CFCF makes Paul Karwatsky permanent co-anchor

Paul Karwatsky can put the reporter microphone away for good.

When Todd van der Heyden left CFCF for CTV News Channel, the speculation on who would replace him really came down to one choice: Either it's Paul Karwatsky or it's not Paul Karwatsky.

Karwatsky was the only other male anchor at the station, and while it wasn't impossible that a woman would be picked to sit beside Mutsumi Takahashi, managers in TV news are still concerned enough about how things look that such a selection would seem unlikely.

Karwatsky was a great idea on paper. He's a Montrealer, was already working at CFCF and had anchoring experience. The only strike against him was that he was young. And when your viewers have grown up with people like Bill Haugland and Brian Britt, going young presents a risk. (A risk that has already blown up in their face once.)

But when Karwatsky was selected to be "interim" co-anchor with Takahashi after van der Heyden left, it was just a matter of time before the position was made permanent. Barring some dramatic failure, he was clearly up to the job. And it would have taken a lot for them to decide to go with someone from the outside who CTV Montreal viewers are unfamiliar with.

As it turns out, it required only two weeks. CTV announced on Wednesday evening that Karwatsky has been made a permanent co-anchor with Takahashi. What was essentially a probation period or tryout has clearly been successful.

And being young isn't the worst thing in the world. Andrew Chang at CBC is younger, and although his appointment as anchor of CBMT's supper-hour newscast seemed similarly risky back in 2009, he's fit into the role remarkably well.

The Gazette's Bill Brownstein has the story, which has many of the same platitudes contained in the CTV story but also some colour about Karwatsky's background.

What about weekends?

Now that Karwatsky's position on the weekday desk has been made official, there's the question of what to do with his former post. Before moving to weekdays, Karwatsky did weekend newscasts at 6pm with Tarah Schwartz and solo at 11:30pm. Schwartz has been doing both newscasts alone, which means her shift starts much later than it used to and the lineup editor has to do more of the work to setup the 6pm newscast.

CTV could choose to continue this way, or could hire someone else to take over Karwatsky's old job. (UPDATE: News Director Jed Kahane confirms he will be hiring another anchor for the weekend desk.)

Either way, they could probably use another backup anchor. Caroline van Vlaardingen has been substituting on occasion as needed, and Cindy Sherwin has also done some anchoring, but other than that the cupboard is pretty bare.

Six years later, security

WARNING: This post is about me. If you don't care about me, stop reading. Here, you can watch this YouTube video of a cute cat thing and browse from there.

It was so long ago that it's hard to remember what it was like back then.

It was seven years ago this month that, while attending a national student journalism conference in Edmonton (thankfully that year there were no debilitating illnesses), I got a call on my cellphone from the city editor at the Gazette offering me a paid internship that summer.

My reaction was subdued. The man who offered me the job even remarked on that point. It's not that I wasn't happy - I was over the moon - but for some reason the only thing that I could think of was how much this conversation was going to cost me in roaming charges.

Though it occurs to me now that I'm not the kind of person who pulls out the theatrics when someone gives him really good news.

After a short, unpaid internship at the West Island Chronicle that I actually enjoyed even though it wasn't exactly hard-hitting journalism, and another at CBC Montreal that resulted in a few paid shifts at CBC Radio over the previous holidays (which in turn convinced me that being a guest booker wasn't quite my cup of tea at the time), I was really excited at the idea of working at a major newspaper in my home town.

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CTV’s Express feels like anything but

Monday marked Todd van der Heyden's debut at Express, the afternoon show on CTV News Channel with Amanda Blitz.

Because he's from Montreal, because he's a nice guy and because he's a geek at heart, I wanted to be encouraging and wish him well in his new job.

Unfortunately, after sitting through the first three-hour program, I was left frustrated, both at what CTV seems to be doing with its all-news network and at how that industry is changing in general.

When it launched in 1997, what was then called CTVNews1 was licensed as a continuous 15-minute news wheel, repeating the headlines four times an hour. This was to distinguish it from CBC Newsworld, at a time when all cable channels had genre protection.

But as the CRTC came to realize that cable news was healthy enough to warrant direct competition, restrictions on the CTV network became relaxed, and now the two are effectively head to head in terms of format. This is a good thing.

What's not good is that rather than focus on more news to keep people better informed, CTV seems to be relying more on pointless, time-wasting banter that just wastes viewers' time.

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RNC wants to turn Planète Jazz into Radio X

If owner RNC Media gets its way with the CRTC, Montreal could soon be getting its own "radio poubelle" station by next fall.

CKLX-FM 91.9 has applied to the CRTC for permission to change its format from jazz to talk radio, citing its poor financial situation and the lack of francophone talk radio options in Montreal.

You can download and read the application here (ZIP).

Planète Jazz, which launched Dec. 14, 2004, is the last commercial jazz radio station in Canada, its owner says, after similar formats in Calgary, Edmonton, Hamilton and Winnipeg abandoned it for other more popular formats. Though it won't release full details to the public, RNC says CKLX has revenues "well below" $1 million a year, about 18% of what was forecast in the station's business plan.

It has come to the conclusion that the format does not work, and it must either change formats or consider shutting down the station.

Though it's not stated explicitly in the application, it's hinted that the new format would be similar to that of CHOI-FM in Quebec City, a station also owned by RNC Media that has controversial opinionators who talk more than they think (people like Stéphane Dupont). It's been dubbed "radio poubelle" and compared to right-wing talk-radio stations in the United States, but it's popular, with more than 200,000 listeners.

RNC Media also owns the similarly-styled CKYK-FM in the Saguenay region, as well as music stations Capitale Rock in Gatineau, Planète-branded stations and other Radio X and Radio X2 stations across Quebec.*

CHOI is so controversial, in fact, that the CRTC ordered it be shut down because of its comments. Only the sale of the station from Genex Communications to RNC Media (and the issuing of a new license) saved it from going dark.

RNC conducted a survey of Montreal listeners to gauge their interest in a new station "that would have a style that discusses subjects in the news, that asks real questions and isn't afraid of its opinions". Based on that, it predicts a new talk-radio station would have a 10% market share, and 20% among the key demographic of men 25-49. It also sees its revenues going from $2.6 million in the first year to $8.2 million in the seventh year of its license, far above what they could have hoped for Planète Jazz.

The market for French-language talk radio has been open for opportunity, particularly since CKAC turned into all-traffic last September. Other than Radio-Canada and community/campus stations, the only talk radio station is CHMP 98.5, which has shot to the top of the ratings. It also has to do double-duty as a sports station in the evenings.

The application, survey and other documents curiously make no mention of the license for a talk-radio station recently given to the Tietolman-Tétrault-Pancholy media group. That station is also expected to launch next fall. It's unclear if they're unaware of the license or if they're just ignoring it in their projections.

RNC Media President Raynald Brière declined to comment on the application, saying "le dossier n'est pas complet."

The application, which would see the license changed from requiring 75% jazz to requiring 50% talk, is a Part 1 application, which means the CRTC has not called a hearing to discuss it, and if there's no significant opposition it could be approved without the owners having to appear in front of the commission.

The deadline for interventions is 8pm on Feb. 13. You can file an intervention or comment here, by clicking "submit" next to the item about RNC Media.

*UPDATE: This move is strangely the opposite of one being done in Abitibi, where RNC Media is abandoning the Radio X format in favour of Capitale Rock, replacing talk radio with music. (Thanks Psychodork for pointing this out.)

Reaction

UPDATE (Jan. 20): The Journal de Québec reports about this move, getting the manager of its Quebec City stations to comment. The company wants to export the CHOI format to Montreal, but adapting to the market. Less talk of bringing back the Nordiques, more talk about traffic. (Is this really what separates Montreal from Quebec City?) The paper also talks to André Arthur, who thinks they should put Stéphane Dupont (the guy who told Haiti "fuck you" after the earthquake) in Montreal.

There was also a discussion on Tuesday on CHOI itself about the application, with an interview with Patrice Demers. They even discuss potential hosts, saying Patrick Lagacé is unlikely and Jeff Fillion is very doubtful, but nothing is set in stone.

The proposal also was discussed on Radio-Canada's Les Lionnes, which prompted not one but two discussions on CHOI. You can imagine how Radio Poubelle and a public broadcaster TV show hosted by three women think about each other.

La Presse covers this in the form of a column from Marc Cassivi. There are also blog posts at Voir from Sportnographe's Olivier Niquet and journalist Fabien Loszach. Each of these got criticized on CHOI, which blasted Cassivi for being uninformed about what can be heard on CHOI, and said Voir's complaints that CHOI's programming is sexist, racist or homophobic are simply false.

Stéphane Gendron reacted to the news on Radio X, in which he said he would be interested in an on-air position at the station, because he's more of a radio guy than a TV personality.

Jeff Fillion himself also comments the news on his Radio Pirate.

At least one blogger has called for people to rise up against this move, and another defends the sophistication of Radio-Canada against its Radio X-supporting critics.

Quebec's FM93 wants to go mostly-talk

Coincidentally, the application from RNC Media comes about the same time as one from Cogeco Diffusion to change the license of CJMF-FM (FM 93.3) in Quebec City to allow for more talk. Currently the station offers a hybrid format of talk and music, but its survey numbers show more than 60% of its listeners tune in only for talk programming.

The new schedule would see talk programming in the mornings and evenings on weekends (noon to 4pm would remain music) and weekday evenings. Weekday mornings and afternoons are already all-talk.

As an added bonus to Quebec City listeners, the change would mean the station broadcasts all Montreal Canadiens games. Currently it offers only a selection. This will be welcome news to Canadiens fans in the region who may have been able to tune in to the bleu-blanc-rouge on AM station CKAC but have no hope of listening to 98.5.

The deadline for interventions or comments in the CJMF-FM application is Feb. 6. It is also a Part 1 application and can be seen on this page.

Terry DiMonte’s first day at CHOM … again

There are some things at CHOM that will always be constant: The name, the format, the listeners complaining that the same songs get played over and over, and every decade or so the program director deciding to shake things up by putting Terry DiMonte back on mornings.

DiMonte began his first shift back at Montreal's Spirit of Rock on Monday, and I managed to score an invitation to see it from the studio (even if it meant pulling an all-nighter after a late shift at work). This is the story of that day.

Terry DiMonte reads the paper just before he starts his first show. (And by "the paper", I mean the section in Saturday's Gazette seemingly devoted to him)

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CHOM’s new schedule adds Terry DiMonte, Heather Backman in mornings

UPDATE (Jan. 13): Read more about DiMonte's first day here. Updates below with more coverage of DiMonte's return and comments from Chantal Desjardins about her new job at CJAD.

Terry DiMonte does his first show back at CHOM on Jan. 9.

The news that Terry DiMonte was coming back to CHOM came out all the way back in June. The date was set and publicized in November. But details on such things as who his cohosts would be and what happens to the rest of the schedule were kept under wraps until Monday when DiMonte started his first show.

Here's the details of its new schedule:

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Caption CBC’s Sue Smith

Technology is abandoning AM radio

The only portable AM radio I could find at a huge electronics store - a $10 radio with analog tuner

I did some Boxing Week shopping Thursday night. Despite the cold, I went wandering for about three hours around various stores, though for the first time in years I didn't have any big-money purchases in mind.

One thing I had been looking for was a portable device capable of receiving AM radio. Ideally it would have had a digital tuner, an antenna of some sort and an internal memory capable of recording the radio. As someone who writes about radio a lot, it helps to be able to record as well as listen.

But going through the aisles of iPods and other MP3 players at Future Shop and Best Buy, I discovered that such a device does not exist. Well, actually, it does, but it's kind of expensive and you can't buy it in one of these stores.

In the end, I bought the radio you see above, a Dynex (read: cheap as hell) FM/AM pocket radio. It has an analog tuner and cheap plastic parts (and obviously no recording capability), but it has an antenna and a headphone jack, and though it's a bit noisy it receives CJAD and CKGM.

It used to be, even as little as a decade ago, that no one in their right mind would try to sell something as a "radio" and not include one of the two bands. But as portable CD players were replaced by smaller MP3 players with lower power demands and no moving parts, FM has become less of a priority and AM has been all but abandoned.

A portable CD player sports a ferrite bar AM antenna (left) about 4cm long and 3mm thick.

There are a few technical reasons for this. For one, because the AM band is at a much lower frequency than FM (centred around 1 MHz vs. around 100 MHz), the antenna has to be much longer. For older portable devices (like my old CD player pictured above), this is accomplished by coiling a long antenna inside the device. Ideally it would be strung out in a straight line for maximum reception, but coiling it is a compromise that works here, though its reception isn't as good and it's highly directional (which is why the angle at which you're holding a portable AM radio affects its reception).

In smaller devices, such an antenna - about the size of a AAA battery - becomes prohibitively large. Smartphones and iPods don't even have room for that AAA battery, much less an antenna for what has become a secondary function. For FM reception, portable devices ingeniously use the headphone cord for an antenna, but that doesn't work for AM.

In addition to the size of the antenna, AM radio is more susceptible to interference, requiring even more electronic real estate being used for filtering and amplifying.

"AM RF IN" marks where the AM antenna connects to the circuit board ("RF" means "radio frequency")

And then there's the simple matter of demand. Music stations long ago moved from AM to FM, as has CBC and Radio-Canada in Montreal. We're left with only three large commercial AM stations (CKAC 730, CJAD 800 and CKGM 990) and a handful of smaller AM stations that would be very difficult to capture with a portable antenna anyway.

That's about to change. The CRTC recently awarded two new frequencies (the previously dormant 690 and 940 kHz), and two new AM stations will be on the air at some point in 2012. Two others, who lost in the bidding for those frequencies, may also reapply for other vacant frequencies. By the end of 2013 we could have four new high-power AM radio stations in Montreal, at a time when most broadcasters have all but abandoned the band.

But can these stations survive if there's nobody left who can listen to them? It's not just iPods and smartphones. Even larger desktop alarm clock radios have started to abandon AM in favour of iPod connections. Unless a device's main function is broadcast radio, you're much less likely to find AM on it. And people like multifunction devices.

The one big thing keeping AM alive is the same thing keeping most radio alive: cars, which are so large there's no need to worry about space for an antenna. Entertainment for drivers obviously can't be visual in nature, so radio has become the perfect source for them. And radio has responded in kind by catering to drivers, focusing on rush-hour programming and having regular reports on traffic.

The industry has also responded by offering online streaming as an option, via apps for iPhones or other smartphones. Rather than capture a noisy signal through the air with a big antenna, smartphones can download a high-quality audio stream through the cell network they already use for phone calls and checking their Facebook.

But switching to the Web opens up these broadcasters to competition from all over the world. For people who don't care as much about local content, there is a seemingly infinite choice of things to listen to.

Five years ago, when asked by Forbes about why its MP3 players didn't have AM radio, a representative of SanDisk explained the technical reasons behind it, but added that "SanDisk is exploring the possibility of adding an AM receiver to some of its MP3 players."

I'm still waiting. Hopefully AM radio will still be around by the time a solution is found.

UPDATE (Jan. 9): La Presse has an arts section cover story today about the future of AM radio, which discusses this issue as well as the larger market for the band. It includes quotes from broadcasting consultant Michel Mathieu painting a dire picture for AM radio, which is kind of ironic because Mathieu was hired to get many smaller community stations their broadcast licenses, including stations like CJLO on the AM dial.

There's also a story about Paul Tietolman and his upcoming French-language talk radio station, with some thoughts from experts about its viability.

Welcome to CFCF’s postvanderheyden era

Todd van der Heyden won't be seeing Jellybean around much anymore. (Fagstein file photo)

It ended not with a bang or with a whimper, but with the standard anchor goodbye. Friday was Todd van der Heyden's last day at CFCF, and the 6pm newscast spent a few minutes at the end to acknowledge the departure of one of its anchors.

It was no Farewell to Bill, the special program devoted to long-serving anchor Bill Haugland in 2006, but CFCF's tribute to van der Heyden was appropriate and classy. For those who missed it, the whole thing has been posted online. You can watch it in the CTV News video player here.

The segment starts with van der Heyden introducing a story about pandas (the usual fluffy, funny and entirely expendable story that fills time at the end of a newscast) only to have producers pull a switcheroo and run a story about van der Heyden put together by reporter/anchor Tarah Schwartz, which includes some testimonials from some of his long-time coworkers. The packaged report is followed by a one-on-one with Schwartz and a speech from van der Heyden thanking viewers for their loyalty (as far as he knew going into this, only the latter part was going to be in the newscast).

Unfortunately for van der Heyden and viewers, there was no message from coanchor Mutsumi Takahashi, nor from weather presenter Lori Graham, nor from sports anchor Randy Tieman. They're all off on vacation, and I guess nobody thought ahead long enough to have them record a short video message before they left. The result gave some the impression that they had intentionally kept quiet as a snub. And with due respect to the people filling in during the holidays, this kind of moment isn't the same with Randy Renaud and Paul Graif.

For the record, Takahashi (who was also on vacation at the beginning of the month when the announcement came that van der Heyden would be leaving), had this to say to me on the subject: "Bill, Brian, Todd... All I can say, Steve, is that I'm obviously having trouble holding on to my men..."

Though it's possible they exist, I don't know of anyone there who didn't like van der Heyden. No matter what your opinion of his work, it's hard not to like him personally once you get to know him.

Mutsumi Takahashi looks at Todd van der Heyden with a mixture of loving affection and facepalming disbelief at his silliness. (Fagstein file photo)

Van der Heyden starts on CTV News Channel on Jan. 16, co-hosting the show Express, weekdays 1-4pm with Amanda Blitz.

At CFCF, no decision has been announced for his permanent replacement, but weekend anchor Paul Karwatsky (who led the list of candidates) has been named the "interim" co-anchor. This gives management more time to make a final decision, and a chance to try out Karwatsky in the post to see if he's the one they want.

Good luck to him, and to van der Heyden I can only say: Qapla'!

For more on Todd van der Heyden and his departure from CTV Montreal, see my post on the subject from earlier this month. He was also interviewed on CJAD.

The year in music, as mashed by DJ Earworm

I'm not a music critic. I couldn't dissect a song to tell you what parts of it are good and what parts are bad. That's why you won't see me writing about music a lot.

But this is an exception.

The above is United State of Pop 2011 (World Go Boom) by DJ Earworm. It's a mashup of the 25 most popular songs of 2011, including songs by Katy Perry, Bruno Mars, LMFAO, Rihanna and Adele. It was uploaded to YouTube on Christmas Day.

And it's awesome. But I expected it to be.

To describe it as a "mashup" seems unfair. In reality, this is a song created from little bits of other songs, a masterpiece of musical editing that is as awe-inspiring by its complexity as it is catchy in its melody.

If you haven't heard of this before, you need to listen to the previous years' versions:

Each is just as impressive. And for added awesomeness, each can be downloaded free as an MP3. Just follow the link in the YouTube description to DJ Earworm's website.