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Tagged Quebecor

TVA hates Lagacé

I’ve always admired Patrick Lagacé. The way he works hard, the way he does his homework before putting together insightful commentary (instead of knee-jerk reactions), his hair, and the fact he puts me on his blogroll.

But more importantly, I admire the impact he has. Like being able to piss off the entire management team at TVA.

Yesterday, La Presse published a really long letter signed by four executives at TVA which accuses Lagacé of not checking his facts in a recent column about the network burying embarrassing news about itself and friends of owner Quebecor.

As Lagacé mentions at the end of the column, TVA is suing Gesca and Lagacé personally for his previous remarks on this issue.

For the benefit of those who don’t want to read the long letter, or whose French is rusty, here’s TVA’s main points:

  1. TVA’s news coverage is dictated by TVA, not Quebecor. Quebecor has no control. No control my ass. You don’t get to own the media unless you can tell it what to do occasionally. Obviously TVA decides what the day-to-day news is going to be, but don’t tell me there isn’t some middle manager who knows he’s more likely to get a promotion and less likely to be fired if he suppresses bad news and promotes good news. Just look at its collusion cooperation with Quebecor-owned Journal de Montréal or Quebecor-owned Videotron.
  2. TVA did, in fact, allow clips critical of TVA to be aired, contrary to Lagacé’s insinuations. OK, sure. I’ll concede that point, though Lagacé got his information from Le Soleil, which got a quote from TVA saying they can decide what to air and what not to air. But stories can be buried without being totally eliminated. Newspapers do it all the time: putting good news on A1 or A2, while leaving bad news to a brief at the back of the business section.
  3. TVA didn’t talk about 15 job cuts at TVA Québec because it was a non-story, and it was really four job cuts, and only one in news. As Lagacé mentions, it was still 15 job cuts at a regional station, whether or not some people stayed on part-time in another role.
  4. Lagacé made no attempt to contact TVA before his article was published to check these facts. Lagacé says he tried to contact Quebecor but got no response.

Left unmentioned by both parties is that Lagacé used to be part of the Quebecor family when he worked for the Journal and blogged for Canoe. To say there’s bad blood between the two might be considered an understatement.

But, of course, Quebecor doesn’t control TVA. So this silly conspiracy theory has no basis, right?

TVA mad at La Presse for suggesting they have managers

The petty legal war between the francophone media continues, as Groupe TVA (read: Quebecor/TVA/Journal de Montréal/Canoe) sent a lawyer’s letter to Groupe Gesca (read: La Presse/Cyberpresse) demanding that they retract statements that suggested the whole blurring-the-face-of-Bernier’s-biker-girlfriend thing was done on orders from management, according to Le Devoir (subscription-locked, sorry).

Specifically, it takes issue with an article from Le Soleil’s Richard Therrien and a blog post from Patrick Lagacé, both of which suggest that the decision was suspicious (the latter suggests that a friendship between Maxime Bernier and Quebecor’s Pierre-Karl Péladeau might have something to do with it).

I honestly have no idea what’s going through the minds of people at Quebecor (or just TVA?). Are they suggesting that management was not involved in this decision, and that any statement otherwise libels them somehow? Are we to believe that some non-management person made such a controversial decision on a major news story without discussing it with higher-ups?

And are we just to take it as coincidence that the Journal and TVA, both owned by Quebecor, are the only two news outlets that have kept her name secret?

Seriously, what’s their problem?

UPDATE: The Gazette’s Liz Thompson is also like: Dude, WTF?

MP’s ex is hot

In this Canadian Press photo, you see Julie Couillard, a woman once linked to a Hell’s Angels member, being escorted by an unidentified MP to an official function. We’ve decided not to identify the MP in question, since he hasn’t been charged with anything and we don’t want to sully his reputation.

Wait, you say? It’s stupid of me to disguise his identity since his name and photo have appeared in Quebec media all over the place?

Tell that to Quebecor/Sun Media.

Quebecor-owned outlets, including TVA/LCN and the Journal de Montréal, pretty notorious for exposing gossip, decided to blur this woman’s face and refrain from mentioning her name in their news reports (though apparently the word didn’t get out to all their bloggers, nor to the anglo Sun Media papers which are running CP stories with her name on their websites).

Both are in the news recently because of allegations that she, the ex-girlfriend of Maxime Bernier, was once married briefly to a member of the Hell’s Angels biker gang.

Of course, no evidence whatsoever has been brought to light suggesting that she did anything wrong, much less him. In fact, it seems the guy, Stéphane Sirois, actually grew out of favour with the Hell’s for marrying her.

Now while the Conservatives are pleading for privacy and the opposition is screaming OMG biker warz NATIONAL SECURITY!!!111, most of the media outside of Pierre-Karl Péladeau’s control are milking this story for all it’s worth. They want to give it maximum exposure, reveal as much as possible, put it out there for everyone to gawk at.

(I guess the Journal, for one, had a change of heart after that, and decided to un-anonymize her later this morning)

Fortunately, the rather obvious and curious actions have not been missed by the bloggerati. Patrick Lagacé, Martin Patriquin, Richard Therrien of Le Soleil, 321Blogue, Julie Bélanger, MédiaTrib and others have pointed this out with curious looks on their faces. Could there be some collusion between Bernier and Péladeau? Could Quebecor be afraid of the biker gangs? Surely their explanation of not wanting to sully the reputation of an innocent person can’t be taken at face value considering what we know of the Journal et al’s ethics.

As we ponder the conspiracy theories, let’s get back to the story.

And really, there’s a very important reason this story is getting so much attention: Look at her. She’s hot. We-stiff-on-hard-for-thee hot.

Imagine, if you will, taking sex out of the equation. If this were an unattractive male friend who had, say, an important business relationship with someone alleged to be linked with the mafia or other organized crime, would it have gotten attention from the news media, even if there was no evidence of anything wrong involving the minister?

Of course it would. But it would have been a 500-word story in the politics section. Not Page 1, and not more than a brief on TV.

So, in the end, Quebecor is at fault for nonsensically hiding information from the public. And the rest of the media is at fault for sensationalizing this issue just as an excuse for running file photos of her boobies.

UPDATE (May 11): According to LCN, the woman (who they’re still not identifying) told the Journal her life has been destroyed by this scandal. Note that the Journal identifies her. But the LCN story about the Journal story doesn’t. How weird.

LCN/Canoe needs to learn HTML 2.0

One of the recurring elements of my criticisms of big media websites is that you have to learn Web 1.0 before you try at Web 2.0. Uploaded stories from newspapers still don’t have clickable links, URLs are way too long, related stories aren’t linked to each other, etc.

Another example of this comes courtesy of Quebecor’s Canoe.ca website, which is presenting a “survey” with Quebecor-owned TVA/LCN, Quebecor-owned Journal de Montréal and Corus-owned Énergie 98.5 FM. The survey asks people questions in order to track down differences between Baby Boomers and younger generations (or more precisely, find out what the generations think of each other). Certainly no surprise for the Journal, which prefers to create divisive scandals rather than report on news that’s already out there.

But the version of the survey published online is ludicrously low-tech. Rather than have visitors fill out a web form (a technology that we’ve only had for about 12 years), it presents the options in barely-formatted paragraphs and then asks readers to cut and paste their answers into an email (that they format themselves).

How about I save everyone some time: Young people think Baby Boomers are old, boring, intolerant, stubborn and out of touch. Baby Boomers think young people are impulsive, irresponsible, weird, stupid and disrespectful.

Now where’s my Pulitzer?

UPDATE (Jan. 20): The first results are in, and ranking of priorities shows no real difference between the age groups (though I’m sure they’ll try to find one). Continuing the we-don’t-know-this-technology-stuff motif, the full results are a PDF focument of a scan of what looks like a bad photocopy of a fax of printed sheets of computer-generated charts. Have these people never heard of email?

The CRTC does something

Everyone’s falling over themselves talking about the CRTC’s new rules for media ownership, saying it’s about time the regulatory commission did something.

The new rules basically come down to three limits:

  1. The same company can’t own a newspaper (daily, paid local paper), radio station and TV station in the same market
  2. The same company can’t acquire TV stations that would give it a 45% or more audience share in a market
  3. The same company cannot control all broadcast distribution systems (cable and satellite TV) in the same market

Enough exceptions have been made already that nobody is affected right now. These include:

  1. The CBC/Radio-Canada and other public broadcasters
  2. Companies who grow their audience market share to over 45% with existing properties
  3. The National Post and Globe and Mail, which are considered “national newspapers”

You can see the CRTC’s press release and a public notice outlining the well-thought-out rationale for the decisions they made and those they decided against.

Go nuts, Quebecor

A second, related decision which isn’t getting so much attention is a loosening of restrictions on news gathering. Previously, Quebecor was forced to separate news gathering divisions in its print and television properties. Reporters for TVA and the Journal de Montréal couldn’t so much as talk to each other.

The problem with that restriction is two-fold. First of all, other media like CanWest and CTVglobemedia had lesser restrictions which only required them to manage the news outlets separately. Second, the Internet has forced the CRTC to realize that the medium is irrelevant. Newspaper reporters are shooting video, and TV reporters are writing text. The lines between media are blurring.

So the CRTC has decided to harmonize its rules to the looser CTV/Canwest system, which restricts news management but not news gathering directly. Management of one outlet cannot be involved with managing the other. The reporters themselves, however, are unaffected.

This will come as welcome news to Quebecor, who can now take frame grabs from TVA to fill Journal de Québec pages have more flexibility in its media management.

Québec à la une: An advertorial in three parts

I was tuning into TVA this evening to catch the series finale of Vlog, when I stumbled on a documentary about the Journal de Montréal called Québec à la une.

The documentary is an interesting look at the history of the newspaper known for its attention-whoring headlines, spending its first episode concentrating on the October Crisis that brought it into the mainstream and launched its Sunday edition.

But I can’t get over the fact that this is airing on TVA, which is owned by the same company that owns the Journal. In fact, Quebecor is run by Pierre-Karl Péladeau, and his father Pierre Péladeau is the guy getting a posthumous public blowjob in this rather one-sided documentary. (No mention of the Philadelphia Journal here.)

The appearance of the younger Péladeau on screen after the end of the documentary talking about how great Quebecor and the Journal de Montréal are sealed the deal. I’m still not sure if that was a paid advertisement or part of the documentary. Of course it doesn’t matter, because Péladeau would have just been paying himself.

It’s unfortunate, because a look at the big Montreal newspaper upheavals of the 1960s and 70s makes for interesting storytelling.

Québec à la une airs Tuesday, Dec. 4 and 11 at 9pm on TVA. The show is also available for free for Videotron Illico digital TV subscribers on its video-on-demand service (Channel 900, under “TV on demand” -> “TVA on demand”).

Journal de Québec problems not hurting bottom line

A new financial report from Quebecor Media thumbs its nose at striking and locked-out Journal de Québec workers, saying that profits have exploded since the work stoppage in April.

It’s funny how giant media conglomerates are swimming in profits but still feel the need to cut cut cut journalism jobs.

And while the Journal is saving a lot of money in salaries, it’s hard to say how sustainable it is to run a newspaper without journalists. (Though no doubt Quebecor would love to find a way to make it work.)

Journal de Québec lockout: six months later

LCN has a report on the Journal de Québec strike/lockout, which is now 6 months old. Naturally, the union-says-this/employer-says-that news package doesn’t disclose the fact that TVA/LCN and the Journal are owned by the same company.

Meanwhile, workers on the picket lines were warmly received by union leaders across the country, and their strike paper MédiaMatinQuébec is still going strong with the help of enthusiastic advertising from local businesses.

UPDATE (Oct. 26): I totally missed this feature by The Gazette’s David Johnston on the lockout/strike, as well as an accompanying analysis piece on crossover reporting. Both concentrate on journalists being asked to take photos or video in addition to writing articles, which saves money but produces crappy quality of both.

Quebecor’s newsrooms 99.9% separate

Quebecor Media is getting a slap on the wrist from a committee setup to oversee the separation of its newsrooms. They found three instances where the Journal de Québec took photos from TVA, which violates the promise Quebecor made to the CRTC to keep their newsrooms completely separate.

I think the cat’s out of the bag when it comes to merging newsrooms. Quebecor has already combined its online properties into the monster Canoe. They’ll just keep finding ways to consolidate their assets without pissing off the CRTC too much.

Another thing that’s interesting about this situation is that two of the three instances happened while the Journal de Québec was in a labour disruption (which is still going on, by the way). The union might have something to say about that.

Bureaucracy killed the Journal’s website

Ever wonder why the Journal de Montréal doesn’t have a real website? Legal reasons, apparently.

Apparently the Journal’s union contract has some vague language about the use of its members’ work on the Internet. It states that the Journal’s parent organization can use the content online, provided certain silly requirements are met (the Journal’s logo has to appear, and people can’t be assigned exclusively online unless they’re given a new job title or something).

An extra sentence added later says that the employer should negotiate before starting a new website.

The union tried to sue, claiming Quebecor broke the agreement by setting up this kinda-website without talking to them first.

The judge saw right through their flimsy argument, referring the case to union arbitration.

Hopefully that will talk some sense into both sides. This is a really stupid reason for the Journal not to have a true web presence for itself.

Just because you’re famous doesn’t mean you’re interesting

We have a new magazine in town: Montreal Centre-Ville. Produced by Quebecor (and we all know how much respect they have for the art of journalism), it’s a bilingual magazine about downtown.

Its inaugural issue has some pieces by well-known Montrealers like Dennis Trudeau and Melissa Auf der Maur. But what they say isn’t really interesting. There’s no new insight into the city (certainly not for anyone who lives here already).

I’m all for having new original media in this town, but I’ve seen better stuff out of a Transcontinental-owned community weekly.

Newspapers are a sinking ship - and have only themselves to blame

Peter Hadekel has an article last week (I’m catching up on my paper-reading) about how Osprey Media’s purchase by Quebecor is good news for newspapers.

I have to disagree. Not because I think it’s a bad sign, but rather because of news like this: Large increases in online ad revenue far from offsets gigantic drops in print advertising.

Now I’m not going to pretend like newspapers are going to cease to exist. They still serve a useful function. We still have print advertising in this world, and there’s really no more convenient way to get news while commuting to work than bringing the paper with you.

But that doesn’t mean these papers are going to remain the news powerhouses they are now, to say nothing of returning to the days when they were actually important in our lives.

The reason is partly to do with new technology, 24-hour TV news, and the Internet. But just as important are the huge cutbacks to news gathering that make readers wonder what it is exactly they’re paying for.

Among the bone-headed ideas that for some reason newspaper publishers think aren’t alienating their readers:

  • Increased use of wire copy in an age where just about any wire service story can be accessed for free online. National, international, entertainment and business coverage is becoming saturated with AP, Reuters, Bloomberg and AFP copy, and the pool of local reporters is shrinking. Papers lose their individual voice, and there’s nothing interesting in these pages you can’t just as easily learn from watching the hourly news update on CNN.
  • Giving lip-service to online properties.
    • Stories that aren’t subscriber-locked are hidden behind a massively-complicated navigation system, and surrounded by ads to the point where you can barely find them. As a result, bloggers and others who share stories with their friends link directly to “printer-friendly” versions, thereby robbing companies of online ad revenue.
    • Online classified sites all suck hard compared to Craigslist (some even arrogantly ask for money to have your ad included in their database).
    • Nobody seems to know how to do online multimedia properly. They send their reporters untrained with a video camera to shoot pointless, uninteresting video which they throw up unedited just so they can pat themselves on the back and say they’re clued in to the online world. The web infrastructure used with these photo galleries, audio slideshows and video clips provide no means to link to them directly and therefore no way for people to point them out to friends.
    • Stories posted online contain no clickable links whatsoever, and related stories aren’t linked to each other. Formatting issues like accents and soft returns are left unfixed, and anything with even the slightest bit of unusual formatting in the print edition looks like an unreadable mess online.
  • Infotainment, like reporting the previous night’s American Idol results (as if anyone who cared enough about the show would not have either watched it or gotten the news elsewhere), is on the rise at the expense of real journalism.
  • Elimination of foreign bureaus means many international issues are covered with fewer and fewer voices, with no analysis of what these events mean for you.
  • Shrinking newspaper space means more stories are covered in 50-word briefs, and the one thing newspapers provide that TV and radio don’t — detail — is lost.
  • Copy editing positions are being eliminated, resulting in glaring mistakes in newspaper copy and a lessening of newspapers’ reputations.
  • Opinion pieces are written up by old conservative economists and political has-beens instead of fresh-faced thinkers with bold new ideas.
  • An increased reliance on freelance writers means more interesting stories, but only of the sort that can be put together in a day. Stories that take longer to create, including those of beat writers, are left on the back burner to rot.
  • Papers spend millions on marketing campaigns and TV ads instead of improving quality.
  • Media convergence has meant a decrease in critical reporting of related media. Reporters and editors are either afraid to criticize their corporate bosses or are told outright not to say things that would make the company look bad. Newspapers write articles about TV shows for networks owned by their parent company. Readers see right through these things, and lose trust in their journalists.