Category Archives: TV

NHL trade deadline coverage: TSN still edges Sportsnet on breaking news

The National Hockey League trade deadline. That magical moment when NHL fans stay glued to their TV screens with the hope that their team’s general manager will pull off the deal of the century that will get their team to the Stanley Cup.

For TSN, it’s an annual event, filled with analysts, insiders constantly on their phones, and gimmicks to fill time. For Sportsnet, which only really started treating this like TSN does after it got the NHL national rights, it’s a chance to compete with the traditional leader at this game. Both networks began their coverage at 8am, going through past the 3pm deadline.

I recorded both networks from 8am to 5pm so I could compare their coverage. It’s one of the few events you can do that, because unlike game broadcasts or events like the NHL draft, there are no exclusive rights here. The two had a lot of similarities — multiple desks of analysts inside a big studio, an insider guru (Bob McKenzie vs. Elliotte Friedman), on-screen graphics listing recent trades and players who could be up for grabs, and reporters in all seven Canadian NHL markets following their teams’ actions and getting comment from their general managers. They also had several differences. TSN tried to be funny, even getting actors Jay Baruchel and Jared Keeso to do sketches for them. Sportsnet had some fun but it was mostly talking heads.

But, really, who cares about that stuff? I wanted to compare them based on the thing that really mattered: Who breaks the news first.

I compared when the two networks announced trades during their broadcasts to see which one came out first. I also compared when they interviewed players who had just been traded. (There were other journalistic scoops, such as confirming that a player wouldn’t be traded, or a team was done trading, but I left those out of this assessment.)

Here’s how it went. All times are Eastern, and are based on my PVR. There’s an inherent imprecision when it comes to digital television, so the times could be off by 30 seconds or so. For the purposes of determining a winner, I’ve considered any announcement within 30 seconds apart on the two networks as a tie. (Only what’s broadcast on TV counts here. I’ve ignored Twitter, app or other non-TV alerts.)

Player trades

Player Teams TSN time Sportsnet time Winner
Thomas Vanek DET to FLA 11:54:30 11:47:54 Sportsnet
Joseph Cramarossa (claimed off waivers) VAN to ANA 12:07:25 12:08:07 TSN
Dwight King LAK to MTL 12:21:16 12:20:38 Sportsnet
Jarome Iginla COL to LAK 13:09:56 13:00:35 Sportsnet
Kyle Quincey NJ to CBJ 14:07:16 14:09:07 TSN
Andreas Martinsen/ Sven Andrighetto COL-MTL 14:07:56 14:07:46 Tie
Mark Streit PHI to TB 14:28:43 14:30:17 TSN
Valtteri Filppula (as part of Streit deal) TB to PHI 14:35:18 14:35:44 Tie
P.A. Parenteau NJ to NSH 14:51:57 14:51:31 Tie
Curtis Lazar OTT to CGY 14:53:16 14:56:10 TSN
Eric Fehr PIT to TOR 15:10:00 15:12:47 TSN
Frank Corrado and Steve Oleksy (as part of Fehr deal) TOR-PIT 15:21:29 15:29:02 TSN
Mark Streit TB to PIT 15:21:40 15:18:52 Sportsnet
Drew Stafford WPG to BOS 15:30:03 15:31:34 TSN
Lauri Korpikoski/ Dillon Heatherington CBJ-DAL 15:32:13 15:31:52 Tie

Most of these were very close to each other, and the difference is often as simple as how fast you can get the panel to stop talking so it can be announced on air. Sportsnet got a clear win on the Vanek trade, and TSN was first by quite a bit to peg that Frank Corrado was being returned as part of the Eric Fehr deal. For Iginla, TSN was first with the rumour of his trade to L.A., but Sportsnet was the first to confirm it (or at least be confident enough to go with it — some of these trades were hard to judge because they were reported with varying degrees of confidence.)

The other announcements were all within a couple of minutes of each other.

But by my judging criteria, TSN wins seven, Sportsnet wins four, and four are ties.

Player interviews

After a trade breaks, there’s a rush to get the players involved on the phone to discuss what happened. Here’s how that broke down.

Player TSN time Sportsnet time Winner
Thomas Vanek 12:08 12:18 TSN
Dwight King 12:24 None TSN
Jarome Iginla 13:20 14:07 TSN
Kyle Quincey 14:21 None TSN
Curtis Lazar 14:56 15:14 TSN

No real contest here. All three players who spoke to Sportsnet did so after talking to TSN. (There were also interviews with players who had been traded before 8am on trade deadline day, but those were not breaking trades so I did not include them here.)

Both networks carried GM press conferences from Canadian teams and did good jobs of analysis. Though TSN still takes the edge here, Sportsnet has made up a lot of ground in terms of what really counts — breaking news.

Maybe by the time their 12-year NHL deal is done, they’ll be the ones blanketing their late-February broadcasts with promo ads about this news-reporting event (which didn’t report a single thing for almost four hours).

Analysis: Comparing Super Bowl ads on CTV and FOX

Well, it’s over. After weeks of arguing over whether letting Canadians watch U.S. Super Bowl ads was something we want as a society (often using dubious arguments on either side), Sunday saw the actual broadcast of the first Super Bowl in decades that wasn’t substituted on Canadian television.

The result was predictable. While the U.S. broadcast saw a slight decline in viewership and RDS saw a slight increase (to a new record), CTV saw its audience decline 39% from last year to 4.47 million. Since Nielsen doesn’t track Canadians, and nobody is compiling Fox numbers with Canada’s Numeris, we don’t know exactly how many were watching the U.S. feed, but 40% sounds about as predicted. (Another survey put the number around 33%)

CTV tried to think big to keep viewers on its broadcast, throwing $300,000 in prize money at the problem. That might have worked (it got more than a million entries), but the contest caused problems for many users early on who got errant notifications that their texts were rejected because they didn’t come in time. Bell tells the Globe and Mail it was a glitch, that the entries were valid, and that it was fixed by the second quarter.

But as much as Watch to Win hosts Kate Beirness and Tessa Bonhomme did their best through at least 10 live commercial breaks (most of which were 30 seconds long), their constant presence — taking up almost six minutes of the three-hour game — probably turned some people off.

The bigger problem remains, though: People want to watch the commercials. And Canada’s Super Bowl commercials just don’t have anywhere near the same impact as the U.S. ones, most of which didn’t air on CTV.

To give you an idea of the difference, I recorded the Super Bowl on both channels on Sunday, and listed every advertisement during the actual game below. Where available, I’ve embedded YouTube videos of the ads (many advertisers put longer versions on YouTube than what was seen on TV, I’ve noted that below where it happens).

Note that these numbers are based on the CTV station being CFCF Montreal, with some local ads, and the Fox station being WFFF Burlington, also with some local Vermont ads. The substitution times are based on Videotron’s substitution of the standard-definition digital channel. (Since substitution is done by the TV provider, there could be some variance across providers.)

Not including movie trailers, there were only four or five (depending on your definition) of the classic type of “big game” ads that appeared on both CTV and Fox — big budget, new, and either funny or inspiring. Most of the most talked-about ones never made it to Canadian television.

Those ads that did air only in Canada were mostly the same type of hard-sell car ads, bank ads and network promos we’ve seen hundreds of times before. There were a few ads that came close — A Peoples jewellery ad, a 60-second ad from Wealthsimple, one from National Car Rental, and a cute Coca-Cola ad that would have had more of an impact had it not been almost a year old. But between mostly reheated leftovers and the real deal, it’s unsurprising many Canadians went with Fox.

If CTV is going to really get people to watch the Super Bowl on Canadian TV, it needs to give them a reason to. A contest is one way, but a better one would be to have some of those same big-game ads, preferably with a Canadian twist to them. The kind of ads that get people talking afterward. Like this one that Netflix did:

Or maybe they can cut some better network promos to promote they Canadian content.

Or, alternatively, they could provide other programming during commercial breaks or part of commercial breaks that people would want to watch. Bonus coverage from the Super Bowl itself, if such a thing is possible, for example.

I know it’s not easy. But as the traditional commercial break becomes less relevant in an era of PVRs and 30-second skip buttons, Canadian broadcasters are going to have to find a way to evolve anyway. And as much as this change hurts the Canadian broadcasting industry, it’s too popular for either the CRTC or the federal government to want to overturn.

By the numbers

  • Total length of non-substituted Super Bowl, including ads: 170 minutes
  • Total time of ads: 3,580 seconds (59 minutes, 40 seconds)
  • Percentage of total length made up of ads: 35%
  • CTV (CFCF):
    • Time spent on CTV’s Watch to Win contest (including promos): 355 seconds (5 minutes, 55 seconds)
    • Time spent on network promos (CTV, TSN, Discovery, Crave TV): 420 seconds (7 minutes)
    • Time spent on local ads: 90 seconds
    • Time spent on Bell Canada ads (excluding Bell Media): 205 seconds (3 minutes, 25 seconds)
  • Fox (WFFF):
    • Time spent on network promos (Fox, Fox Sports, FX): 380 seconds (6 minutes, 20 seconds)
    • Time spent on local ads: 375 seconds (6 minutes, 15 seconds)

Note: This post is broken up into several pages because of all the YouTube embeds. Continue to Page 2

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Be careful what you wish for from all-news channels

“C’est le terrorisme à l’envers.”

Those were words that Pierre Bruneau would have liked to have had back (he apologized for them on Monday). He said them during a live telephone interview with Montreal mayor Denis Coderre just before midnight Sunday on TVA, hours after a shooting at a mosque in Quebec City left six people dead.

Bruneau was thinking out loud about how this was an apparent terrorist attack against Muslims, when we normally think of terrorism committed by Muslims (even though, with one major exception, such attacks are extremely rare in North America). He didn’t mean to say something ignorant or racist, but it kind of came out that way, at least for many of the now hundreds of thousands who have seen a video of the exchange on Facebook.

Bruneau is a veteran and a professional. He’s been dealing with breaking news for decades. And when even he starts mouthing off about n’importe quoi, it’s because there’s something wrong with the situation he’s been put in.

On Sunday evening, as news spread about the attack, people were hungry for information. Many of them lashed out on Twitter about the lack of live coverage on all-news channels. While LCN and RDI went live with special programming, CTV News Channel and CBC News Network did not at first. Critics tied the lack of live coverage to budget cuts, laziness and ignorance of anything happening outside of Toronto. John Doyle at the Globe and Mail made a column out of it. Even Le Soleil’s Richard Therrien blasted Radio-Canada for not more aggressively cutting into its main network programming, and then only doing so locally.

There are legitimate reasons to criticize CTV, CBC or other broadcasters. They’ve all had to undergo cuts to their newsrooms (mainly because their revenue has decreased as the market for TV advertising goes down). They tend to have minimal or even no staffing on weekends and overnight, and in a place like Quebec City where there’s no local English TV station, merely a bureau at the National Assembly, your immediate coverage is dependent on a single journalist and her cameraman.

The English networks could have gone live from Toronto, as the French ones did from Montreal, after the news broke around 9pm. But with the Quebec City reporter still rushing to the scene, and few details to go on, they’d be stuck spending 30 seconds recapping what they know (there was a shooting at a mosque, several people are dead and more injured, police have made arrests) and then filling the rest of every hour with their imaginations.

I’m one of those people who think 24-hour news networks should be focused on breaking news. After all, that’s what they’re there for, right? But I’m not sure special programming right off the bat is necessarily the way to go for an incident that is not a safety threat to the public. If they’d done that, we’d probably be roasting them over the coals for all the stupid ignorant stuff they said over the air to fill time, like we’re doing to Bruneau.

So let me propose a different solution to breaking news on all-news channels (and their related over-the-air networks):

  1. On the news channel, break into programming to announce what happened once it’s confirmed something actually did happen. Explain what you know and what you don’t know, and promise regular updates. Go back to regular or filler programming.
  2. Add a banner, ticker or other permanent on-screen element to whatever programming is airing explaining the news and giving the latest details. (This is standard on RDI when major news breaks but they can’t go live yet.)
  3. If your network has an over-the-air station in the affected market, and there’s a possible public safety issue, put that banner or ticker on top of programming there, include whatever public safety information needs to be communicated, and direct people to the news channel for more information. When the news channel has special programming ready, duplicate that channel’s feed on the local station.
  4. For the rest of the network, air a 30-second report instead of the first commercial at the next commercial break, directing people to the all-news channel (or if you don’t have one, your website) for more information.
  5. On the news channel, every half hour, give a 30-second (or however long it takes) update from the anchor desk, again being as transparent as possible about what you know, what you don’t know, and what you’re working on and cautioning that early information (even from official sources) can be wrong.
  6. When enough resources are mobilized that you’re confident you can have enough real information to air without having to resort to speculation to fill airtime, begin full-time special programming.
  7. Find things that can be cued or cut to when your anchor has run out of information to give. Maybe a two-minute roundup of the other headlines of the day. Even something simple like a graphic wall of text summarizing the known information so far. Do everything you can to resist the urge to start speculating, or asking other people to speculate, about breaking news.
  8. Once the influx of news has died down, especially if it’s now late at night, sign off from special programming and go back to updates every half-hour or hour.

Networks that run news channels need to do better jobs when news breaks late at night. So many major stories — the killing of Osama Bin Laden, the disaster in Lac-Mégantic and this — broke at night on the weekend, limiting the networks’ ability to cover them.

But like with those stories, there was plenty of coverage eventually. Every network and all the major newspapers sent reporters to Quebec City, either Sunday night or Monday morning. In fact, all three English-language national newscasts were anchored from Quebec City on Monday night (what journalistic use there is sending the anchors to Quebec City so they could deliver a newscast outside in the cold is still beyond my comprehension).

Plus, most of the information people were getting on Twitter or online came from the same journalists that were covering the incident for the major networks or newspapers. And yet people say stupid things like how they don’t need mainstream news because they have Twitter.

So the issue wasn’t a lack of interest, it was a lack of information early on, combined with difficulty mobilizing journalistic resources in an area that has few English-language journalists and at a time when most journalists in general aren’t working.

There are things that can be worked on there (though, of course, no consumer wants to pay for it) that may speed up the process a bit. But there is no circumstance in which you can produce a journalistically solid hour-long newscast about a breaking news event on a half-hour’s notice. You can’t make the authorities work faster, nor can you do their job for them. So in the first few hours of any breaking news story, you’re still left with some bad choices: wait before going live and continue with regular programming (pissing off the John Doyles of the world), produce live programming that repeats little information ad nauseam, have a lot of dead air, or ask your journalists to start doing what people on social media were doing on Sunday night: Repeating rumours, speculation and poorly-informed hot takes and emotional reactions rather than facts.

Which would you choose? My proposal above is the closest thing I can come to a compromise, but even the best-laid plans can easily fail when something big happens without warning.

CTV hopes $300,000 in prizes will keep Canadians on its Super Bowl feed

Bell Media has had two years to prepare for the implementation of the CRTC’s simultaneous substitution decision. Now, with a little more than a week to go until Super Bowl LI, the first that will be exempt from simsub, CTV has announced how it will try to keep Canadians glued to its feed instead of switching to Fox for the U.S. commercials:

  • Prizes. The headliner is $300,000 in cash prizes (including the $150,000 grand prize), plus a 2017 Nissan Titan and tickets to the 2018 Super Bowl in Minneapolis. During the broadcast, “hosted by TSN’s Kate Beirness and Tessa Bonhomme, who will reveal the winning keyword for each prize. To be entered into each draw, fans can simply text the winning keyword along with their name and city.” Obviously, this will only be available on the Canadian feed.
  • Pregame and postgame shows. The CRTC has clarified that the simsub rule exemption applies only during the game itself. The hours and hours of pregame shows will be simsubbed, as will a half-hour postgame show featuring the awarding of the Vince Lombardi trophy. This means that CTV, rather than rushing to start an hour-long drama at 10pm when the game is just ending, will stick with the postgame broadcast for half an hour and have a smoother transition.
  • More channels. In addition to CTV, the game will also be broadcast on CTV Two and TSN. This isn’t really necessary, since few Canadians have access to CTV Two or TSN but not CTV, but putting the Super Bowl on these other channels increases the chances that someone picking a channel randomly from their guide will stumble on a Bell-controlled Canadian feed rather than a U.S. Fox affiliate. The game will also be streamed online on CTV.ca and CTV Go. That online rebroadcast is not regulated by the CRTC, and there will be no (legal) way to watch a Fox station online in Canada.
  • Letterkenny. Rather than an hour-long drama at 10pm, CTV will air, for the first time on regular television, the first episode of the Crave TV original comedy series Letterkenny, commercial-free, at 10:30pm after the postgame show. (Because the series has really coarse language, CTV is going to delay the airings in the Mountain and Pacific time zones so they air at 10:30pm local time instead of just after the game.) Fox is airing 24: Legacy, whose Canadian rights are held by City TV. CTV has, to their credit, been using the coveted post-Super Bowl spot about half the time to showcase original Canadian series. Here are CTV’s Super Bowl leadout shows since it won the rights in 2007 (2010 was the only case in which CTV also aired the program the U.S. Super Bowl broadcaster followed up the game with):
    • 2008: Nip/Tuck (U.S.)
    • 2009: The Mentalist (U.S.)
    • 2010: Undercover Boss (U.S.)*
    • 2011: Flashpoint (Canada)
    • 2012: The Voice (U.S.)
    • 2013: Motive (Canada)
    • 2014: Masterchef Canada
    • 2015: Masterchef Canada
    • 2016: Legends of Tomorrow (U.S.)
  • Pushing pre-viewing of U.S. ads. CTV is encouraging Canadians to visit BigGameAds.ca to watch “all the latest American SUPER BOWL ads.” That sounds like an interesting project until you learn that the page is just a redirect to an unaffiliated website that is embedding YouTube videos of some ads. Other ads haven’t been released yet, and in some cases we’re only going to see trailers for ads until they actually air live. A redirect to YouTube’s AdBlitz channel might have made more sense.

One thing that wasn’t announced is anything special about the Canadian ads themselves. Bell says it has spots from Nissan, Coca-Cola, The Keg, Mazda, Scotiabank, Subway, Sun Life Financial and Tim Hortons, and no doubt some of them will have put decent money into those ads, but Tim Hortons isn’t exactly Budweiser.

Will the contest and other measures be enough? No. But maybe CTV won’t lose as many viewers to Fox as it had worried it would. And if it keeps most of its viewers, the Super Bowl on CTV could easily remain the most watched television program of the year in Canada.

Super Bowl LI airs Sunday, Feb. 5 at 6:30pm on CTV, CTV Two, TSN, RDS and Fox, the latter with American commercials between kickoff and the end of the game.

 

20 bogus arguments about the CRTC and Super Bowl ads

With less than three weeks to go until Super Bowl LI, the rhetoric is heating up about a decision made by the CRTC two years ago to end simultaneous substitution during the Super Bowl, now that it’s about to finally come into effect.

There’s good reason for this. Simultaneous substitution is worth $250 million to the Canadian television industry, according to one estimate, and substitution for the Super Bowl alone — the most watched program on Canadian TV every year with an average around 7 million (plus another 1 million on RDS) — is worth $18 million a year to Bell Media, which owns the Canadian rights through 2019. There’s a huge financial interest for Bell to keep fighting this.

And so the decision is facing an appeal by Bell Media, though the court declined to stay the decision in the meantime, so it remains in force pending a decision.

Ever more desperate, Bell Media, the NFL and other allies in the fight appealed to the government directly, lobbying them to engage in creative manoeuvres to overrule the CRTC. The government appears disinterested in stepping in to overturn a populist decision by a supposedly arm’s-length regulator.

In the arguments for and against the decision, from interest groups, newspaper columnists and others, there have been a lot of good points and a lot of poor ones made. Those who want to oversimplify this issue have taken plenty of logical short cuts that can lead casual observers to incorrect conclusions.

Here are some of the arguments used by both sides that I’ve heard over the past few weeks (in some cases I’ve included links to those who have used them or implied them), and why I think those arguments are invalid.

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19-2, This Life, Mohawk Girls among the hundreds of nominees for Canadian Screen Awards

It’s hard to take the Canadian Screen Awards seriously when there are 134 categories, including ones like Best Sound in a Variety or Animated Program or Series, Best Sports Opening/Tease, and Best Biography or Arts Documentary Program or Series. The Oscars, by comparison, have 24 categories. And though the Emmys are a similar mess of too many awards (especially if you include local Emmys), I don’t think that’s necessarily something to look up to.

Anyway, because just about everyone was nominated in the list announced today — the 2016 Canadian Screen Awards got three nominations — there were some accolades for English-language TV series produced in and around Montreal.

  • 19-2, the Bravo cop drama based on a Radio-Canada series by the same name, had nine nominations (most of these categories have equivalents for other types of programs):
    • Best drama
    • Best direction (Louis Choquette)
    • Original score (Nicolas Maranda)
    • Photography (Tobia Marier Robitaille)
    • Picture editing (Arthur Tarnowski)
    • Sound
    • Writing (Bruce M. Smith)
    • Lead actor (Adrian Holmes)
    • Supporting actor (Dan Petronijevic)
  • Mohawk Girls, the APTN comedy based on the Kahnawake Mohawk Territory, had three nominations:
    • Best comedy series
    • Best direction (Tracey Deer)
    • Writing (Cynthia Knight)
  • Interrupt This Program, the CBC documentary series based in Montreal, had three nominations:
    • Best direction (Olivier Aghaby)
    • “Best Biography or Arts Documentary Program or Series”
    • Documentary picture editing (Geoff Klein)
  • YidLife Crisis, the online series, had three nominations in digital categories:
    • Actor (Eli Batalion)
    • Actor (Jamie Elman)
    • Original program (fiction)
  • This Life, the CBC drama based on Radio-Canada’s Nouvelle adresse, had two nominations:
    • Best drama
    • Supporting actress (Lauren Lee Smith)

I may have missed other Quebec-based anglo series nominated for awards (if you spot one, let me know), and there are plenty of Quebec films nominated in the film category (including Xavier Dolan’s Juste la fin du monde).

There were no local nominees in the many categories for news (though shout out to former CBC Montreal anchor Andrew Chang, nominated for best local anchor at CBC Vancouver).

TVA Sports takes away MLS rights from RDS, will broadcast all Impact games until 2021

TVA Sports, which is aggressively fighting with RDS for broadcasting rights to sporting events that Quebecers want to watch, scored a pretty big coup today, wrestling away the national French-language Major League Soccer rights from RDS.

So big they even issued a press release in English, this means TVA Sports will air all Montreal Impact games, since they already have a deal with the Impact for the games the team sells the rights to.

Similar to the NHL and other leagues, MLS sells a national package, which includes marquee matchups, events like the all-star game and all playoffs, while the team sells rights to other games in the regular season. (Thankfully, unlike with the NHL, we don’t have to deal with regional game blackouts with MLS.)

TVA Sports’s national rights deal is for five years, from 2017 through 2021.

On the English side, TSN extended its rights agreement for an unspecified number of years (but probably five as well). That means some Impact games (including most likely its matches against Canadian opponents) will continue to be aired on TSN. TSN has all the rights to Toronto FC and Vancouver Whitecaps games, but the English-language package sold by the Impact for its remaining games still seems to be up for grabs.

Financial aspects of the deal were not disclosed, but there were rumours that Sportsnet might try to outbid TSN, and I’m certain RDS wanted to keep its MLS rights.

I won’t compare TVA and RDS broadcasts of Impact games, since everyone seems to have an opinion on stuff like that, but I will note that this means we won’t hear the voice of Claudine Douville doing play-by-play of Impact games anymore. When the number of female voices doing play-by-play can be counted on one hand, it’s unfortunate to lose one.

Radio rights, which are held in English by Bell Media (TSN 690 and CJAD) and in French by Cogeco (98.5fm, though it airs only select games), are unaffected by these deals.

Montreal Lights Up: An unfocused kinda-bilingual infomercial for the city’s 375th anniversary

Ben Mulroney (right), with CTV's Mutsumi Takahashi, CBC's Sonali Karnick and pianist Oliver Jones at the Montreal Pool Room.

Ben Mulroney (right), with CTV’s Mutsumi Takahashi, CBC’s Sonali Karnick and pianist Oliver Jones at the Montreal Pool Room.

On Sunday evening, six Quebec television networks broadcast a special program about Montreal’s 375th anniversary. It included tributes to the city from celebrities foreign and domestic, songs about the city or closely associated with it, and information about the celebrations planned for 2017.

The French show, which aired (and can be rewatched) on Radio-Canada, TVA, V and Télé-Québec at 8pm and had an average audience of about 2 million people, was called Montréal s’allume, was an hour and a half long, produced by Éric Salvail’s production company and was presented as a variety show with a (standing-room only) studio audience. There were live musical performances and others in which artists stood atop local landmarks and were filmed using drones.

Reviews from Richard Therrien of Le Soleil, Hugo Dumas of La PresseStéphane Morneau of Métro and Elizabeth Lepage-Boily of Showbizz.net were pretty negative, though the show did have its moments. The biggest problem seems to have been how haphazard it seemed. There was no host or announcer or storyline to tie everything together.

Mulroney again, with Rebecca Makonnen, Jonas and Anne-Marie Withenshaw at Midway pub.

Mulroney again, with Rebecca Makonnen, Jonas and Anne-Marie Withenshaw at Midway pub.

Related was a different show, presented in English on CTV Montreal and CBC Montreal called Montreal Lights Up. It was different in several key ways:

  • It was aired later, at 11:30pm (on CTV it replaced the late-night local newscast) and was only half an hour long
  • It had a host — Ben Mulroney, flying in from Toronto for the occasion (that was literally part of the storyline of the show, how he’s reconnecting with his hometown)
  • It was commercial-free, it was produced by Quebec production house Zone 3, and
  • It was based more around sit-down round-table discussions and chats in the back of a cab (with Andy Nulman driving) than musical performances during a party.

The English show included some footage from the French one (Canadiens players doing an outdoor game with kids, foreign celebrity tributes, drone-shot rooftop solos, a rendition of Give Peace a Chance, and a bilingual sketch involving Bon Cop Bad Cop stars Patrick Huard and Colm Feore), but it was basically its own separate thing.

Having watched both, the English version seemed a bit more focused, but that just made it seem more like an infomercial for Montreal tourism. The French version tried to be a bunch of things, and in particular an artistic tribute to the city, but left a bunch of viewers wondering what the point was. Especially when the jokes fell flat, many of the celebrity appreciations were uninspired and of poor technical quality (even the prime minister’s message looked shot on a cellphone), and much of the practical information went by too fast to be of use.

The fact that the French networks aired the show across Quebec when they’re already accused of being too Montreal-centric didn’t help.

Alexandre Despatie worked in television, but still hasn't mastered the whole portrait vs. landscape thing.

Alexandre Despatie worked in television, but still hasn’t mastered the whole portrait vs. landscape thing.

Oh, and it’s probably a good idea to double-check the names of those celebrities when you’re editing the show.

If you want to see it for yourself, the English show can be seen in its entirety on CTV’s website.

It shouldn’t be this hard to watch the hockey games you want

Ever since the fall of 2014, when Rogers began a 12-year broadcasting rights deal with the National Hockey League, hockey fans (and Montreal Canadiens fans in particular) have been scratching their heads, pulling their hair out and engaging in other clichés trying to figure out how to watch their games.

There were several changes that took place all at the same time:

  • Rogers acquired national rights to NHL games, which includes Saturday night games (formerly CBC), Wednesday night games (formerly TSN) and Sunday night games (a new national window)
  • Rogers changed the way Hockey Night in Canada worked. Rather than split the CBC TV network and assign different stations different games, it used its multiple channels to make every broadcast national. On the plus side, it made it easier for people in Vancouver or Toronto to watch a Canadiens game, but on the minus side, it made it harder for the sometimes fan to catch their local team if that team wasn’t the Toronto Maple Leafs.
  • Rogers sub-licensed French-language national rights to TVA Sports, taking those rights away from RDS. For the first time in a decade, RDS did not have a monopoly on French-language NHL rights and would not broadcast all 82 Canadiens games.
  • Rather than let TVA Sports broadcast all Canadiens games, the team signed a separate regional rights deal with RDS, which meant the network would have to be blacked out outside the team’s region. Similarly for the Senators, which RDS also picked up regional rights to.
  • Some teams signed new regional rights deals. The Canadiens signed an English deal with Sportsnet, whereas before TSN had some regional games. The Senators went from Sportsnet to TSN for its regional rights. And the Maple Leafs had its regional rights split between TSN and Sportsnet, leaving Leafs TV without any games.
  • TSN went to five channels, ending part-time special regional channels for the Jets and Canadiens and making TSN3, TSN4 and TSN5 the main channel for regions served by the Jets, Leafs and Senators, respectively.
  • Rogers took control of NHL GameCentre Live, and made changes to that service.

To help people out, I wrote a story for the Montreal Gazette explaining the changes as best I could and included a full-page chart of every Canadiens game and what channels it would be available on.

A year later, there were enough demands from readers for another one that the sports editor asked me to repeat it.

And once again this year. Despite the situation being very similar to last year, the Gazette devoted another full page to the TV schedule and a story explaining what’s different. (I’ve also updated a story from last year for fans outside the Canadiens’ broadcast region.)

Don’t blame Rogers

Because these changes happened after Rogers took over as the national broadcaster, many fans blame the company for every blackout, complication or lack of availability of broadcasts. Some of that is earned, but most of it is not. It’s the National Hockey League, not Rogers, that sets the rules.

The anger is particularly high for Montreal Canadiens fans, who are used to seeing every game on RDS. The sub-licensing with TVA Sports meant that not only would Saturday night games move to the competing network, but RDS’s remaining games would have to be blacked out in most of Ontario and western Canada. The fact that Rogers made all 82 games available in English for the first time ever wasn’t enough to counteract that.

The NHL lets its teams sell rights to most of their games on a regional basis, meant to protect teams’ markets from competition for viewers. There are also games, usually on specific nights, where the league sells the rights on a national basis and there are no blackouts. It’s the same in Canada and the United States, and it also exists in other leagues (you think it’s complicated up here, look at the mess that is regional sports networks in the U.S.)

So I find myself spending a lot of time explaining to people how it works, that broadcasters don’t want to black out their channels, that it’s not just a money grab by Rogers, that it has nothing to do with the CRTC or whether a team has sold out a home game (that’s an NFL rule).

But knowing all that I do, there are some things that even I don’t understand, and that I think could be changed.

Do we need regional rights anymore?

The idea behind regional rights blackouts, whether it’s the NHL, MLB or the NFL, is to protect a sports team’s home market. If you’re starting a new Major League Baseball team in, say, Vermont or Connecticut, you want people in that area to be fans of your team. So you carve out an exclusive territory, and you make sure that other teams can’t broadcast all their games in that territory. You don’t want to make it as easy for people in your area to become Yankees fans.

But as fans here continually complain, that kind of thing won’t make them change allegiances, it’ll just frustrate them. A Habs fan in Toronto is going to stay a Habs fan, regardless of how many games are available to them on TV. And the regional rights blackouts don’t help when teams are close enough together that they can’t really have separate regions. (The Oilers and Flames share identical regions, as do the Canadiens and Senators, and many teams of different leagues in the New York area and southern California.)

What if we just eliminated them? Keep the split between rights sold by the league and those sold by individual teams, but end out-of-region blackouts.

The Canadian Football League doesn’t have regional blackouts. All games for all teams are national, and TSN holds the rights. And yet teams serving smaller markets, like the Ottawa Redblacks and Hamilton Tiger-Cats, aren’t complaining about people from their region being able to watch Toronto or Montreal games. And the Saskatchewan Roughriders are still crazy popular in that province.

In Canada, Major League Soccer splits game rights between national and team-sold broadcast deals. That’s why RDS (national) and TVA Sports (team-based) split the rights to Montreal Impact games. But there are no MLS regional blackouts in this country.

It’s too late to renegotiate existing agreements (mainly because too many parties are involved), but when the national deal comes up in 2026, Rogers (or Bell, or whoever) and the NHL should sit down and explore the possibility of lifting these blackouts in Canada.

Let me pay for it

An even more frustrating problem is for people who pay for services set up to watch out-of-market teams: NHL Centre Ice and NHL GameCentre Live. There, we have the reverse problem: Those broadcasts that are available on regular TV are blacked out in these services. (Though Rogers has made national games available in GCL and some in-region regional games as well.)

I get the need to protect regional rights holders. But if I’m paying $200 a year to watch NHL games, I should be able to watch everything. The NHL should either tell regional rights-holders to live with the competition, or come to some agreement whereby some of that $200 goes to compensate the regional rights-holder for the money they would otherwise get from a subscription to their TV channel. (And, of course, making sure that it’s their feed that’s used, ensuring that viewers see their ads.)

There’s progress being made. Making national games available on GCL is a big step forward. Making regional games available for authenticated subscribers is another, but Bell, Rogers and Quebecor need to sit down with each other and finally hammer out an agreement that allows their services to be fully available to each other’s TV subscribers. It only serves to annoy subscribers and alienate fans when Videotron subscribers can’t access Sportsnet Now and Bell subscribers can’t stream TVA Sports.

Other things can also be done, like linking GameCentre Live and NHL Centre Ice so you only have to pay for one of them to get both. Or creating new packages that make it easier and cheaper to follow a single team rather than the entire league.

More and more fans are saying screw it and watching pirated streams online. Some are even paying a few bucks a month for it, because it’s simple and reliable. As a recent Sportsnet Now ad showed, that’s the real competition here.

If people are willing to pay $200 a season to watch hockey, the least you could do is not make them jump through hoops on top of that.

This is your problem, NHL. Fix it before you lose even more fans and even more potential revenue.

Media News Digest: Lisée’s ideas, cuts at 24H Vancouver, The Goods is bad, and shomiites are looking for work

News about news

At the CRTC

  • A couple of interesting new applications in this notice. Bloomberg TV Canada, which is owned by Channel Zero (the company behind CHCH Hamilton, Silver Screen Classics, Rewind and some porn channels they don’t talk about), has passed the 200,000 subscriber mark which means they’re no longer eligible for exemption from licensing. The application is unremarkable except for two points: It asks to be required to broadcast only 25% Canadian content during its first licensed year, rather than the standard 35% (it argues that for independent channels, that 35% requirement is being phased in). The commission also had concerns that the program supply agreement with Bloomberg means Channel Zero doesn’t really control the programming. CZ says that’s not true, but the details of its answer (and even some of the questions) are redacted in the public file.
  • The notice also contains new applications for radio stations in:
    • Mount Pearl, N.L. (100kW Christian music FM station replacing the existing AM station VOAR)
    • Saint John, N.B. (860W Christian music FM)
    • Simcoe, Ont. (18kW classic hits FM owned by My Broadcasting Corp.)
    • Peace River, Alta. (100kW hot country FM, replacing AM station CKYL and its existing FM retransmitter on the same frequency) — the same company is also proposing a power increase for CKKX-FM, KIX 106.1.
    • Mount Jubilee, Yukon (482W CBC Radio One retransmitter owned by the Yukon government, but licensed to an employee since the law says a licence cannot be given to a government body)

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MAtv launches fall season with new show on indigenous culture

Lachlan Madill, host of Urban Nations on MAtv

Lachlan Madill, host of Urban Nations on MAtv

It was more than a year and a half ago that the CRTC found Videotron’s MAtv community channel in Montreal was not meeting its mandate because of a lack of representation from various communities, including notably the indigenous community. The company promised to do better, and went out looking for a show that would be devoted to telling local stories about indigenous people. It wasn’t an easy task, but they got lucky when Lachlan Madill proposed a show.

Madill moved with his wife to Montreal from Saskatchewan, where he worked for seven years for CBC and then doing communications for the North American Indigenous Games in Regina.

In an interview last week, he told me that he approached MAtv about a year ago after hearing that they were looking for a show about the indigenous community, and after meetings, brainstorming and pre-production, the show finally began filming in May.

It’s called Urban Nations, and it debuts on Tuesday at 6:30pm (though the first airing is actually 10:30am). It’s 10 half-hour episodes featuring 10 people from 10 different nations.

“They all have different backgrounds and different ways of preserving and promoting their culture,” Madill said. “There’s also underlying themes we’re trying to get at as opposed to hard news stories. We’re trying to educate people about these big issues without hitting them over the head.”

Identity, he said, is a big theme. Language, history, culture. He wants to build awareness of these things, because us non-indigenous people aren’t very exposed to it.

flag-of-montreal

“If you look at the city flag, there’s no acknowledgment of first peoples,” he notes. (The symbols represent four European nations that settled in the city — French, English, Scottish and Irish.)

Madill said one thing that struck him moving from Saskatchewan to Montreal (his wife is from here) was how much less visible the indigenous community is around here.

“There’s way more awareness, it’s a different demographic out there,” he said. “Here, people don’t seem to know much. People don’t really have that contact that they do out west.”

The reason is mainly statistical. There are about as many indigenous people in Montreal as in Regina, in a city more than five times as large.

That’s actually not quite right, but the demographics really do tell a story. In Regina, indigenous people represent by far the largest non-white ethnic group, at 8.7% of the population. In Montreal, it’s 2.5%, and well down the list past southeast Asian, Arab and Caribbean origins.

 

But don’t expect this show to be some sort of talking-down lecture. Instead, its goal is to offer a new perspective on the lives of local indigenous people that goes beyond what you see in the news.

“There’s been a lot of focus in negativity, and we want to … not brush it a way, but show the positive too,” Madill said. “They’re all positive stories that are about hope and looking to the future while preserving their identity.”

Each episode features some information about the subject’s community and where that person is from.

Madill noted that even the MAtv production crew he worked with to film the series seemed to come out of the experience enlightened. “The crew that we worked with knew nothing,” he said. “You’d see after they’re all excited. They had lots of questions, they were really engaged.”

He also had nothing but kind words for MAtv itself, which he said gave him creative freedom and assistance.

Talking to him, Madill seems like an optimistic person, in general but also about the future of indigenous peoples in Canada. “I think you have to be (optimistic),” he said. “It can’t get worse.

“We’re becoming more assertive, I think. I think more people are aware of the issues, I know the issues are not going to be solved any time soon, but the more we’re aware of it things can change. There’s 100 times more positive stories. I think we’re moving ahead as a people and getting a stronger voice.”

No word yet on whether Urban Nations will go beyond 10 episodes. Madill certainly isn’t lacking for stories, but “I’m not really thinking about the future,” he said. “I’d like to see more, but I’m kind of focused on now and making sure we do a good job.

“I want people to enjoy it, I want people to learn something from it. I think that’s the most important thing.”

For the full broadcast schedule of Urban Nations, visit its website.

Host shuffle in English shows

Urban Nations is the only new English-language show on MAtv this fall. But other changes are happening to other shows. The biggest is a shuffling of on-air talent:

  • Kim Sullivan takes over as host of Montreal Billboard, a show about community organizations and Montrealers making a difference
  • Richard Dagenais moves from Montreal Billboard to City Life, the weekly current affairs show
  • Tina Tenneriello moves behind the scenes, producing both shows, though she’ll also be contributing regularly to Montreal Billboard on the air

Meanwhile, The Street Speaks, a soapbox man-on-the-street interview show hosted by Paul Shore, comes back with new episodes.

MAtv’s press release about the new season is here.

Global Montreal picks Laura Casella, Kim Sullivan as morning news team

Laura Casella (right, with Derick Fage) is leaving Breakfast Television for Global Montreal's Morning News.

Laura Casella (right, with Derick Fage) is leaving Breakfast Television for Global Montreal’s Morning News.

Global Montreal has picked its new host and weather presenter for Morning News. The latter is no surprise — Kim Sullivan has been filling in there during the summer — but the host job is a bit of a head-turner: Laura Casella, the news reporter and temporary co-host at Breakfast Television.

Casella announced the news to her colleagues last week, which led to the news getting out to Mike Cohen at the Suburban. Global officially announced the two hires on Tuesday.

Poaching from a direct competitor isn’t that unusual. But what is unusual is that Casella hasn’t left BT yet. She still has another week there and is being allowed to continue co-hosting the show during that time.

Casella herself didn’t seem surprised by that when I talked to her, saying there’s “no animosity” between the two competitors. “I don’t think about it too much,” she said. “Everybody kind of knows everybody (in this market). I’ll still remain friends with everyone at BT.”

After she leaves the show, Casella goes into training at Global Montreal starting Sept. 26. Global tells me she’ll officially begin on Oct. 2.

Casella said it was Global Montreal station manager Karen Macdonald who approached her, asking if she’d be interested in the position. “So I said sure, and went in for a little screen test with Kim.” After that, she said, Global made her an offer and she accepted.

“It was a tough decision,” she said. “It’s hard to leave people you know. Even announcing it to the team last week…”

Finding Casella’s replacement won’t be hard: They don’t need to. Joanne Vrakas, who Casella has been replacing on the anchor desk at BT, returns from maternity leave on Sept. 26, the same day Casella starts her new job. (Casella says that’s a “complete random coincidence”.) Casella probably would have gone back to her former job as news reporter, but Domenic Fazioli (who BT picked up after he left Global Montreal) has been doing that job even though he was hired as a news producer.

Rogers Media tells me there are no plans at this time to replace Casella’s former position.

The departure means of the six personalities that started with Breakfast Television three years ago, only three are still there: Vrakas, weather presenter Catherine Verdon Diamond, and new media host Elias Makos.

Sullivan has two jobs

Kim Sullivan

Kim Sullivan

Kim Sullivan, who was let go from The Beat earlier this year but already had another project going with a show on MAtv, has eased into the weather presenter job at Global. Probably the biggest difference between her and her predecessor Jessica Laventure is height, which has already prompted a joke that the box that Laventure would sometimes have to stand on to interview guests will now need to be used by those guests.

“I never expected to love weather,” Sullivan told me. Her dream when she was younger was to host a TV travel show, but she’s quickly started nerding out on her new role, and because she’ll be out in the field three days a week, she’s excited to talk to people from community organizations in the city and in particular the West Island.

This won’t be Sullivan’s only job on local TV, though. MAtv announced on Wednesday that she’ll be taking over as host of Montreal Billboard, a talk show featuring local community organizations, non-profits and volunteers. She replaces Richard Dagenais, who moves over to host current affairs show CityLife, replacing Tina Tenneriello, who moves into a new role producing both shows. (Tenneriello will also contribute regularly to Montreal Billboard on air.)

Sullivan told me she put an inspirational message on her phone earlier this year saying “2016 is going to be your year.” It’s certainly been a transformational one for her, but the past few weeks have come together to make that message come true.

She said she’ll have no problem juggling both jobs (reminding me that when she started her career, she was doing radio overnight and teaching during the day). But it does mean she’ll have “one crazy day a week” where she starts at Global in the morning and spends her afternoon at MAtv shooting Montreal Billboard.

On Global Montreal’s Morning News, Casella and Sullivan will be joined on air by morning reporter Kelly Greig (who was one of several fill-in anchors this summer). They replace Camille Ross, who left to move to London, Ont. (she’s started up a media consulting business) and Laventure, who moved to Punta Cana to work at Club Med. (You can follow her adventures on her blog.)

(This story is also a brief that will appear in Thursday’s Gazette.)

Global expands network after CBC abandons affiliates

More Canadians are being exposed to Global Television’s brand this fall as small stations are dealing with the fallout of CBC dropping all its private television affiliates.

Starting today, CKSA-DT in Lloydminster (Alberta/Saskatchewan) changes affiliation from CBC to Global. The Newcap-owned station had been the last privately-owned affiliate carrying CBC programming, but the public broadcaster terminated its agreement with the station, forcing it to seek an alternative source. Its sister station CITL-DT is already a CTV affiliate, so Global was the next logical option. It now carries the entire Global morning, daytime, primetime, evening and late-night lineup, with the exception of the Newcap News local news show at 5pm weekdays.

Meanwhile, three Corus-owned affiliates in eastern Ontario are taking on Global’s news programming while maintaining their program supply agreement with CTV.

Starting next week, CHEX-DT in Peterborough, CKWS-DT in Kingston and CHEX-TV-2 in Oshawa will also carry Global National at 5:30pm. And the Kingston and Peterborough stations will get local morning newscasts from 6-9am weekdays starting in October (Oct. 17 in Kingston and Oct. 24 in Peterborough). Corus television boss Troy Reeb says they will remain under their branding (which consists of their call letters).

These three stations were owned by Corus before Corus bought Shaw Media this year. They had been CBC affiliates as well until CBC dropped them a year ago. Since then they have entered into program supply agreements with CTV, without becoming official affiliates. Besides their local news shows and the Global morning show and Global National, they will still air CTV’s daytime, primetime and late-night lineup, including CTV National News.

The Global Television Network now has 12 stations, plus seven independently-owned stations carrying Global programming:

  • CKSA-DT Lloydminster, a full Global affiliate owned by Newcap
  • CFHD-DT Thunder Bay, a full Global affiliate owned by Dougall Media
  • CJBN-TV Kenora, a full Global affiliate owned by Shaw (not sold to Corus)
  • CKWS-DT Kingston, a de facto CTV affiliate owned by Corus carrying Global News programs
  • CHEX-DT Peterborough, a de facto CTV affiliate owned by Corus carrying Global News programs
  • CHEX-TV-2 Oshawa, a de facto CTV affiliate owned by Corus carrying Global News programs
  • CJON-DT St. John’s, a station owned by Stirling Communications which carries both CTV and Global programming

UPDATE (Oct. 19): Corus has announced that CHEX-TV-2 in Oshawa will rebrand its local newscast as Global Durham and rebroadcast Global Toronto’s local newscast at 5:30 and 6. The schedule also shows it’s dropping CTV National News at 11.

Jay Walker crosses the language barrier with TV show Resto Mundo on Zeste

This isn’t Jay Walker’s dream job. Nor are his other broadcasting gigs, hosting the weekly Montreal Rocks show on CHOM, or contributing to Global Montreal’s Morning News, or contributing music picks this summer to the Radio-Canada radio show Tandem. Nor is his actual day job, working as a real estate broker. Or his unpaid job of being a parent to three-year-old Emma Rose.

No, Jay Walker’s dream job is to be the next George Stroumboulopoulos. (Cool MuchMusic VJ George, not fired-from-Hockey-Night-in-Canada George.)

“I wanted to be on MuchMusic so bad,” he told me this week in an interview. He built a career designed to slowly move him toward that goal. He interned with CHOM when Andrew Carter and Steve Anthony were the morning men. He produced Expos games for The Team 990. He worked as a researcher on the TQS entertainment show Flash. And for the past six years he’s been hosting a show in one of the most ratings-unfriendly time slots (10pm to midnight on Sundays) in which he features Montreal artists on the radio.

But like the Expos and TQS, MuchMusic doesn’t exist anymore. The channel that replaced it, Much, has all but abandoned its focus on music, just as its French-language counterpart MusiquePlus has.

But Walker’s not complaining. He enjoys everything he does right now, including selling real estate, and he’s thrilled about his latest gig, hosting a new culinary lifestyle show on the TV channel Zeste.

Resto Mundo, which debuts Wednesday on the food channel owned by Groupe Serdy, could best be described as the reverse of a food travel show. Instead of heading to different countries and sampling their cuisine, he heads to local restaurants that feature people who have brought culinary culture from all over the world and promise an authentic experience.

Some of the nationalities are more common, like Brazilian, Portuguese and Japanese. Some are less so, like Tibetan, Senegalese and Afghan.

But while the food is all different, Walker says there are a lot more commonalities than differences.

“What I learned personally is that we are all truly the same. Every recipe starts with butter or oil, onion, garlic or ginger, and fresh ingredients.”

Each half-hour episode starts with an interview with the guest, talking about the food and the culture, and the particular dish being showcased. It’s about the food, but also about the person making it and the culture of where both come from.

“I’m not a chef, I’m in no way shape or form a culinary expert,” Walker warns. “For me it’s always about meeting and talking to the people.”

Talking might seem to be an issue for this anglophone who speaks quite well in French but with a slight anglo accent (sounding a little like Sugar Sammy in the process). Walker didn’t quite understand himself at first why he was picked. He said Olivier Tétreault, who directed the Guide Restos Voir show starring Walker’s wife, Anne-Marie Withenshaw, thought of Walker for this new project and proposed that he audition for it. He did, and was offered the job.

He still didn’t quite believe it. “I said ‘you know I’m an anglo right?’ He said ‘you’re the guy, I want you’.”

Walker happened to not have any real estate brokerage contracts, so he took advantage of the opportunity and shot 13 half-hour episodes.

Now he has to get people to watch. Which might be difficult for a show hosted by someone unfamiliar to francophone audiences on a channel not many people get.

Which is probably why even a post on some crappy media blog might help.

Resto Mundo airs Wednesdays at 6pm on Zeste starting Aug. 31.

CTV’s Your Morning: A formulaic morning show that misses chances to inform

Your Morning cast, from left: Kelsey McEwen, Melissa Grelo, Ben Mulroney, Anne-Marie Mediwake, Lindsey Deluce. (photo: Bell Media)

Your Morning cast, from left: Kelsey McEwen, Melissa Grelo, Ben Mulroney, Anne-Marie Mediwake, Lindsey Deluce. (photo: Bell Media)

YOUR MORNING is a new approach to morning television. The series will deliver an original perspective and unique insight into the stories of the day, while showcasing lifestyle topics of interests to Canadians from coast-to-coast-to-coast.

That’s how CTV announced, in June, the show that would replace the long-running Canada AM morning show.

On Monday, the show finally debuted. I watched the first three episodes of this new show, curious how it would take this “new approach” and offer “original perspective and unique insight”, but mostly how it would make morning television relevant to a generation of people who turn to Twitter and Facebook before turning on the TV.

I was disappointed.

Despite the long preparation time, the show is still in its infancy, so I won’t judge it for the kind of opening-day jitters that affect any new show. A few awkward handovers as the hosts figure out their timing, some confusion over what videos to show during discussions, or not knowing what camera to look into. Though technically it has actually been very smooth.

I’ll also preface my review by noting that I’m not the target audience for a morning TV show. I wake up well after 9am, and I don’t have the TV on in the background while I’m making lunch for my kids.

But I’m trying to keep that audience in mind. People who won’t tune in for the full three hours, but maybe some half-hour block. People who aren’t paying full attention, and mainly want the basics: knowing what’s in the news, what the weather is going to be like, and maybe a little bit of entertainment in between.

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