Tag Archives: TV specialty channels

CRTC Roundup: Global, porn and death

March 11, 2009 – 12:24 am| Posted in Technology, TV

In response to a complaint issued by the Communications, Energy and Paperworkers Union of Canada that Canwest's* decision to centralize master control of local news at four broadcast centres violates aspects of local stations' conditions of license requiring a certain amount of local programming, the CRTC has ruled that while it can't make a final decision because the broadcast centres aren't fully operational yet, it sees no evidence that Global TV is violating those conditions of licenses, and that the impact of this reorganization should be brought up during license renewal hearings.

For those of you who couldn't get through that massive sentence, here's some background: In 2007, Canwest announced that it was laying off 200 people across the country, mostly technical positions at small stations (including CKMI in Quebec City/Sherbrooke/Montreal).

To save money, it decided it would centralize master control operations for all its stations at four broadcasting centres in Vancouver, Calgary, Edmonton and Toronto. These stations would be responsible for cueing up reporters' packages and even controlling the movement of cameras remotely. Though editorial decisions would rest with local stations, local reporters would continue to do reporting and the newscasts would be anchored locally (well, kinda), the CEP argued that this still didn't qualify as locally-produced programming and complained to the CRTC.

The new reorganized system and green-screen sets launched last March.

Canwest stated that the allegations set out above were incorrect because control of and responsibility for the broadcasts will remain with the local television station:

Canwest submitted that the decision to move some production elements (for example, camera work, lighting, microphone levels, generation of virtual sets, physical assemblage of news run-downs) to the Broadcast Centres would not, in any way, abrogate its individual licences or take decision-making capabilities away from the local stations.

Canwest further submitted that, while the Broadcast Centres will control technical production support, all material decisions regarding the content and presentation of the newscasts, with the exception of set design, will continue to occur at the local level, as will local news gathering.

While not making a final decision on the matter, the CRTC essentially agreed with Canwest's assertion that this still qualifies as local programming. It also said that for most stations, while there are "commitments" to local programming, these haven't been part of their conditions of license since 1999.

But the CRTC does leave the door open for the CEP to bring this up during Global's license renewal hearings this year, where their commitment to local programming will be a factor in the CRTC's decision of whether or not to renew stations' licenses.

Considering the current financial crisis facing media and conventional television in particular, I don't expect the CEP will get too far.

More porn!

And now for something completely different. The CRTC last week approved the creation of a new digital specialty channel called Vanessa which is devoted to sexuality:

Its adult programming would be devoted to the themes of charm, sensuality, eroticism and sexuality and might also include documentaries, news and magazines covering the industries that exploit those themes and the personalities that revolve around them.

The channel got through the approval process without a big fight. No one filed any interventions opposing the channel, and the only hiccup is that it asked to be free of closed-captioning requirements and the CRTC said no (closed-captioning and porn has been an issue before).

Sex-Shop Television, the company behind Vanessa, is a creation of Image Diffusion International aka Productions IDI, the company of Marc Trudeau and Anne-Marie Losique that produces content mainly for MusiquePlus. It got approval in 2007 (after originally being denied) for a French-language pay TV channel of the same name. But discussions with Videotron were ... ahem... anti-climactic. The cable provider said there was not enough capacity or enough interest to distribute a service like this that they don't own. (The CRTC theoretically has rules that prohibit cable companies form offering preferential treatment to other services owned by the same company, but I guess they don't apply here.) The goal is to launch an English service which would get picked up elsewhere and force Videotron to get on board or lose customers.

The content of the channel isn't entirely clear. It's limited to only 10% of its programming being feature films, and can only broadcast explicit adult material between 11pm and 6am. So expect this to be like Sex TV: exploring sexuality in a tasteful (or even fun) way during the day and in a raunchy way after dark.

UPDATE (April 17): Presse Canadienne reports on the approval only a month and a half late.

Je me souviens is coming

Canwest's Marianne White has an interview with the guy behind that Quebec obituary channel that was approved last week. He says he wants to have it up by the summer and, if all goes well, start a similar English-language service at some point in the future. It also talks to funeral home owners who say they like the idea, so long as it's done in a tasteful way.

CP also has an article on the channel in which the guy says basically the same things. That in turn is expanded in a Globe piece which points out how unlikely it is that people are going to sit in their living rooms for hours on end watching obituaries scroll by (though I could see a Weather Network-like model, repeating them every 10-20 minutes and people checking in once a day when they want to see who's died recently)

Magdalen TV

Diffusion communautaire des Îles, the company behind CFIM radio on the Îles de la Madeleine, has gotten approval to setup a community cable channel, which would be distributed through the only cable operator on the islands which have a population of about 13,000. Their goals are modest: two hours a week of local programming, rising gradually to five hours a week in 2012-2013.

New approved channels

  • CNN International, the sister network to CNN that broadcasts stuff other than U.S. politics to the world outside Canada and the United States (usually with anchors who have British accents). We sometimes see this network late at night when breaking news happens. Now we'll have access 24/7, at least for those with Shaw Cable or StarChoice, as Shaw was the one who requested it.
  • AUX TV, a channel devoted to emerging music artists. The CRTC rejected a request that they be partially exempted from having to close-caption user-generated content.
  • TREK TV, a channel devoted to "world cultures, travel, geography, exploration and anthropology" (sadly, not space travel). Again, the CRTC rejected partial exemption from CC for user-generated content.

All these networks will need to negotiate with cable and satellite providers before they're carried on those systems.

Global getting on the digital bandwagon

Canwest has gotten approval to setup digital transmitters for CICT in Calgary and CITV in Edmonton, two of its biggest stations. Both stations would broadcast in high definition.

CTV and Global have been slow to setup digital stations, even though there's a deadline looming in 2011, because of the cost, the current recession and the instability in conventional television broadcasting.

More HD, please

The following networks have applied for permission to begin distribution of HD versions:

Barrie examined

The Barrie Examiner looks at conventional television and CKVR-TV in Barrie, the CTV A-Channel station that survived being shutdown but has laid off a third of its staff and cancelled its morning show.

We didn't get called!

I don't usually look at the telecom side of the CRTC's affairs, but a recent survey shows that 80% of Canadians have noticed a drop in telemarketing calls since Canada's Do-Not-Call list was launched.

Speaking of telecom, the company behind the Weather Network told the CRTC that mobile providers are putting up walls to control what kind of content (i.e. theirs) can be accessed through wireless networks.

*For the three of you unaware, Canwest is my employer through my contract at The Gazette (though they weren't my employer in 2007 when I commented about changes at Global Quebec).

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CRTC roundup: broken television

March 4, 2009 – 5:13 am| Posted in TV

Canadian television network breakdown

The big news this week is the release by the CRTC of submissions from major Canadian private television broadcasters whose licenses are up for renewal in August. This includes CTV/A, Global/E!, TVA, Sun TV, Citytv and OMNI. (TQS is the notable exception since it had its own dealings with the CRTC after it went bankrupt).

The CRTC has suggested having one-year license renewals (instead of standard seven-year ones) and dealing with the TV financial crisis in the meantime. The networks have gone along with that and are recommending status quo until August 2010.

The private networks (especially CTV Globemedia and Canwest) are re-repeating all of the please-give-us-money talking points they've been sending toward the CRTC for years now, including bringing up their pet project of forcing cable and satellite companies to give them money for putting their free over-the-air channels on their systems, mainly because they can't find a way to make a profit off advertising and say the system is broken.

Among their other money-grabbing and money-saving ideas:

  • More access to the new Local Programming Improvement Fund (deigned to help with local programming at small-market stations) by expanding them to larger markets (Canwest even argues that CJNT Montreal should have access to the fund even though it doesn't provide any local news.)
  • Having the ability to own their own production companies instead of being forced to use independent production houses
  • That the proposed 1:1 ratio of spending on Canadian vs. non-Canadian programming is "not viable" because it would mean cutting back on the very thing that is generating the revenue to keep the networks afloat (and besides, CTV argues, they've already signed contracts for the 2009-2010 broadcast year)

Canwest proposes a "5 and 10" rule that would require 5 hours a week of local programming for stations serving markets of under a million viewers, and 10 hours a week for stations serving markets of over a million. Since most Canwest stations already have local programming requirements far in excess of 10 hours a week, this would save it a lot of money. (It counts only four stations as being in large markets - even Global Quebec is considered small because it only counts English-speaking viewers, which means it would drop from 18 hours a week of local programming to only five)

Even Quebec's TVA, which does plenty of local (or at least regional) programming, wants to cut back. It's asking to reduce the amount of local programming at its Quebec City station from 21 hours a week to 12 UPDATE: They now say they only want to cut it to 18 hours a week.

Canwest even proposes going further than its continued demand for money from cable companies, and throw out some new ideas that nobody has suggested before, including:

  • Non-simultaneous substitution, which would replace U.S. signals with Canadiens ones showing the same programming, even if they're not being broadcast on both channels simultaneously.
  • Banning commercial advertising from CBC
  • Government assistance for digital conversion
  • Tax cuts

UPDATE: More coverage from the Globe and Mail, which also looks at how much the networks are spending on Canadian versus foreign content.

Canwest wants Global Quebec to become Global Montreal

As part of its submission to the CRTC on license renewal, Canwest said it wants to convert only primary transmitters of its 15 major stations to digital by 2011, and as part of that it wants to convert regional networks Global Ontario and Global Quebec into local stations in Toronto and Montreal, respectively. CKMI-TV is actually based out of Quebec City (and also serves the Eastern Townships through a transmitter in Sherbrooke), but all its programming, including its newscasts, originate in Montreal.

The change wouldn't affect programming but would allow CKMI to attract local advertisers, even though Canwest says they would not be taking advantage of this much.

CTV wants to pull the plug on CJOH-8

In its submission to the CRTC, CTVglobemedia put forward a long list of television transmitters it said it would not apply for licenses to renew past August. Included in that list is a retransmitter for CJOH Ottawa in Lancaster, Ont., on Channel 8. Montrealers and off-islanders with good TV antennas will note that this transmitter serves southwestern Quebec since it is just across the border. Shutting the transmitter down means those near the Ontario/Quebec border will have to tune into CJOH's Ottawa transmitter or CFCF-12 in Montreal.

The Obituary Channel?

The CRTC has granted approval for a regional Quebec cable channel called Je me souviens, which will be devoted essentially to obituaries and related public notices. The CRTC did not agree to a request to carry local advertising in addition to the obits, however.

The channel (which is a private venture unconnected to the major broadcasting companies) is interesting because it's an original idea and because it's a regional network (most cable networks are national in order to reach as broad an audience as possible).

But if Astral Media couldn't keep its TATV shopping channel on the air, does a regional channel of nothing but obituaries stand a chance?

UPDATE: I see CJAD reads this blog.

Pay up, CFAV

The CRTC has denied a request from Laval radio station CFAV 1570 AM, which wanted to be excused from the $8,000 a year it has to pay to promote Canadian artists. Its excuse is that it's not making a profit. The CRTC says rules are rules.

Rogers wants carte blanche on OLN

Rogers has asked for some very radical amendments to its license for the Outdoor Life Network (OLN). Among them, it wants to be able to use sitcoms, comedy shows and animated shows, reduce its restriction on televising live sports, and reduce requirements for Canadian content. The proposal was so radical it caught the eye of the Globe and Mail.

TVA wants carte blanche on specialty channels

Speaking of radical amendments, TVA has filed requests to add more programming categories for three of its specialty channels: Mystère (mystery), Argent (financial news) and Idées de ma maison (home/living). While some might make sense in a world where various forms of programming blend together (say, a game show about science), it's hard to see some of these categories as being requested solely so that TVA can stretch the envelope and provide programming that has only a tenuous connection to the mandate of the channel.

Among the categories they'd like to add:

  • Religion programming
  • Professional and amateur sports, including live sporting events
  • Drama, sitcoms, comedy programming, animated programs
  • Music videos

I'm all for flexibility, but can you imagine a program that has music videos about mysteries? Or a sitcom about financial news?

The Weather/Emergency Network

Pelmorex, the strangely-named owner of the Weather Network/MétéoMédia, is asking for the CRTC to require that all cable and satellite companies operating in Canada have the networks as part of their basic digital services (it's already required on analog cable). In exchange, the networks will act as "a national public alerting aggregator", distributing emergency information.

To sweeten the deal, Pelmorex gives idle threats about how their existence will be in "jeopardy" if they can't force that $0.23 per subscriber out of us, even though most Canadians already (happily) get the Weather Network by default.

Still, having the Weather Network distribute emergency information makes sense, if only because many such emergencies are weather-related and TWN already deals with emergency weather alerts.

The only problem is: Shouldn't it be the broadcast networks (like, say, CBC/Radio-Canada) who distribute emergency information, so it's over the air where everyone can receive it?

HD vs. SD

While Canal Évasion wants to start an HD version of the channel, the owners of three HD-only networks - Oasis HD, Treasure HD and Equador HD - want to distribute those channels in standard definition. This isn't the first request of this kind I've seen, and is probably a reflection of the fact that while most Canadians have cable or satellite service, the number with HD service and sets is not as high as they had expected by now, and offering a downgraded SD signal will allow them to reach a larger audience.

And finally

The CRTC has approved a request to add five networks, all of third-language programming originating from east and southeast Asia, to the list of eligible channels for satellite providers.

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CRTC Roundup: Rogers gets its own CP24

December 13, 2008 – 2:21 pm| Posted in TV

The big news this month is that Rogers has been given permission to launch its own 24-hour all-news channel in the Toronto area called CityNews.

Now, you might think, doesn't City already have a 24-hour all-news channel for the Toronto area?

No, silly. CP24, the existing all-Toronto, all-news station, was owned by CHUM, which also owned City. But CHUM was acquired by CTV, which was forced to dump City as a result to satisfy the CRTC. For some reason known only to the CRTC, that didn't include CP24, even though it was heavily linked to CityTV. Rogers ended up buying City, and is now the one behind this new network.

Even under CTV, CP24 is very much a City network. It even airs City News three times daily. Now, not only does CTV have to figure out how CP24 and CTV Newsnet are going to coexist, it has to deal with this new channel from Rogers which is no doubt going to take all the City content for itself.

Oh, and how does the CRTC justify having two Toronto all-news stations like this? Well, they split hairs like I've never seen before (emphasis mine):

CITY News (Toronto) would provide a niche news service targeted to Greater Toronto. In contrast, CP24’s mandate is and has always been to serve the region of Southern Ontario.

Yes, that's right. CITY is for Toronto, while CP24 is for Southern Ontario. Therefore they don't compete directly with each other. Yeah.

I might have understood if the CRTC pointed to its recent decision to allow more competition for news and spoirts programming. Instead, it came up with the flimsiest excuse in the book to pretend like the obvious isn't true.

The application was opposed by CTV (for obvious reasons) and by The Weather Network, because of City's unhealthy obsession with providing information on the weather.

Elsewhere in the news/blogosphere:

CTV wants HD loophole

CTV is applying for special permission from the CRTC to distribute HD versions of its local stations (including CFCF Montreal) to cable and satellite networks, even though those stations do not have digital broadcast licenses (and the CRTC normally requires that before distributing HD feeds). CTV offers excuses for not getting those licenses, and says that they should be granted this loophole to keep Canadians from seeking the same programming on U.S. networks. Deadline for comments is Jan. 9.

TSN2 is OK

Following complaints about the launch of TSN2 by the CBC and The Score, the CRTC has concluded that, though TSN is essentially exploiting a loophole to create a new channel, it has every right to do so. TSN2 takes advantage of time shifting and a special allowance to replace up to 10% of its programming on split feeds (presumably to get around regional blackouts for live sporting events) in order to create a second channel which shows 90% identical programming (though time-shifted three hours from TSN) and 10% different live sporting events from TSN.

Two new French-language networks

The CRTC approved Category 2 digital licenses for two new French-language networks:

Category 2 networks, which most new specialty channels are approved as, has no protection from direct competition (though it can't directly compete with existing analog channels). They also have no guaranteed carriage rights, which means they have to negotiate with cable and satellite providers for a spot on their grids (and then get subscribers to add them).

More HD!

The following networks have received approval to setup high-definition versions of themselves:

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West Wing is back on CLT, only it’s not CLT anymore

November 5, 2008 – 5:04 am| Posted in TV

Before I could get a chance to delete CLT from my cable subscription list since it was no longer running The West Wing and there wasn't anything else worthy of my attention on it, the newly Corus-owned network has rebranded itself "Viva" and has gone from "Canadian Learning Television" to "television for boomer women".

Apparently boomer women are all about political/legal dramas, which also include Judging Amy and Commander in Chief.

But since I am neither boomer, nor a woman, should I not be allowed to subscribe to this channel?

The West Wing has come back, Mondays to Thursdays at 9pm and 2am. They're starting it at the beginning of Season 6, which means you'll be able to see as it re-enacts Barack Obama's Matthew Santos's campaign through the Democratic primaries and his narrow victory (sorry if I spoiled it for you) over an old fiscal conservative Republican senator with a wacko Christian running-mate to become the first coloured president of the United States.

(Of course, Santos is latino, not black; he was running to replace a very popular Democratic president; and he beat two opponents through multiple ballots at the convention who were men who had served as vice-president; not to mention the fact that Santos won Texas and his opponent won California)

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Broadcasting regulation nerdgasm

November 3, 2008 – 4:20 am| Posted in Uncategorized

The CRTC got real busy last week making some big announcements/decisions/suggestions about television broadcasting regulations. Many of them are boring, minor or technical, but here are a few that aren't:

Over-the-air carriage fees

The big one for broadcasting companies like Canwest/Global, CTV, TQS and Quebecor is the decision to reject the suggestion that "broadcast distribution units" (i.e. cable and satellite companies) should be required to pay fees to TV broadcasters who broadcast over the air freely.

This idea came out of the whole TQS saga, when the network's owners decided that it needed the ability to somehow blackmail cable companies into giving them money. Since cable specialty channels get per-subscriber fees in exchange for their content, shouldn't broadcast networks - whose budgets are supposedly higher because they need to produce local news - get money too?

The flip side of the coin is that these network broadcasters are broadcasting freely, using public airwaves. Cable and satellite companies are required by law to carry local broadcast channels on their basic packages. Subscribers don't get any added value from getting over-the-air stations on cable (except, perhaps, not having to deal with rabbit ears), so why should they have to pay for them?

The CRTC's decision was tough (emphasis mine):

CTVgm and Canwest proposed that any FFC only be made available if broadcasters meet monthly local programming requirements. However, they did not commit that the FFC, or any portion of it, would result in incremental spending on Canadian programming.

While OTA broadcasters have shown a recent decline in profitability, they, as other enterprises, might first look to their own business plans before making a request for increased revenue from the Commission. In the Proceeding, no business plans suggesting new sources of revenue were provided to the Commission. Neither the rationale for strategic initiatives by OTA broadcasters, such as recent major acquisitions, nor the basis for financing those initiatives or the impact of those initiatives on profitability were explained to the Commission at the public hearing.

The CRTC did cave on one point though: It said that so-called "distant signals" (e.g. CTV Vancouver for us Montrealers) should be able to "negotiate" carriage, in order to offset the trouble that this time-shifting business has caused. What that effectively means is that broadcasters can set rates for out-of-market broadcast stations and simply not allow their channels to be carried on other regions' cable networks unless they pay their fees.

Broadcasters are happy with the parts of the decision that give them money, and unhappy with the ones that don't. They're for less regulation in the broadcasting industry, but they want corporate socialism for the "ailing" over-the-air broadcasting sector.

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Cash Cab and other Discovery Channel cash grabs

October 30, 2008 – 1:00 am| Posted in Opinion, TV

Back in January, I worried with my infinite wisdom about an application to the CRTC by Discovery Channel Canada to allow game shows as part of its programming categories. I worried that this might be an excuse to import a U.S. British trivia show called Cash Cab into Canada, stretch the limits of the channel's mandate and suck up some easy cash.

Sure enough, that's exactly what happened. The CRTC approved the change in its license, and Discovery announced that it was carbon-copying importing the format for use here. I still held out hope that the format would be predominantly educational in nature, and/or that the subjects of the questions would deal with science, technology and nature.

After watching a couple of episodes (you can see complete episodes online here), it seems my original fears were more than justified.

For those who haven't seen it (or don't want to see it), Cash Cab's format has a guy driving a van through the streets of Toronto, and then surprising people who come aboard by telling them they're on a TV game show they've never heard of (a part that's either hilarious or awkward depending on your tastes). He then asks them questions, gives money for each right answer, and when they get three wrong they're booted out of the cab.

It's nothing more than a cookie-cutter trivia show with a lame hook. Some of the questions are certainly scientific in nature, but others relate to sports, business, history and even popular culture. It's hard to distinguish these questions from the ones on every other trivia-based game show out there.

Discovery's reputation: Destroyed in Seconds

For how bad Cash Cab is, Destroyed in Seconds is worse. This embarrassment of programming is essentially a carbon copy of World's Most Amazing Videos (which currently airs on Spike TV), in all the bad ways imaginable. Here's how both shows work:

  1. Find a video that shows some catastrophic event: a plane crash, a bridge collapse, an explosion. Usually this will be amateur video of poor quality, but that's ok. In fact, it adds to the realness of the show.
  2. Ensure that nobody dies in the event that took place. You wouldn't want to be accused of profiting off someone's death, after all. You want miraculous escapes and/or recoveries here. Exceptions can be made if the video is really good and you don't actually see any bodies.
  3. Show the video as a man with an exaggerated voice explains the situation (usually something along the lines of "it looks like an ordinary day, but in a few seconds their lives will be in mortal danger"), until the surprising, terrifying event happens.
  4. Have the narrator explain, as briefly as possible, what caused the catastrophy, as well as the aftermath.
  5. Show the moment of catastrophe over and over and over again. Slow-motion, zoomed-in, any different way you can think of. Have the narrator point out how the people on the video were "inches from certain death" or "moments from disaster" or "lucky to escape with only minor injuries"
  6. Move on to the next clip.

There is no educational value to this show whatsoever. You learn nothing other than what an explosion looks like.

Compare that with a show like Mayday (my personal favourite) which re-enacts airplane accidents (with cool computer graphics) and then explains very seriously and clearly what caused them and what has been done to ensure they don't happen again. Or Mythbusters, which tests sometimes silly hypotheses, but does them in (mostly) scientific ways. Both have the idea of teaching viewers as the main focus, and entertainment is a convenient medium to do so.

For Cash Cab and Destroyed in Seconds, the main focus is to entertain. That's not a bad thing, and these shows have their homes (Cash Cab on the Game Show Network, Destroyed in Seconds on Spike TV), but neither belong on the Discovery Channel.

If we're going to continue with the idea that specialty channels should have protected formats (and you're well within your rights to question whether that's necessary anymore), we should honour those formats, not try to find ways around them to pad the bottom line.

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HBO Canada coming, but it won’t be any cheaper

September 24, 2008 – 3:55 am| Posted in TV

Corus and Astral have put the word out that they're creating HBO Canada, a channel that will be part of the Movie Network/Movie Central premium packages that will offer all-HBO programming (when it's not fulfilling its CanCon requirements). This will mean simulcasting of HBO shows and, for the first time, the legal airing of Real Time with Bill Maher in Canada.

Reports from the Globe and Sun Media.

UPDATE: Digital Home has a good history of satellite TV in Canada and why HBO is illegal.

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When is a channel not a channel?

September 19, 2008 – 1:51 am| Posted in Business, TV

Hey, remember back when I said you should expect CTV's competitors to get mad when it decided to brand a regional split of TSN into a separate channel called TSN2?

Yeah, they got mad.

TSN says it's respecting the letter of the law, and that only 10% of programming will differ between the channels. But Score Media wants the CRTC to clarify that this should apply to advertising as well.

Either way, TSN is selling this as an entirely separate cable channel, not as a split feed. And that, at least, seems to be going against the spirit of its license.

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CRTC Roundup: Shaw seeks CNN International license

September 5, 2008 – 1:51 pm| Posted in TV

Shaw Communications has asked the CRTC to add CNN International to the list of eligible channel imports for Canadian cable and satellite companies. Canadian viewers' exposure to CNNI is currently limited to the British-sounding people they sometimes hear behind an anchor desk during a noon-hour show or when breaking news happens late at night. The programming is distinctly different from CNN's U.S. channel, and obviously focuses much less on U.S.-specific stuff.

The CRTC's notice suggests it is ready to approve the channel, since it doesn't compete with Canadian networks and is unlikely to have any program licensing issues.

No HD for you

Also from the CRTC this week is a denial for a new channel called Canada HD Network, which I mocked back in July. Back then I suggested the CRTC would likely deny the request unless it got much more specific about programming. Otherwise it would compete with conventional general-interest broadcasters.

Sure enough, there were objections from CTV, Canwest, Rogers, Astral Media, The Score and the Canadian Association of Broadcasters, and Canada HD Network was shown the door. Similar decisions were made against its Diversion channel in high-definition and standard-definition (which were for some reason filed separately)

New HD channels coming

The CRTC has approved high-definition versions of the following CTV-owned specialty channels:

  • CTV Newsnet
  • Business News Network
  • MTV Canada
  • Comedy Network
  • travel+escape
  • Outdoor Life Network

This is only the first step in the process. The HD channels must now be created and CTV must negotiate with carriers to have the HD versions added to their lineups.

Good news, bad news for CMT

CMT Canada (Country Music Television) had a few requests for amendments to its license:

  1. It wanted to make changes to the categories of programs it can air, by adding animated programming and improv/stand-up comedy, by increasing (slightly) its cap on drama/comedy programming and by removing restrictions on the number of feature films it can air (though those films must still feature country music artists). All programming would still have to fit in with the country music theme and fit existing limits on non-music-video programming. Since no opposition was voiced and the proposed changes are not huge, the requests were approved.
  2. CMT wanted to change the criteria by which videos are deemed "Canadian" to judge only the music and not the video itself. For music video television stations to consider a music video as Cancon-compliant, not only must the music be produced/written/performed by a Canadian (similar to the criteria radio stations use), but the video itself must have been produced by Canadians. This means that a Shania Twain music video wouldn't be Cancon if it was entirely produced in the States, even though the song itself counts as Cancon for radio stations. This request was denied because it would change policy across the board.
  3. CMT wanted to change its required financial contribution minimums. Currently it must spend 22% of gross revenues, half on creating new Canadian country music videos and half on creating new (original) programming. It wanted to shift the balance toward programming and away from videos. Partly this is because CMT is less of a music video station (its requirement dropped from 90% to 50%), and partly this is because it would have to spend less of that remaining 78% on original/Canadian programming to meet CRTC requirements if it could shift that budget over. This request was also denied, as the CRTC pointed out that CMT's revenues have gone up and the network is hardly in a financial crisis.
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Télétoon Rétro launches

September 4, 2008 – 5:20 pm| Posted in TV

Videotron Illico subscribers get their first taste of Teletoon Retro on Channel 97 (French) and on Channel 159 (English). (Data for the channels apparently haven't been input yet into the on-screen guide, but the channels are live.)

Teletoon Retro was initially approved by the CRTC back in 2000, when all the networks were scrambling to come up with new specialty channels. It was then re-approved in 2005, when Teletoon actually wanted to launch it. The English version launched last year, and the French version launched today, hence the inclusion of both on Videotron's Illico service.

In case it's non-obvious, Teletoon Retro is a classic cartoon network, with repeats of Spider-Man, Scooby Doo and The Jetsons, Rocky & Bullwinkle and others.

Sadly (and curiously), the channels are not being offered as free previews to subscribers. Instead, Videotron has added the channels to the popular Anglo and Franco packages, and both to the digital Telemax package at no extra charge. (This means your humble correspondent gets access to the anglo version but not the franco one.)

UPDATE (Sept. 9): Richard Therrien points out that the franco channel doesn't have much home-grown cartoons, and prefers to have dubbed Bugs Bunny instead.

UPDATE (Sept. 11): Therrien adds that Bell TV (formerly ExpressVu) has no plans to add the channel in the near future due to lack of interest.

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