Monthly Archives: January 2013

Still no special tricks for watching American Super Bowl ads on cable in Montreal

Super Bowl on CTV

It’s the one time during the year that people really care. But there’s no change from last year. People who want to watch U.S. Super Bowl commercials on cable or satellite TV in Montreal are out of luck once again, because of CRTC rules.

For those unfamiliar, the Canadian Radio-television and Telecommunications Commission forces cable and satellite providers to perform simultaneous substitution — replacing U.S. channels’ feeds with Canadian ones when both are running the same programming — in areas served by local television stations. The purpose is to keep advertising dollars for Canadian viewing in Canada, so they can support the Canadian broadcast system. And 364 days a year nobody cares because there isn’t much of demand for local ads for businesses in Vermont or ads for DirecTV.

The Super Bowl is different because of all the hype surrounding its incredibly expensive advertising. But that alone doesn’t create an exception to the rules. So TV providers will have to do substitution during Sunday’s Super Bowl, forcing viewers to watch commercials from CTV instead of the originating American network. And cable and satellite providers will have to continue to calmly explain to irate subscribers that they’re only doing what they’re required to do by the CRTC, who will in turn have to explain what “simultaneous substitution” is and why it’s there.

CTV’s CFCF Montreal is carrying the Super Bowl (as is every other CTV station), so simultaneous substitution is mandatory in the area covered by its signal. That includes Greater Montreal, as well as (for Videotron anyway) areas like Lachute, Sorel and Granby.

And even though CTV is promising its own commercial goodies during the Super Bowl show, like announcing who’s going to host the Junos, and an “exclusively Canadian” ad from PepsiCo about Lay’s potato chips, Canadians from coast to coast will grumble about not having access to those multimillion-dollar ads airing in the U.S.

So how do you get around it? Here’s how:

Over the air

The simplest way of getting a U.S. network signal on Super Bowl Sunday is to pick it up over the air with an antenna. The government can stop a lot of things at the border, but the electromagnetic spectrum isn’t one of them.

This year, the Super Bowl is being carried on CBS, which is good because WCAX-TV in Burlington has a 443-kilowatt transmitter on top of Mount Mansfield, which reaches into the city if you have a good enough antenna. Because it’s a digital signal, your television will need a digital tuner (most HDTVs have this). WCAX is on Channel 22, or virtual channel 3.1.

Videotron (analog and digital)

Videotron has resisted substitution, especially for the Super Bowl, and does so only when absolutely necessary. Still, it is required to substitute both the standard and high-definition feeds in the area covered by CFCF.

This means all customers in the following areas will see their signals substituted:

  • Montreal and on-island suburbs
  • Laval
  • The north shore
  • The south shore
  • Joliette
  • St. Jérôme
  • Montérégie
  • St. Jean sur Richelieu
  • Vaudreuil-Dorion
  • Lachute
  • Granby
  • Sorel

Quebecers outside of Montreal (as defined above) and the Gatineau region (which is part of the footprint of CJOH Ottawa) will not have their signals substituted and will be able to watch the American ads on CBS channels.

Other cable providers (including Bell Fibe)

Same as Videotron, I’m afraid. They don’t have a choice in the matter. Whether they substitute their entire network or only where they have to is up to them.

Bell Satellite TV

Because Bell feeds the same data to all its customers via satellite, it is required (as of 2009) to substitute American feeds with Canadian ones nationwide. So even if you’re in an area not covered by a CTV station, you’re still going to see the CTV ads.

Shaw Direct

Because Shaw Direct includes technology allowing the provider to control what signals individual clients receive, it can implement simultaneous substitution selectively. The result will be similar to cable: substitution in areas covered by CTV stations, no substitution elsewhere.

American satellite providers (DirecTV, Dish Network)

These are technically illegal in Canada, but many people have found ways to get service north of the border, either by pirating them or using fake U.S. addresses. Since these are American providers, the CRTC doesn’t control them.

Online

The only legal way to get the Super Bowl itself online is through CTV.ca (which is streaming NFL playoffs for the first time this year). There will probably be black-market feeds, but their quality probably won’t match the HD signal you’ll get on cable or over the air.

The ads are another story. YouTube has a special site devoted to Super Bowl ads that you can watch whenever you want, in high definition. They have promised to make the ads available as soon as they air on TV, and some are already there.

Bars

Because most of the loopholes have been closed, there aren’t many bars advertising the American version of the game anymore. To provide a high-definition feed in Montreal, they would either have to set up an antenna capable of receiving the American station or subscribe to an American satellite service and hope nobody notices.

At least one bar in Montreal is promising U.S. ads. If you spot others, let me know in the comments.

Other loopholes

There are also methods that have no guarantee of success. You could try watching west-coast feeds. Some cable companies offer Seattle stations as a way to time-shift, and then forget to do substitution for live events like this. But broadcasters have become wise to people using this loophole. Videotron is certainly aware of it and will be substituting this channel.

You could also, I suppose, just go to Vermont or New York for the weekend and watch the Super Bowl there.

Global Montreal morning show will focus on community

UPDATE (Feb. 6): Read my review of the show’s first week and a half.

Global Montreal morning show cast, from left: Richard Dagenais, Jessica Laventure, Camille Ross

Global Montreal morning show cast, from left: Richard Dagenais, Jessica Laventure, Camille Ross

How do you compete with someone who outperforms you on budget, staff, technical resources, consumer loyalty and reputation? The short answer is you don’t.

As another ratings report comes out confirming CTV Montreal’s incredible dominance of the local TV news ratings, Global Montreal was doing its final rehearsals for a new morning show that launches on Monday. As Montreal doesn’t have a local morning show in English, it will have that market all to itself, at least until August when City starts up its morning show here.

But even with the million dollars a year that Shaw has promised this show to get it off the ground over the next five years, its resources are limited. Global Montreal has added only eight jobs for this show, on-air staff and technical people combined. It won’t have its own news team scouring the city for scoops (unless it steals reporters from the evening newscasts, which are already understaffed). It won’t look like Canada AM, which is still popular in Montreal.

Part of the station’s strategy for building an audience has been a focus on the anglophone community. In essence, it’s treating anglo Montreal as if it’s its own small town, going after the smaller stories that don’t make the same kinds of headlines.

That’s easier said than done, though. CTV’s news operation is still far larger, and Global can’t ignore the top stories of the day to indulge in community reporting. Global Montreal doesn’t have a sports department so it can’t really cover varsity sports. It doesn’t have the kinds of coverage of arts, entertainment and lifestyle stories that you’ll find on CTV News or even CBC News, so it has to be very picky about where it uses its resources, and its goal of making this the home of anglo Montrealers (rather than just an English-language newscast) is far from complete.

With a morning show, this community focus will become more apparent. The biggest aspect of this we know already is that the weather presenter, Jessica Laventure, will be doing her weather segments from a location on the West Island. This will plant the station’s flag there, allowing people to come by and interact with it, as well as show West Island residents watching from home that they’re close, at least geographically.

Will that be enough? We’ll see.

I sat down with the three stars of Morning News, and spoke with station manager Karen Macdonald and Global News chief Troy Reeb for a story that appears in Saturday’s Gazette previewing the show. Below are some additional things that didn’t make it in the story.

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TV ratings: Market still belongs to CTV

Fall 2013 TV ratings

Market share for 6pm weeknight newscasts among Montreal’s three English-language television stations

Its competitors might be expanding their local programming, but CTV Montreal isn’t exactly quaking in its boots. Ratings released this week by BBM Canada show CFCF with huge leads in its local newscasts in all time slots.

For the flagship newscast at 6pm, CTV has a 58% market share among adults, which not only puts it far ahead of its competitors, but means that there are more Montreal anglos watching CTV News at 6 than there are watching everything else on television combined during that hour. It’s hard to beat ratings like that. As I mention in a story in The Gazette, the local newscast has more viewers than even the most popular CTV primetime program, The Big Bang Theory.

CBC, the closest competitor, can barely be described as such. With a 5.5% share, it has one tenth of the viewers of CTV at 6. Global is even further behind with a 2% share and only 4,100 adult viewers, which I would describe as less than its previous numbers but that might have more to do with statistical error than an actual drop in audience (I’d also be comparing 18+ and 2+ audience, and might be missing the thousands of teenage viewers to Global Montreal’s newscast).

CTV’s dominance is also unshakable at noon (52% share), weekends at 6 (46% share) and late night (37% share).

CBC added weekend newscasts in 2012, and then later expanded the late-night newscast from 10 to 30 minutes. The Saturday 6pm newscast has a 5.3% share, comparable with its weeknight newscast. The late-night newscast has a 3.5% share.

If either station wants to seriously challenge CFCF for viewers, there’s still a very long road ahead for them.

The BBM numbers above represent measurements taken via written diaries on Oct. 18-31 and Nov. 8-21, 2012, during which all three stations’ newscasts presented special reports. The next measurement of local English television will be taken in February and March, and released on May 7. At that point we should have an idea of how Global’s new morning show is doing early on, and whether it has started eating away at the 41% market share held by Canada AM.

Fact-checking the debate over Sun News

Do you believe in fairness? Do you believe in freedom? Do you believe in Canada? Do you believe in puppies?

Both Sun News Network and its (primarily left-wing) opponents are debating the network’s application for mandatory carriage on cable and satellite systems, which was published on Monday and will be the subject of a CRTC hearing on April 23. Each has prepared talking points to further their causes for and against. Unfortunately, a lot of them are based on incorrect information or oversimplifications of complex issues.

This is primarily the fault of the CRTC, which has a very complex regulatory system governing television distribution (and in particular specialty channels), one that is constantly changing.

To help clear up some of this, I’ll offer some perspective on the claims made so far in this debate so you can form a better opinion (or, more likely, use them against your opponents in your Twitter flame wars).

For the claims from Sun News, I’ll primarily refer to tweets from “Canadian TV First”, its marketing campaign to support this application.

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CRTC considering new must-carry applications from Sun News, Vision, ARTV and more

Sun News Network wants to take away your freedom to not pay for Sun News Network.

That’s spin, of course, but it happens to be true. Quebecor’s freedom-loving, CBC-criticizing network is one of 22 existing and yet-to-be-launched cable channels that are applying to the Canadian Radio-television and Telecommunications Commission asking for it to require all Canadian cable, satellite and IPTV providers to put their channels in their basic packages and require all subscribers to pay for them whether they want them or not.

On Monday, the commission announced a hearing April 23 in Gatineau to consider applications related to mandatory carriage, as well as licence renewals for independent television stations and specialty services.

Different specialty channels have different categories that have different rights and responsibilities. Most new channels are what’s called Category B. Channels in those categories come with no requirement for cable or satellite companies to carry them. They have to negotiate carriage with each cable and satellite company, and agree on things like wholesale rates and packaging. Older specialty channels are Category A, which have genre protection, meaning that new channels can’t compete directly with them. They also must be made available on all digital cable systems, but can be made discretionary (meaning the subscribers decide whether they want to pay for them). Mainstream news and sports channels are Category C, which are designed to maximize competition and remove genre-related protections.

What’s important here is that some channels have more rights than others. But a few channels have the ultimate regulatory gift: an order requiring all television distributors to put the channel in their basic packages and charge for them at a rate set by the commission. These include:

  • CBC News Network ($0.15/month) (French-language markets only)
  • RDI (0.10/month) (English-language markets only)
  • Avis de recherche ($0.06/month) (French-language markets only)
  • The Weather Network/MétéoMédia ($0.23/month)
  • TVA (free)
  • Aboriginal Peoples Television Network ($0.25/month)
  • CPAC ($0.10 $0.11/month)
  • AMI ($0.20/month) (English-language markets only)
  • AMI Audio (audio only) ($0.04/month)
  • Canal M (audio only) ($0.02/month)

Adding these together, it comes to $0.85 per month or $10.20 a year in French markets and $0.78 per month or $9.36 a year in English markets that goes on cable bills for mandatory channels.

The commission doesn’t make this status easy to get. There has to be a compelling reason why all Canadians must have access to these services. Existing ones qualify because they provide essential news and information to minority-language communities (CBCNN, RDI and TVA), target underserved, disadvantaged minority communities (APTN, AMI, M), provide essential information on a non-profit basis (Avis de recherche and CPAC) or offer an essential service (The Weather Network/MétéoMédia, which got the status with a promise to become a national emergency broadcaster).

The official criteria for getting this status are more vague:

  • makes an exceptional contribution to Canadian expression and reflects Canadian attitudes, opinions, ideas, values and artistic creativity;
  • contributes, in an exceptional manner, to the overall objectives for the digital basic service and specifically contributes to one or more objectives of the Act, such as Canadian identity and cultural sovereignty; ethno-cultural diversity, including the special place of Aboriginal peoples in Canadian society; service to and the reflection and portrayal of persons with disabilities; or linguistic duality, including improved service to official language minority communities; and
  • makes exceptional commitments to original, first-run Canadian programming in terms of exhibition and expenditures.

The key points here are that it has to be exceptional, and it has to be exceptionally Canadian. It will be up to the CRTC to decide if the new proposed services meet those criteria.

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Global Montreal morning show launches next Monday

Global Montreal's morning show cast: Camille Ross (left), Richard Dagenais (centre) and Jessica Laventure.

Global Montreal’s morning show cast: Camille Ross (left), Richard Dagenais (centre) and Jessica Laventure. (Global photo)

It’s official: Global Montreal’s new local morning show begins next Monday.

The three-hour show, from 6am to 9am weekdays, was a promise that Shaw made to the Canadian Radio-television and Telecommunications Commission when it purchased the former Canwest television assets, including Global Television, in 2010. (The promise was for a minimum of 10 hours a week, or two hours a day, so it’s nice that they’re adding the extra hour.) This is in addition to the evening newscasts at 6pm and 11pm which will continue to run (though the latter needs to find a new anchor).

The show will have two hosts and a weather presenter, pictured above. I already told you about Camille Ross, who left CTV Montreal for this higher-profile (and full-time) gig. Richard Dagenais is already familiar to Global Montreal viewers as a reporter and anchor of News Final at 11pm. His selection here is a no-brainer because he was a host of This Morning Live, Global Quebec’s morning show that was cancelled in 2008.

The new face here is Jessica Laventure, who will be doing weather. She was a morning host at MétéoMédia, and before that worked at Global Quebec as a production assistant, reporter and host of the weekly QC Magazine. She also does a weekend show at Boom FM. But I know her best as a former teachers’ assistant at Concordia University’s journalism program, where she taught kids not much younger than herself how to use fun electronic equipment (myself included).

Global bills this as “the city’s only locally-produced English-language morning show”, which is true, but also conveniently leaves out the fact that competition is right around the corner. City Montreal, as CJNT will be known when its acquisition by Rogers is complete, is also launching a local morning show by September, which will go head-to-head with Global’s. Will the six-month head start make the difference for Global? We’ll see.

Shaw has promised a total of at least $5 million for the Global Montreal morning show through 2016-17, or about $1 million a year, second only to Toronto, which was promised $3 million a year. (This is the total of special funding and does not necessarily represent their entire budgets.) Shaw said the goal is to make the shows sustainable so they will keep running even after the special funds run out in 2017.

I’ve written up a brief for The Gazette, but I’ll be getting more details about the show this week as I talk to everyone involved for a longer story.

Global is also launching a local morning show in Halifax at the same time, completing its roll-out plan. Its cast includes Crystal Garrett, whose CV includes a stint as a host of This Morning Live.

Video: Montreal’s 2013 No Pants Subway Ride

The No Pants Subway Ride, an annual event organized by New-York-based Improv Everywhere but which has since expanded around the world, came to Montreal again last weekend, though it received fairly little media attention (which is probably for the best, at least until after the fact).

In this slickly-produced video shot by Étienne Marcoux and edited by Vincent Laurin, dozens of participants take the metro with no pants on in the middle of January and act as if that’s perfectly normal, prompting odd expressions from hapless bystanders.

Montreal has seen other such rides in the past, with mixed amounts of success. Nice to see the tradition kept alive.

CJLO will make EPs free for deserving artists

Mixing board at CJLO

Are you a local artist who has fantastic musical talent but not the financial means to rent a professional studio to record your songs?

Concordia’s student radio station might be able to help. CJLO 1690AM has received a $14,500 grant from the Community Radio Fund of Canada for its CJLO Artist Outreach Program, and it’s using that money to offer their services free of charge to mix and master an EP’s worth of music for a handful of artists.

“The CJLO Artist Outreach Program aims to provide a stepping stone for local artists in the Montreal community to learn about how to get their music played on the radio and create a physical product that they can use to achieve this goal,” a statement from the station reads.

Included in the deal is up to 70-80 hours of labour of a producer to record and mix the songs together into a 15-to-20-minute EP, and an “artist liaison” to teach artists how to promote the music.

Because the funding is limited, so is the number of artists that can make use of these services. CJLO invites those interested to fill out a form on their website, and the station will select from among applicants.

Station staff tell me that the plan is to benefit at least five artists with this fund, but aiming for more like 8-10, with some requiring more work than others.

Applications are open until Feb. 15.