Monthly Archives: May 2013

Rogers shuts down CityNews Channel

http://twitter.com/sladurantaye/status/340103494935642113

Citing “evolving viewer habits and the global structural shift in advertising,” Rogers announced it is shutting down Toronto all-news channel CityNews Channel effective immediately. It also announced that it would no longer be producing OMNI programming in Alberta, where it has two over-the-air stations in Calgary and Edmonton, and it is killing its English-language South Asian newscast.

The cuts affect 2.5% of the Rogers Broadcast workforce, or 62 full-time jobs.

CityNews Channel launched in 2011 as a local Toronto all-news channel (the announcement of its launch was exactly two years ago). Its main competition was CP24, ironically a channel that was previously run by City but that went to CTV when CTV bought CHUM in 2007. It sold City to Rogers but kept CP24 for itself.

The channel has struggled in ratings, doing worse than even Sun News Network (though that channel is a national one).

OMNI’s Alberta stations, CJEO Edmonton and CJCO Calgary, were licensed as a regional system in 2007, and Rogers had proposed 29 hours a week of local and regional programming. But that proposal was not turned into a condition of licence, and their current licence, which expires in 2015, has no provision for local programming, ethnic or otherwise.

They stopped producing regional daily newscasts in 2011, and now they have no original programming at all.

We’ll see if the CRTC has something to say about the complete lack of original programming when those licences come up for renewal.

Statement from Rogers 

Statement from Scott Moore, President of Broadcast, Rogers Media, regarding CityNews Channel and OMNI Television:

“Today, we made changes to the company’s television strategy to reflect evolving viewer habits and the global structural shift in advertising.

“Moving forward, we will focus our broadcast news resources in Toronto on 680News and CityNews on City, and as a result, have ceased operations of CityNews Channel, effective immediately.  Given the changing marketplace, programming changes have also been made at OMNI Television: the English-language South Asian newscast is no longer being offered and production operations in Alberta have ceased.  We remain committed to ethnic programming and will deliver news in four other languages, as well as continue to air programming in more than 40 languages.

“Today’s changes impact 2.5 per cent of the company’s broadcast workforce.  While difficult, these changes enable us to continue to focus our efforts where we know the market is growing, while helping us to effectively manage our costs.”

Montreal Connected leads off City Montreal’s local programming

City Montreal staff. Seated: Montreal Connected Executive Producer George Athans (left), City Montreal Executive Producer Bob Babinski (right). Standing, from left: Montreal Connected hosts Wilder  Weir and Alyson Lozoff, New Media Producer Elias Makos, Montreal Connected Associate Producer Kelly Greig, Montreal Connected Director of Photography and editor Ian Graham

City Montreal staff (so far). Seated: Montreal Connected Executive Producer George Athans (left), City Montreal Executive Producer Bob Babinski (right). Standing, from left: Montreal Connected hosts Wilder Weir and Alyson Lozoff, New Media Producer Elias Makos, Montreal Connected Associate Producer Kelly Greig, Montreal Connected Director of Photography and editor Ian Graham

After years of wanting to get into the Montreal market, and months after acquiring a station here, City television is finally ready to dip its toe into local programming. It announced last week that May 30 would be the premiere of Montreal Connected, the station’s weekly half-hour sports show, and named its two hosts.

I spent Monday afternoon with the staff at the station for a story that appears in Thursday’s Gazette that introduces the anglo community to the show and its two hosts, Wilder Weir and Alyson Lozoff.

As is usually the case, I learned plenty more about them, the staff behind the camera and the station that I couldn’t cram into that story, so I’ll lay it all out here.

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Quebecor, Rogers announce wireless network sharing deal

An odd thing to announce at 8:45pm, but Quebecor just sent out a press release saying they’ve come to a 20-year deal with Rogers to create a shared LTE wireless network in Quebec and Ottawa.

I don’t know much more than what’s in the release: The two companies will pool their resources to create a shared network, but maintain their operational independence. This deal follows a similar one between Telus and Bell to share their LTE network.

There are some side-effects to this. For one, Quebecor hints at expanding its handset lineup. Since the only one people care about is the iPhone, I’ve asked if this is the plan. I’ll let you know what they say.

The deal also includes an option for Rogers to purchase Videotron’s unused AWS spectrum in greater Toronto for $180 million. This is important in the context of other new wireless players like Mobilicity and Wind Mobile deciding putting themselves up for sale. Mobilicity has already agreed to a sale to Telus and Wind may also sell to one of the three major incumbents. A partnership between Videotron and Rogers adds to the impression that Canada simply isn’t large enough for more competition in wireless.

Or it might not.

CBC’s CRTC licence renewal: What’s changing in point form

The Canadian Radio-television and Telecommunications Commission has just renewed the broadcasting licence for most radio and TV services run by CBC/Radio-Canada, for five years starting Sept. 1 (which means these provisions take effect then). It’s a long decision, and even the press release explaining it is kind of long. So here’s what the CRTC has decided and how it’ll affect what you watch and hear:

(For a Montreal-specific look, see this story I wrote for The Gazette)

Radio

  • Ads on Radio Two/Espace Musique: The most controversial proposal has been accepted. The CRTC will allow advertising on the music radio network, but with some restrictions: They can broadcast no more than four minutes of advertising an hour, in no more than two ad blocks, and no local advertising is allowed. This allowance is also limited to three years. If the CBC wants to continue after that, it must re-apply to the CRTC for permission.
  • Minimum playlist size: As part of a way to ensure Radio Two and Espace Musique are different from commercial radio, the CRTC is requiring that they air a large number of different musical selections, 2,800 a month for Radio Two and 3,000 for Espace Musique. That means about 100 songs a day that haven’t been played yet that month.
  • More specific radio CanCon minimums: Currently, half of popular music and 20% of special interest music must be Canadian for all four radio networks. The CRTC has added, with CBC’s blessing, conditions that require that 25% of concert music and 20% of jazz/blues music also be Canadian.
  • More flexibility in French music: On Radio-Canada radio networks, 85% of music played must be French. That requirement remains. But the rest is no longer restricted. Before only 5% could be in English and all of it had to be Canadian. Now that 15% can be in any language, including English, and half of non-French music has to be Canadian.
  • More French local programming in Windsor: CBC’s cuts to local programming at CBEF Windsor caused controversy, leading to complaints that included the official languages commissioner. The CRTC has decided to impose a minimum of 15 hours per week of local programming at the radio station, above what the CBC had proposed and consistent with other stations in minority communities.
  • No more Long Range Radio Plan: The CBC says, due to its budget, it has no plans to increase its radio coverage area (including plans to make Espace Musique available to more people) and wants to discontinue the Long Range Radio Plan. This plan includes hundreds of allocations for radio transmitters that don’t exist yet. Shutting this down would save a lot of headaches for private broadcasters, whose proposals for new or improved radio stations would have to take these imaginary stations into account.
  • Public alerting system: The CBC is required to install a public emergency alerting system on all radio stations by Dec. 31, 2014. The CBC said it would issue alerts at the station level, not at the transmitter level. The CRTC said it was concerned this might lead to alerts being issued too widely instead of just to the communities affected. Similar alerting is being encouraged, but not required, on television.

Television

  • More local TV programming: Following CBC’s recommendation, the CRTC has harmonized requirements for local programming between CBC/Radio-Canada and private television stations.
    • English stations in metropolitan markets (which includes Montreal) will have to produce 14 hours a week of local programming, and stations in smaller markets seven hours a week. In most cases, this is an increase over current levels (Montreal produces just under 11 hours a week of local programming), so we’ll need to see longer or more frequent local newscasts.
    • All French stations must produce five hours of local programming a week, including those in English markets, who must have some local programming seven days a week (except holidays).
    • CBC North (CFYK-TV Yellowknife) will have five hours minimum as a condition of licence, though the CBC says it will be more than this.
  • Non-news local TV programming: Following a suggestion from the CRTC at the hearing, the CBC agreed to require at least one of the 14 hours of local TV programming in major markets be devoted to non-news programming. The CBC hasn’t said what this would be, exactly. They said they’re starting to look at this now that they have a decision.
  • No blanket exemptions for local programming: The CBC had requested that it be allowed to calculate local programming on a yearly basis instead of a weekly one, because events like the NHL playoffs or Olympics pre-empt local programming. The CRTC decided against this (except for French stations in English markets), mainly for practical reasons (it would have to review a whole year’s worth of tapes to determine if it was meeting its licence requirements). The CBC then suggested that it be allowed an exemption of up to 16 weeks a year. The CRTC decided against that too, preferring a case-by-case approach and referring to a decision that allowed CTV and V to be relieved of their local programming minimums during the 2012 Olympics, saying that should be the model for future events.
  • Higher Canadian TV programming requirement: CBC and Radio-Canada television is now required to devote 75% of their broadcast day (6am to midnight) and 80% of primetime (7pm-11pm) to Canadian programs. They already do this now (they boast of having a 100% Canadian primetime), but it’s higher than their previous official requirements.
  • Regional television in French: Radio-Canada television is now required to devote at least five hours per week to programming produced outside Montreal. In addition, 6% of its budget for Canadian programs must go to independent producers outside Montreal.
  • More English-language television from Quebec: The CRTC is requiring CBC television to devote 6% of its budget for English-language Canadian programs to independent producers in Quebec, averaged over the licence term (until 2018). In addition, it must spend 10% of its development budget on Quebec, to give a boost to English-language producers here by having them produce more new programming.
  • No interference in The National/Le Téléjournal: The corporation’s national newscasts have been accused of being too focused on the regions they originate from (Toronto and Montreal, respectively). But the CRTC won’t interfere, saying it would threaten journalistic integrity. It will, however, ask for regular reporting on how official language minority communities feel about how well CBC and Radio-Canada’s programming reflects them, and has imposed this purposefully vague condition of licence: “national news and information programming shall reflect the country’s regions and official language minority communities, and promote respect and understanding between them.”
  • Canadian films on CBC: Following CBC’s proposal, the CRTC has imposed a requirement that CBC television air one Canadian theatrical film every month. The CBC is being given the flexibility to schedule it, which means it could air on a weekend afternoon, but it will air. The CBC is being held to its commitment to air Canadian movies on Saturday nights during 10 weeks in the summer.
  • Children’s programming: Judging that a commitment to children’s programming is more important as other conventional television networks move those shows to specialty channels, the CRTC continues to require a commitment to programming for children under 12. CBC and Radio-Canada must broadcast 15 hours per week of under-12 programming. Of that, one hour a week (CBC) or 100 hours a year (Radio-Canada) of original children’s programming (programs that air on other channels can be counted for this if CBC contributed to its financing). And three-quarters of these hours must be independently produced.
  • No requirements for new over-the-air transmitters: Despite demands for the CBC to reverse its decision to shut down hundreds of analog television transmitters across the country, and to limit digital transmitters to markets with local programming, the CRTC says it will not impose requirements on the CBC due to its financial situation. Instead, it suggests people who can’t get CBC or Radio-Canada over the air to look to Shaw’s free basic satellite offer, which expires in November. It also suggests broadcasters look to solutions like multiplexing (multiple channels on one transmitter) to offset the expense of digital transmitters.

Specialty TV

  • Renewal of mandatory distribution: The CRTC will maintain orders requiring digital cable and satellite providers to distribute CBC News Network in French-language markets and RDI in English-language markets, for $0.15 and $0.10 per month respectively. This is to ensure access to news programming for official language minority communities.
  • ARTV will be required to make 50% of its programming schedule devoted to programs from independent producers, replacing a condition that it spend all its profits on independent production. (Since ARTV’s profits are modest at best, this will be a net benefit, the CRTC argues.) ARTV will also have to devote 20% of its programming budget to programs produced outside Quebec, half of that to independent producers.

Other

  • Ombudsmen: The corporation’s two ombudsmen (one for CBC, one for Radio-Canada) are now required by a condition of licence, which establishes how they are hired, and says they must report directly to the CBC president twice a year.
  • Digital media: The CRTC hasn’t set specific conditions as far as digital media, though it has encouraged the CBC to be more accessible (more closed captioning online, for example).
  • Terms of trade: The CBC is being ordered to come to agreements with the Canadian Media Production Association and Association des producteurs de films et de télévision du Québec within a year.
  • Consultations with minority language communities: The CBC must hold formal consultations at least once every two years with minority language communities, including the English community in Quebec. It must also report annually on such consultations.

UPDATE: The Quebec Community Groups Network praises the CRTC’s decision and the increased English-language Quebec production that will come out of it.

Mike FM, CKIN-FM ask CRTC to reduce ethnic programming level

Mike FM studios on Parc Ave.

Mike FM studios on Parc Ave.

Tired of tuning into 105.1 FM looking for 90s hits and the comedy skits of Tasso Patsikakis only to find out that you’re listening to some Greek music instead?

Well, the Montreal-based commercial ethnic station Mike FM (CKDG), and its sister station CKIN-FM, are looking to change that. Owner Canadian Hellenic Cable Radio Ltd. (Marie Griffiths) has applied to the Canadian Radio-television and Telecommunications Commission to modify their licences as part of their licence renewal this year. The modifications would reduce the minimum amount of ethnic and third-language programming the stations must air each week.

Only the application related to CKDG has been published by the CRTC, but the brief attached to that application makes it clear that identical requests are being made for both stations. CKIN’s licence ends on Aug. 31, 2013, though the CRTC can issue a short-term administrative renewal if it can’t process a renewal application before then.

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Small Montreal radio stations up for licence renewals

Radio Shalom is among the radio stations whose licences are up for renewal

Radio Shalom is among the radio stations whose licences are up for renewal

While I was watching intently at a hearing in Montreal where BCE was making its case to buy Astral Media, the CRTC published a series of licence renewal applications, mainly from community, campus and other small stations across the country. Six of them are in the Montreal area, and their applications are summarized below.

For the most part, the small stations were found in apparent non-compliance with obligations of their licences. This is not uncommon for non-profit stations that have high staff turnover and small budgets. For the most part these failures deal with two things that happen off the air: required financial contributions to Canadian content development, or the filing of annual returns and other reporting requirements.

Under current policy, the CRTC deals with such non-compliance issues only at licence renewal time, and can decide among various options depending on the severity of the violation, up to and including non-renewal of the licence. The vast majority of the time, the response is to issue a short-term licence renewal (five years, three years or one year, depending on how short a leash they want).

Each station was given a chance to explain why it apparently failed to comply with its licence obligations, and it will be up to the CRTC to decide what to do. In each case, the file is open to public comment and anyone with issues relating to a particular station can express those views to the commission.

Below are links to each station’s application (in .zip format) and a link to file comments through the CRTC website.

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City TV’s Montreal Connected debuts May 30; Alyson Lozoff, Wilder Weir to host

Montreal Connected hosts Wilder Weir and Alyson Lozoff

Montreal Connected hosts Wilder Weir and Alyson Lozoff (Photo: Rogers Media)

CJNT, which officially became City Montreal in February after it was bought by Rogers, will launch its first local program a week from now.

Rogers Media announced on Wednesday the details of its new weekly sports show called Montreal Connected (formerly “Connected Montreal”), which starts May 30. Here they are in point form:

  • Schedule: Half an hour a week, Thursdays at 7pm, with repeats Saturdays at 3:30pm and 7:30pm and Sundays at 6pm. The show will also air on Sportsnet East on Saturdays at noon.
  • Hosts: Alyson Lozoff, the Sportsnet reporter for Montreal (did you know she’s also a lawyer?), and Wilder Weir, a producer and former hockey reality show star
  • Contributors: Include Sportsnet personality Stephen Brunt, Globe and Mail Quebec sports reporter Sean Gordon, Gazette Alouettes reporter/columnist Herb Zurkowsky, and LNH.com managing editor Arpon Basu
  • Behind the scenes: As previously announced, former water ski champion George Athans will be the show’s producer, with Kelly Greig, formerly of CBC Montreal. They will work under Executive Producer and Local Content Manager Bob Babinski

The show promises to be “an in-depth look at the city’s professional and amateur teams, along with athlete profiles and feature stories on local, national and international sports.”

City Montreal is also launching a culture/lifestyle show in July, and its main local programming, a three-hour local morning show, in August.