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Olympics’ assault on fair use

Take a look at this clip from CTV News announcing our medal haul for today. Notice anything odd about it? The athletes look a bit stationary, don’t they?

This isn’t because of technical problems, or because a video editor got lazy, or even NBC’s controversial time-shifting of “live” broadcasts. It’s because of draconian rules about rebroadcasting of video from Olympic events.

Broadcasters pay a truckload of money in order to get rights to live Olympic events. That’s not so unusual. All the major sports leagues work the same way. The difference is that after the event is complete, other networks can rebroadcast clips from them in their news reports. It’s a gentleman’s agreement, but more importantly it’s the law. Fair use rules for copyright (”fair dealing” in Canada) allow broadcasters to show short clips from events as part of news reports about them.

But for the Olympics, that’s not the case. Even CBC, which has the rights to the Olympics, has to strip Olympic video from its National podcast because the latter is distributed out of the country.

The networks, including the U.S. ones like ABC and CBS, have tucked their tails between their legs and accepted these draconian rules. Instead, they awkwardly fudge their reports with still photos, file footage of practices or earlier events, or post-event press conferences.

It’s ridiculous. And someone needs to make it stop.

Global Quebec’s fake local news

In October, you’ll recall Global TV announced a major overhaul of its local news outlets. As part of the plan, sets would be demolished, staff would be laid off and instead of a proper studio, local anchors would deliver the news in front of green screens to cameras controlled remotely out of Vancouver. Story packages would be shipped off electronically to a centralized news processing centre, and virtually all the production would be taken out of the hands of local workers. (The results, of course, left much to be desired)

At the time, Global reassured local viewers that their broadcasts would still be local:

News staff in each market will continue to generate local content. All content will be delivered to a Broadcast Centre and packaged into a program format for air. Local anchors will continue to deliver the news from their local stations.

Well, apparently that’s not quite the case anymore. Because being in front of a green screen means you can pretend to be almost anywhere, Global is exploiting this to make its news anchors pretend to be in places they’re not.

Hannah Thibedeau anchors Global Quebec's evening news from who knows where

Hannah Thibedeau anchors Global Quebec's evening news from who knows where

The three of you still tuning into Global Quebec’s evening local newscast might notice some unfamiliar faces on your screen. Hannah Boudreau Thibedeau is anchoring the 6pm newscast for what I’ll assume is a vacationing Jamie Orchard. Except Thibedeau isn’t part of the Global Quebec team, she’s Global’s Parliament Hill correspondent based out of Ottawa.

But that’s not conclusive proof. She could have driven into town to fill in, the local staff stretched too much as it is with summer vacations and all.

Anthony Farnell doing Global Quebec's local forecast

Anthony Farnell doing Global Quebec's local forecast

More conclusive is weatherman Anthony Farnell, since on the same day he appears on both Global Quebec’s local newscast (above) and Global Ontario’s local newscast (below).

Anthony Farnell does Global Ontario's local forecast

Anthony Farnell does Global Ontario's local forecast

Unless he has a special helicopter to shuttle him back and forth between Montreal and Toronto, he’s clearly doing both weathercasts from the same location, in front of the same green screen.

That in itself isn’t too much of an issue. I mean, any idiot can do the weather.

The problem is that he’s being dishonest about it. In both newscasts he uses the word “we,” as in “we are going to see heavy rain over the next couple of days.” For the Quebec newscast, he cut to clips of Montreal traffic. And yet nowhere is it mentioned that he’s doing this newscast from a green screen in Toronto.

Lying about your location goes well beyond the usual fakery we see on TV news. It’s dishonest an unacceptable from an organization that is supposed to be trustworthy about bringing the truth to its audience.

It’s hard being the No. 3 newscast for a community of only a few hundred thousands anglophones. The fact that nobody watches the newscast does justify cost-cutting (though that only continues the hopeless ratings death spiral). But you have to be honest about it. Level with your viewers, explain the reasons behind your decisions and even if they don’t like it, they’ll at least understand.

Saving money by lying to people is just one step above fraud.

Flying babies are awesome

Patrick Lagacé points to this report about a kid in Georgia who bounced a baby across a room by jumping on an inflatable pillow. He’s now facing charges for child cruelty.

Of course, because there’s video of the incident, TV news was all over this story. Sure, the video is disturbing, but people will watch it. So they play it over and over. That’s an average of one baby launch every 7.5 seconds.

Did they think we’d forget after the first 15 times what it looked like?

Live hits gone mad

Dear Rob Lurie, CTV News,

I see you’re reporting on Habs Ryan O’Byrne and Tom Kostopoulos being arrested. OK, sure.

Why are you standing outside in the cold? This story happened in Tampa, Florida. You’re clearly not in Tampa, considering the fog coming out of your mouth as you talk. How does being outside instead of in studio (as you did this afternoon) help us understand the situation any better?

As for you, CBC News, is a streeter really necessary here? Are you going to find someone on the street who’s going to take the players’ side? Why did you waste a reporter on getting idiots on the street to say they don’t approve of stealing ladies’ purses?

And why is that reporter, Stéphanie Tremblay, reporting on her streeter package live from the middle of a forest somewhere? It hardly needs an introduction anyway.

(CTV took a more nuanced approach, asking viewers if this would have an impact on the team. Their streeter ran as-is with no introduction)

There’s gimmickry for gimmickry’s sake and then there’s wasting resources on stupidity.

Incidentally, tonight is Frank Cavallaro’s debut on CBC News at Six. Though the production quality is much lower than CTV News, the voice is the same and I don’t think his groupies will take issue with the transition.

Car-wreck TV


Car accident on live TV (via Le blogue Canoë)This video is a clip of what would otherwise be a very boring unnecessarily-live stand-up about an intersection that is apparently prone to car accidents, except a collision occurs while they’re live. Talk about great timing.But what interests me isn’t the crazy coincidence, it’s the way the station acted about it.

The reporter, to his credit, quickly stops his reporting and goes to check up on the drivers of the two vehicles, who emerge without major injuries.

The station and its two anchors, meanwhile, instead of switching to another story and coming back to this one later, decide to ad-lib for a full minute telling us everything we could very obviously see for ourselves, in the most patronizingly condescending way imaginable:

Fortunately Ben, it looks like they’re ok. We’ve got the one person in the back pickup truck there, got out, and the person is moving in the van there and getting out.

The door’s opening, yes.

The door’s opening, so they look like they’re ok.

Live TV.

Live TV, yeah.

I don’t know if that’s a condition of the intersection like Ben was talking about, or sometimes people get distracted by the live shot and all the activity going on there. Both the drivers have gotten out of their vehicles. Again, the driver in the left hand black pickup truck there got out immediately. He’s walked out of frame. The driver, there you see in the red T-shirt has gotten out and is flexing his leg, he looks like he’s OK too. Don’t think any other vehicles are involved although there was one up ahead they’re thinking that the black pickup truck just missed.

That shakes you up. People are shook up and they’ll be a little sore tomorrow I’m sure.

It was a car accident. Not a bombing.

UPDATE (Dec. 12): Cartoons say things better than long rant posts sometimes.

New Fox 44 newscast still has kinks to iron out

Tonight was the premiere of WFFF Fox 44’s ingeniously-named 10pm local newscast “Fox 44 News at Ten.”

Before today, the Burlington/Plattsburgh/other small Vermont/upstate New York towns nobody’s ever heard of market (ranked 92nd in the U.S.) had only two local newscasts, despite its five network stations (six if you count PBS twice):

The premiere was preceded with what I’d like to say was great fanfare, but was really just a brief by Associated Press and a story in the Burlington Free Press. I didn’t even hear about it until I noticed it was on.

The format is pretty basic. Two anchors, one male (Greg Navarro) one female (Lauren Maloney), a weatherman (Jason Caterina) whose accuracy has to be constantly reaffirmed through mentions of SkyTracker technology, and a sports guy (Kristian Read) who talks about local minor sports leagues and some major-league stuff out of Boston.

The newscast’s set is just as generic. The same red, blue, white and black colours of Fox News, graphics with blurred swooshes and 3D lines and all sorts of unnecessary noise. The set itself consists mainly of large flat-panel HDTV monitors that the anchors stand in front of.

The only particularly interesting thing about the show is the use of high-definition (WFFF-44 is available in HD on channel 43 over the air, or Videotron Illico channel 654). Anchor segments and even most (but not all) locally-produced reports are in HD format. (To demonstrate how much this matters to them above everything else, take a drink every time this story mentions that the program is in HD.)

The station hired 22 people to prepare the newscast, which is three less than what WVNY fired when it cancelled theirs.

The Free Press story notes that they’ve been preparing for the newscast for a month, even doing rehearsals. So when it came to actually airing the newscast, it should have been down to a science, right?

Wrong.

The premiere half-hour broadcast was riddled with technical glitches and timing flubs. Some of these are to be expected from a team that was just built from scratch, but the sheer number was kind of embarrassing, considering how important first impressions are. (My favourite was a reporter introducing a local business story by saying “It’s retail central in downtown Berlin.”)

Among some of the problems:

  • Dead air (shots would continue far longer than they were supposed to with no audio)
  • Sound cut-outs (one report was almost unintelligible)
  • Video cut-outs
  • Mid-sentence sound level changes
  • Overlapping audio feeds
  • Control room orders making it to air
  • Static image where video (of something else) should be
  • Jumping the gun on timing between segments
  • Music being played over anchors’ voices

These things are all forgivable and will no doubt get better as the show matures (though I’d argue that trying to run a local newscast with only 22 people is part of the problem). What annoyed me most though is how the anchors handled the situation. Rather than acknowledge their technical clutziness and relax, having some fun at their own expense, they put on fake smiles, telling bad pre-written fake-ad-libbed jokes. Hopefully it was just first-show jitters and that too will improve.

At the very least, the anchors have to start developing personalities. Maloney in particular has the same annoying mannerisms that other anchors feel makes them somehow communicate better: A head tilt any time she speaks, asudden lateral head-movement mid-sentence, followed by a nod at the end, as if to reaffirm what she just said. Words are overemphasized, and she has the same tone and expression for every kind of story, which sucks when she’s reporting on bad news or fatal accidents because her expression includes a slight smirk.

Editorially, the show was entirely forgettable. News stories focused on the fact that snow fell today, and that Christmas is coming up, and then a bunch of briefs. That’s all I can remember. No investigative journalism, no in-depth reports. Nothing that would make me want to watch this show on a regular basis, much less a compelling reason to switch from WCAX or WPTZ.

The team clearly hope that smoke and mirrors are going to get them viewers. Everything is either “team coverage” or “continuing coverage” (and includes the time-wasting giant graphic to remind you about that), which is kind of laughable considering how woefully understaffed they are.

They’re going to have to do better than a cookie-cutter format in HD if they want to be successful.

Fox 44 News at Ten airs at 10pm daily on WFFF Fox 44.

UPDATE (Dec. 4): The second episode was a bit better technically. Still some video and audio problems and still plenty of timing issues (a segment starting up half a second before the previous one has finished).

A couple of additional things I noticed this time around:

  1. They have segments that include video from across the country (I imagine from other Fox affiliates and Fox News). For some reason a lot of these are police videos.
  2. Republican presidential candidates are really milking this show, trying to get into the heads of New Hampshire primary voters.

UPDATE (Dec. 12): Vermont’s Seven Days has a short interview with General Manager Bill Sally and News Director Kathleen Harrington.

(Some) media return to the scene of the Dawson crime

One year later, Dawson is remembering. A ceremony starts at 12:30, timed to coincide with the incident. Let’s see how the TV networks are covering it.

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