Posted in Radio

Gregory Charles looks to add classic jazz to Radio Classique, simulcast more, host his own show

The studios and offices of CJPX 99.5 Montreal, at Jean-Drapeau Park

The studios and offices of CJPX 99.5 Montreal, at Jean-Drapeau Park

Almost half a year after the announcement that a company owned by musician Gregory Charles has agreed to buy Radio Classique stations CJPX-FM 99.5 Montreal and CJSQ-FM 92.7 Quebec City, the CRTC has published the application for a transfer of ownership, and we have some details about the sale and his plans for the stations.

The application confirms a purchase price of $10.5 million for the two stations — $6.78 million for CJPX and $3.72 million for CJSQ. The purchase is $7 million in cash and $3.5 million in shares in the new company that must be repurchased by the buyer within four years. There’s also a consulting contract of $8,750 a month ($420,000 total over four years) for existing ownership so long as they still have those shares. The purchase is an acquisition of assets rather than a purchase of the companies that own the stations. There’s also a non-competition clause that lasts three years preventing the current owners from owning or managing a broadcasting or online radio station, or soliciting clients.

The new owner will be Média ClassiQ inc., controlled 100% by Gregory Charles. The stations are currently owned 90% by Jean-Pierre Coallier and 10% by Pierre Barbeau.

If CRTC approval is not acquired by Dec. 31, either party can terminate the agreement, with the buyer paying a $100,000 penalty to the seller.

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Posted in Media, Navel-gazing

The difference 10 years makes

Did they know what they were getting into?

Did they know what they were getting into?

This week marks 10 years since I walked into an office building at 1010 Ste-Catherine St. W. and began a career as a professional journalist.

It was the day after the Journée nationale des patriotes, and I began an internship as a copy editor at The Gazette, a newspaper owned by the Canwest media empire.

Through the decade, the path hasn’t been easy or always positive. I was laid off three times, the second one resulting in more than a year of unemployment in which I tried doing some freelance writing and started a blog for fun. But thanks to hard work on my part, and some managers who for whatever reason thought I was worth it, they always brought me back. And now with a permanent job, I don’t have to worry (as much) that I’ll be let go because not enough people got pregnant.

In those 10 years, I’ve made many mistakes, and learned from them. I’ve grown, matured, relaxed, and become more of an adult. I went from someone who had only a passing knowledge of sports to someone who can talk with some insight about the latest news (even if I really have no opinion on what to do about the power play or what position Alex Galcheyuk should play). I went from a green newbie who had no idea of the paper’s history to one of those veterans who brings out a “Back in my day…” during intern season. Plus, of course, I have a lot more money than I did 10 years ago.

But my employer has changed, too, and in much more dramatic fashion.

The Gazette added the word “Montreal” to its name, its parent company is now Postmedia, and it has no relation to Global TV (though we still share the same building). The paper has been radically redesigned, it’s smaller in both page size and thickness, it publishes only six days a week, it has colour on every page, and some features and regular columnists have disappeared, with other new ones taking their place.

The website no longer looks like this. Instead of stories being posted automatically by a machine importing them from that morning’s paper, stories are written directly into WordPress and then copies are made for print.

A bunch of ideas were tried, some of which were successful, others not so much.

We went from editing pages in QuarkXPress 3.32 (which was already nine years old when I started) on a Power Macintosh G3 to editing stories in a web browser using brand-new MacBook Air (reporters) and MacBook Pro (editors) laptops, with a stop in between when we used PCs.

And the team is much smaller than it used to be. I took out a schedule from 10 years ago, and it listed 34 copy editors, including myself, on the news desk, and a further 13 on the features desk, or 47 total. And all of them worked for the print paper. Today, there are 20 copy editors split between four platforms. The person who first hired me no longer works there. Neither does my first boss. Or her boss. Or his boss. Or his boss. Or the CEO.

Many of the print jobs have since been centralized, as Canwest and then Postmedia decided it was more efficient for stories that appear in different papers across the chain to be edited once. Others — including the Gazette’s entire printing plant — were eliminated as the company decided to outsource various functions it considered non-core.

There are changes I agree with, and those I strongly disagree with. There are changes that made things better, and changes that made things worse. There are changes the union has fought (and is still fighting), and there are changes everyone has accepted or welcomed. I’ve heard all the complaints, and I agree with many of them. But I also know it’s a struggle to produce quality journalism when no one wants to pay for it. And if no one finds that magic business model that saves newspapers before it’s too late and they all die, then at least I’ll have done my part to keep its heart beating one more day. Because despite everything, newspapers like the Montreal Gazette expose stories that would not otherwise be exposed. And that’s something we need as a society.

Through it all, I remain grateful, to the organization and its employees past and present who helped me grow, who gave it their all even while they worried about their future or complained about things they didn’t like, and particularly those who thought this Steve Faguy guy was worth keeping around.

 

Posted in Radio

CHOI plummets from first to fourth in Quebec City radio ratings

Numeris released its spring radio ratings report for diary markets today, and it’s really bad news for Quebec City’s controversial talk station CHOI-FM. It goes from having a 17.7% market share last fall to only a 9.5% share this spring, dropping from first to fourth in the market.

The top three stations are tight, with CJMF-FM (FM93) having a 15.5 share, followed by CBV-FM (Première Chaîne) at 14.5, and CITF-FM (Rouge) at 14.1.

Looking deeper into the numbers suggests it’s not that Quebec City radio listeners are tuning away from CHOI-type programming, but rather that other stations are using that very style of talk to lure away listeners. In particular, NRJ’s decision to hire away CHOI star Stephan Dupont made a big difference, more than doubling NRJ’s morning show audience and cutting CHOI’s noon-hour show’s audience by half.

The FM93 show with Eric Duhaime and Nathalie Normandeau also managed to create a boost and more than double its audience for the noon hour.

Most of the music stations have about the same share as they did before. Bringing up the rear is CBC Radio One, which registers a 0.7% share, much higher than the 0.2% share of last fall, but the margin of error is too big to draw conclusions from that.

More details from Le Soleil and the Journal de Québec.

Sherbrooke: Bell Media still dominates

Not much change in Sherbrooke, though CITE-FM-1 (Rouge) has edged CIMO-FM (NRJ) in market share, with 21.9 to 19.9, respectively, and CKOY-FM (fm 107.7) has climbed well above CFGE-FM (Rythme) for fourth place behind Première Chaîne. Rouge and NRJ are both owned by Bell, and Rythme and 107.7 are owned by Cogeco.

More details in La Tribune

Trois-Rivières: Status quo

Rythme FM (CJEB-FM) is still the top station here, now up more than five points on its nearest rivals, CIGB-FM (NRJ) at 15.6, and CHEY-FM (Rouge) at 14.7. Première Chaîne follows the at 9.6, then Cogeco talk station 106.9 fm (CKOB-FM) at 6.2 and the Bécancour independent station CKBN-FM at 5.2.

Saguenay: Rythme format is working

In Saguenay, there’s little change for the top stations: Rouge (CFIX-FM) at 25.3, NRJ (CJAB-FM) at 20.6, KYK Radio X (CKYK-FM) at 13.2, and Première Chaîne (CBJ-FM) at 9.8. But the transformation of Attraction Radio’s CKRS-FM from a talk station to a Rythme FM affiliate (and change of callsign to CILM-FM) brought its share up from 6.8 to 8.9. It still has a way to go, but it’s headed in the right direction.

Ottawa-Gatineau: Both country stations lose audience

On the English side, the numbers worth analyzing are for the country music stations. Bell Media’s CKKL-FM went from Bob to New Country 94 last November. But its market share nevertheless dipped from 3.3 to 2.7, about the same as it was last spring. Its direct competitor, Rogers’s CKBY-FM (Country 101) in Smiths Falls, saw a greater ratings drop, from 6.7 to 4.2.

On the franco side, Rouge FM (CIMF-FM) is still king with a 24.4 rating, followed by Première Chaîne at 15.5. They’re followed by NRJ (CKTF-FM) at 9.4 and Cogeco’s talk station CKOF-FM at 8.2. All other stations are below 5, including CHLX-FM , whose affiliation to the Rythme FM network hasn’t had much of an impact on its share.

More details from Le Droit.

The next report for PPM markets, including Montreal, will come out on June 11.

Posted in Technology, TV

Videotron jumps onto Apple Watch bandwagon with kinda-useful Illico app

Illico Apple Watch app with shuffle function

Illico Apple Watch app with shuffle function

On Monday, I was among a half-dozen journalists invited to a demonstration of Videotron’s new Apple Watch application for the Illico digital TV system.

This app is, as far as anyone working for Videotron knows, the first of its kind. (Except for a similar one launched simultaneously by its main competitor.) It allows users with next-generation Illico TV terminals to control them using the watch. At least a little bit.

Jean-Pierre Gauvin, principal director of development and planning for Illico, said they wanted to start simple, and not try to replicate the features of the remote control onto a tiny watch app.

So instead, the app has two screens and two basic functions. The one the team seemed the most excited about was shuffle. By pressing a yellow button, the TV is commanded to pick a channel at random, from among those you subscribe to or from a preset list (sports, family, film, music, news, anglo, franco and HD only). It’s a function that doesn’t exist on other platforms, though the team is open to the idea of incorporating it if there’s client demand.

Mind you, when I asked about client demand for a shuffle function in the first place, they admitted there didn’t seem to be any.

Illico Apple Watch app with play/pause and skip functions.

Illico Apple Watch app with play/pause and skip functions.

The first screen of the app seems to me the one that will get the more use. It features play/pause button, and skip ahead/back buttons, similar to those that exist on remotes now.

I could see this actually getting use. For example, if you’re going to the kitchen and want to get something to eat, you can tap your watch to pause the TV.

But there’s a lot of stuff that’s missing from this app. There’s no way to tune to a specific channel directly. No record button. No channel up or down or volume adjustment function. No voice interaction. Nor can you actually watch video on the watch (not that too many people would want to do that). Even its main feature, the shuffle, can’t be set to a user-defined playlist.

Gauvin said they wanted to start with basic stuff, get the app out there, and then add new functions later. That’s fair.

“What’s important is hearing the feedback of our users,” he said. “We’re definitely going to add functionality.”

Videotron estimates it has maybe 1,000 or 1,500 users who have Apple Watches, so “it’s really for early adopters.” Those early adopters will expect a lot more functionality, and fast.

And they might get annoyed by the fact that what little functionality is there is buggy. The demonstration got off to a rough start when it seemed the watch lost its connection to the phone and didn’t work. Tapping the shuffle button often didn’t work, requiring another tap before it would change the channel. And despite their claims of instantaneous reaction, most of the time it took about a second for the tap to result in a change on the screen. The fact that the signal travels from the watch to the phone via Bluetooth, then from the phone to Videotron via WiFi/cable, then to the box through the Videotron network, explains the delay, but probably won’t satisfy users much.

I’ve yet to be convinced that the Apple Watch is anything but an expensive gimmick, but if you have one and you’re a Videotron subscriber with a compatible terminal, there’s no reason not to add this app.

The Illico Apple Watch app is available by updating the Illico app for iPhone in the Apple store.

Asked why this was developed for the Apple Watch and not other Android-based smart watches (such as the Samsung Gear), Gauvin explained that the closed Apple environment made development and testing easier. They’re looking at creating a similar app for Android.

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Posted in Media

François Bugingo admits to fabricating his international reporting

UPDATE (May 29): Bugingo admits to “romancing” stories in a long Facebook post, but still believes the “veritable lynching” by the media as a result of it was unfair.

“François Bugingo: des reportages inventés de toutes pièces” reads the headline today in La Presse: An investigative report by Isabelle Hachey reveals the Quebec journalist famous for his international reporting lied about his trips abroad and reported as first-hand accounts things he merely heard about or did not exist.

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Posted in TV

Review: New Global Morning News is a mess of disconnected hosts

When Global announced last month that there would be yet more centralization of local programming in eastern Canada, I didn’t exactly have my hopes up. They promised the centralization of resources would only affect non-local stories, and that the amount of actual local stuff would remain the same or even improve.

This week was the first under the new system for Global Montreal Morning News. And my analysis of the episodes that have aired so far suggest that Global has not lived up to that promise.

Not only that, but the melding of local and national elements creates this confusing mess of different on-camera personalities that is no better than someone switching channels at every commercial break.

Two shows in one

Co-host? What co-host? (Please pay no attention to that Twitter handle in the ticker)

Co-host? What co-host? (Please pay no attention to that Twitter handle in the ticker)

Like other morning shows, Global’s Morning News is broken up into six half-hour blocks, which are in turn broken up into three segments separated by commercial breaks. Here’s how the average half-hour block breaks down, rounded to about the nearest minute:

  • :00 Welcome/coming up plus quick weather hit
  • :01 Traffic
  • :02 Local news (including one packaged report)
  • :08 Local weather
  • :10 Commercial break
  • :12 National segment
  • :19 Commercial break
  • :21 Local weather
  • :23 Traffic
  • :24 Local interview segment (or two packaged reports)
  • :27 Commercial break

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Posted in Radio

CKOD-FM Valleyfield being sold to Torres Media

CKOD-FM 103.1, the Valleyfield radio station whose history goes back to 1961, is being revived after being off the air for months thanks to a sale to Torres Media, or rather Torres Media Valleyfield, a company owned by Ed Torres, Frank Torres, Todd Bernard and Yves Trottier.

Torres Media also owns Dawg FM (CIDG) 101.9 in Ottawa, and has a licence for an unlaunched station in Uxbridge, Ont.

CKOD has been off the air since Jan. 29, and was evicted from its offices in February for non-payment of rent, according to the local newspaper. CKOD is licensed to Radio Express Inc., owned by Robert Brunet.

In order to get the station back on the air as soon as possible, the station has applied for — and the CRTC has granted — permission to temporarily transfer management of the station to Torres, which according to a brief management agreement signed on April 7 would assume all the expenses and collect all the revenue from broadcasting operations. This deal will be followed by a formal acquisition of assets, which will require a CRTC hearing.

The CRTC approved the application on May 8 but only posted it online today.

Details on sale price or Torres’s plans for the station are not included in the application. I’ll update this once I hear back from the parties involved.

UPDATE: Some information about the sale from InfoSuroit.com

Torres paying $150k+ for community station to swap frequencies

Speaking of Torres Media, the broadcaster is also waiting for a CRTC decision on an unrelated matter that would see Dawg FM swap frequencies with bilingual community station CHIP-FM 101.7 in Fort Coulonge, Quebec, 80 kilometres to the northwest.

The frequency swap would allow Dawg FM to increase power from 5.5 kW to 19.5 kW max ERP, and improve its coverage of the Ottawa region, because it would not have to offer as much protection to stations on 101.9 in Cornwall and Kingston. According to Torres, Dawg FM covers only 75% of the Ottawa region as defined by Numeris, and parts of Ottawa receive the Cornwall station better than the Ottawa one.

Existing (purple) and proposed (black) coverage map for CIDG-FM Ottawa.

Existing (purple) and proposed (black) coverage map for CIDG-FM Ottawa.

The improvement would be particularly noticeable toward the southwest, in areas like Nepean and Kanata.

For CHIP-FM, the change in frequency would make little difference to coverage area, but there’s a big financial boost. The amount is apparently confidential, but financial projections from CHIP-FM show $168,000 in additional revenue over three years coming from this agreement. It’s unclear if the deal involves further payments past these three years or if this includes payments related to the frequency change, which Torres has agreed to pay for, including engineering reports, legal services for the drafting of the agreement, and technical changes.

The public comment period for this application has closed, and a decision should be forthcoming in the coming weeks. The actual change would take a while after that because Dawg FM would be changing transmitter sites.

This kind of deal is not unprecedented. In 2013, the CRTC approved an application by Rock 95 Broadcasting, owner of Indie 88 Toronto, that proposed technical changes to three stations (all on 88.1 FM) so that Indie 88 could increase its power. Rock 95 agreed to compensate the other stations for the technical changes required.

Posted in TV

Montreal TV station ICI launches free livestream

Without the benefit of a well-staffed PR machine, Montreal’s ethnic television station ICI has been quietly launching new local programs and improving its service since it launched a year and a half ago.

Today, the station launched a free high-definition livestream on its website.

Free livestreams of TV stations aren’t very common because of the difficulty securing online streaming rights to content. And livestreams of specialty services are even less so because distributors and consumers complain when they have to pay for a TV service that’s given away for free online.

ICI doesn’t have to deal with those problems, because most of its content is original or acquired cheap from foreign countries, and as an over-the-air station it broadcasts for free.

Posted in Radio

Groupe CHCR sells ethnic station CKIN-FM 106.3 to Neeti P. Ray for $500,000

There was no announcement of the transaction, so the CRTC application for a change in ownership is the first we hear of the sale of CKIN-FM 106.3 by Marie Griffiths to Mississauga-based businessman Neeti P. Ray, owner of Mississauga’s CINA 1650 AM and Windsor’s CINA-FM 102.3.

According to the application, the purchase price is $500,000. Add in an $18,000 consulting contract ($1,500 per month) and $22,500 over five years for the assumed lease for the transmitter, and the total cost for CRTC purposes is $540,500.

Griffiths and CHCR will keep ownership of CKIN’s sister station CKDG-FM (Mike FM 105.1) and use the proceeds of the sale to help the financial situation of CKDG.

The sale doesn’t include the offices of CKIN, which are shared with CKDG. “The purchaser has an option to co-occupy Groupe CHCR Inc.’s existing premises for a period of up to one year to permit an orderly transition of ownership and operations for CKIN FM,” the application reads.

Ray says the transfer of ownership won’t result in a loss of local programming:

Centralized management will not detract from the essentially local nature of CKIN’s ethnic radio station. The station will continue to be operated from offices located in Montre?al and day-to-day responsibility for programming on the station will remain in Montre?al. The principal synergies relate to the centralization of management and ownership, not operations.

For CHCR, the transaction represents a much-needed cash infusion. The company is privately held, so this is a rare glimpse into its finances (emphasis mine):

At the same time, approval of the current application will enable Groupe CHCR Inc. to refocus its resources to maintain and build on the strength of its original FM radio station, CKDG-FM. Groupe CHCR Inc. has developed a particular expertise in creating multicultural programming with a mainstream appeal (the Radio Culture Fusion format) and in serving Montre?al’s Greek-language audiences.

The sale of CKIN-FM is taking place at a critical time for Groupe CHCR Inc. Despite years of effort and investment, it has become apparent that the company requires an injection of capital to reach its potential in the current financial climate. The programming, operating and capital requirements of both stations have proved to be quite challenging for Groupe CHCR Inc. to meet on its own.

It has become apparent that building on CKIN-FM’s success will require additional investment and a focused management effort to improve the station’s visibility and realize its potential. Regrettably, this investment is beyond Groupe CHCR Inc.’s means at this time. Without this investment, there is a real likelihood that the station will continue to be a strain on Group CHCR Inc. as a whole.

From the perspective of Groupe CHCR Inc., the proposed transaction will enable the company to revitalize CKDG-FM, its flagship station; to retire most of its third-party debt, which has accumulated with the launch of the two stations; and to focus its management effort on a single radio station, the Radio Fusion Format, and the linguistic and cultural groups served by that station.

 

CKIN-FM was first licensed in 2007 and launched in 2010. Like CKDG, it offers ethnic programming in several languages, and uses non-ethnic programming during peak hours to subsidize that. While CKDG’s rush-hour programs are in English, CKIN’s are in French. CKIN offers programming in Arabic, Creole, French, Hindi, Mandarin, Punjabi, Spanish and Urdu. Ray says he will continue serving those groups, which makes sense because South Asian is Ray’s specialty.

The contract comes with non-compete clauses for both sides. Ray agrees not to broadcast any Greek-language programming on CKIN, while Griffiths agrees not to broadcast any South Asian programming (Hindi, Punjabi, Urdu, Tamil, Bengali, Gujarati) for five years after the sale. This clause does specify that it doesn’t apply if the other station ceases programming in that language.

Ray has proposed a standard tangible benefits package of 6% of the cost of the transaction ($32,430), distributed to Canadian content funds, the Community Radio Fund of Canada and other approved initiatives.

Though he only owns two stations, Ray has applied unsuccessfully to start several others, including in Montreal. In fact, he competed with Griffiths for the 106.3 frequency in 2007. In 2011, the CRTC denied an application by Ray to start a new ethnic radio station in Montreal (250W at 600 AM) mainly because of the negative impact it would have on the then year-old CKIN-FM. And he complained when the commission went through with applications in 2013 for two new ethnic stations in Montreal, saying he missed the notice that the commission was accepting applications.

He has an application pending for an AM station in Brampton, Ont. He also applied for a station in Calgary in 2011, but missed the deadline.

The CRTC will hold a hearing on this proposed purchase (and others, including Radio Classique) on July 22 in Gatineau. The parties are not expected to attend. People wanting to comment on the application can do so here until June 19 at 8pm ET. Note that all information submitted becomes part of the public record.

Posted in Radio

NRJ shuffles its lineup, brings in Dominic Arpin as morning man

The changes at NRJ this fall are going beyond the departure of Les Grandes Gueules.

Bell Media announced today the morning and noon show lineups are also changing as of Aug. 24. Here’s how it breaks down:

Mornings, 5:30-9am: The morning team of five (or six depending who you count) gets pared down to three. Dominic Arpin, the host of TVA’s Vlog and one of Quebec’s most followed people on Twitter, moves over from competitor 98.5, where he was a contributor. Arpin makes the announcement this morning on his blog. He’s joined by Anaïs Favron, who remains on the morning show, and Maxim Martin. Journalist Étienne Phénix and sports reporter Martin Lemay also remain with the morning show, although they don’t get a mention in the press release. François Morency and Philippe Bond move to other shows.

Lunch, 11:30am-1pm: Claudine Prévost gets replaced by Morency, who says the noon time will fit in better with his schedule with standup shows at night. He’s joined by Marie-Claude Savard, whose previous jobs have included TVA and Radio X.

Afternoon drive, 4-6pm: As previously leaked, Éric Salvail will take over the afternoon show, thanks to a special Véronique-Cloutier-like arrangement that sees a studio built in his office so he doesn’t have to commute back and forth to Papineau Ave. every day. Philippe Bond will be a contributor to his show, moving from mornings. The afternoon drive slot will face strong competition from TV stars including Cloutier at Rythme FM and Marina Orsini at Rouge. Salvail replaces Les Grandes Gueules, which just signed off after 20 years at the station.

Bell Media is no doubt hoping that the dramatic lineup change does something to boost the station’s ratings. The latest report showed it falling below direct competitor CKOI, and its 6.6% overall share among francophones wasn’t much higher than the anglo stations, Virgin and The Beat.

 

Posted in Media

Le Devoir replaces its paywall with a meter as it struggles financially

As Canadian newspapers have gone back and forth over the idea of charging online readers directly for access to content, trying to find that sweet spot between encouraging them to subscribe to read high-quality reporting and getting as much ad revenue as possible through traffic to popular stories, one newspaper’s strategy has stayed the same for the past decade.

Until now.

As it made its yearly announcement of its financial situation to the public recently, Le Devoir announced that it is opening up holes in its paywall. What was previously a hard paywall that restricted access to most of its exclusive content to paid subscribers has now become a metered system similar to what most paid newspapers (including my employer’s) have adopted.

People without subscriptions will now be able to access 10 paid articles per month before the paywall comes down. (And, of course, as with any metered paywall, there are many ways around that restriction.)

This news is good for those of us who follow just one particular subject. And it might help improve their ad revenue situation slightly. But Le Devoir is facing the same troubles as other major newspapers. And as this analysis shows, the numbers are getting worse.

Posted in Radio

Tributes for CJAD’s Tom Armour

Over the past few months I’ve gotten occasional queries about Tom Armour, the weekend morning news anchor at CJAD. He disappeared from the air, and no one outside the station seemed to know why.

Last week came official news that Armour has retired. The career retrospective by Shuyee Lee interviews people who worked with Armour, but notably doesn’t include any clips or quotes from the man himself.

I never met Armour, and have nothing personal to add, so I’ll just compile some comments posted on social media by people who do know him.

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Posted in Media

Alexandre Taillefer, two managers buy Voir from its founder

Voir

Pierre Paquet, who founded the alternative weekly Voir in 1986, has sold it to a group composed of two of its managers, Michel Fortin (executive vice-president and general manager) and Hugues Mailhot (vice-president digital solutions), and investment company XPND Capital, owned by Alexandre Taillefer, better known as one of the dragons on Radio-Canada’s Dans l’oeil du dragon.

The purchase price wasn’t disclosed. It includes Voir editions in Montreal and Quebec (now biweekly and the only alternative weeklies left in those cities), plus Voir.ca, Boutique Voir, Guide Restos Voir and other related brands, plus distributor Diffumag and interior advertising network Panoramik.

Without knowing the price, it’s hard to say if this is good news or bad. But the continued involvement of current management will no doubt reassure its 50 or so employees. And Taillefer isn’t the kind of guy to invest in a doomed company.

Communications Voir had previously owned editions in Saguenay and Mauricie, as well as the English Montreal alt-weekly Hour. Those were all shut down in 2012. Sherbrooke and Gatineau editions followed in 2013.

UPDATE: Taillefer in interview with Radio-Canada. Suggests the purchase price was in the low seven-figures. And in an interview with La Presse, he says the big reason for buying the company was the Boutique Voir concept.

And also in La Presse, Nathalie Petrowski on Voir’s declining influence and Taillefer’s vague plans for rebuilding it.

Posted in Radio

The Jewel shuffles its lineup, moves Tasso to drivetime

Not even a month after he started, Tasso has gotten a promotion.

Starting Monday, Paul Zakaib and his alter-ego move to the afternoon drive slot (3-7pm) from mid-mornings.

That shift bumps Bob Coley to weekends. Kris Leblanc, who was doing weekends, will produce the Tasso show as well as doing weekend and fill-in work.

The move means that Tasso will for the second time be in the same time slot as former partner Aaron Rand. Though just as he did when he started doing afternoon drive at Mike FM, Tasso downplays the idea that his music show and Rand’s talk show are directly competing against teach other.