Category Archives: Media

CFCF GM Don Bastien signs off

January 20, 2012 – 12:47 pm| Posted in Montreal, TV

UPDATED Jan. 21 with comments from new CTV Montreal GM Louis Douville.

Don Bastien speaks at a recent CTV Montreal upfront presentation to advertisers

While viewers concern themselves with a high-profile change behind the anchor desk, there's another, perhaps more important, staffing change happening behind the scenes at CFCF.

Don Bastien, who as you can see from the photo above has been general manager of CFCF/CTV Montreal since 2001, is retiring. Today, coincidentally the 51st anniversary of the station, is his last day.

Louis Douville, the general manager at CJOH (CTV Ottawa), takes over starting Monday.

Bastien described his retirement to me as having "a touch of sadness" because of all the people he would be leaving. He's been with CTV and related company Baton Broadcasting since 1972.

"That's probably the most difficult part, when you've been interacting with them on a daily/weekly basis for all this period and all of a sudden that's going to come to an end."

Bastien's planning to take it easy for a while, taking some time to catch up with life and family. They're going to a ski trip in France next week, and he jokes that he might be playing golf "a little more than I did". Beyond that, he plans to keep up with various philanthropic activities, and he's been appointed to the board of St. Elias Mines of B.C., and he'll be looking for other opportunities to keep active. But he says the days of a Monday-to-Friday 9-to-5 job are over.

The decade under Bastien was transformative for CFCF, in good ways and bad. When he was appointed to the position in 2001 after being CTV's national sales director based in Montreal, the station had just been bought by CTV from WIC when WIC was bought by Canwest Global. CTV imposed a common brand for all its television stations, and the "CFCF-12" and "Pulse News" brands that had existed for decades were eliminated. A few years later, even the call letters were gone and everything became "CTV". Many viewers still resent this stripping of the station's identity.

A few years before the acquisition, the station cut just about all programming except for the newscast. What little additional programming remained would eventually be cancelled as well. The telethon, the morning newscast, Entertainment Spotlight and Sportsnight 360 all disappeared under Bastien's watch. Some elements of the latter two have been incorporated into the weekend newscasts, but to a large extent CFCF is just a CTV rebroadcaster with a local newscast.

It's a popular newscast though, with ratings that continue to obliterate the competition, and a high percentage of local news content. Bastien said maintaining this dominance, particularly in the face of increasing pressure from specialty channels, will be a challenge for his successor.

More recently, there has been significant technological change at the station. It began transmitting in high definition, later swapping out its analog transmitter and 50-year-old antenna on Mount Royal. Just last September it moved into its new studio, a million-dollar investment as it prepares to upgrade its newscast to high definition.

But when asked what his biggest challenge was in his decade here, Bastien points to the 2003 move from 405 Ogilvy Ave., where CFCF had been based since just after its launch in 1961, to 1205 Papineau Ave. in what has become the city's broadcasting neighbourhood.

"The relocation project was a huge undertaking," Bastien said. "Not necessarily from a technical point of view. But it was an opportunity for us to upgrade technology. When we went from tape-to-tape editing to linear editing. The real challenge in the relocation project was not moving from one building to the next. We were not moving technology, we were moving people, who had worked in a single building all of their career. We were changing areas of the city. That was huge, working with entirely different facilities."

The move meant CFCF's master control was moved to Toronto. Though the newscast itself is controlled from their building, advertisements and network programming are handled way down the 401.

The technological change is still ongoing. CTV is moving ahead with upgrades to equipment to prepare for the newscast moving to high definition. This will require new studio and field cameras (scheduled to arrive in the coming weeks) and new editing equipment and servers, which represents a substantial investment. Bastien said it will be dependent on how CTV authorizes capital expenditures. No date has been set, but Bastien said he expects it to happen either this year or next. Hopefully the recent upgrades of both CBMT and CKMI's newscasts to high definition (or at least partly HD) will put more pressure on CTV to follow suit.

Asked what advice Bastien had for his successor, Bastien said Douville will need to "maintain our connectivity to our viewers, to our market, to our community."

It's a connection Montreal anglophone television viewers take very seriously.

Louis Douville

Douville comes back home

"It's always been a dream to come back home," says Douville, who takes over as CFCF's general manager starting Monday. At that point, he said during a phone interview on Friday, he will be introduced to the staff and learn about things like where the photocopiers are. "Monday is mostly going to be about passing the torch," he said.

But the training should be short. Douville has a lot of experience as general manager of a CTV station and said he's very familiar with CTV Montreal.

Douville grew up in Montreal, attended Concordia University, and his family lives here. But his 30-year career took him to Edmonton, Saskatchewan and Ottawa before coming back home.

Douville described CFCF as the "crown jewel" of CTV, mainly because it's the only station covering all of Quebec, while much smaller regions have multiple CTV stations.

"I'm fortunate that I'm taking over a station in good shape," Douville said. With the station's ratings dominance, "there are no pressing issues" and he reassures that "I'm not coming in to make many changes."

Douville recognizes that the conversion to high definition is a priority. "It's a situation we face in all our CTV stations" outside of Toronto, he said.

But he also said that it's the content, not the resolution, that matters most. The market share is holding even though the newscast is still standard-definition, he said, and "those numbers speak for themselves." Douville also said the technical quality is still very high (the lighting, the set design, etc.) and if it wasn't for the 4:3 aspect ratio people probably wouldn't notice it wasn't HD.

CTV Montreal's 6pm newscast on Friday ended with a brief goodbye to Bastien.

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Caption Natasha Gargiulo and Freeway Frank

January 20, 2012 – 12:00 pm| Posted in photos, Radio

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CFCF makes Paul Karwatsky permanent co-anchor

January 19, 2012 – 12:31 am| Posted in Montreal, TV

Paul Karwatsky can put the reporter microphone away for good.

When Todd van der Heyden left CFCF for CTV News Channel, the speculation on who would replace him really came down to one choice: Either it's Paul Karwatsky or it's not Paul Karwatsky.

Karwatsky was the only other male anchor at the station, and while it wasn't impossible that a woman would be picked to sit beside Mutsumi Takahashi, managers in TV news are still concerned enough about how things look that such a selection would seem unlikely.

Karwatsky was a great idea on paper. He's a Montrealer, was already working at CFCF and had anchoring experience. The only strike against him was that he was young. And when your viewers have grown up with people like Bill Haugland and Brian Britt, going young presents a risk. (A risk that has already blown up in their face once.)

But when Karwatsky was selected to be "interim" co-anchor with Takahashi after van der Heyden left, it was just a matter of time before the position was made permanent. Barring some dramatic failure, he was clearly up to the job. And it would have taken a lot for them to decide to go with someone from the outside who CTV Montreal viewers are unfamiliar with.

As it turns out, it required only two weeks. CTV announced on Wednesday evening that Karwatsky has been made a permanent co-anchor with Takahashi. What was essentially a probation period or tryout has clearly been successful.

And being young isn't the worst thing in the world. Andrew Chang at CBC is younger, and although his appointment as anchor of CBMT's supper-hour newscast seemed similarly risky back in 2009, he's fit into the role remarkably well.

The Gazette's Bill Brownstein has the story, which has many of the same platitudes contained in the CTV story but also some colour about Karwatsky's background.

What about weekends?

Now that Karwatsky's position on the weekday desk has been made official, there's the question of what to do with his former post. Before moving to weekdays, Karwatsky did weekend newscasts at 6pm with Tarah Schwartz and solo at 11:30pm. Schwartz has been doing both newscasts alone, which means her shift starts much later than it used to and the lineup editor has to do more of the work to setup the 6pm newscast.

CTV could choose to continue this way, or could hire someone else to take over Karwatsky's old job. (UPDATE: News Director Jed Kahane confirms he will be hiring another anchor for the weekend desk.)

Either way, they could probably use another backup anchor. Caroline van Vlaardingen has been substituting on occasion as needed, and Cindy Sherwin has also done some anchoring, but other than that the cupboard is pretty bare.

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Six years later, security

January 18, 2012 – 4:32 am| Posted in Media, Navel-gazing

WARNING: This post is about me. If you don't care about me, stop reading. Here, you can watch this YouTube video of a cute cat thing and browse from there.

It was so long ago that it's hard to remember what it was like back then.

It was seven years ago this month that, while attending a national student journalism conference in Edmonton (thankfully that year there were no debilitating illnesses), I got a call on my cellphone from the city editor at the Gazette offering me a paid internship that summer.

My reaction was subdued. The man who offered me the job even remarked on that point. It's not that I wasn't happy - I was over the moon - but for some reason the only thing that I could think of was how much this conversation was going to cost me in roaming charges.

Though it occurs to me now that I'm not the kind of person who pulls out the theatrics when someone gives him really good news.

After a short, unpaid internship at the West Island Chronicle that I actually enjoyed even though it wasn't exactly hard-hitting journalism, and another at CBC Montreal that resulted in a few paid shifts at CBC Radio over the previous holidays (which in turn convinced me that being a guest booker wasn't quite my cup of tea at the time), I was really excited at the idea of working at a major newspaper in my home town.

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CTV’s Express feels like anything but

January 17, 2012 – 3:23 am| Posted in Opinion, TV

Monday marked Todd van der Heyden's debut at Express, the afternoon show on CTV News Channel with Amanda Blitz.

Because he's from Montreal, because he's a nice guy and because he's a geek at heart, I wanted to be encouraging and wish him well in his new job.

Unfortunately, after sitting through the first three-hour program, I was left frustrated, both at what CTV seems to be doing with its all-news network and at how that industry is changing in general.

When it launched in 1997, what was then called CTVNews1 was licensed as a continuous 15-minute news wheel, repeating the headlines four times an hour. This was to distinguish it from CBC Newsworld, at a time when all cable channels had genre protection.

But as the CRTC came to realize that cable news was healthy enough to warrant direct competition, restrictions on the CTV network became relaxed, and now the two are effectively head to head in terms of format. This is a good thing.

What's not good is that rather than focus on more news to keep people better informed, CTV seems to be relying more on pointless, time-wasting banter that just wastes viewers' time.

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RNC wants to turn Planète Jazz into Radio X

January 13, 2012 – 3:42 pm| Posted in Montreal, Radio

If owner RNC Media gets its way with the CRTC, Montreal could soon be getting its own "radio poubelle" station by next fall.

CKLX-FM 91.9 has applied to the CRTC for permission to change its format from jazz to talk radio, citing its poor financial situation and the lack of francophone talk radio options in Montreal.

You can download and read the application here (ZIP).

Planète Jazz, which launched Dec. 14, 2004, is the last commercial jazz radio station in Canada, its owner says, after similar formats in Calgary, Edmonton, Hamilton and Winnipeg abandoned it for other more popular formats. Though it won't release full details to the public, RNC says CKLX has revenues "well below" $1 million a year, about 18% of what was forecast in the station's business plan.

It has come to the conclusion that the format does not work, and it must either change formats or consider shutting down the station.

Though it's not stated explicitly in the application, it's hinted that the new format would be similar to that of CHOI-FM in Quebec City, a station also owned by RNC Media that has controversial opinionators who talk more than they think (people like Stéphane Dupont). It's been dubbed "radio poubelle" and compared to right-wing talk-radio stations in the United States, but it's popular, with more than 200,000 listeners.

RNC Media also owns the similarly-styled CKYK-FM in the Saguenay region, as well as music stations Capitale Rock in Gatineau, Planète-branded stations and other Radio X and Radio X2 stations across Quebec.*

CHOI is so controversial, in fact, that the CRTC ordered it be shut down because of its comments. Only the sale of the station from Genex Communications to RNC Media (and the issuing of a new license) saved it from going dark.

RNC conducted a survey of Montreal listeners to gauge their interest in a new station "that would have a style that discusses subjects in the news, that asks real questions and isn't afraid of its opinions". Based on that, it predicts a new talk-radio station would have a 10% market share, and 20% among the key demographic of men 25-49. It also sees its revenues going from $2.6 million in the first year to $8.2 million in the seventh year of its license, far above what they could have hoped for Planète Jazz.

The market for French-language talk radio has been open for opportunity, particularly since CKAC turned into all-traffic last September. Other than Radio-Canada and community/campus stations, the only talk radio station is CHMP 98.5, which has shot to the top of the ratings. It also has to do double-duty as a sports station in the evenings.

The application, survey and other documents curiously make no mention of the license for a talk-radio station recently given to the Tietolman-Tétrault-Pancholy media group. That station is also expected to launch next fall. It's unclear if they're unaware of the license or if they're just ignoring it in their projections.

RNC Media President Raynald Brière declined to comment on the application, saying "le dossier n'est pas complet."

The application, which would see the license changed from requiring 75% jazz to requiring 50% talk, is a Part 1 application, which means the CRTC has not called a hearing to discuss it, and if there's no significant opposition it could be approved without the owners having to appear in front of the commission.

The deadline for interventions is 8pm on Feb. 13. You can file an intervention or comment here, by clicking "submit" next to the item about RNC Media.

*UPDATE: This move is strangely the opposite of one being done in Abitibi, where RNC Media is abandoning the Radio X format in favour of Capitale Rock, replacing talk radio with music. (Thanks Psychodork for pointing this out.)

Reaction

UPDATE (Jan. 20): The Journal de Québec reports about this move, getting the manager of its Quebec City stations to comment. The company wants to export the CHOI format to Montreal, but adapting to the market. Less talk of bringing back the Nordiques, more talk about traffic. (Is this really what separates Montreal from Quebec City?) The paper also talks to André Arthur, who thinks they should put Stéphane Dupont (the guy who told Haiti "fuck you" after the earthquake) in Montreal.

There was also a discussion on Tuesday on CHOI itself about the application, with an interview with Patrice Demers. They even discuss potential hosts, saying Patrick Lagacé is unlikely and Jeff Fillion is very doubtful, but nothing is set in stone.

The proposal also was discussed on Radio-Canada's Les Lionnes, which prompted not one but two discussions on CHOI. You can imagine how Radio Poubelle and a public broadcaster TV show hosted by three women think about each other.

La Presse covers this in the form of a column from Marc Cassivi. There are also blog posts at Voir from Sportnographe's Olivier Niquet and journalist Fabien Loszach. Each of these got criticized on CHOI, which blasted Cassivi for being uninformed about what can be heard on CHOI, and said Voir's complaints that CHOI's programming is sexist, racist or homophobic are simply false.

Stéphane Gendron reacted to the news on Radio X, in which he said he would be interested in an on-air position at the station, because he's more of a radio guy than a TV personality.

Jeff Fillion himself also comments the news on his Radio Pirate.

At least one blogger has called for people to rise up against this move, and another defends the sophistication of Radio-Canada against its Radio X-supporting critics.

Quebec's FM93 wants to go mostly-talk

Coincidentally, the application from RNC Media comes about the same time as one from Cogeco Diffusion to change the license of CJMF-FM (FM 93.3) in Quebec City to allow for more talk. Currently the station offers a hybrid format of talk and music, but its survey numbers show more than 60% of its listeners tune in only for talk programming.

The new schedule would see talk programming in the mornings and evenings on weekends (noon to 4pm would remain music) and weekday evenings. Weekday mornings and afternoons are already all-talk.

As an added bonus to Quebec City listeners, the change would mean the station broadcasts all Montreal Canadiens games. Currently it offers only a selection. This will be welcome news to Canadiens fans in the region who may have been able to tune in to the bleu-blanc-rouge on AM station CKAC but have no hope of listening to 98.5.

The deadline for interventions or comments in the CJMF-FM application is Feb. 6. It is also a Part 1 application and can be seen on this page.

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Terry DiMonte’s first day at CHOM … again

January 13, 2012 – 3:38 am| Posted in photos, Radio, Video

There are some things at CHOM that will always be constant: The name, the format, the listeners complaining that the same songs get played over and over, and every decade or so the program director deciding to shake things up by putting Terry DiMonte back on mornings.

DiMonte began his first shift back at Montreal's Spirit of Rock on Monday, and I managed to score an invitation to see it from the studio (even if it meant pulling an all-nighter after a late shift at work). This is the story of that day.

Terry DiMonte reads the paper just before he starts his first show. (And by "the paper", I mean the section in Saturday's Gazette seemingly devoted to him)

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CHOM’s new schedule adds Terry DiMonte, Heather Backman in mornings

January 9, 2012 – 12:13 pm| Posted in Montreal, Radio

UPDATE (Jan. 13): Read more about DiMonte's first day here. Updates below with more coverage of DiMonte's return and comments from Chantal Desjardins about her new job at CJAD.

Terry DiMonte does his first show back at CHOM on Jan. 9.

The news that Terry DiMonte was coming back to CHOM came out all the way back in June. The date was set and publicized in November. But details on such things as who his cohosts would be and what happens to the rest of the schedule were kept under wraps until Monday when DiMonte started his first show.

Here's the details of its new schedule:

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Caption CBC’s Sue Smith

January 6, 2012 – 12:00 pm| Posted in photos, Radio

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Technology is abandoning AM radio

December 31, 2011 – 1:30 pm| Posted in Opinion, Radio, Technology

The only portable AM radio I could find at a huge electronics store - a $10 radio with analog tuner

I did some Boxing Week shopping Thursday night. Despite the cold, I went wandering for about three hours around various stores, though for the first time in years I didn't have any big-money purchases in mind.

One thing I had been looking for was a portable device capable of receiving AM radio. Ideally it would have had a digital tuner, an antenna of some sort and an internal memory capable of recording the radio. As someone who writes about radio a lot, it helps to be able to record as well as listen.

But going through the aisles of iPods and other MP3 players at Future Shop and Best Buy, I discovered that such a device does not exist. Well, actually, it does, but it's kind of expensive and you can't buy it in one of these stores.

In the end, I bought the radio you see above, a Dynex (read: cheap as hell) FM/AM pocket radio. It has an analog tuner and cheap plastic parts (and obviously no recording capability), but it has an antenna and a headphone jack, and though it's a bit noisy it receives CJAD and CKGM.

It used to be, even as little as a decade ago, that no one in their right mind would try to sell something as a "radio" and not include one of the two bands. But as portable CD players were replaced by smaller MP3 players with lower power demands and no moving parts, FM has become less of a priority and AM has been all but abandoned.

A portable CD player sports a ferrite bar AM antenna (left) about 4cm long and 3mm thick.

There are a few technical reasons for this. For one, because the AM band is at a much lower frequency than FM (centred around 1 MHz vs. around 100 MHz), the antenna has to be much longer. For older portable devices (like my old CD player pictured above), this is accomplished by coiling a long antenna inside the device. Ideally it would be strung out in a straight line for maximum reception, but coiling it is a compromise that works here, though its reception isn't as good and it's highly directional (which is why the angle at which you're holding a portable AM radio affects its reception).

In smaller devices, such an antenna - about the size of a AAA battery - becomes prohibitively large. Smartphones and iPods don't even have room for that AAA battery, much less an antenna for what has become a secondary function. For FM reception, portable devices ingeniously use the headphone cord for an antenna, but that doesn't work for AM.

In addition to the size of the antenna, AM radio is more susceptible to interference, requiring even more electronic real estate being used for filtering and amplifying.

"AM RF IN" marks where the AM antenna connects to the circuit board ("RF" means "radio frequency")

And then there's the simple matter of demand. Music stations long ago moved from AM to FM, as has CBC and Radio-Canada in Montreal. We're left with only three large commercial AM stations (CKAC 730, CJAD 800 and CKGM 990) and a handful of smaller AM stations that would be very difficult to capture with a portable antenna anyway.

That's about to change. The CRTC recently awarded two new frequencies (the previously dormant 690 and 940 kHz), and two new AM stations will be on the air at some point in 2012. Two others, who lost in the bidding for those frequencies, may also reapply for other vacant frequencies. By the end of 2013 we could have four new high-power AM radio stations in Montreal, at a time when most broadcasters have all but abandoned the band.

But can these stations survive if there's nobody left who can listen to them? It's not just iPods and smartphones. Even larger desktop alarm clock radios have started to abandon AM in favour of iPod connections. Unless a device's main function is broadcast radio, you're much less likely to find AM on it. And people like multifunction devices.

The one big thing keeping AM alive is the same thing keeping most radio alive: cars, which are so large there's no need to worry about space for an antenna. Entertainment for drivers obviously can't be visual in nature, so radio has become the perfect source for them. And radio has responded in kind by catering to drivers, focusing on rush-hour programming and having regular reports on traffic.

The industry has also responded by offering online streaming as an option, via apps for iPhones or other smartphones. Rather than capture a noisy signal through the air with a big antenna, smartphones can download a high-quality audio stream through the cell network they already use for phone calls and checking their Facebook.

But switching to the Web opens up these broadcasters to competition from all over the world. For people who don't care as much about local content, there is a seemingly infinite choice of things to listen to.

Five years ago, when asked by Forbes about why its MP3 players didn't have AM radio, a representative of SanDisk explained the technical reasons behind it, but added that "SanDisk is exploring the possibility of adding an AM receiver to some of its MP3 players."

I'm still waiting. Hopefully AM radio will still be around by the time a solution is found.

UPDATE (Jan. 9): La Presse has an arts section cover story today about the future of AM radio, which discusses this issue as well as the larger market for the band. It includes quotes from broadcasting consultant Michel Mathieu painting a dire picture for AM radio, which is kind of ironic because Mathieu was hired to get many smaller community stations their broadcast licenses, including stations like CJLO on the AM dial.

There's also a story about Paul Tietolman and his upcoming French-language talk radio station, with some thoughts from experts about its viability.

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