Tag Archives: freelancing

Journal Daily Digest: Jack to the rescue

NDP leader Jack Layton roared into town on Wednesday and stole the show for this week. In a meeting with locked-out Journal de Montréal workers, he lent his support, denounced the use of scabs and said he's written to the prime minister asking that federal advertising be pulled from the paper until its union conflict is resolved.

Seeing an opportunity to get his name in the media again, Denis Coderre also wanted to make sure we know that the Liberals support the workers.

[Insert rebellious song title pun here]

Eric Goulet

Quebecor sucks!

In the wouldn't-have-been-printed-in-the-Journal category:

We like freelancers, trust us!

The STIJM makes a case for the support of freelance journalists with the Association des journalistes indépendants du Québec. Though it admits that fighting for freelancers isn't its primary mission, it says it tried to get some union protection for freelancers at the Journal and has opposed onerous contracts that demand excessive rights waivers.

Meanwhile, in other news

It’s time to add freelancers to media union contracts

In a half-hour panel discussion with Radio-Canada's Christiane Charette on Wednesday, some of the most respected minds in Quebec media analysis discussed the lockout at the Journal de Montréal and the debate over whether freelance columnists like Richard Martineau, Stéphane Gendron and Joseph Facal should continue writing their columns.

One comment (there were a bunch of guys there and it's hard to distinguish them by voice alone) was that unions and freelancers need to come together and not see each other as the enemy. One of the arguments Martineau and others use for continuing to write is that the union does nothing for them, they wouldn't get strike pay nor would the union intervene if they were suddenly fired.

Now, Martineau is a world-class douchebag. He's a product of the Quebecor Media empire, with a column in the Journal, a blog at Canoë and a show on LCN. He's paid to be a blowhard and scream fake outrage at everything while being politically incorrect for its own sake. (This is a stark contrast to his work at Les Francs-Tireurs, which I actually like because there he asks people questions and listens to their answers.) He holds quite a bit of influence and wouldn't be on the street if he stood with the locked-out journalists. He's refusing to stop on principle, and to continue being a douchebag.

But he's right. The union does nothing for him. It does nothing for any freelancer. And neither do most unions.

That needs to change.

Freelance isn't free

Way back when, before my time, the idea of a freelance columnist was a rarity. Really, it seems like such a contradiction in terms: a columnist is relied upon to have a regular presence in a newspaper, whereas a freelancer is a one-time contributor who's being given a few bucks for an article.

But freelancing has become such a useful tool for media companies: You can fire freelancers whenever you want, there's an almost endless supply of them, they don't take vacations, and they'll sign just about any contract you put in front of their faces. When taking total cost into account, it's much cheaper and more flexible to get a freelancer than a full-time or part-time employee.

And so we enter the age of the freelance columnist. Some are that way by choice, because they want the freedom to work for other organizations, or to syndicate their content. Some are former columnist-employees who have taken buyouts but decided to continue their columns under a different contractual relationship. And some are just people who have real day jobs in other industries and don't want to become full-time journalists.

Along with these vedettes, though, are the freelancers who aren't that way by choice. Those aspiring young journalists whose souls haven't yet been crushed. The ones who sign overly abusive contracts, work for peanuts and beg for more. With such a compacted media landscape, and so few corporations in charge of so much media, they have no choice but to accept whatever abuse is thrown at them in order to realize their dream of being a journalist.

But it doesn't have to be that way.

CBC provides an example

Take a look at the contract (which is about to expire) between the CBC and the Canadian Media Guild (PDF), which represents all employees outside of Quebec and Moncton, N.B. (which are represented by another union). The deal was worked out after the 2005 lockout, and speaks quite a bit about contract and freelance work. Specifically:

  • It sets minimum wage rates for specific types of original freelance work, and requires additional remuneration for additional use of the work
  • It provides certain minimum rights (copyright, moral rights) for freelance work
  • It includes a provision which spells out that related expenses are paid by the employer
  • It bans working "on spec", in which work is done before it is sold, and provides for a minimum "kill fee", for work that's approved but then never used.
  • It bans employees working freelance gigs on the side and requires that such work be paid at overtime rates
  • Finally, it states that the freelancer is (for the limited purposes of the contract) a member of the union (the union even has a freelance chapter and a guide for freelancers), and must pay dues from the freelance pay.

The standardized contract is probably the most important part of this. The company can't go around and start demanding more rights of powerless freelancers without first getting it approved by the more powerful union. It's part of the reason why the Periodical Writers Association of Canada supported the union in the lockout.

It's not perfect, and it's been criticized as not doing enough, but it's much more than most media union contracts have to give rights to freelancers.

And by protecting freelancers, the union makes it less attractive for employers to use them instead of salaried employees to save money. Instead, freelancers are used where they are supposed to: For occasional work that can't be done by regular employees.

While regular employees aren't exactly swimming in cash at the CBC, freelancers at least are not overly exploited (so-called "casuals" are another problem entirely, and that's another post).

Wishful thinking

Of course, this is the worst time for media unions to start demanding sweeping new rights. A union in negotiation going to the employer and trying to set a standardized contract for freelancers would quickly get laughed out of the room. The time to create a common front between freelancers and employees was years or even decades ago, and it's not coming back anytime soon.

And so Martineau is right. Sadly. He's not turning the other cheek, and he's siding with the employer in a dispute with the employees, making it easier to continue putting out the newspaper and try to break the union. He's being a douchebag, but he has every right to be.

If the union had focused more on bringing freelancers into the fold and less on protecting their short work week and inflating their salaries, they might not be in this boat now.

Rue Frontenac launches

RueFrontenac.com

Four and a half days after they were locked out of the Journal de Montréal (too much time for the impatient Patrick Lagacé), 253 unionized workers launched their competing news site, RueFrontenac.com at a press conference at 2pm Wednesday.

In a welcome message, Raynald Leblanc says the union was willing to negotiate about increasing the work week and moving toward multimedia. But they wouldn't stand for the elimination of entire departments (the Journal wanted to outsource accounting) and the laying off of dozens of staff.

Sports has its own welcome message from Mario Leclerc. And Marc Beaudet is doing cartoons. It's also continuing the Journal tradition of screaming "exclusive scandal" on stories that don't sound particularly scandalous.

The site is based on Joomla, and definitely could use a bit of tweaking (Arial as a body typeface? Would it kill you to use serifs somewhere?), especially in the design of individual articles, but it's a start.

InfoPresse explains the catchphrase "Par la bouche de nos crayons!" (via mtlweblog)

In other Journal news

... and so goes Godwin's Law.

TVA Publications takes free out of freelancing

Steve Proulx has a copy of the new freelance agreement that Quebecor-owned magazine publisher TVA Publications is forcing its writers to sign.

What's so extreme about it, sadly, isn't that it demands complete exclusive rights, including copyright, over all work submitted, or that it demands writers waive all moral rights, or that it demands retroactive rights to all past submitted work, or that half of these demands are so over-the-top that they probably wouldn't stand up in court.

What's horrible is that this is for magazine freelancers, who once upon a time were treated with more respect and professionalism than newspaper freelancers.

And what's worse is that so many aspiring writers are so desperate for a byline and so naive about what it will mean for them that they're willing to work for peanuts and will sign this agreement without giving it a second look.

UPDATE (Jan. 22): Steve adds a letter from a former contributor to Quebecor-owned weekly ICI.

UPDATE (Jan. 23): The FPJQ issues a press release condemning the contract.

UPDATE (Jan. 26): Looks like this may have had some effect, with a report that at least one editor is backing off from enforcing this contract.

La Presse begins pre-emptive Journal scab watch

Catherine Handfield looks at which freelance columnists will bolt and which will stay on if there's a labour dispute at the Journal de Montréal. Jacques Demers and Martin Brodeur (who obviously don't need the money) would be out.

No word on Richard Martineau.

Steve Proulx places odds on those who haven't declared, and discoveres Chroniques Blondes' Geneviève Lefebvre also refuses to scab.

Quebecor, meanwhile, accuses the union of intimidating freelancers.

Journal stops demanding moral rights of its own employees

The Journal de Montréal has stopped a practice of demanding that its employees sign draconian rights waivers when doing additional freelance work, which require the waiver of moral rights, among others.

Whether an author can waive moral rights in the first place is a legal debate that hasn't happened yet, but this is a good sign. Hopefully other media will follow and be a bit more fair in their freelance contracts.

New ICI freelance contract abusive, AJIQ says

Think your freelance contract is bad? Quebecor-owned free weekly ICI is making its writers sign a new contract that demands all rights, including copyright and moral rights, be handed over to them, in exchange for a measly $55 per 250-word story. This has gotten them a strong denunciation from the Quebec association of independent journalists (AJIQ).

Freelancers vs. The Gazette

The so-called Electronic Rights Defence Committee, a group of former Gazette freelance writers, finally had its day in court this week to seek class-action status for a lawsuit against the newspaper over online rights to their content.

The lawsuit, launched in 1997, was actually filed against Southam, which owned The Gazette at the time. That's how old it is. Besides freely reprinting writers' stories on the Canada.com website, the lawsuit takes issue with Canwest-owned Infomart, which sells archived articles individually or as a group, without giving a cut to the writer.

Precedent exists in the case, thanks to a woman named Heather Robertson. She sued the Globe and Mail over electronic archival and won a case that went all the way to the Supreme Court.

The hearing continues today, in Room 16.01 of the Palais de Justice, starting at 9:15am.

For more information, check out the blogs of ERDC members Mary Soderstrom and Jack Ruttan (Day 1, Day 2, Day 3). (UPDATE: And Craig Silverman.)

(Full disclosure: I'm both a freelancer for and an employee of The Gazette currently. I don't take a position here on the merits of this lawsuit.)

Should letters to the editor be paid for?

Thursday's Gazette features some letters to the business editor responding to last week's inaugural Business Observer section, and particularly my opinion piece about independent video producers being exploited by big media.

One of those letters asks an interesting question (which I jokingly alluded to last week): Should letter writers be paid for their opinions?

You are asking us for our opinion on using Web content with no payment to the producer. Well, how about you guys at the Gazette? Why don't you pay the author when you publish his opinion, or even a letter to the editor? Writing something for publication doesn't exactly take only a few minutes of his time. An opinion piece, or letter to the editor can take the author hours of his time.

So let's be upright about this. When The Gazette (or any publication) publishes anything, there should be automatic payment for the author.

Martin Plant, Montreal

At some point, we have to have a discussion as a society over what line exists between freelance journalism (which should be paid for) and reader interaction (which shouldn't).

The vlogolution will not be televised

As promised, my first opinion/analysis piece appears in today's business section as part of the new Business Observer weekly page, which includes other pieces from academics and a small glossary of bizl33t from Roberto Rocha.

The crux of the argument is this: YouTube wonders and other amateur producers are being exploited by big media companies who want to reduce costs. Instead of being offered a freelance fee for their work, they're offered give-us-all-your-rights contracts and no monetary compensation in exchange for the opportunity to have one's video put on TV.

Some of you might remember a column from Casey McKinnon in the Guardian last year that was along similar lines, and my article is a blatant rip-off an homage and expansion of that idea. I talked to her and to Dominic Arpin, who hosted TVA's Vlog show during its brief run in the fall. Vlog, as a news show, relied on fair dealing provisions to side-step copyright. They didn't ask permission before screening 30-second clips of popular videos online.

Though the article focuses on video, the situation is analogous for audio and text. Media organizations seek "user-generated content" because it's free. That's fine for letters to the editor and small comments attached to articles, but what about photos and stories? The line between freelancers and free content is blurring.

Casey's advice is useful for all independent content producers:

Start thinking like businesspeople and stand up for their rights. Demand fair contracts and proper compensation, and ignore fast-talking TV executives when they say "you don't need a lawyer."

If you have any comments about this issue, you can of course add them here (I won't pay you either, suckers). The Gazette is also soliciting responses to the idea: send them to businessobserver (at) thegazette.canwest.com

(I'll refrain from pointing out the irony of big media soliciting free content on an article denouncing big media's exploitation of free content. But at least here you're doing so willingly.)

UPDATE: Digg it?