bogeyman, consider that the cost per hour worked at the STM went gone up about the same as the median family income in Montreal.

Missing numbers

There were some comparisons I wanted to make that I couldn’t. Reading the comments below the Gazette piece, people point to executive salaries. I wanted to include that, but it’s hard to quantify because of the changes in executive pay. For example, I could put in the salary for the director-general of the STM. But that salary went down significantly when Carl Desrosiers took over the position, and in the latest numbers were still lower than his predecessor (though not much).

Another is the price of oil. Including its value could easily give the impression that the fare hikes are more than reasonable. But the price of crude has plummeted in recent months, which would not be reflected on these charts because they end in 2013. So I asked Jeanine Lee, our graphic artist, to take it out of one of the charts we were using.

And there are numbers that can’t be easily calculated, like the number of overall users. Or numbers that are subjective, like customer satisfaction.

What metrics would you use to judge the STM’s performance? And what do those numbers show?

Posted in Media, My articles

What would you do if you were CBC’s president?

Découverte host Charles Tisseyre’s cri-du-coeur last week at the CBC Annual Public Meeting has already gotten more than 100,000 views on YouTube. Straddling the line between passionate and angry, it deplored the situation at the public broadcaster, how much it has seen its programming cut (his own show now has fewer episodes and more repeats as a result) and has been kicking its young talent out the door.

But while Tisseyre’s words got wild applause from the crowd assembled in the basement of the Maison Radio-Canada, and Tisseyre politely but firmly challenged CBC president Hubert Lacroix on the latter’s failure to answer a question about why he hasn’t done more to fight the federal government on CBC funding, the Radio-Canada personality doesn’t necessarily share the crowd’s animosity toward Lacroix.

A concerned citizen helps Hubert Lacroix out with the tedious resignation-letter-writing thing.

A concerned citizen helps Hubert Lacroix out with the tedious resignation-letter-writing thing.

“Animosity” is perhaps an understatement here. Many in the crowd wore T-shirts that seemed to directly blame Lacroix for the thousands of job cuts the broadcaster has seen since he took office. The second question of the event asked if he should resign. Later, someone handed him what he described as a pre-written resignation letter that needed only Lacroix’s signature.

But Tisseyre told me later in a one-on-one interview that Lacroix’s resignation would serve little purpose. “If the people who were there resigned, they would be replaced by others, who would be faced with the same cuts. I think the problem is much deeper,” he said.

You can read more about Tisseyre’s comments in this (paywalled) piece I wrote for Cartt.ca. It also includes my impressions about Lacroix’s problem with expressing the right emotions to relate to his employees and CBC fans among the general population.

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Posted in My articles, Radio

The Beat cancels Anne-Marie Withenshaw’s All Access Weekend (and she’s suing over it)

Anne-Marie Withenshaw filed a lawsuit against Cogeco Diffusion in Quebec Superior Court this week.

Anne-Marie Withenshaw filed a lawsuit against Cogeco Diffusion in Quebec Superior Court this week.

Listeners to 92.5 The Beat may have noticed that it’s no longer broadcasting its weekly All Access Weekend show with Anne-Marie Withenshaw, and that all evidence of her has been wiped from the station’s website.

Now we know that the station has decided to cancel the show as part of an apparent new direction in programming that involves on-air personalities being heard less and less. But what makes this story different from every other radio-personality-is-fired stories is that she’s responding with a lawsuit.

I explain the details of the suit in this story in the Montreal Gazette. Essentially, she and her company Killer Queen Productions are alleging that the station strung her along under false pretences after her contract expired at the end of August, making her believe they would renew her contract in order to prevent her from jumping to another station.

That allegation hasn’t been proven in court, and station owner Cogeco Diffusion will have a chance to present a defence.

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Posted in My articles, TV

Videotron adding TSN1, TSN3 and TSN4 after customer complaints

Two months after TSN expanded from two to five channels, and after a bunch of complaints from subscribers missing programming that didn’t air on TSN2 or TSN5, Videotron is joining all the other major TV providers in the country and offering all five feeds.

I wrote this story, which appears in Saturday’s Gazette, after a regional Senators game in Florida meant that Videotron customers couldn’t get the Monday Night Football NFL game on TV.

That problem, which generated a flood of complaints to both Videotron and TSN, has apparently pushed the former to move up the launch date of TSN1, which will now be added on Monday, in time for the next MNF game (even though that game will also air on TSN5, the main TSN feed in Quebec).

TSN3 and TSN4, whose main feature will be blacked-out Jets and Leafs games, and occasionally a different Premier League soccer match or college football on weekends, will be added on Oct. 29.

Some information for Videotron customers:

  • All five channels are free with TSN. And selecting TSN1-5 will count for only one channel in custom packages. So you won’t be paying any extra for these other channels.
  • All five channels will be in high definition. And they will be available in all regions.
  • The TSN channels will be moving to keep them together. Starting Oct. 29, they will be at 186-190 in SD and 786-790 in HD.
  • Analog subscribers will continue getting just TSN5, which includes regional Ottawa Senators games.
  • About the same time, TSN and RDS will be pulled from Videotron’s Illico TV mobile service. Videotron blames blackouts for making these channels less desirable. Though it is looking at alternatives.

For details, read the Gazette story or this previous post on TSN’s expansion.

Posted in My articles, Radio

Where to find country music on the radio in Montreal

As a sidebar to my story on Mohawk radio stations near Montreal, I included a list of country music stations that can be heard here, all of which transmit from off the island. Country music is very popular among Mohawks, and so it is as well on their radio stations. And with Montreal missing a big-name country music station, many assume it isn’t available here.

The list brought me one rebuke from the host of a country music program on a local station. And it’s true that there’s plenty of country music on other stations. So here’s a longer list, including the country music programs that appear on radio stations that can be heard in Montreal, based off those station’s posted program schedules.

Stations in bold should be relatively easy to hear, the rest are more difficult and can be heard only in certain parts of the Montreal region.

This list doesn’t include shows playing folk music, blues or other related genres. It also doesn’t include all-request shows, local artist programs or others where much of the music might be country but the show itself isn’t limited to the genre.

I’m almost certain to have missed some show or some station. If you know of another show to add to this schedule, or a correction to an existing one, leave a comment below.

Posted in My articles, TV

CRTC megahearing on TV begins Monday

10 days, 118 presentations. That’s what’s on the agenda for a CRTC hearing that begins on Monday. There’s the usual big players like Bell, Rogers, Shaw, Quebecor, Telus and Cogeco. There’s the interest groups like the Canada Media Fund, Public Interest Advocacy Centre, Writers Guild of Canada, and labour unions. And there are some individuals thrown in as well.

But there’s also Google, Netflix, Disney.

It’s hard to oversell the importance of this hearing. It isn’t about reviewing a single policy, or approving a single acquisition or new licence. It’s about everything having to do with television regulation in Canada. A working document posted Aug. 21 contains 28 proposals concerning television policy (and a 29th about when to implement changes). It ranges from how consumers choose which channels to buy from their distributor to how accessible programming is for those who can’t see or hear to things that could change the very nature of specialty channels or how you define local television.

And the CRTC is going to try to review this all in two weeks, and rather than deal with the issues one at a time, it’s going to deal with them all simultaneously as each group steps forward to present its opinions.

I put together a story in Saturday’s Gazette that lists the big issues at stake that affect consumers (the online version contains some more issues than the print one does). Packaging flexibility is the big focus of media, and simultaneous substitution is also mentioned a lot, but there are far more issues.

The commission is clear that the proposals outlined in its discussion paper aren’t necessarily what it’s going to do, but are meant to start discussions. Nevertheless, it gives a lot of insight into how it’s thinking. And even with just the changes proposed there, a lot of how we watch and pay for television would change.

For more on the issues at stake, I would invite you to read the series posted on Cartt.ca (a website I’ve written for, though not for this series) and the series posted to Media in Canada or my post from June outlining the issues as they were presented then. Or you can read all 2,552 interventions filed in this proceeding.

Unusually, the CRTC will continue accepting comments about these policies during the hearings, through that most sober and intelligent method: online discussion forums. They’ll be open until the end of the hearing on Sept. 19.

If you want to watch the hearings, CPAC will be webcasting them. The CRTC will also have audio feeds in English, French and with no translation. Or you can go to 140 Promenade du Portage in Gatineau and see the hearings in person.

For Twitter commentary, good bets are Cartt.ca editor Greg O’Brien, policy wonk Kelly Lynne Ashton, the CRTC Hearings official Twitter (which will post links to documents) and the hashtags #CRTC and #TalkTV.

Further reading

 

Posted in My articles, Photos, Radio, Video

K103 moves into new building, and says goodbye to 30 years of history

The new main studio at K103 Kahnawake.

The new main studio at K103 Kahnawake.

For this community where tradition is so important, the move of K103 to a new building in July was bittersweet, even if it was a long time coming. Staff and supporters were excited about entering a much larger building and sitting down to state-of-the-art equipment, but it also meant leaving the building that the station had occupied since it launched in 1981, and bringing with them only small relics of the memories that were made there.

I talk about the K103 station move, as well as two other radio stations on Mohawk reserves near Montreal — KIC Country (CKKI-FM 89.9) and Kanesatake United Voices Radio (CKHQ-FM 101.7) in this story, which appears in Saturday’s Gazette.

Below are videos, photos and more about the K103 move. (I’ll have posts about the other stations soon.)

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Posted in Media, Navel-gazing

Changes at The Gazette this fall

The Gazette printing plant on St-Jacques St. will be decommissioned and the land sold.

The Gazette printing plant on St-Jacques St. will be decommissioned and the land sold.

Things are changing at my employer this fall. I can’t spill all the beans, partly because as an employee I’m given some information that’s not meant for public consumption, and partly because there’s a lot of details I just don’t know. But here’s some stuff that has either already been reported publicly or that I’ve gotten permission to share:

Four-platform redesign

The biggest change will be a relaunch of The Gazette on four platforms — print, web, tablet and smartphone. Each will have its own design, content and strategy. No date has been set for the relaunch, but it should happen some time this fall.

For an idea of what it will look like, you can look at the Ottawa Citizen, which went through a similar relaunch and redesign in May. The Gazette’s will be very similar. The Calgary Herald will be the next paper to go through the process, followed by all the other Postmedia papers (except the Vancouver Province and the National Post).

Rather than present the same stories written in the same way on all platforms, the redesigned environment will see stories done differently for the different platforms. Smartphone users will get short stories and breaking news. Tablet users will get a more magazine-like experience (with one edition a day coming out in the afternoon). Print users will get a design-y paper that’s more visually interesting and presents news in context. And website users will … uhh, I’ll throw in some buzz words here later.

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Posted in My articles, Radio

CRTC wants to crack down on cross-border stations

UPDATED below with CRTC’s notice of hearing.

Tim Thompson, centre, heads Montreal sales for 94.7 Hits FM (WYUL) and other U.S. stations targetting Montreal.

Tim Thompson, centre, heads Montreal sales for 94.7 Hits FM (WYUL) and other U.S. stations targetting Montreal.

In an office building next to the Holiday Inn Pointe-Claire, Tim Thompson and his team of 10 salespeople and four promotions people are trying to get Montrealers to tune away from the big three music stations they’re used to — CHOM, Virgin Radio and The Beat — and tune into a station beaming its signal into the city from across the border in Chateaugay, N.Y., near Malone.

94.7 Hits FM (WYUL) markets itself as “Montreal’s Hit Music Channel“. While technically licensed by the FCC to serve this tiny New York town, its real goal is to get a foothold in Montreal with its 50,000-watt signal. And it succeeds, reaching most of the western half of the island.

The advantage to being a cross-border station is regulatory freedom. CHOM, Virgin and The Beat have to ensure 35% of the music they broadcast is Canadian. They have to ensure no more than half the music they broadcast is or was hit music (a condition originally meant to protect AM stations, now used to protect French stations in Montreal and Ottawa). They’re not allowed to air advertising in French.

As an American station, WYUL doesn’t have any of those obligations. It can broadcast whatever music it wants and programming in whatever language it wants.

“We really just play top 40, and that’s the beauty of our station,” says Marketing Director Tina Paylan.

Not only does the station target Montreal listeners, but advertisers as well, with about 90% of its advertising coming from this region. (It also targets Cornwall in eastern Ontario, in addition to Malone.)

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Posted in My articles, TV

Catherine Sherriffs isn’t coming back to CTV Montreal

Catherine Sherriffs

Catherine Sherriffs

Catherine Sherriffs, who left her job as late-night anchor at CTV Montreal a year ago to go on maternity leave, is not coming back.

Sherriffs, who was given the anchor chair in 2011 after Debra Arbec left for CBC, was scheduled to return to work earlier in July. But her position was not waiting for her. Instead, the station felt that the system it put in place when she left, having Mutsumi Takahashi anchor the noon and 6pm newscasts and Paul Karwatsky anchor at 6pm and 11:30pm, was “working very well the way it is,” explained CTV Montreal General Manager Louis Douville.

“We offered her another project, something new that we wanted to start experimenting with, and she didn’t see that as a fit to her new life,” Douville explained. He wouldn’t go into detail about what that position entails, but I understand it was an anchor-like position with a web focus.

Apparently that idea didn’t sit well with her, either because of the hours, which meant she would be going through rush-hour traffic to and from her home in the Laurentians (she grew up in Morin Heights), or because of the apparent demotion, or both.

My attempts to contact Sherriffs for comment have not yet been met with a response (her Facebook profile is locked down and she hasn’t posted anything to Twitter). I’ll update this if I hear from her.

Though CTV Montreal management would disagree, it’s hard not to see this as a forced demotion (at the very least it’s a forced reassignment). And worse, one that seems to come as an indirect result of a maternity leave. It’s that leave that put Karwatsky in the late-night chair and led to the decision to keep him there.

Douville insists that the decision was made “in the last (few) months” and had not been planned before Sherriffs’s leave.

“We love Catherine. She’s a fantastic employee and a great journalist,” Douville said. And indeed, there’s little reason to believe that this decision was in any way related to her performance in the anchor chair. Rather, it allows the station to go from having four anchors to three and save money.

Sherriffs graduated from Concordia University’s journalism program in 2007, and got her start in radio, working at CJAD. She joined CTV Montreal in 2009 as a reporter before being promoted to late-night anchor.

Sherriffs isn’t the only person leaving CTV Montreal. The station let go of its human resources manager this week, and is looking to cut its workforce by 10 to 12 people (out of about 100 total employees) over the coming months, as I explain in this story in The Gazette.

Posted in Montreal, My articles, Radio

Q&A: CJLO vs. VPR

Since the announcement last month that Concordia’s CJLO radio station has applied for an FM retransmitter downtown to allow listeners at the downtown campus to hear it, but would block out Vermont Public Radio for many more, there’s been a lot of questions, debate and differences of opinion about this proposal.

The CRTC has already received 645 interventions, almost all of whom are radio listeners who support one side or the other. The majority are VPR listeners responding to the organization’s public call-out on its website. Others are CJLO fans who want to be able to hear the station on the downtown campus and say this is the only practical way to do so.

In most (but not all) cases, the interveners don’t have bad things to say about the other side. The VPR fans hope for an alternative solution to the reception problem. Both CJLO and VPR say they support the other and don’t want to prevent anyone from being able to listen to the other.

I look a bit deeper into this application in this story for The Gazette, which appears in Friday’s paper. Below, I’ll tackle some of the questions and perceptions that people have and try to come up with some unbiased answers to them.

A map of potential interference between VPR and CJLO on 107.9 FM, based on terrain data, created by Yves R. Hamel and Associates (click for larger)

A map of potential interference between VPR and CJLO on 107.9 FM, based on terrain data, created by Yves R. Hamel and Associates (click for larger)

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