Tag Archives: CJFM

Radio ratings: Good news for 98.5, The Beat and CHOM

Quarterly radio ratings were released earlier this month. You can see the BBM compilation of top-line data here (PDF), but it doesn’t say too much.

Astral and Cogeco both provide analysis for the benefit of advertisers, Astral in the form of a slideshow (PDF) and Groupe Force Radio (which represents Cogeco stations and independent former Corus stations in Quebec City and Saguenay) also does a slide presentation (PDF). The latter tends to be more detailed, but is also more biased, highlighting their stations’ successes and their competitors’ struggles.

Here, based on those reports, is some analysis of what’s going on in commercial radio in Montreal. We’ll start with the English side.

English radio

Afternoon ratings show a spike for Donna Saker’s show on CKBE, rocketing it to No. 1. There’s a similar spike in late mornings and at noon-hour.

Overall, there hasn’t been much change in the ratings. A few points up, a few points down. But breaking it down a bit you see some significant gains for CKBE-FM 92.5 (The Beat) and a few highlights for CHOM-FM 97.7 as well.

The Beat, which rebranded last fall in an effort to attract a younger female audience but hadn’t seen much movement in ratings until now, is starting to see the change (and accompanying marketing spending) pay off. It’s second behind Virgin Radio among adults 18-49 and 25-54 (in both cases passing CHOM), first among adults 35-64 (passing CJAD) and has seen a gain of more than 50% in a year for men 25-54 (which is interesting because the station is targetting women).

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CJFM’s Virgin Radio Takeover makes use of Listener Driven Radio

The press release says “Virgin Radio lets YOU takeover the airwaves!” – but don’t show up to Astral’s studios on Fort St. looking to get behind the microphone.

Instead, CJFM 95.9 is giving its listeners more say in what music ends up on the radio, at least for a few hours. Four nights a week starting Monday, June 11, Tony Stark hosts Virgin Radio Takeover, a show that allows listeners to suggest songs and up- or down-vote upcoming songs on its playlist to shape what makes it to air.

It’s based on a platform called Listener Driven Radio, brought to Canada’s Virgin music stations via Orbyt Media. A similar show launched in April at the Calgary and Edmonton stations.

“This is real social radio,” program director Mark Bergman tells me, and is a big step toward the so-called So-Lo-Mo strategy of social, local and mobile.

In addition to influencing the playlist by voting up and down songs added to it, the system allows people to suggest songs to add to the playlist. But the system is set up according to parameters set by the program director, which means you won’t be able to suggest Mozart or death metal or other types of music that don’t fit on the station. (My attempts to add Weird Al tracks to the playlist failed, for example.)

Bergman said he didn’t know exactly how many songs are available to suggest, but that it was in the thousands, and represents a large part of the station’s music universe (meaning all of the songs played on the station). Naturally it includes a lot of pop hits from artists like Katy Perry, Usher, Black Eyed Peas, Pitbull, Jennifer Lopez and Maroon 5. But it also includes some older hits from Backstreet Boys, Bon Jovi, New Kids on the Block and NSYNC.

Changes to the playlist are shown in realtime, with animations showing songs changing position in the list.

I wondered if there was some veto power or other massaging of the playlist that could be done in case listeners’ choices start going too far toward one artist, for example. Bergman assures me it’s all out of his hands. “The only power I have is I can go on and vote for songs myself,” he says, and the choice of song is “literally left to chance” based on listeners’ votes.

What about Cancon? Is the system rigged to make sure that enough Canadian songs are played? Apparently not. But that’s okay, Bergman says. If the playlist that comes out is low on Canadian content, they can make up for that later.

Bergman says he’s anxious to see how the audience will react to this new format. Will it attract more listeners in the 18-34 demographic that they already have a strong lead in? Will it make them more engaged? We’ll see when the next ratings book comes out in the fall.

Virgin Takeover airs Mondays to Thursdays from 7pm to 9pm. Stark continues as the host in non-takeover mode until midnight.

Virgin shuffles lineup, puts Ryan Seacrest and Andrea Collins on afternoons

Andrea Collins moves to afternoon drive on CJFM

CJFM has shuffled its weekday lineup to fill the hole left by Cousin Vinny’s departure for CKBE. Andrea Collins, who was doing late mornings, gets to take over the afternoon drive slot from 3-7pm. Nikki Balch, who did early afternoons, moves to late mornings (9am to noon), and the remaining hole from noon to 3pm is being filled by … Ryan Seacrest.

Virgin Brand Director Mark Bergman tells me he had candidates from inside and outside Montreal for the afternoon drive job posted after Vince Barrucco’s sudden resignation, but that he found Collins was “the best one for the position.” Bergman said “she’s got a young sound to her, yet mature.”

“I’m soooooo excited! I’m used to more of a morning or drive spot, so this right up my alley,” Collins wrote to me in an email during her Wednesday shift. “Drive is generally a male-dominated position, so I’m really pumped to own it as a female, and happy the great peeps at Virgin were open to making that change. I promise it’s the beginning of a long and beautiful friendship ;)”

Balch, one of the unsung heroes of Virgin’s lineup, gets to start her day earlier.

But it’s Seacrest that will probably get some eyebrows raising among local radio watchers because it means no local announcer for three hours in the middle of weekdays. Bergman said he put Seacrest in the slot was because of his star power and how popular he is with the audience that Virgin Radio is attracting. Seacrest has long been a fixture of the Virgin schedule, including a Saturday morning show. But it’s a big leap from low-rated weekend slots to weekday afternoons.

Virgin’s schedule moves contrast with those of its main competitor, The Beat. While Cogeco’s music station is hiring away Virgin announcers (Cat Spencer, Nat Lauzon, Vince Barrucco) and putting a serious focus on local talent (even overnights), Virgin’s schedule is considerably lighter on local people. Its only weekend personality is Kelly Alexander and it has no live local person for weekday overnights. (It’s not just a question of being owned by Astral Media – CHOM is also heavy on local talent, including overnight and weekends.)

It will be interesting to see how this plays out in the ratings. Will listeners care that the voice between the hit songs they hear is Seacrest instead of someone local? Will star power have more of an impact than a local voice?

We’ll see.

Astral stations nominated for industry awards

The Canadian Music and Broadcast Industry Awards nominations were announced last week.

With more than a dozen categories and 7-9 nominees per category, the bar isn’t very high. But nevertheless, congratulations to the nominees from Montreal (all anglophone stations, since I guess French-language ones are excluded):

  • Program director of the year (major market): Mark Bergman, CJFM
  • Station of the year (hot adult contemporary): Virgin Radio 96 (CJFM)
  • Station of the year (classic gold): CHOM
  • Station of the year (multicultural): Radio Centre-Ville (CINQ)
  • Station of the year (news/talk): CJAD

Among categories with no Montreal nominees are music director of the year and on-air talent. I’m sure critics of commercial radio here will be liberal in their interpretation of that.

The awards, along with others for the recording and touring industry, are handed out March 22 during Canadian Music Week in Toronto.

Cousin Vinny leaves Virgin Radio 96, AJ Reynolds let go from The Beat

This post has been corrected. See below.

"Cousin Vinny" aka Vince Barrucco

Vince Barrucco, better known as Cousin Vinny, has resigned from his post as afternoon drive announcer at CJFM to explore “a new opportunity” in the city after a few months off the air.

Mark Bergman, brand director for Virgin Radio 96, confirmed that Barrucco submitted his resignation letter Monday morning. Bergman said Barrucco didn’t say where he was going.

Through social media, Barrucco was coy about his destination, saying only that it was “a new opportunity” and that he’d be staying in Montreal.

AJ Reynolds: gone from The Beat

But it doesn’t take a rocket scientist to notice that another Montreal drive-time announcer has been scrubbed from the schedule: AJ Reynolds is no longer part of The Beat, his name and face gone from the website (for the most part) and his Beat Twitter account disappeared, all about the same time as Barrucco left Virgin. Barrucco’s sudden disappearance from the air, the lack of announcement about his leaving, and his forced vacation from behind the microphone are all consistent with him being poached by a competitor.

Reynolds, whose Canada’s Top 20 Countdown has been picked up by seven new stations across Canada and will expand to four hours daily as of March 5, according to an ad it’s running on the Airchecker blog, said he was leaving the Beat on good terms and wished them well.

The Beat’s station manager, Mark Dickie, said the station had decided to “make a change” because of disappointing performance at drive time* “things not working out as expected.” He wouldn’t confirm or deny whether Barrucco had been hired to replace Reynolds.

Reynolds’s syndicated show, Canada’s Top 20 Countdown, will remain on the Beat, at least for now, Dickie said. It airs 5-7pm Sundays.

Claudia Marques, the traffic announcer paired with Reynolds, is on maternity leave (as is morning traffic announcer Natasha Hall, which led to plenty of jokes about the fertility powers of the traffic announcer’s equipment there). Dickie said Marques’s job will be waiting for her when she returns.

I asked Bergman about what a trend that seems to have developed, if it is true that Barrucco is heading to the Beat. Barrucco would be the third Virgin star, after Cat Spencer and Nat Lauzon, that has been poached by the Beat in just the past year. This is noteworthy because CJFM consistently does better than CFQR/CKBE in the ratings, so you have to wonder why people are leaving the No. 1 music station for similar jobs at the No. 2.

Dickie also downplayed the trend, pointing out that the Beat has plenty of people from the old Q combined with new talent from elsewhere.

Bergman, who said he didn’t know where Barrucco was going, said he isn’t worried about losing talent, because the team at the station is stronger than any individual announcer. And the numbers suggest he’s right, at least so far. Nevertheless, Bergman stressed that he has the utmost respect and admiration for Barrucco and that he wished him well. Barrucco had been at CJFM since 2009, and on the afternoon drive show since he replaced Bergman in April 2010.

Barrucco told me he’ll be starting his new job at the end of May.

“A great opportunity presented itself that was hard to refuse,” Barrucco said. “I enjoyed my time at Virgin Radio and wish the entire crew the best! Looking forward to the future!”

Astral has posted a job opening for a full-time announcer (the deadline is March 16), though Bergman says he hasn’t discounted the possibility of using someone already on staff to fill the afternoon drive slot and taking on someone new to fill out the schedule. He says he’s searching around for what’s out there in the talent pool.

He’s been doing a lot of that lately, thanks to Cogeco.

*Correction: An earlier version of this post said Beat general manager Mark Dickie expressed disappointment with the performance of the afternoon drive show hosted by AJ Reynolds. In fact, he said that things had not worked out “as expected” – a statement I had apparently interpreted a bit too much. My apologies to Dickie and Reynolds.

Lisa Player stops playing

UPDATE: Lisa Player’s last day at CJFM was Friday. You can listen to her goodbye message, delivered just before 9am, on her final blog post on Virgin Radio’s website. They’ve also posted a video of the same speech.

Lisa Player is leaving Montreal for Northern Ontario

As I sat in the conference room at Astral’s studio on Fort St., interviewing people for my article in The Gazette on the change in the morning show at Virgin Radio, the discussion turned to how unusual it is for radio personalities to stay in the same job for long. For some reason, Montreal seems to be an exception, perhaps because of its two languages or because it has a particular connection to its media.

Still, at CJFM, most of the voices are new. “Freeway” Frank Depalo, Andrea Collins and Nikki Balch have been there less than a year. “Cousin” Vinny Barrucco and Tony Stark not much longer than that. Mark Bergman has been around for a while, but he’s behind the scenes now.

So when Lisa Player leaves her post as the morning show co-host at Virgin Radio (she and Kelly Alexander are the only hosts to predate the name – unless you include MC Mario), her seven-year tenure is remembered as being exceptionally long (she says it’s the longest she’s ever had a job in radio) and relatively short by the standards of people like Aaron Rand, Terry DiMonte, Tootall and Andrew Carter.

A look at this video posted less than two years ago, and you see that of the nine personalities, listed, only two (plus Player) are still on the air here.

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Natasha Gargiulo joins Virgin Radio morning show

"Freeway" Frank Depalo and Natasha Gargiulo form the new CJFM morning team

After just under a week of anticipation, Virgin Radio (CJFM 95.9FM) announced Thursday morning at 7:10am that Natasha Gargiulo is going to be the new morning co-host in the new year, taking the place of the departing Lisa Player. Starting Jan. 3, she will co-host Freeway and Natasha in the Morning with “Freeway” Frank Depalo.

You can listen to audio of the announcement and a chat with Gargiulo here (MP3).

Virgin Brand Director Mark Bergman graciously allowed me to break the news a few hours early so it could be in Thursday morning’s Gazette. It was, surprisingly enough, the first time I had been inside the Virgin studio with its giant branding star (and a giant CHOM logo in the hallway visible through a window), and I got a chance to talk to Gargiulo, Depalo, Player and Bergman about this big change.

Meet Natasha

First, an introduction to the new girl. She’s definitely not new to the station. She started at what was then Mix 96 way back in 2000, and was so desperate to get into the industry she worked for free.

“I gave up a really good job in university to do telemarketing at night and work for free (in the Mix promotions department). My parents thought I was crazy,” Gargiulo told me during our chat in a conference room in Astral’s Fort St. offices.

She continued working at CJFM until she was hired at Global Quebec in 2003. (“I always wanted to be on television,” she says.) From there she worked as a weather presenter and an entertainment reporter for Global’s local newscast. She also got other gigs, including working for Entertainment Tonight Canada, hosting Ciao Montreal on ethnic station CJNT (back when it and Global were both owned by Canwest), and a few other television gigs.

About a year and a half ago she came back to CJFM as a contributor to the afternoon drive show with “Cousin” Vinny Barrucco. Since then her role has expanded to de facto co-host of that show. She also filled in on the morning show this summer while Lisa was on vacation. Those two facts had led some people to correctly speculate that she’d be a strong candidate for the job.

As for the afternoon show, Bergman says Barrucco will continue it solo for the time being. There are no immediate plans to give him another co-host.

In addition to all her other activities, Gargiulo is also a mother. You can see a video done for ET Canada of her and Leticia, now 15 months, at a photo shoot earlier this year.

Many jobs

Here’s the part where I question this young lady’s sanity. In addition to a radio gig that requires being at work at 5am five days a week, and the hectic, inflexible schedule that comes with being a mother, Gargiulo says she will continue working for ET Canada.

“I figured I can’t put all my eggs in one basket,” Gargiulo said of having so many things going on at once. “If Ryan Seacrest can do it, why can’t I?”

Not that she’s some sort of superhero. She credits her “very supportive husband” for allowing her the flexibility to jet off on weekends to do entertainment reporting.

Besides, she says: “My motto is never say no, because you never know how long this ride is going to last.”

That’s certainly true. Though some radio personalities in Montreal seem to last forever, most don’t last a decade. Case in point is CJFM itself. It’s turned over most of its daytime staff in the past year (losing Cat Spencer, Heather Backman and Nat Lauzon) and just about everyone since the station became Virgin Radio in 2009.

Target demo

Not that Gargiulo’s stint should be considered temporary. Bergman, at least, is happy with her appointment.

“I think Natasha is a young Montreal working mom who lives everything that the Virgin Radio brand represents: fun, entertainment, she’s into social media, pop culture. I think she’s a great reflection of the typical virgin radio listener.”

If that sounds a bit like a radio program director, it’s because that’s what it is. Bergman is up front about the fact that this is about targetting a key demographic, which is like Gargiulo: Young mothers, people who enjoy hit music and have the spending power to please advertisers.

No big changes

Asked what, other than the personality, would be changing with the new so, everyone involved agreed that there wasn’t going to be any drastic changes. But the team is constantly discussing new ideas and could put some of them into force slowly in the new year. But even then, don’t expect fundamental changes. They’re still the number-one music radio station, and they don’t need to reinvent themselves to improve.

“We wanted four words people would think of about the show,” Bergman said about the more philosophical thoughts. The words they came up with are fun, real, local and entertaining.

“If we can accomplish those four goals, we’ll be happy,” Bergman said.

“The show is always evolving,” said Depalo. “I’ve only been here seven months, so this is not it.”

Natasha Gargiulo starts Jan. 3. You can follow her on Twitter at @NatashaGargiulo.

UPDATE: Lots of congrats for Gargiulo on Twitter and Facebook. If you want to read the announcement in press release form, Astral Media has posted it to their website.

See also: Lisa Player stops playing

Radio ratings: A good fall for Cogeco and CKGM

Overall market share for anglophone Montreal (note that this includes only BBM members)

Ah, ratings. That time of the every-few-months where people who own radio stations gloat about their rising numbers, and if they don’t have rising numbers they selectively comb through demographics and time periods until they find something to gloat about, and if they don’t find anything there either they just bullshit their way through a press release.

Normally I don’t pay much attention to them, because the changes are so insignificant. But with some major programming changes this fall, and some corresponding jumps and plummets in audience, it’s worth taking a closer look this time.

Here are some more objective highlights from the ratings numbers from what I’ve been able to find. The top-line numbers from BBM Canada are here (PDF, first page is English audience, second page French audience). You can compare that to the spring report or last year for the same period.

Astral Media also does a presentation (PDF) that looks into the numbers overall for key demographics, and for important time periods for adults 25-54, which advertisers apparently covet.

CJAD 800AM (Astral)

Programming changes: Aaron Rand show added to evenings, moving Ric Peterson to early afternoons and Kim Fraser to weekends. Barry Morgan does 7-10pm weekdays, replacing Dan Delmar. Loss of Canadiens games to CKGM.

Overall (adults 2+, seven days a week), CJAD is still the highest-rated station in the Montreal English market. It has a 24% market share, within 0.2 percentage points of this spring and last fall. But it’s losing audience in key demographics, especially young adults. In the 18-34 demo, it’s down from 17% this spring to 11%. Though losing rights to Canadiens games is undoubtedly part of that, it’s not the whole story.

If CJAD thought Aaron Rand would give a ratings boost for its evening drive, that hasn’t happened. Its audience for 4-7pm weekdays is stagnant, and it has dropped to fifth place, behind Mitch Melnick on CKGM, for 25-54.

CKGM 990AM (TSN Radio 990, Bell Media)

Programming changes: Rebranding. Acquisition of Canadiens games. Denis Casavant leaves morning show.

The biggest change to CKGM is the addition of Canadiens games, which is giving a significant boost to the evening audience, making it No. 1 on game nights. “Canadiens games are registering an impressive 28.2 share among males 25-54,” Bell Media’s Greg McIsaac tells me. Previously, the station was fifth place with a 3.7 share during that time period. Now, overall, it’s 19.8, ahead of Virgin Radio, station manager Wayne Bews tells Mike Cohen.

But the station is seeing ratings gains everywhere. Overall, CKGM is reaching more listeners, 131,000 a week compared to 93,000 in the spring. Its market share overall has gone up from 2.7 to 4.

Mitch Melnick’s afternoon show has the most impressive gains, going from 3,490 to 4,540 listeners during an average minute, representing a 30% increase in audience. It was enough to push CKGM past CJAD for this time period among adults 25-54, particularly impressive since he’s now up against Aaron Rand.

For me, the big question out of this is: Was getting Canadiens games worth it? Obviously they won’t get into details about their business plans, but the mood seems to be pretty positive.

Bell Media also wouldn’t comment on whether the station is still losing 30% of its audience after dark, as it complained to the CRTC during hearings that eventually granted it the right to move to the clear channel of 690 kHz. But critics might argue it’s hard to get a 28% share if you’re having significant reception problems.

There was also speculation that the station might be picking up francophone listeners after the closure of CKAC Sports. Though there has been a “moderate increase”, Bell Media’s McIsaac says, the overall numbers among francophones have remained unchanged since the spring. Overall, CKGM has a market share of 0.0 among francophone listeners.

If anything, the more likely scenario is that anglophone listeners who tuned into CKAC are coming back to CKGM. The French all-sports station had a 0.5% share among anglophone listeners. Stands to reason many of them would prefer hearing sports-related news and commentary during the day.

CKBE 92.5FM (ex-CFQR, The Beat, Cogeco)

Programming changes: Complete station rebranding. Cat Spencer replaces Aaron Rand on morning show, Ken Connors moves to weekend mornings, Nat Lauzon does weekend afternoons (starting Oct. 15).

They called it a brand new radio station. They wanted to shed all remaining remnants of the old Q92. But despite all the changes, it has still inherited the old Q ratings. The station has a 16% market share overall, which is actually down slightly from last year.

But program director general manager Mark Dickie still has a happy face. (Well, I assume he does. He seemed content when I chatted with him over the phone.) That’s mostly because CKBE has made the strategic decision as part of the Beat rebranding to target the 35-44 female demographic that competitor CJFM seems to have abandoned, and it’s seeing corresponding gains there, and Dickie says they’ve managed to do that while continuing to grow its 45-54 female demo. Overall, from 9am to 4pm, it has a 30% market share for women 35-54.

“It’s pretty well what we were hoping for in the first book,” he said. Among his cherry-picked highlights, the breakfast show with Cat Spencer and Sarah Bartok has surpassed CJFM among the key demo and has gone from fourth to second (behind CJAD) among adults 35-54. (Expanding to adults 25-54, it’s still third, but gaining on second-place CJAD.)

Besides the new morning show, the Beat has also focused on weekends, moving Ken Connors to a beefed-up weekend morning show and bringing star Nat Lauzon in for weekend afternoons.

Lauzon’s numbers are good, even though she’s been on for only half the ratings period. Her numbers are up 6% on Saturdays and 7% Sundays compared to the spring. Among adults 35-54, afternoons are up 12% on Saturdays and 15% on Sundays.

But it’s Connors who is making the biggest impact, with double-digit growth on weekend mornings. Among women 35-54, the station’s audience has grown 37% on Saturdays and 53% on Sundays on weekend mornings.

“It’s definitely paying off,” Dickie says of the decision to focus on weekends, and of the Beat rebranding in general.

Of course, a lot of that is the promotional blitz that comes with a station rebranding. We’ll have to give it another ratings period to see if this audience is sticking around.

CJFM 95.9FM (Virgin Radio, Astral)

Programming changes: Freeway Frank replaces Cat Spencer on morning show, Nat Lauzon leaves midday show for CKBE.

Virgin is still the market leader among adults 18-54. The only big demo it’s lost control over is men 25-54, where CHOM has snuck into first place. The morning show, which took on Freeway Frank Depalo this year and is about to lose Lisa Player, has kept its audience. Its audience during midday, which has lost veteran Nat Lauzon, hasn’t seen a significant change among adults 25-54.

Virgin’s on-air lineup is young, and midday hosts Andrea Collins and Nikki Balch are new to the station over the past year. But if it ain’t broke, don’t fix it, I suppose. “As the leader our plan was not to react,” Brand Director Mark Bergman tells Cohen.

CHOM 97.7FM (Astral)

Programming changes: Pete Marier moved to afternoon drive, Rob Kemp to morning show, Tootall to middays and Sharon Hyland to weekends.

Even though CHOM is in a period of transition as it awaits the return of Terry DiMonte on Jan. 9, this has actually been a pretty good ratings period for the station. It’s up just about everywhere, except among women and during the drive-time show, where it’s stagnant. It’s now first overall among men 25-54, overtaking sister station CJFM. Even the morning show has picked up listeners, though it still sits fourth among English-language stations overall.

CBC Radio

Overall, Radio One’s market share is still 8% among anglos, which hasn’t changed over the past year. For Radio Two, there’s been a slight drop in overall audience, going from a 3.1% to 2.6% market share.

CHMP 98.5FM (Cogeco)

Programming changes: Incorporation of sports programming in evenings after closing of CKAC Sports.

Cogeco Nouvelles, in a totally unbiased press release masquerading as news, declared 98.5 the most listened-to station in Canada. I’m too lazy to confirm that, but they’re not making up their significant market gains.

Overall, the station has jumped from a market share of 12% last fall to 20% this fall. That’s incredible. It’s gained throughout the day weekdays (it’s stagnant on weekends, when it plays music). The morning show, hosted by Paul Arcand, has gone from 33,000 to 45,000 average listeners a minute since last spring, a 37% increase. It’s a 47% increase if you count from last fall.

In the noon and early afternoon periods, CHMP has rocketed past three other stations, CITE, CKMF and CKOI, to jump from fifth place to second among adults 25-54.

Demographically, the spike is most pronounced among men 25-54, where it was once in a three-way tie for first place with NRJ and Rythme FM, but is now way ahead (28% to 20%). But it’s also ahead among women and young adults.

Unsurprisingly, the station has seen an increase in ratings during the evening, where it has replaced repeats of the day’s talk shows with sports talk and Canadiens broadcasts. “Its new sports programming has proven a contributing factor to the station’s growing success,” says Cogeco. But that’s not the whole story. Simple math shows that adding all of CKAC’s former audience to CHMP only accounts for about half its increase in market share. Something else is causing more people to listen to the station and/or for longer.

CKAC 730AM (Radio Circulation, Cogeco)

Programming changes: Complete station rebranding, replacing sports and sports talk with 24/7 traffic information.

It shouldn’t come as a surprise that since its switch Sept. 6 from sports talk to traffic, CKAC has plummeted in the ratings. But that was expected. Last fall, it had a 4.1% market share. This fall, it’s 0.5%.

Where CKAC’s morning show had an average minute audience of about 9,000, Radio Circulation is only 1,290. Similar drops happen across the schedule and across demographics.

Still, CKAC reaches more than 1 million listeners a week (counted as those who listen at least a minute in a week).

In its application to the CRTC this spring to put a French-language traffic station on 690AM, Cogeco estimated a French-language traffic information service as having a market share of 0.8%, with a total 265,200 weekly listening hours. That number, they said, would double as of the third year. As it turns out, they’re behind that estimate a bit (even though there’s one fewer station to compete with).

Fortunately for Cogeco, its agreement with Transport Quebec doesn’t set any minimums concerning market share or total audience.

Other French-language stations

There haven’t been much changes to the music stations on the French side, certainly not much of interest to anglos.

Among young adults (18-34), Astral’s CKMF (NRJ) has overtaken Cogeco’s CKOI for first place, going up six points with a corresponding drop of six points for CKOI.

CKOI’s overall market share has dropped from 9.8 last year to 6.6 this fall, a significant drop. Why Cogeco would say it’s proud of the station’s performance is beyond me.

Quebec City

In brief:

  • CFEL (CKOI), recently sold by Cogeco to the Leclerc family on orders from the CRTC, has slid significantly in market share among adults 18-34. It’s now 16%, compared to 24% last fall, dropping it from first to third in the market.
  • There’s a corresponding spike for Astral’s CITF (Rouge FM) in that same demographic. It has gone from 5% to 11% market share over the same period.
  • CHOI (Radio X) is losing a lot of audience during weekday midday, and Rouge FM has a corresponding spike in audience for that period.

Astral’s Martin Spalding on Terry DiMonte, CHOM, CJAD and Virgin Radio

Astral VP Martin Spalding outside his offices at Fort and Ste. Catherine Sts.

“You only have one chance to make a first impression.”

It’s a cliché, but I thought it was funny when I heard it come out of the mouth of Martin Spalding, the vice-president at Astral Media who is in charge of its three English-language stations in Montreal: CHOM, Virgin Radio (CJFM) and CJAD. The fact that we were talking to each other was kind of proving that assertion wrong. Or at least it was strong evidence against it.

Eleven days earlier, I called Spalding at his office to talk to him about the return of Terry DiMonte to CHOM, a move he arranged. But our conversation was brief.

“I know who you are,” he said after I introduced myself. Just as I was starting to feel relieved that I wouldn’t have to go through the trouble of convincing him to speak to some guy on the Internet as if he was a journalist, Spalding put the brakes on the interview. “I’m not in the mood to have this conversation,” he said.

I asked why. “Let’s just say you should be careful what you post on Twitter,” he said, without elaborating. He followed that with “this conversation is over.”

There was a slight hesitation in his voice, as if even he couldn’t believe he was saying this.

I didn’t know how to react. I don’t expect that everyone I contact will be interested in talking to me – mostly because I’m not a traditional journalist and my audience is not that of a metro newspaper or a supper-hour TV newscast. But I’d never had someone answer me like this before. This conversation sounded like it would be in the script from a bad movie.

What got me most is that I had no idea what set him off. Other than quoting some press releases with his name in them, I’d never talked about him on my blog. I’d never mentioned his name on Twitter. I didn’t even know what he looked like.

And I’ve posted thousands of things on Twitter. Plenty of stuff has been negative about CHOM and other Astral stations. I couldn’t really narrow it down.

The call was just before the end of business on June 23. My post about DiMonte – with the bit about Spalding at the end – was published the next day.

An email from Spalding was dated 9:05am the next Monday. He said he realizes he may have been a little “curt” in our phone conversation, and offered to take me out to lunch to explain. We scheduled a meeting for the following Monday at noon – July 4.

After seeing Spalding’s office – a corner office with wood panelling – and meeting Virgin Radio Brand Director Mark Bergman, we went to a Chinese place nearby and discussed our respective pasts a bit. Everything was cordial.

It was actually quite a while into our conversation at the lunch table until Spalding set the record straight about that minute-long conversation.

He said he had taken exception to something I tweeted the day before, suggesting that CHOM’s promotions department was lacking because its website had no mention of DiMonte a day after a press release announcing he was coming back to the station.

Spalding explained that it wasn’t because they’d simply forgotten about this or were lazy about it. Because DiMonte was still contracted to Q107 in Calgary, Spalding said that CHOM couldn’t use his image or promote him. Even issuing the press release was “playing with fire,” he said.

Spalding took my ill-informed tweet as an attack on the employees who work for him, and for me to then call and ask for comment after bashing his radio station didn’t exactly put him in the mood to cooperate.

By Monday morning, he had read my post on DiMonte, and his mood changed. He apologized for the curt tone on the phone, and went out of his way to compliment me on posts I had written, including the DiMonte one and an earlier one on Cogeco’s CRTC application for all-traffic radio stations, which he considered much more solid journalism than some of the shoot-from-the-hip tweets that are based on incomplete information.

It’s amazing how a simple conversation can change your perspective.

I, in turn, asked Spalding to apologize on my behalf to CHOM’s promotions department, an apology I repeat here. I jumped to an incorrect assumption (not the first time I’ve done so with CHOM-related news), and I should have checked. Just because it’s on Twitter doesn’t mean it’s exempt from basic journalistic rigour. I’ll try to do better in the future.

So we’re good now. Spalding gave me his card (asking me to call him before I tweet next time), paid for my lunch (the next one will be on me – I want to try to have at least some journalistic ethics here) and gave me two hours of his time – even pushing back a conference call so he could give me a few extra minutes.

The image of the super-professional businessman that DiMonte had painted for me during our conversation turned out to be a lot more accurate than I had thought after that brief phone conversation.

So, now on to the good stuff. I had a good bank of questions related to recent events at his radio stations, so I posed as many as I could fit in before I started to feel really guilty about taking him away from his real job.

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Nat Lauzon jumps to the Q

Nat Lauzon is too cool for weekdays

It won’t get the same attention as Terry DiMonte, but another veteran Montreal radio personality is on the move. Nat Lauzon, who has been at CJFM since 1999 (though it seems like forever) is moving to CFQR to take over a weekend gig there.

She’ll be doing the noon to 5 p.m. shift starting in October. She remains at Virgin Radio until then, where she does the weekday late morning show that is No. 1 in its timeslot with a 38% commercial market share, far ahead of its competitors.

So why leave a No. 1 weekday show at the No. 1 station to do a weekend shift?

Lauzon says she’s heading in “a new direction” and wants to focus on her other two passions – her freelance voice-over work and her Montreal Dog Blog (she’s got a thing for the puppies).

As for why this new schedule requires switching stations, well, she won’t comment. So let’s speculate irresponsibly. I’m thinking she just can’t bear to be at a station that doesn’t have Cat Spencer.

Meanwhile, Astral has posted her former job, weekdays 9am to 1pm. Minimum three years experience.

UPDATE (July 25): Virgin has hired Andrea Collins of 99.9 BOB FM in Winnipeg (a Bell Media station), to replace Lauzon in the 9am to 1pm slot. She starts Aug. 15.

Lauzon has written a blog post about her departure, in which she states that “my departure is all on good terms”.

No way to treat your listeners

"Freeway" Frank Depalo was introduced to Montreal at the St. Patrick's parade with co-host Lisa Player the day before he debuted as morning co-host on CJFM

The past month has seen a lot of staff changes in the Montreal radio scene. All three anglo FM music stations are seeing morning hosts leave, and at least two are introducing new faces to replace them.

Aaron Rand got the ball rolling by announcing he would be leaving CFQR’s Q Mornings show at the end of April. Rand has been hosting this show for two decades, so you can imagine how listeners reacted to the news. He’s got a lot of new Facebook friends and a lot of people posted messages to the Q’s Facebook page.

Though Rand himself reached out to listeners and communicated with them, the station’s management was silent. Mark Dickie, its general manager, didn’t return my phone calls or emails, and provided The Gazette’s Bill Brownstein with a pathetic quote that sounds like it came out of a fill-in-the-name-here press release.

As if to underscore a lack of respect for this dean of local radio, Rand’s seat wasn’t even cold before it was announced that Cat Spencer would be leaving CJFM to take his place … in September. (Maybe before, if the two stations can work out a deal on his contract.) This is still months away, yet for some reason they couldn’t wait 24 hours to make the announcement. What little coverage of this story appeared in local media had to be about both Spencer and Rand instead of just the latter.

Cat vs. Freeway

Learning that Spencer would be leaving, some Virgin Radio listeners also spoke up on its Facebook page. At least there, a few brief replies from the nameless Facebook page administrator saying Spencer had decided to leave. But otherwise, the station has been pretty silent about it. Program Director Mark Bergman hasn’t made any public statements that I’m aware of.

That contrasts, of course, to all the publicity it’s generating about its new star, “Freeway” Frank Depalo, who debuted on Monday as Lisa Player’s cohost. (You can read an interview Depalo did with Mike Cohen on his blog, and a story in The Gazette by Kathryn Greenaway.)

The same day “Freeway” started on Virgin Radio, the Q launched a new contest where it gives away $1,000 daily to people who listen to the morning show. It promoted it like crazy, including an ad wrap around the front section of Monday’s Gazette (hope some of that ad money trickles down to me).

PJ who?

And then there’s CHOM, who yanked PJ Stock and Merv Williams from their morning show. Perhaps it was unrelated to the other changes, or perhaps the station decided it needed to freshen up while its competitors are changing things up. We don’t know, because CHOM Program Director Daniel Tremblay isn’t talking.

Again, fans complained. Not on the station’s official Facebook page because it doesn’t have a wall. But there were comments here and elsewhere, most more upset at the loss of Williams than the part-timer Stock.

The same day the news became public, there was a flurry of activity from the morning show’s social media outlets, its Twitter feed (which had been dormant for more than two weeks) and its blog. Neither had any mention of Stock or Williams. Instead, we heard about Alouettes cheerleader tryouts and other ridiculousness.

As far as CHOM was concerned, it was easier to pretend these people never existed than to even briefly acknowledge and explain its reason for terminating them.

Listeners deserve better

Program directors aren’t under any obligation to talk to me. I’m just some guy on the Internet. But their own listeners deserve explanations of these kinds of changes.

Radio stations go through a lot of effort to build familiarity with their hosts. Just look at what Virgin Radio is doing with Freeway Frank. Listeners become attached to them and, if the branding effort is really successful, they become loyal to those hosts, even if they’ve never met them in person or heard them off the air.

And then, when the usual turnover in radio causes that familiar voice to leave, the station expects listeners to instantly forget about them, to not ask questions.

It’s a giant insult to the intelligence of those listeners. They understand how broadcasting works. They understand that people leave jobs that are no longer fulfilling for them (Rand), leave for better-paying competitors (Spencer), or leave because they’ve been fired (Stock and Williams). Simply coming forward and explaining yourselves to listeners would be a simple, albeit uncomfortable, experience.

I don’t have 24/7 logs of these stations, so I can’t say for sure about what statements have and haven’t been made on air, but if the social media sphere, the websites and the lack of communication with media is any indication, the strategy seems to be to sweep bad news under the rug and hope nobody notices it, even though it’s beyond obvious that they are.

Each of these three radio stations has gotten on the social media bandwagon, highlighting their Twitter and Facebook pages, and putting blogs on their websites. Listeners are using those forms of communication to try to seek answers.

They won’t get answers, because CHOM, Virgin Radio and the Q are being antisocial.

That’s a shame.

Heather Backman leaves CJFM, opening afternoon host job

Heather Backman

From Milkman Unlimited we get the news that “Virgin Radio 96” (CJFM 95.9) has lost afternoon host Heather Backman (“Heather B”, in their our-hosts-have-no-last-names style) to Q104 in Cleveland (I hope they spend more money on their hosts than their web designers).

Asked about her move, Backman told me it was simply a question of a better job opportunity: “Afternoon drive in a major market. … Couldn’t say no!”

UPDATE (Feb. 1): Backman introduces herself to her new Cleveland audience by way of a video on Facebook. (via Brave New TV)

The departure opens up the afternoon host job here. The shift is 1-4pm weekdays, and a Saturday afternoon once a month from 1-5pm.

Interested parties with at least three years of on-air experience and who want to drink the “contemporary hit radio” Kool-Aid can send a resume, cover letter and MP3 demo to “brand director” Mark Bergman at mbergman@astral.com by Feb. 4.

Let it snow

I went to a snowball fight today.

CJFM (Virgin Radio) had this promotion where they’d bring in snow and have people throw snowballs at each other in the middle of a July heat wave.

The station has video of the event, as does Canadian Press. I took some pictures which I’ve posted below.

The event – just across the street from Place Jacques Cartier in the Old Port – lasted about 15 minutes before the Virgin folks quietly departed into their air-conditioned SUVs, the pile of snow having turned to less appetizing dirty slush.

Still, a fun way to spend 10 minutes in the middle of a heat wave.

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Radio ratings: Not much change, but a nice period for Team 990

Some Montreal ratings analysis from the latest PPM ratings survey, as put together by Astral’s helpful team:

As you can see, not much has changed in the local anglo radio landscape. CJFM Virgin Radio still dominates, with CFQR second and CHOM third. This graph shows weekly reach, which means the number of people who listen to the station at least once a week.

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