Tag Archives: Transcontinental

Chronicle, Cités Nouvelles editors refuse demotions

On Friday, the West Island Chronicle and Cités Nouvelles, the two Transcontinental-owned weeklies covering the West Island, each had two full-time editorial employees - an editor and a reporter.

On Monday, they may have none.

Layoffs announced just before Christmas of the papers' reporters (Raffy Boudjikanian for the Chronicle, Olivier Laniel for Cités Nouvelles) took effect on Friday. Technically they're not permanent, but for an indeterminant period. But Boudjikanian doesn't expect to return to the job and is now unemployed. Laniel was a temporary worker, replacing a reporter on maternity leave.

Albert Kramberger

Hearing about the job cuts and their own demotions from editor to sole reporter (and sole journalist), Chronicle editor Albert Kramberger and Cités Nouvelles editor Marie-Claude Simard told their employer on Christmas Eve that they would refuse their demotions and wouldn't work for their papers if they were expected to do so solo.

Their superiors "seemed shocked to get the news", Simard said, and they have been holding meetings this week with the union to discuss the matter.

Whether those meetings will go anywhere is another matter. A decision could be weeks away, and the demotions take effect on Monday.

As far as Kramberger is concerned, unless some stunning reversal on the employer's part takes place, he's already worked his last shift at the Chronicle, and he's looking for another job.

Wayne Larsen, who was also demoted from editor of the Westmount Examiner, saw the positive side of his new role and is expected to stay on.

The emptying of the Chronicle is particularly distressing. Only five years ago, I spent a week there as an intern, and it had a skeleton staff, but still a staff. News reporters, a sports reporter, an editor and a photographer. The Chronicle was a perennial winner at the Quebec Community Newspaper Association awards, mostly because they had more resources than the other papers.

Now they're all gone.

Transcontinental might choose to hire a new reporter at each paper, perhaps some kid straight out of university or a laid-off journalist who's desperate to make ends meet. But the loss of institutional memory would be huge. They would end up as shadows of the shadows they once were.

With the Chronicle and Cités Nouvelles on their last legs, a void opens up for West Island community coverage. The best of what's left is the weekly West Island section of The Gazette, which has four full-time editorial employees and relies on the resources of the larger paper. Beyond that, there's little. Unlike Westmount or NDG, there's no mom-and-pop paper running out of someone's basement trying to compete with the big guys. Even The Suburban hasn't really reached out to the West Island yet.

Transcontinental may have seen this as just two layoffs, but they've essentially abdicated their responsibilities to the West Island.

Now, who will fill that void?

Other coverage from CTV Montreal and The Suburban

Transcontinental and the freelance union oxymoron

Over the past few years, a group of Canadians fed up with increasingly restrictive standardized freelance contracts from large print publishers (combined with stagnant or even declining freelance fees) has been toying with the idea of starting up a union.

It's not clear what form such a union would take, since the entire point of being "freelance" is to negotiate deals on your own. But the media environment that has developed, with just about every magazine and large newspaper owned by one of only a dozen or so major media companies, has meant that freelancers face a take-it-or-leave-it proposition that leaves no room for negotiation. Groups of professional freelancers have been looking at banding together to get these standard contracts changed so that publishers have to pay if they want to re-use freelance content on other media, particularly on the Internet or in electronic databases.

This all came to a head this week when the Canadian Writers Group, the Periodical Professional Writers Association of Canada and a bunch of other similar groups called on all freelancers to boycott Transcontinental, which publishes Canadian Living, Elle Canada and dozens of regional newspapers. The press release is here (PDF).

The groups argue that the so-called Master Agreement (PDF) that Transcontinental is forcing all its writers to sign is over-the-top, even to the point of licensing TV rights for free.

The move prompted reaction from Transcontinental, which said it was surprised and it thought the contract was fair. It argues that the language is misunderstood, and that the rights grab is only for properties tied to a particular brand, and that Transcontinental can't re-use content across brands (read: magazines and their associated websites) without paying an extra fee. The writers' groups dispute those arguments.

So the campaign has begun, and writers are asking people to boycott anything published by Transcontinental. They're even asking people to unfollow The Hockey News on Twitter, since it's a Transcontinental publication.

This is all coming at the same time as Transcontinental is considering a lockout of its employees at community weeklies in and around Montreal. Not a good week for the company.

Freelance for free

The problem with this boycott campaign is the same one that has caused these contracts to be put forward in the first place: writers are a dime a dozen, and so many of them are willing to work for peanuts that publishers find they can demand more rights for less pay and still have people climbing over each other trying to get a byline.

The erosion of freelancer rights has already hit newspapers, where Canwest, Sun Media and others have forced their freelancers to accept these terms or stop contributing. Now Transcontinental is trying to move this to the magazine world (with a contract that's still much more generous to freelancers than the newspaper freelance contracts), and the professional writing community has said it's not going to take it anymore.

Even with a writers' boycott in place, expect plenty of journalism school students, part-time writers and others to jump at the chance to take the place of the professional freelancers for the few bucks an article that Transcontinental will offer them.

This slide to mediocrity won't end because of a boycott by the cream of the crop, it'll end when either publishers decide that the content they're paying peanuts for is too crappy to justify the savings, or when young status-hungry writers figure out that an eight-point byline nobody will remember and a cheque for $100 isn't worth all the work they've spent crafting a magazine feature.

Don't hold your breath waiting for either of those to happen, unfortunately.

Print media isn’t dead yet, SF Chronicle hopes

The San Francisco Chronicle's 15-year deal with Montreal-based Transcontinental to print its newspaper officially began today, and the paper heralded the new (outsourced) presses that allow for more colour. That, of course, is being mocked in the usual places.

You'll recall that Transcontinental signed an 18-year deal with the Globe and Mail to print their newspaper last year.

UPDATE: A short piece in the New York Times that questions the point.

Courrier Laval loses half its reporting staff

Transcontinental

The fallout from the cuts at Transcontinental are starting to trickle down. The Courrier Laval has lost two of its four reporters, leaving two people to write all the news from across the island.

One of the reporters losing her job is Nathalie Villeneuve. You might remember her as the person whose story TVA picked up without attribution. Now what will TV news report on?

Meanwhile, the union representing employees at Transcon's community weeklies is bemoaning the situation at papers in the centre of the island of Montreal (Villeray, Rosemont, Ville-Marie, etc.) who have even fewer journalists and can't do much journalism of their own.

I can attest to that. There's plenty of syndicated content (mostly about cars), but very little of local interest comes out of those papers.

UPDATE: Voir's Steve Boudrias calls this cut "absurd", with some thoughts on the state of community journalism.

Transcontinental cuts 1,500

The press release issued this morning is being rewritten at media outlets all over the place. Transcontinental is cutting 1,500 jobs, requiring unpaid vacations and forcing senior managers to put in unpaid work, all in an effort to cut costs.

There are 28 cuts coming to Canadian magazines, but so far no word on newspapers. Transcontinental owns Metro as well as dozens of community weeklies.

Globe thinks colour will solve newspaper crisis

The Globe and Mail and Transcontinental have signed a $1.7 billion, 18-year deal for the Montreal-based printer to print the newspaper everywhere but the prairies.

The highlight of the deal (from the Globe press release) is a promise from Transcon to buy new presses capable of printing full-colour on all pages. Currently newspapers have to budget which pages get colour and which stay black, mainly because colour is a four-plate process (CMYK) and black requires only one plate and one colour ink. (The change will also mean a shorter paper and another redesign)

That sounds pretty cool. But spending $200 million on new presses to satisfy an 18-year deal (2010-2028) when we're not even sure that newspapers are going to last that long?

Like the New York Times and other larger papers, the Globe will probably weather the crisis a bit longer than most (the fact that it hasn't drastically cut the number of journalists recently certainly helps). But 20 years is a long time in the future, especially when you consider where we were 20 years ago. In 1988, newspaper staffs were at their peak, television production values practically nonexistent, and nobody knew what the Internet was.

Maisons Neuves

Ever hear of Maisons Neuves magazine? It's a French-language ad magazine from Transcontinental, showing nothing but ads for people looking for new homes on the south shore.

Transcontinental can feel free to waste glossy paper and ink printing up ads that nobody will look at. But doesn't the name of this magazine sound suspiciously similar to another local magazine we all know and love?

I can't help but wonder if some ad sales rep introduces herself over the phone as being from "Maisons Neuves magazine" (or, since it's in French, "magazine Maisons Neuves") and causing confusion among a hapless advertiser.

But that's just because I'm paranoid, I guess.

Your distinctiveness will be added to our own

Transcontinental has bought up the Corriere Italiano, a Montreal Italian community weekly, and the monstromerate's first third-language newspaper.

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