During its last CRTC licence renewal hearing, the CBC committed to increasing the amount of local programming it airs on its stations in large markets, including Montreal, bumping it up to 14 hours a week, consistent with private stations in large markets.
But rather than just adding more newscasts, CBC also committed that for these markets, at least one hour a week would be non-news local programming. Even after their licence renewal was approved, the CBC couldn’t say what form that programming would take. And even after the new licence came into effect on Sept. 1, there was no announcement, just confirmation that the new program would be an hour a week repeated twice over the weekend.
So without a new show ready, CBC Montreal has met its requirements for non-news local programming since Sept. 1 by re-airing the Absolutely Quebec series produced this summer.
Finally, today, even though the new show has been on the electronic schedule for a week and a half, we’re just now getting information from the public broadcaster about what these new shows are.
Here’s what we know so far. The new show is called “Our Montreal” (There’s also “Our Toronto”, “Our Ottawa”, “Our Calgary”, “Our Edmonton” and “Our Vancouver”, because local programming is still very much decided in Toronto). It’s an hour-long current affairs show, hosted by Sonali Karnick.
What will be on the show? According to the press release, it’s “the stories that made headlines and had everyone talking … weekly highlights plus a look behind the headlines on the issues everyone’s been buzzing about … the week’s top news stories plus timely features on books, health, one-on-one interviews and an interactive web column.”
The shows debut Saturday at 6am in every market — what kind of audience they can expect to get with this horrible time slot I have no idea* — and repeats at 11am on Sundays and 11am on Mondays.
Karnick will continue to host All in a Weekend on CBC Radio One in Quebec. Which means that her radio show and her television show will be on the air at the same time. Which also doesn’t make much sense.
I’ll be speaking with Karnick tomorrow for a story for The Gazette. I’ll ask her and others at the CBC about what they want the show to be, and which show she wants fans to listen to on Saturday mornings. If you have any other questions, let me know.
*Okay, I have some idea. Ratings for that timeslot show 1,700 viewers on average in Montreal last fall and spring. But will early risers for kids shows translate well into early risers (or insomniacs) among local current affairs watchers? We’ll see.
UPDATE: The story is here and in Friday’s paper. It goes into a bit of Karnick’s background, including her 2011 departure for Toronto and her quick return to Montreal. It also goes a bit into the timeslot. I never did get a very good answer, either from the local office or CBC nationally, about why 6am Saturday was chosen. Everyone reminded me that the show airs three times and is available online, and that some people are up that early on Saturday.
But while airing local shows at 6am is not unusual, it’s odd for that airing to be the premiere (unless it’s a three-hour morning show). Global Montreal used to repeat its evening newscasts at 6am the next day to meet CRTC local programming requirements. Some other stations elsewhere in Canada still do this, and even CTV Montreal has done it on occasion when pre-empted or cancelled newscasts have pushed it below its weekly minimum.
Maybe it’s just semantics here, and having a show air at 6am Saturday and repeat at 11am Sunday is no different from premiering at 11am and repeating at 6am.
But that 6am Saturday time slot still seems odd, especially because the Absolutely Quebec reruns were done at a much more reasonable hour of 11am or noon on Saturdays.
The press release
CBC Montreal launches “Our Montreal”: A weekly review program
Starting Saturday, October 12th on CBC Television
Tuesday, October 8, 2013 — Join CBC Television this Saturday, October 12 for Our Montreal an hour-long current affairs review program that looks at the best of Montreal.
“Each week, Our Montreal will bring you the stories that made headlines and had everyone talking,” says Shelagh Kinch, Managing Director, CBC Quebec “At CBC Montreal, we’re dedicated to sharing local stories and issues that matter to Montrealers. This program gives weekly highlights plus a look behind the headlines on the issues everyone’s been buzzing about.”
Hosted by Sonali Karnick, Our Montreal includes the week’s top news stories plus timely features on books, health, one-on-one interviews and an interactive web column.
“Montrealers love to boast about their city and what secret gems they’ve uncovered. And I’m no exception,” says Karnick. “It’s really a privilege to host this new program and talk about the people and places that make our city one of the best places to live.”
In addition to Our Montreal, Sonali Karnick will continue as host of All in a Weekend, Saturday and Sunday mornings, 6-9am (88.5/104.7FM). Our Montreal airs on Saturdays at 6 am on CBC Television with encore presentations on Sundays and Mondays at 11am.
The other shows
The CBC’s commitment applies to its stations in large “metropolitan” markets, which are defined as those in which the population “with knowledge of the official language of the station” is one million or more. The six largest metro areas in Canada each have a CBC station meeting this criteria. (The next largest is Quebec City, whose population is mainly French, and then Winnipeg, with a population of 730,018.)
- Our Toronto, hosted by Marivel Taruc
- Our Ottawa, hosted by Lucy van Oldenbarneveld
- Our Calgary, hosted by Holly Preston
- Our Edmonton, hosted by Adrienne Lamb
- Our Vancouver, hosted by Gloria Macarenko
Updated with post-debate comments.
It’s not often that CTV Montreal has special programming anymore, a fact that has left many people who remember the good ol days of CFCF-12 less than impressed.
But Sunday, Oct. 6, saw one of those special programs: A debate between the three leading candidates for mayor of Montreal: Denis Coderre, Marcel Côté and Richard Bergeron.
The debate was one hour, commercial-free from 6pm to 7pm on Sunday, Oct. 6. It will be moderated by anchor Mutsumi Takahashi. It was also livestreamed on its website and simulcast on CJAD, which is now also owned by Bell Media.
The debate did not take the place of the regular CTV Montreal newscast, which instead was moved up by an hour so it ran from 5pm to 6pm.
You might notice that the name of Mélanie Joly is not listed above. She wasn’t invited.
“We made the call, essentially using a similar logic that the consortium applied to Elizabeth May in the last federal debate: The threshold is having elected members,” CTV Montreal news director Jed Kahane explained to me. “She would surely be a dynamic and interesting participant; but that was not the criteria we used.”
Choosing who will participate in a televised debate is always a controversial issue. Limiting to those parties with elected members is a good way of filtering out the no-chance candidates. But it also rewards incumbency, and this is an election where Montrealers are really looking for change. Only one of the three leaders invited to the debate (Bergeron) currently sits on Montreal city council.
Montreal currently has 12 official candidates for mayor, seven of whom are listed as independents. (Michel Brûlé is the only other one with a party.)
Though the first televised debate included Joly, it looks like the broadcasters are moving toward three-way debates for the rest of the campaign.
Or they did until a poll came out on the morning after the debate showing Joly with 16% support, only one point behind Côté. That prompted Radio-Canada to change its mind and invite Joly to its debate despite previously excluding her.
Even Kahane admits that had this poll come out before the debate, CTV might have acted differently.
“We had decided that if she made a very strong showing in the polls we’d have to reconsider our decision,” he said. “This first major poll came too late for our debate, but I see it’s caused others to take another look, as we surely would have”.
The debate took place at CTV Montreal, and included pre-recorded questions from the public. Beyond that, Kahane wouldn’t give details, such as where exactly the candidates would be. (In the “cozy corner” interview area? Behind the anchor desk? Somewhere else?)
“Tune in to see,” he said.
As it turned out, the candidates stood on the floor near the windows, each with a transparent podium (and a fourth for Takahashi).
CTV Montreal hasn’t hosted that many debates. Federal debates happen in Ottawa, and provincial debates are low-key affairs because the Parti Québécois doesn’t bother trying to appeal to anglophones. During the last provincial election there was a short sit-down debate with members of the three main parties that was done during a noon newscast.
The debate is posted online if you missed it, along with post-debate scrums.
Among those covering the CTV debate:
CBC coming too
CBC Montreal is also working on a debate, set for Oct. 22. McGill will be hosting it, two weeks after their French debate. Joly is being invited to that one.
The debate, which will air live from 5-6pm on television, radio and online, will be moderated by Andrew Chang.
CBC’s Absolutely Quebec series apparently isn’t just a summer thing. As the documentaries that premiered this summer get a second airing on weekends while the broadcaster prepares a new local current affairs show set to begin next month, a new half-hour documentary has been added, and it’s airing tonight.
Looming Large is described by the CBC as “a look at innovations in Quebec textiles at the crossroads of business, art and technology” and a “unique documentary about the future of textile in Quebec.” You can see a 30-second promo for the show here.
It’s hosted by Jeanette Kelly, who hosts CBC Radio’s 5 à 6 on Saturdays and was also host of An Evening with Janina Fialkowska, the first of this year’s Absolutely Quebec specials. It’s directed by Carrie Haber, who produces the Absolutely Quebec series and told me this week she’s starting work on discovering next year’s batch.
The Looming Large documentary airs Thursday at 6:30pm, right after the evening news, on CBC Montreal. It repeats Sunday at 11:30pm
The departure of Catherine Verdon-Diamond, who is now doing weather at Breakfast Television on City, has resulted in a shuffling of staff at CBC Montreal. Verdon-Diamond was the weather presenter on the 11pm newscast with Nancy Wood for only a few months before getting the City gig.
Taking her place, officially as of October, is Sabrina Marandola, who was doing the weekend weather with Thomas Daigle. Her job, in turn, is being taken by Jeremy Zafran, who was doing traffic for Homerun on CBC Radio One. He will continue doing that job Mondays to Wednesday’s.
On the other days, Homerun’s traffic desk will be run by Jennifer Allen. Allen has been doing traffic at CBC for a while, mainly on Daybreak.
Few people really paid attention to it when the CBC’s broadcasting licences were renewed this spring, but the public broadcaster committed to expanding local programming in large markets like Montreal, going up to 14 hours a week and ensuring at least one of those hours was non-news local programming.
Currently, large-market CBC television stations produce 10 hours and 40 minutes a week of local news: Three back-to-back half-hour newscasts starting at 5pm weekdays, a half-hour late newscast at 11pm weekdays, a half-hour newscast at 6pm Saturdays, and a 10-minute newscast at 11pm Sundays. (Vancouver is an exception, its Sunday newscast is already half an hour.)
The new CBC licences take effect Sept. 1, so with less than two weeks to go I was wondering why we hadn’t heard any announcements about new shows yet. Had they forgotten? Would they not make the deadline?
Chris Ball, senior manager of media relations for CBC English Services, said they will be meeting the 14-hour-a-week requirement as of Sept. 1 as promised. The Sunday newscast will be expanded to 30 minutes from 10, giving us 11 hours a week of local news. The rest will be made through “the addition of one hour of local non-news programming that will run Saturday, Sunday and Monday in those markets.”
He was deliberately vague about that part. “Planning is still under-way and we’ll have more details to share in the coming weeks,” he said.
The electronic schedule for CBC Montreal, shows that, for Sept. 1 and 2, the station will be re-airing the first episode of the Absolutely Quebec series at 11am. (The same thing is being done at the other affected stations: Vancouver, Calgary, Edmonton, Toronto and Ottawa.) The condition of licence doesn’t specify that the local programming be original, so repeats are still within the rules, and gives the corporation a cushion until it puts something else on the air.
What form this non-news programming will take, whether it will be one program repeated twice or three separate ones, is unclear at this point. We’ll just have to wait and see.
Until then, enjoy the Absolutely Quebec reruns.
When I chatted with Absolutely Quebec series producer Carrie Haber about her job, it was in the context of a story about the airing of the Parc Avenue Tonight special. But in discussing the series, it was clear there was another episode she seemed more excited about: Legends of Magdalen, a documentary about the hundreds of unexplored 19th-century shipwrecks near the Magdalen Islands.
That episode, the season finale for Absolutely Quebec, airs at 7pm on Saturday (and again at 3am Sunday) on CBC Montreal.
“It’s just spellbinding. It’s just a beautiful work about shipwrecks in the Magdalen Islands,” Haber told me.
She said the documentary came to her about a year ago. The film crew has been up to the islands three separate times to shoot, including going scuba diving. ”They found a wreck that hadn’t been found before, dove down and discovered what was there. It’s a lovely reflection of what the Magdalen Islands is.”
This is the second year that Haber has been producing the Absolutely Quebec series for CBC Montreal. The Saturday evening one-hour specials, which run during the summer when there’s no hockey, are usually regional documentaries, but can include other types of programming as well, like Parc Avenue Tonight or the Short Stop series of short films. Haber’s involvement varies by the project, but usually involves dealing with the film’s producer to help them improve the story and then cut the resulting film down to 40 minutes for broadcast.
“My heart is in documentary after spending eight years at the NFB,” Haber said, while adding that she would like to see more drama and comedy on television that reflects the region. “Quebec has this opportunity of this multi-lingual multicultural place that it is, I think that’s great fodder for stories, and I don’t see that reflected.”
(You can read more about Haber’s views in the story I wrote for The Gazette.)
You might recall a few months ago I mentioned that CBC was going to record and air a special live-audience version of Dimitrios Koussioulas’s Mile End talk show Parc Avenue Tonight.
The show was recorded in front of a live audience on May 15 at Cabaret du Mile End. I was invited to witness the setup, and took a bunch of pictures. I talk a bit about the show for this story in Saturday’s Gazette, which discusses the state of local non-news television in English Montreal.
The Canadian Radio-television and Telecommunications Commission has just renewed the broadcasting licence for most radio and TV services run by CBC/Radio-Canada, for five years starting Sept. 1 (which means these provisions take effect then). It’s a long decision, and even the press release explaining it is kind of long. So here’s what the CRTC has decided and how it’ll affect what you watch and hear:
(For a Montreal-specific look, see this story I wrote for The Gazette)
- Ads on Radio Two/Espace Musique: The most controversial proposal has been accepted. The CRTC will allow advertising on the music radio network, but with some restrictions: They can broadcast no more than four minutes of advertising an hour, in no more than two ad blocks, and no local advertising is allowed. This allowance is also limited to three years. If the CBC wants to continue after that, it must re-apply to the CRTC for permission.
- Minimum playlist size: As part of a way to ensure Radio Two and Espace Musique are different from commercial radio, the CRTC is requiring that they air a large number of different musical selections, 2,800 a month for Radio Two and 3,000 for Espace Musique. That means about 100 songs a day that haven’t been played yet that month.
- More specific radio CanCon minimums: Currently, half of popular music and 20% of special interest music must be Canadian for all four radio networks. The CRTC has added, with CBC’s blessing, conditions that require that 25% of concert music and 20% of jazz/blues music also be Canadian.
- More flexibility in French music: On Radio-Canada radio networks, 85% of music played must be French. That requirement remains. But the rest is no longer restricted. Before only 5% could be in English and all of it had to be Canadian. Now that 15% can be in any language, including English, and half of non-French music has to be Canadian.
- More French local programming in Windsor: CBC’s cuts to local programming at CBEF Windsor caused controversy, leading to complaints that included the official languages commissioner. The CRTC has decided to impose a minimum of 15 hours per week of local programming at the radio station, above what the CBC had proposed and consistent with other stations in minority communities.
- No more Long Range Radio Plan: The CBC says, due to its budget, it has no plans to increase its radio coverage area (including plans to make Espace Musique available to more people) and wants to discontinue the Long Range Radio Plan. This plan includes hundreds of allocations for radio transmitters that don’t exist yet. Shutting this down would save a lot of headaches for private broadcasters, whose proposals for new or improved radio stations would have to take these imaginary stations into account.
- Public alerting system: The CBC is required to install a public emergency alerting system on all radio stations by Dec. 31, 2014. The CBC said it would issue alerts at the station level, not at the transmitter level. The CRTC said it was concerned this might lead to alerts being issued too widely instead of just to the communities affected. Similar alerting is being encouraged, but not required, on television.
- More local TV programming: Following CBC’s recommendation, the CRTC has harmonized requirements for local programming between CBC/Radio-Canada and private television stations.
- English stations in metropolitan markets (which includes Montreal) will have to produce 14 hours a week of local programming, and stations in smaller markets seven hours a week. In most cases, this is an increase over current levels (Montreal produces just under 11 hours a week of local programming), so we’ll need to see longer or more frequent local newscasts.
- All French stations must produce five hours of local programming a week, including those in English markets, who must have some local programming seven days a week (except holidays).
- CBC North (CFYK-TV Yellowknife) will have five hours minimum as a condition of licence, though the CBC says it will be more than this.
- Non-news local TV programming: Following a suggestion from the CRTC at the hearing, the CBC agreed to require at least one of the 14 hours of local TV programming in major markets be devoted to non-news programming. The CBC hasn’t said what this would be, exactly. They said they’re starting to look at this now that they have a decision.
- No blanket exemptions for local programming: The CBC had requested that it be allowed to calculate local programming on a yearly basis instead of a weekly one, because events like the NHL playoffs or Olympics pre-empt local programming. The CRTC decided against this (except for French stations in English markets), mainly for practical reasons (it would have to review a whole year’s worth of tapes to determine if it was meeting its licence requirements). The CBC then suggested that it be allowed an exemption of up to 16 weeks a year. The CRTC decided against that too, preferring a case-by-case approach and referring to a decision that allowed CTV and V to be relieved of their local programming minimums during the 2012 Olympics, saying that should be the model for future events.
- Higher Canadian TV programming requirement: CBC and Radio-Canada television is now required to devote 75% of their broadcast day (6am to midnight) and 80% of primetime (7pm-11pm) to Canadian programs. They already do this now (they boast of having a 100% Canadian primetime), but it’s higher than their previous official requirements.
- Regional television in French: Radio-Canada television is now required to devote at least five hours per week to programming produced outside Montreal. In addition, 6% of its budget for Canadian programs must go to independent producers outside Montreal.
- More English-language television from Quebec: The CRTC is requiring CBC television to devote 6% of its budget for English-language Canadian programs to independent producers in Quebec, averaged over the licence term (until 2018). In addition, it must spend 10% of its development budget on Quebec, to give a boost to English-language producers here by having them produce more new programming.
- No interference in The National/Le Téléjournal: The corporation’s national newscasts have been accused of being too focused on the regions they originate from (Toronto and Montreal, respectively). But the CRTC won’t interfere, saying it would threaten journalistic integrity. It will, however, ask for regular reporting on how official language minority communities feel about how well CBC and Radio-Canada’s programming reflects them, and has imposed this purposefully vague condition of licence: “national news and information programming shall reflect the country’s regions and official language minority communities, and promote respect and understanding between them.”
- Canadian films on CBC: Following CBC’s proposal, the CRTC has imposed a requirement that CBC television air one Canadian theatrical film every month. The CBC is being given the flexibility to schedule it, which means it could air on a weekend afternoon, but it will air. The CBC is being held to its commitment to air Canadian movies on Saturday nights during 10 weeks in the summer.
- Children’s programming: Judging that a commitment to children’s programming is more important as other conventional television networks move those shows to specialty channels, the CRTC continues to require a commitment to programming for children under 12. CBC and Radio-Canada must broadcast 15 hours per week of under-12 programming. Of that, one hour a week (CBC) or 100 hours a year (Radio-Canada) of original children’s programming (programs that air on other channels can be counted for this if CBC contributed to its financing). And three-quarters of these hours must be independently produced.
- No requirements for new over-the-air transmitters: Despite demands for the CBC to reverse its decision to shut down hundreds of analog television transmitters across the country, and to limit digital transmitters to markets with local programming, the CRTC says it will not impose requirements on the CBC due to its financial situation. Instead, it suggests people who can’t get CBC or Radio-Canada over the air to look to Shaw’s free basic satellite offer, which expires in November. It also suggests broadcasters look to solutions like multiplexing (multiple channels on one transmitter) to offset the expense of digital transmitters.
- Renewal of mandatory distribution: The CRTC will maintain orders requiring digital cable and satellite providers to distribute CBC News Network in French-language markets and RDI in English-language markets, for $0.15 and $0.10 per month respectively. This is to ensure access to news programming for official language minority communities.
- ARTV will be required to make 50% of its programming schedule devoted to programs from independent producers, replacing a condition that it spend all its profits on independent production. (Since ARTV’s profits are modest at best, this will be a net benefit, the CRTC argues.) ARTV will also have to devote 20% of its programming budget to programs produced outside Quebec, half of that to independent producers.
- Ombudsmen: The corporation’s two ombudsmen (one for CBC, one for Radio-Canada) are now required by a condition of licence, which establishes how they are hired, and says they must report directly to the CBC president twice a year.
- Digital media: The CRTC hasn’t set specific conditions as far as digital media, though it has encouraged the CBC to be more accessible (more closed captioning online, for example).
- Terms of trade: The CBC is being ordered to come to agreements with the Canadian Media Production Association and Association des producteurs de films et de télévision du Québec within a year.
- Consultations with minority language communities: The CBC must hold formal consultations at least once every two years with minority language communities, including the English community in Quebec. It must also report annually on such consultations.
UPDATE: The Quebec Community Groups Network praises the CRTC’s decision and the increased English-language Quebec production that will come out of it.
Global Montreal’s Morning News hasn’t had the smoothest start. As a guinea pig for a new way of producing live TV, with local control-room staff using servers across the country, it has been plagued with technical problems, some so serious they have forced the show off the air a couple of times. Marketing for it hasn’t been terribly overwhelming, and if it has been generating buzz it hasn’t been for the best reasons.
Now comes confirmation that the show hasn’t started resonating with viewers yet. BBM numbers for the first survey of Montreal TV viewers since the show went on the air estimate its audience at about 500 viewers, which is about as much as it had before the show went on the air, when it was showing things like repeats of the previous night’s newscasts.
I break down ratings numbers for this story in Tuesday’s Gazette.
It would be easy to have too much fun with this, to make jokes about the show’s lack of impact (I’ve heard a few already). But it’s not for lack of effort from those involved. Hosts Richard Dagenais and Camille Ross are trying hard to get comfortable in their new roles, deal with the technical issues and make the show work. Jessica Laventure has been trying to make her presence as entertaining and informative as possible. And the people behind the scenes are tearing their hair out juggling everything to put three hours a day of live television on the air. They all deserve better.
If anyone deserves blame for this, it’s Global management and Shaw Media, which have put the bare minimum (one could argue even less than that) into the show in terms of resources. It’s understaffed, underfunded, undermarketed, and so it should come as no surprise that it’s underviewed.
This show is here to fulfill a commitment that Shaw made to the Canadian Radio-television and Telecommunications Commission when it bought Global TV in 2010. It promised to fund local morning shows in six markets, including $5 million for Montreal until 2017. That means no matter how badly the show is received, it will continue to be on air at least until then. So in a sense Global doesn’t have to care about ratings, certainly not in the first few weeks.
But it should, for two reasons. First, Global News Senior VP Troy Reeb told me he wants the show to be self-sufficient. Not necessarily to be profitable with advertising, but to come close enough to breaking even that it’s worth continuing the investment and building a viewer relationship. That won’t happen if it continues to build a relationship as an unwatchable show with nothing to offer.
Second, we’re now only a few months away from the launch of a competing local morning show on City TV. That show will launch with three times the staff, and you have to expect that the difference in quality will be noticeable almost instantly. If Global’s morning show hasn’t developed a strong connection with viewers by then, any morning viewing looking for a local alternative to Canada AM will switch to City instead.
Global: No comment
I tried to get comment from the three broadcasters for my story, but only heard back from one by deadline (though CBC did provide me with some data). It’s funny how those with good ratings information are always the easiest to get in touch with.
When I finally got Global Montreal station manager Karen Macdonald on the phone on an unrelated matter, I asked her about the ratings, and whether she’s disappointed in the numbers from the morning show. She said she doesn’t believe the ratings, that she feels Montreal’s English market does not have a large enough sample size, and she doesn’t have anything more to say on the subject.
Global has had various theories for why ratings show them so far behind their competitors (though they acknowledge that they are behind). They feel they have a strong francophone audience, which is ignored by BBM. They feel that the diary system is biased toward CTV’s self-marketing power that causes some people write down that they’re watching CTV News when they’re actually watching Global. BBM rejects the latter argument, saying diaries ask for network, channel number and program name, and survey takers are called if there is any discrepancy.
I can understand Global’s frustration with the ratings. This isn’t an easy market to crack. CTV had been the only private game in town from when it launched in 1961 to when Global opened in 1997. CFCF’s audience is intensely loyal, which leads to high ratings which leads to larger budgets which leads to better quality which leads to higher ratings. Only an overwhelming infusion of money over a long period of time could seriously compete with that, and even Shaw isn’t ready to spend that kind of cash.
At least with mornings, Global didn’t have to compete with CTV here. It runs the national Canada AM show (though “national” might be exaggerating since western CTV markets have local morning shows). But viewers so far are still happy enough with that and haven’t been switching. Shaw and Global need to do a lot more if they’re serious about making this show a success and keeping it going past that five-year mark.
The rest of the ratings details don’t show much difference from the last report. CTV Montreal’s newscasts still dominate in every time slot by a wide margin. The weekday 6pm newscast has a 52.8% market share, compared to 4.5% at CBC and 1.5% at Global. In terms of actual viewers, that works out to 133,000 for CTV, 11,400 for CBC at 6, and 3,800 for Global.
The top-rated show overall in the market is CTV’s 6pm newscast. The second-highest rated is the weekend 6pm newscast.
There has been some variation. CTV says its 6pm weeknight audience is up 11%, the 6pm weekend audience is up 7.4%, and its late-night audience is up 20.5%, while its noon newscast has dropped by 21%. GM Louis Douville told me that they would be looking at the noon show. Coincidentally the next day he told me that Paul Karwatsky is being moved off of it so he can co-anchor the 6pm newscast an anchor at 11:30pm while Catherine Sherriffs is on maternity leave.
At CBC, the 5pm evening newscast continues to make gains. The spring 2013 numbers show that in the English Montreal extended market, the show has 21,000 viewers at 5pm and the same at 5:30. Its share of the audience has more than doubled for both those periods since 2011. But the 6pm newscast, which has to compete with both CTV and Global, hasn’t seen that kind of growth. It has only 11,000 viewers in the latest report, and only a 5% share, compared to a 16% share at 5pm.
And yet, when you watch the newscast, it’s clear that they’re trying to push viewers to tune in at 6. I can’t count how many times I’ve heard “we’ll bring you more on this story at six o’clock.” But clearly viewers are switching channels at that time. You have to wonder why they don’t just come out with their news at 5 and either kill the last half-hour or turn it into something else.
Unfortunately decisions like these are made in Toronto, so we won’t be seeing any big changes unless they make sense on a national scale.
CBC’s late-night newscast has 5,000 viewers, or a 4% share, same as it had in the fall.
The BBM measurement covers three weeks in February and March. The next measurement of diary markets like Montreal will take place in October and November, for publication in January 2014.
When Dimitrios Koussioulas, whose name I will one day learn how to write without having to copy and paste it, started his Mile End online talk show Parc Avenue Tonight, I thought to myself: This looks dirt cheap, but promising. This should be on actual TV.
Well, despite what can be said about our Toronto-controlled television networks that seem to have all but abandoned local programming, Koussioulas is being given his chance to be on Montreal television. In fact, he’s getting two, on two different stations.
A week after City announced that Koussioulas would be one of three hosts of a new weekly magazine show on local culture and lifestyle, CBC announced on Friday that it will be taping a special episode of his Parc Avenue Tonight show in front of a live audience and airing it this summer as part of its Absolutely Quebec regional series.
Absolutely Quebec is a summer series of (usually) one-hour specials that air Saturdays at 7pm during the summer (during hockey’s off-season). It is, for now at least, the only regional programming that airs on CBC television outside of the local newscasts. You can get an idea of what it’s like from last year’s shows.
Parc Avenue Tonight is an interview show in which Koussioulas speaks with fellow Mile Enders. Aside from its glorification of smoking, its canned audience applause and its strange love of bananas, it’s worth watching when it has a good guest. The episode above is an interview with Marianne Ackerman, an author, freelance writer and the person behind the Rover arts website. It showcases the solid (though modest) production values and Koussioulas’s warm and inviting personality.
The show’s live taping will happen May 15 at the Cabaret du Mile End (naturally), and will air on CBMT TV two months later, on July 13th. Ticket information and a copy of the press release are below:
Its competitors might be expanding their local programming, but CTV Montreal isn’t exactly quaking in its boots. Ratings released this week by BBM Canada show CFCF with huge leads in its local newscasts in all time slots.
For the flagship newscast at 6pm, CTV has a 58% market share among adults, which not only puts it far ahead of its competitors, but means that there are more Montreal anglos watching CTV News at 6 than there are watching everything else on television combined during that hour. It’s hard to beat ratings like that. As I mention in a story in The Gazette, the local newscast has more viewers than even the most popular CTV primetime program, The Big Bang Theory.
CBC, the closest competitor, can barely be described as such. With a 5.5% share, it has one tenth of the viewers of CTV at 6. Global is even further behind with a 2% share and only 4,100 adult viewers, which I would describe as less than its previous numbers but that might have more to do with statistical error than an actual drop in audience (I’d also be comparing 18+ and 2+ audience, and might be missing the thousands of teenage viewers to Global Montreal’s newscast).
CTV’s dominance is also unshakable at noon (52% share), weekends at 6 (46% share) and late night (37% share).
CBC added weekend newscasts in 2012, and then later expanded the late-night newscast from 10 to 30 minutes. The Saturday 6pm newscast has a 5.3% share, comparable with its weeknight newscast. The late-night newscast has a 3.5% share.
If either station wants to seriously challenge CFCF for viewers, there’s still a very long road ahead for them.
The BBM numbers above represent measurements taken via written diaries on Oct. 18-31 and Nov. 8-21, 2012, during which all three stations’ newscasts presented special reports. The next measurement of local English television will be taken in February and March, and released on May 7. At that point we should have an idea of how Global’s new morning show is doing early on, and whether it has started eating away at the 41% market share held by Canada AM.
Correction: An earlier version of this post said the Sunday night newscast will continue from 10:55 to 11:05pm. While it stays 10 minutes long, it will actually be 11 to 11:10pm, starting next Sunday.
This weekend was the start of CBC television’s fall season, but its biggest effects will be felt starting today, as talk show George Stroumboulopoulos Tonight moves to 7pm and the late local newscasts expand from 10 minutes to half an hour.
Nancy Wood, who took over anchoring the late local news this spring, only to learn shortly thereafter that her on-air time would be tripled, tells me she’s excited but anxious about the debut.
I was curious about what kind of changes we could expect with this new newscast. Wood told evening anchor Debra Arbec that they would have two reporters working evening shifts to file reports between the two newscasts.
The biggest change one would expect for the expansion of a late newscast would be in sports coverage. Aviva Herman of CBC Montreal communications tells me there won’t be a specific sportscaster or sports reporter for late night, at least for now, but “Nancy will be reading sports highlights from a local and national perspective.”
Previously, the late local anchor would provide a voice-over recap of games involving Montreal teams, but there wasn’t a larger sports highlight package. This led to strange situations like the “CBCSports.ca update” during the NHL playoffs that spoke about upcoming games without saying what happened that night.
We’ll see what this new format has in store.
The biggest change, though, will be in timing. The previous 10-minute newscast was sandwiched between The National and George Stroumboulopoulos Tonight, running from 10:55 to 11:05pm. This meant anyone watching something other than The National at 10pm would miss the first half of the newscast, and anyone wanting to watch something different at 11 would either miss the first five minutes of that show or cut out halfway through their local news.
Now, with the start at 11pm and running a full half-hour, it fits schedules better. It also goes head on against Global Montreal’s low-rated late local newscast and the high-rated CTV National News. Those wanting to be in bed by 11:30 and preferring local to national and international news might decide check out CBC.
How it went
The late newscast is still very focused on local news, since it follows The National. No filling of time with packaged reports from other cities, at least not for now.
Other features taking up all that extra time:
- Three weather segments, which have different graphics but seem to present the same information. On the first show, weather segments with Frank Cavallaro lasted 3:51 total.
- The CBCSports.ca Update is now done as a national package of a minute and a half, rather than voiced by the local anchor. Local sports news (including Canadiens/Alouettes/Impact highlights) are still presented separately.
- There’s a next-day news look-ahead, teasing the stories that will make news the next day. It includes both a local and national component.
People like me who really disliked the awkward anchor throws to George Stroumboulopoulos promos in the middle of the newscast will be relieved that they’re no longer doing it that way. The promos still exist (even though they’re now teasing a rebroadcast of a show from earlier in the night), in the middle of the newscast as a self-contained promo ad, and at the end where the anchor says to stay tuned for Strombo.
Though it’s an improvement, I remain very uncomfortable with newscasts being used like this for advertising, even if it’s self-promotion.
Technical growing pains
Minor and moderate technical problems continue to plague the late newscast. It would be easy to dismiss this as the kind of mistakes that happen when you’re doing something new, but it happens too often, to the point where I’m now starting to expect such errors at 11pm.
The first show saw the virtual set disappear for a few seconds, as you see above, removing any illusion that there’s a futuristic blue set that in no way resembles their evening news set. (On Day 2, they pulled away the green screen and went with the real control-room background you see on weekends or in some reporter debriefs. Wood says a new backdrop should be coming in a week or two.)
The larger mistake happened when the first packaged report was played again in place of the second, forcing reporter Alison Northcott to ad-lib.
The second show went smoother. The worst thing I saw, besides some timing issues, was a graphic with a typo (“Tobacco trial” became “Tobacco trail”)
CBC News: Montreal at 11 airs weeknights from 11 to 11:30pm. The late Sunday newscast retains its 10-minute format
from 10:55 to 11:05pm, but starting at 11pm instead of 10:55pm.
- Red: CBC
- Blue: Radio-Canada
- Yellow: TVO
- Purple: TFO
- Green: Télé-Québec
Small dots are transmitters being shut down (text appears in grey), large dots are transmitters that will keep running; dots marked “A” are privately-owned affiliates unaffected by this move.
This is a map I created (through a combination of a list from the CBC and Industry Canada’s database) of all 658 CBC and Radio-Canada television transmitters in Canada, plus those of provincial public broadcasters TVO, TFO and Télé-Québec. As of today, more than 600 CBC and Radio-Canada transmitters are no longer licensed by the CRTC and are in the process of being shut down if they aren’t already. Ditto for more than 100 TVO transmitters and four TFO ones.
The CBC littered the country with television retransmitters, most of them low-power, from 1977 to 1984 as part of its Accelerated Coverage Plan. The goal was to make sure that every community of 500 people or more was served by a CBC and/or Radio-Canada television transmitter (depending on their mother tongue).
But the transition to digital television and the need to cut costs has made the case for keeping these transmitters running much weaker. For one, more than 90% of Canadian television viewers have a subscription to a cable or satellite service. And most of the remaining viewers will be served by one of the 27 digital television transmitters running in markets where CBC and Radio-Canada offer local programming.
(This includes CFYK in Yellowknife, the flagship station of CBC North, which until now has been operating as an analog station. The CBC has replaced it with a digital one, CFYK-DT, effective Aug. 1.)
According to the CBC, only 2% of Canadian television viewers will be affected by this shutdown. The rest either have a television subscription or are within range of one of its digital transmitters.
What’s more, the CBC says in its submission to the CRTC, maintenance is becoming more difficult and expensive because of the lack of availability of spare parts for analog transmitters. Since the U.S. has already undergone a complete transition to digital, there’s little demand for analog transmitter servicing, and the companies that once did that have stopped. Price for parts has increased, in some cases as much as 100%, the CBC says.
And so, with the CRTC’s reluctant blessing (the commission explains in its decision that its licenses are authorizations to operate stations, and it cannot force a broadcaster to operate a station it doesn’t want to), the 607 analog retransmitters were remotely shut down Tuesday night by CBC technicians, the satellite feeds to them replaced with color bars. The equipment will be removed, says Martin Marcotte, director of CBC Transmission.
For those (like me) who complain that there isn’t much local programming in English in Quebec outside of news broadcasts, a regional documentary and short film series is something to look forward to. This summer, CBC television presents Absolutely Quebec, a series of five one-hour documentaries and an hour of short films that reflect the anglophone community in Quebec.
The first episode, Hockey Migrations, aired last Saturday. It tells the story of a hockey tournament in Tasiujaq, an Inuit community near Ungava Bay. But it’s actually an inightful look into the culture of the region, how native communities are struggling with changes to their traditional way of life, and how hockey is a way to give kids something to do and keep them out of trouble. Its director, Tony Girardin, was interviewed on CBC Radio’s All in a Weekend on Saturday morning, and explains that the footage was actually shot seven years ago, but only edited into a documentary recently. (One of the elders interviewed in the documentary has since died.)
“In Quebec, we have an incredibly rich history of storytelling and filmmaking,” Shelagh Kinch, the new Managing Director CBC Quebec, is quoted as saying in the press release. “CBC is proud to produce a series that highlights some of our province’s emerging filmmakers and also allows new audiences to enjoy these local stories.”
The rest of the series, which runs Saturdays at 7pm on CBMT (except Aug. 11, when CBC airs Rogers Cup tennis coverage), is as follows:
- July 28: Never Destroy Us: The Dears at Pasaguero, a “rockumentary” about the Montreal band
- Aug. 4: Give Peas a Chance, about the falafel
- Aug. 18: Rain, about the show by Cirque Éloize
- Aug. 25: Fortunate Son, an autobiographical documentary about a man’s troubled relationship with his parents
- Sept. 1: Four short films:
Sadly, Videotron’s on-screen listings list 7pm Saturday as being The Nature of Things, but tune in anyway. It’s one of the few chances you’ll have to watch that independently-produced local programming you complain never sees the light of day on local television.
Some of these episodes might end up being aired nationally as well, as part of the Absolutely Canadian series. But which of those will get national exposure (on CBC television, CBC News Network or the Documentary channel) and when that will be hasn’t been decided yet.