Monthly Archives: June 2014

Ricochet: A bold idea for crowdfunded journalism — but is it sustainable?

When I first heard about Ricochet, the proposed new bilingual media outlet that sells itself as a counterweight to “corporate” journalism, I wasn’t terribly excited. As someone who works as a journalist for the so-called “corporate” media, I’m well aware of its faults. I know that the drive to stay profitable has led to the blurring of lines between news and advertising, cost-cutting that has gone beyond cutting to the bone, and a hesitation to be too critical of the hand that feeds you.

So I welcome new voices. I want to see people investigate where others aren’t, to hold accountable people who aren’t used to being accountable.

But what bothered me about Ricochet was three things: First, its business model, based on crowdfunding and actually asking readers to pay for the journalism being produced, while also guaranteeing that everything that will be published will be free.

The second was the people behind it: Ethan Cox, who regularly goes back and forth between journalist and NDP/Projet Montréal political activist; Gabriel Nadeau-Dubois, spokesperson for the most radical student association during the student strike; and a host of others whose backgrounds include things like NDP candidate, Idle No More organizer, environmentalist, feminist, philosophy teacher, and the catch-all “activist”. Is this really an endeavour to create a new type of journalism, or is this about creating left-wing journalism, doing for the left what Sun News Network does for the right? (And if that’s the case, don’t we already have plenty of outlets like that, from Rabble to The Tyee?)

Finally, duplication. Why not join forces with The Tyee, or Rabble.ca, or any of the other socially progressive non-profit Canadian media outlets out there?

I spoke with Cox recently to ask him about his project and give him a chance to respond to my concerns.

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CRTC approves new licence for CKHQ-FM Kanesatake

CKHQ-FM, the Kanesatake Native radio station that became defunct and lost its CRTC licence 10 years ago, has gotten that licence back. The CRTC approved a new seven-year licence for the station on Tuesday, to be given to a yet-to-be-incorporated non-profit corporation set up by James Nelson.

The station’s technical parameters are identical to what it had previously: 101.7 MHz with 27 watts of power (11 watts average) from an antenna on the reserve 30 metres above the average terrain. That setup gives the station a signal that reaches into Oka and across the river into Hudson, but not much further.

The application, published in December, received only one comment, from someone in favour of bringing the station back.

The situation for CKHQ is very similar to that of CKKI-FM, KIC Country 89.9 in Kahnawake, in that it was a station that went on the air without a licence, and people from the CRTC and Industry Canada walked the station through the application process rather than trying to force it off the air.

At the moment, the station is running with a live DJ during business hours, and raises money through fundraisers and radio bingo. Its programming is mainly country music, with some community announcements and other spoken word in English.

If you can’t hear it on the air, the station streams online here. It also has a Facebook page.

CBC cuts first half-hour of Quebec AM

Susan Campbell's morning show on CBC Radio One will start at 6am instead of 5:30

Susan Campbell’s morning show on CBC Radio One will start at 6am instead of 5:30

Quebec AM, the CBC Radio One morning show heard throughout Quebec outside of Montreal and Gatineau, will be starting later in the morning, at 5:57am instead of 5:30am, starting Monday.

The change, which is permanent, is based not so much on saving money, though CBC is in the middle of some deep cuts, but rather on audience.

“Morning radio listenership dramatically increases at 6am,” explains Debbie Hynes, CBC Quebec’s communications director.

The move makes sense. The number of people listening to CBC Radio One in English outside of Montreal before 6am is pretty low. You don’t have the people in Montreal suburbs who have to get up that early because of the long commute. You don’t have early-morning joggers getting up before civilization to take advantage of quiet roads and parks. Though you might have some farmers getting up with the sun who now have half an hour less of regional information on the radio.

Montreal’s Daybreak, hosted by Mike Finnerty, retains its 5:30am start time.

“Quebec AM made this choice in order to better serve its audience with stories that run in peak listening times,” Hynes said. And people wanting local news will still get that at 5:30. “Shawn Lyons will still do a hit at 5:30am with a local newscast. From 5:30-5:57am, listeners will hear the overnight service.”

As Hynes points out, 6am start times are common for CBC Radio One local morning shows in Canada. Most stations either carry regional programming from 5:30 to 6am before starting a local show or carry the overnight service, which broadcasts best-of-CBC and public radio shows from the BBC and other international broadcasters.

“Homeless spikes” are gone — but what about Montreal’s other homeless deterrents?

Scars on the concrete outside a window of Archambault on Berri St., where spikes had been installed to deter people from sitting or lying down there.

Scars on the concrete outside a window of Archambault on Berri St., where spikes had been installed to deter people from sitting or lying down there.

When Le Devoir came out with a story this week noting the presence of anti-homeless spikes outside of a downtown business, the outrage was immediate. Heartless, disgusting, inhuman, dangerous. All sorts of angry comments directed at Archambault, the music and book store who Le Devoir said installed them.

Mayor Denis Coderre, outraged, promised to have them removed by any means necessary within the day.

As it turns out, Archambault wasn’t at fault, it was the owner of the building. And public pressure resulted in a crew removing the spikes by noon. News outlets discussed the issue, offering comments from the public who again noted their outrage. There was a comparison with a similar thing being done in London, another move that was reversed after public outcry. Or with a similar thing at a McDonald’s two blocks away as seen in Google Street View images taken in 2012, but those had already been removed.

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CTV News Montreal set gets refresh with video walls

New video monitors installed behind the anchor desk on either side.

New video monitors installed behind the anchor desk on either side.

If you’ve been watching CTV News Montreal this week — and ratings data suggest you probably have — you may have noticed something new: monitors installed behind the anchor desk on either side of the cityscape background (and, in fact, cutting it off a bit). It’s the first really noticeable refresh of the set since the new studio was inaugurated three years ago.

The purpose is mainly to have graphics to show behind anchors in close-up shots, a cooler version of the over-the-shoulder graphic.

A behind-the-shoulder graphic, with no green-screen required

A behind-the-shoulder graphic, with no green-screen required

“We added these over the weekend in the hope of making the set look a little more contemporary,” explains Dave Maynard, CTV Montreal’s Manager of Operations and Production. “When we built the set in 2011 (yes almost 3 years now), I remember looking at the twin set of nine monitors on either side of the anchors and thinking ‘damn, I should have budgeted for monitor walls.'”

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CJAD’s Aaron Rand Show wins national RTDNA Award for Lac-Mégantic coverage

Aaron Rand

Aaron Rand has cemented his reputation as a reformed music DJ/morning funny man turned serious talk radio host after his show won the national Peter Gzowski Award for a news information radio program from RTDNA Canada (formerly the Radio and Television News Directors’ Association) for its coverage of the Lac-Mégantic disaster last year. It’s among the highest honours that a show like this can receive from peers.

The Peter Gzowski Award goes to a radio station “which, in the opinion of the judges, displays overall excellence in the content and presentation of a regularly scheduled news information program which is not a daily newscast.”

CJAD is the only Montreal winner in either the radio or television category to bring home a national RTDNA Canada award from the ceremony giving them out this weekend.

Aaron Rand was sent to Lac-Mégantic after the disaster, in which a runaway train derailed in the city and killed 47 people. The broadcast of July 9, from the Polyvalente Montignac school, was submitted for the award.

Needless to say the station is very proud of the award. “We worked very hard to tell the story the way it needed to be told,” Program Director Chris Bury is quoted as eloquently saying in the Bell Media press release. “The Lac-Mégantic broadcasts were challenging from every point of view, but we were convinced our hosts, producers, and reporters needed to be there.”

The station plans to send Rand back to Lac-Mégantic for the first anniversary of the disaster, probably for a week of shows.

Radio ratings: Best book ever for TSN Radio 690

We're number one! ... Well, number five, but who's counting?

We’re number one! … Well, number five, but who’s counting?

The ratings for March, April and May in Montreal were released by BBM Canada last week. And in general they show no real difference from the previous report that came out in March. On the English side, CJAD remains the most popular station by share of listening hours, followed by The Beat, Virgin, CHOM, CBC Radio One, TSN Radio 690 and everyone else.

But while TSN 690 remains in last place among the five commercial stations, its ratings are the best it’s ever seen with 364,000 listeners a week, a 5.2% market share overall (up from 3.6% in the spring) and a 7.7% market share among adults 25-54, up 36% from last winter.

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Bob Babinski resigns as City Montreal Executive Producer

Bob Babinski was hired at City Montreal a year and a half ago.

Bob Babinski was hired at City Montreal a year and a half ago.

16 months after being hired as the first man in charge of City TV’s new station in Montreal, Bob Babinski is leaving. He announced the news on Twitter on Saturday:

https://twitter.com/BobBabinski/status/475299052893257729

I spoke with him shortly after that post, and you can read his reasons in this story, which should appear in Monday’s Gazette.

The decision was announced to staff at the station on Friday, just after the broadcast of Breakfast Television. This was by design, Babinski told me, “to have the least impact on staff.”

Babinski said it was “a difficult day yesterday.”

While he said he’d been thinking about it for a while, as one does for decisions like his, he called his bosses to make it official earlier this week, the same week those bosses were busy with Rogers’s upfront presentations, giving advertisers a taste of what is to come for the fall season.

I talked with Babinski on Tuesday at the Montreal satellite event for the upfront, and he said nothing about wanting to leave. He explained that he didn’t want word to leak out before making the announcement to his staff. That announcement, which shocked everyone, was made in the presence of Jordan Schwartz, Rogers Media’s VP of in-house production and Babinski’s boss, who is visiting to help tweak the morning show a bit. (The first minor tweaks to the format should be apparent on Monday’s show.)

Schwartz tweeted this somewhat cryptic message just before midnight on Friday night:

And this more direct one on Saturday:

Schwartz told me later that he was sad to see Babinski go, but “in my head I always expected this day. I didn’t know if he’d want to stay for the day-to-day-to-day.”

There was the thought of whether there was something Rogers could do to make Babinski happier in his position, Schwartz said, but “I heard it in his voice that it was the right call.”

Schwartz said “I thought that he was a gentleman in the timing that he picked,” because it’s at the beginning of summer and gives them time to find someone new before the fall.

Manuel Fonseca, the managing producer of local programming at City Vancouver, takes over as interim executive producer in Montreal until they find a permanent replacement. Schwartz didn’t want to put a timeline on that, but said he’ll look for someone “as soon as possible.”

“I need a change”

So why is Babinski leaving? Simply put, “I need a change,” he said, emphasizing that the decision was entirely his and to the disappointment of his superiors.

Babinski said the first year and a half was about hiring new talent, setting up a TV station from scratch, and developing a new show. As we enter the second seasons of Montreal Connected and Breakfast Television, his job is becoming more administrative, doing things like coordinating content from the network. “While that’s extremely important, that stuff is less close to my heart,” he said.

So, in the middle of summer, he’s leaving and will go back to being a freelancer.

He won’t be entirely disconnected from Rogers, he said. Without giving too many details, he said he will be working with the company to produce programming related to hockey, as Rogers begins finding ways to recoup that $5.2-billion investment in NHL rights over 12 years. It will definitely be an off-air role, though. The former CBC sportscaster says his on-air days are behind him.

Babinski also told me he plans to go back to pursuing his “basic passion” of training others to be better broadcasters. He wants to expand the stuff he’s been doing there and apply it to other industries, helping corporate executives become better public speakers, for example. Again, not too many details because he doesn’t want to tip his hand before it’s all figured out.

He remains in his job until Friday, June 13. He’ll be spending his last week doing his job as usual, and preparing files for a transition to a new boss.

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