You know, I’ve always thought “Molson Centre” sounded better than “Bell Centre” anyway.
Sorry PKP.
Now I gotta go put together a sports section. I wonder what the main story is going to be.
You know, I’ve always thought “Molson Centre” sounded better than “Bell Centre” anyway.
Sorry PKP.
Now I gotta go put together a sports section. I wonder what the main story is going to be.
Yesterday I saw a cyclist breeze through a red light, turn right from the left lane to go the wrong way down a high-traffic one-way street, all at an intersection with two police cadets on each corner.

Police cadets wait until the last second before clearing pedestrian traffic for a speeding ambulance
And when an ambulance needed to get through, it was telling that eight police cadets weren’t enough to clear an intersection for it in advance.

Cadets stop pedestrians from crossing on a flashing hand (in one direction only)
But thanks for making sure people didn’t accidentally cross the street on a green light. That might have been dangerous.
Following in the footsteps of TVA Publications, Transcontinental is now demanding that freelancers sign contracts that assign to the publisher all rights associated with submitted pieces (PDF).
In Transcon’s case, at least, there is still a provision for additional fees if the pieces are reused in other publications.
Like it or not, publishers (especially mega-corporation multi-media publishers) are pushing freelancing in this direction. The issue is whether freelancers will be paid more for the additional rights they’re giving up.

Laurent Maisonnave on his iPhone, not that he'd ever cancel his contract unilaterally
The Quebec Liberals this week announced Bill 60, proposed legislation that would strengthen (or “modernize“) consumer protections particularly where it concerns long-term service contracts like cellphones. The bill has already (and unsurprisingly) gained the support of the Union des consommateurs, and others. Cellphone providers have stayed silent for the most part, though their advocacy group says the bill is redundant because the industry is already looking to self-regulate (those who buy this please raise your hands).
The full text of the bill is online (PDF). It hasn’t been debated in the National Assembly yet, so it could very well be changed significantly before it becomes law.
Here are some of the highlights:
A lot of these are common sense (no one should be allowed to unilaterally change a contract without the other side’s consent, and companies shouldn’t get free money out of gift cards). Others will probably be criticized because they allow loopholes that lead to abuse (for example, if I know Rogers is about to change their contract, can I get a three-year free iPhone deal and then cancel the contract a week later without paying a penalty and get a free iPhone?). Still others are open to interpretation (we could expect arguments about whether a certain change really increases the obligation of a consumer).
Others sound like they could be downright annoying, like being forced to sit down while a Best Buy employee reads out the complete text of a manufacturer’s warranty to you.
But all in all, it’s a good bill, and provides some valuable protections for consumers against abusive contracts. Law-abiding businesses should be able to point out loopholes that might be exploited against them, but let’s hope the lobbyists don’t start torpedoing parts of this bill just because it might cut down on their bottom line.
Mike Ward thinks someone at the cable networks should be in charge of watching repeats before they’re aired, to prevent airing, say, a show about a little kid getting a photo shoot done with an accused kiddy porn peddler.
Speaking of my contractually-obligated pointers to stories in my newspaper, Susan Schwartz has a profile of CIDI-FM, a community radio station operating out of Lac Brome in the Eastern Townships that was granted a license in 2003.
You can listen to podcasted shows and more on their website.

The old Gazette building on St. Antoine
The Gazette’s Mike King has an article in today’s paper about Le Westin Montréal, the new hotel that’s in the building that formerly housed the newspaper. It acknowledges the building’s roots with a restaurant/lounge called Gazette and a bar called Reporter.
Andy Riga also has a blog post about the hotel, which is nothing like the formerly smoke-filled newsroom and printing presses. The Gazette moved to its current location at Peel and Ste. Catherine in 2003, two years before I started working there.

Starting next Monday, what’s been described as a “first in this country” construction project will be undertaken on the Honoré-Mercier Bridge. It involves 1,300 prefabricated concrete panels which will replace the bridge deck in a way that is designed to minimize traffic disruption.
In other words, they’re going to replace a bridge without closing it to traffic.
It’s not quite so simple (there will be night work that requires rerouting traffic), but it’s still pretty impressive.

The rusted Mercier Bridge is in dire need of replacement
The first stage starts on Monday, when the ramp for the 138 East (from Châteauguay) is closed and replaced. Traffic will be sent along a side road to the other approach on the 132. The other three ramps on the southern side will be replaced one by one, and then work will begin on the bridge itself.
What’s impressive about this operation to me though isn’t the construction, but the communications. A (fully bilingual) special WordPress-based website has been setup (complete with RSS feed and question-and-answer forum), and there are Flickr, YouTube and Twitter accounts to make sure everyone is aware of what’s going on and can share information easily. Unlike what you see with most marketing campaigns, these tools are used quite effectively.
This YouTube video shows the steps that will be taken over the coming weeks to replace the southern access ramps. It’s long, but it’s clear.
Kudos.

The word came down a few weeks ago: May 2009 would be the last month that regular monthly passes would be given out at the STM. From June 1, everyone, including me, would have to switch to Opus.
I had resisted for months for various reasons. First of all, they cost more. I could pay $68.50 for a regular pass or $72 for a regular pass on an Opus card. I chose the cheaper option. Since Opus cards have expiry dates on them, mine will now last longer than those who jumped on board right away.
Furthermore, despite being used by thousands of commuters, the system wasn’t fully tested yet. There were still flaws, enough to give The Gazette’s Max Harrold an almost endless supply of Squeaky Wheels columns.
Specifically:

Opus machines run on Windows - Floppy disk fail!
And, of course, the machines have a habit of breaking down.
Because I’m an uninteresting transit user (one STM monthly pass), I haven’t experienced any problems yet. And most others made the transition smoothly as well. Others saw long lines as they tried to get cards.

A selection of monthly passes I've used over 16 years
Even if the various problems are eventually solved, I’m going to miss those plastic monthly passes and their magnetic strips, called CAM for “carte autobus-métro”. Each month had a new design (designed top secret to discourage counterfeiting) and since January 2008 had pictures of metro stations on them.
I’ve had monthly passes since I started high school in September of 1993 (you can see that pass in the foreground above), and bought a pass every month since September 1996. First a reduced fare card, then the AMT’s intermediate fare until I was 22, then back to reduced fare under the Carte Privilège, and finally an adult fare as of November 2005 when my last student pass expired. That’s 183 monthly passes, ranging in price from $17.50 to $68.50.
And I’ll miss the sounds of those mechanical turnstiles and the two-tone access-granted sound they issue. Instead, all we get is a soulless beep.
The process of conversion is still ongoing. Here’s what’s in store over the coming months:
July 1:
Sept. 1:
Jan. 1:

Old-style tickets and transfers from a decomissioned turnstile are swept into a pile with dust to be thrown away. The tickets are no longer sold and will not be accepted as of Sept. 1.
Maybe I’m just afraid of change.

"Reach" (listening at least one minute a week), in thousands, for Montreal radio stations.
Astral Media, which owns CJFM (Virgin Radio 95.9), CITE (Rock Détente 107.3), CKMF (Énergie 94.3), CHOM (97.7) and CJAD (800), has put together some graphical representations (PDF) of the latest ratings for Montreal radio stations. (via RadioInMontreal)
In terms of “reach”, which counts the same if you listen to a station for five minutes or six hours, Cogeco’s CFGL Rythme FM 105.7 still leads all others in the city, thanks mostly to huge numbers of female listeners (CKOI leads among young men) and CJFM has leapfrogged into second thanks, I guess, to non-stop Katy Perry and Lady Gaga that have put the 18-24 bracket in a trance. Otherwise, the rankings are about the same as they were three months ago.

Anglo market share: CJFM, CHOM, CFQR, CJAD, CKGM
On the anglo side, this “commercial market share” graph (which doesn’t include CBC – Radio One and Two would be fourth and fifth on this graph), CJFM holds its commanding lead among adults 18-49, with a stronger showing for its morning show (CBC Radio One says it’s a strong second in the morning, ahead of CJAD)

Demographic map of radio stations: X axis for age, Y axis for gender
I particularly liked this chart, which shows what demographics the stations are tuned to. There’s a huge chunk in the older women category, while the rock stations appeal to younger men. Note CJFM and CFGL sitting pretty much alone targetting younger women listeners. Perhaps there’s a lesson there.
Looking specifically at CFQR, because this is a pretty good before-and-after with their relaunch in April, there’s not much to say. They’ve improved, but only to keep pace with everyone else: