MAtv season begins with new interview series Montrealers

In the spring of 2016, a young eager TV producer named Leah Balass asked me out to coffee to pick my brain about finding a way to sell a series she was working on that featured long-form interviews with interesting people. It was called Curiosity Craves.

Unfortunately there aren’t too many places to sell those things to these days. Local commercial television stations don’t commission local TV series for local broadcast anymore (City’s short-lived Only in Montreal was the last series done this way). So I suggested, since her interview subjects were in Montreal, that she try going to community television, either Videotron’s MAtv or Bell’s TV1, which have budgets for local community productions.

More than a year later, her project has been repackaged as Montrealers, an eight-episode half-hour series that debuts today on MAtv. (Its first broadcast was actually this morning, but its advertised debut is at 7:30pm).

Here’s what the official description of the show says:

MONTREALERS focuses on the art of conversation, creating an environment of open dialogue; for both the interviewee and the interviewer. With characters from an array of backgrounds, including Greek, Indian, Brazilian, Japanese, Egyptian, Iranian, and French – MONTREALERS is an all-inclusive show that gives all voices meaning. In this intimate interview series, the most inspiring stories can be found in the lives of everyday people. Leah Balass sits down with Montreal’s most colorful personalities to uncover their captivating life stories and to celebrate the various cultures that make up this unique city. Each episode features personal stories on immigration, love, identity, struggle, culture  and tradition.

The series is well shot and the interview subjects interesting. (One of the people featured in the first episode, Dave Arnold aka Mr. Sign, was also featured on an episode of Only in Montreal.) It goes for being touching and uplifting with calm sit-down interviews.

Mike Cohen at the Suburban talked with Balass and co-producer Christos Sourligas.

Also this fall are new episodes of Urban Nations by Lachlan Madill and CityLife hosted by Richard Dagenais. Returning in December is Culture Zone, a bilingual program featuring stories produced by volunteers, and an English version of the magazine show Ma curieuse cité (My Curious City).

The programming for this year, which also includes existing series Studios, Lofts & Jam Spaces, The Street Speaks and Jazz Yoga Ayurveda, doesn’t change the linguistic balance of the station, which is 21% anglophone.

But with a 25% budget cut, it means less money overall, and the Montrealers-making-a-difference series Montreal Billboard had to pay the price for that.

 

Tootall’s last day

It’ll be weird not hearing Tootall’s voice on the radio. You won’t notice it at first — after all, everyone takes vacations — but eventually, a subtle void will develop, a silence where there used to be this calm voice welcoming you to the Electric Lunch Hour and

The man who never tells you his real height or his real age said his final goodbye on the air yesterday. The video is above and the audio is posted on CHOM’s website. It features thank-yous from music director Picard and Bell Media executive and former CHOM boss Martin Spalding.

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Media News Digest: Bad Blood debuts, Randy Renaud replaces Tootall, The Bridge replaces Cinq à six

News about news

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At the CRTC

  • Evanov Radio has proposed a way out of its Toronto problem: A station licensed to the suburb of Orangeville (CIDC-FM Z103.5) that’s being prevented from formally expanding into Toronto, and another licensed in downtown Toronto (CIRR-FM Proud FM 103.9) that for technical reasons can’t expand its signal beyond 225W. Under the proposed changes, Z103 increases power but adopts a directional lemon-shaped signal that avoids Toronto, while Proud FM goes from 225W to 10,000W and changes frequency from 103.9 to 103.7 to greatly expand its reach in Canada’s largest city. The applications are posted here and accepting comments until Oct. 16. The CRTC has screwed over Z103 by on the one hand preventing it from offering a better signal in Toronto because it’s licensed to Orangeville, but on the other hand licensing another station in Orangeville because it determined that Z103 was too Toronto-focused.
  • Maclean’s has a story about how RT (Russia Today) is still available on Canadian TV providers, usually for free or at very low cost. (Videotron is not one of those providers.) The CRTC says its status is not under review. But as Greg O’Brien notes, someone could file a complaint.
  • The commission has denied a request from Canal Évasion to lower its Canadian programming expenditure quota from 46% to 32%. The commission found holes in its reasoning (comparing Évasion to Astral channels without taking into account changes since their purchase by Bell Media) and determined it would be better to ask for such changes when their licence is up for renewal.
  • The commission has denied a request from the CBC to offer an analog subchannel of CBL-FM (CBC Radio Two Toronto) to a Tamil-language service. The commission felt such a service would compete with a recently-licensed ethnic station and an existing Tamil subchannel service.

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TSN to air 50 Habs games on TSN2, hires John Bartlett for play-by-play

With just three days to go until the first preseason game, TSN has finally announced broadcasting details for the Canadiens this season, the first after re-acquiring regional rights from Sportsnet.

TSN will air five of the eight preseason games, and all 50 regular-season games it has rights to, on TSN2*, which solves the issue of possible scheduling conflicts on TSN5, which is the main channel in the shared region of the Senators and Canadiens.

The remaining 32 regular-season games, including all Saturday night games, are national games that will air on Sportsnet-controlled channels.

TSN2 is a good solution to scheduling, offering a consistent channel without having to expand to a sixth feed. It does mean that anyone in eastern Canada who only has one TSN channel won’t see the games, though the number of people in that situation is pretty small these days. And it means TSN2 will be blacked out in the rest of Canada for 56 three-hour periods of the season, mainly in primetime on Tuesdays and Thursdays, but that’s not the end of the world. TSN has four other channels and the Jets, Leafs and Senators won’t all be playing at the same time very often.

*Two of those preseason games are against the Senators, and will air on TSN5 instead for both markets.

Bartlett is back

After spending weeks, even months, choosing not to comment about his future, even after stripping Sportsnet from his Twitter profile, John Bartlett can finally announce he will continue to be the voice of the Canadiens on television. Bartlett, who used to be the voice of the Habs on TSN 690 until he was hired by Sportsnet, goes back to TSN to call its regional games this season.

Assisting Bartlett are three analysts:

  • Dave Poulin, former NHL player for the Flyers, Bruins and Capitals, and former VP of Hockey Operations for the Maple Leafs
  • Mike Johnson, a one-season Canadiens player and analyst who was one of the cuts at Sportsnet last year
  • Craig Button, a Montrealer and veteran TSN and NHL Network hockey analyst

The broadcasts will be hosted by Tessa Bonhomme, star women’s hockey player and TSN broadcaster, and Glenn Schiiler, host of TSN’s That’s Hockey 2night.

The full schedule is here.

Also announced today are the regional schedules for TSN’s other teams. TSN will broadcast:

Media News Digest: Complaints about OMNI, Global Quebec turns 20, L’Actualité changes format

News about news

At the CRTC

  • New chairman Ian Scott has issued a statement as he begins his mandate. It’s brief, but seems to focus on the consumer-oriented mandate of his predecessor Jean-Pierre Blais. It also continues Blais’s tradition of referring to himself as “chief executive officer”, though not his tradition of beginning every statement by paying tribute to the elders of the closest indigenous people.
  • Unifor has announced it will file a CRTC complaint against Rogers’s OMNI over its decision to outsource the production of its Mandarin and Cantonese newscasts to Fairchild, which owns Canada’s biggest Chinese television channel and runs the main competitor in providing Canadians with news in these languages. Unifor argues this goes against the licence granted to OMNI and the accompanying must-carry order, which says “the licensee shall produce and broadcast” daily newscasts in the four languages (it produces the Punjabi and Italian newscasts in-house). The commission may have to split hairs on what the word “produce” means in this context.
  • Speaking of OMNI, Rogers filed a request to amend the licence for its new OMNI regional feeds to correct what it saw as a typo: It required ICI in Quebec to produce 14 hours of original local programming a week for the Quebec OMNI feed, when Rogers says it meant to say 14 hours a month. But intervenors including Quebecor, Cogeco and the Community Media Advocacy Centre strongly objected to this, saying it amounts to getting a licence under false pretences. Complicating matters is that the conditions of licence first imposed on ICI in 2012 contain an inconsistency between French and English versions. The French version says “le titulaire doit, au cours de chaque semaine de radiodiffusion, diffuser 14 heures d’émissions locales originales à caractère ethnique, calculées mensuellement”, while the English version says “in each broadcast month, the licensee shall broadcast 14 hours of original local ethnic programming, calculated monthly.” (Emphasis mine.) The preamble in both languages makes clear that ICI’s commitment was 14 hours a week of local ethnic programming, but didn’t specify that this commitment was for original programs. It’s also redundant to say “each broadcast month” and “calculated monthly.” Until this application is approved, ICI’s original condition of licence remains.
  • The commission has approved a request by CHOD-FM Cornwall, a francophone community station serving eastern Ontario, for another transmitter farther north in Dunvegan (I first reported on this in April). The new transmitter is on the same frequency, 92.1 MHz, so they’ll either need to synchronize the two (which is tricky) or there’s gonna be interference for people between the two transmitters.

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First look: CTV News Montreal at 5

For the past two weeks, CTV Montreal has had an additional hour of local news on weekdays. First announced in June, the new newscasts precede the usual 6pm news on most CTV stations, including Montreal’s.

Two weeks after they launched on Aug. 28, I’ve watched several of them and can start to piece together a picture of what they generally look like, and the strengths and weaknesses of the format.

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Montreal radio ratings: The Beat crows after its best book ever

Total audience listening share percentage among anglophones in Montreal, from Numeris top-line ratings.

Numeris has released the summer ratings for Montreal radio stations, and though there isn’t much new here, it’s more good news for The Beat 92.5. Its 21.1% share of tuning hours among anglophones is the best it’s gotten since the station launched out of the ashes of The Q in 2011.

The new report widens the lead it had over direct competitor Virgin Radio 96, which appeared to narrow slightly in the spring. As the chart above shows, Virgin hasn’t been ahead of The Beat in this category by any significant margin since 2012.

For much of that time, Virgin did claim the lead among the adults 25-54 and women 25-54 demographics that appeal to advertisers. But The Beat has since won in those categories, too. Steve Kowch has some numbers compiled from Bell Media that show The Beat winning in every demographic.

Of course, The Beat can’t claim to be Montreal’s most popular radio station (that would be 98,5 fm), its most popular station among anglophones (that would be CJAD, though its lead has dropped off significantly), or its most popular music station (that would be Rythme FM).

It also can’t claim to have the most popular morning show, so it did the next best thing and claimed to be the fastest growing one:

Bell Media did something similar on the French side, claiming Rouge FM 107,3 is the most improved radio station over the summer. But among all francophones, Cogeco’s Rythme has 50% more listening hours.

Like Virgin, CHOM is also experiencing a long-term downward trend from its high in 2013.

In commentary online, it seems the station anglos want to talk about is TSN 690, predicting doom over a drop from the spring as well as last summer that is certainly rock-solid evidence that the on-air personality they don’t like is awful and should be fired. I don’t know why the ratings are down (though the P.K. Subban trade probably had people tuning in last summer), but the station’s ratings fluctuations don’t seem out of the ordinary for me.

As usual, take these numbers with a grain of salt. Summer is different from the other quarters, there’s less news and no Canadiens games, so CJAD, CBC Radio One and TSN 690 usually dip while the music stations peak.

Among francophones, talk radio actually did better during the summer, with 98,5fm still ahead at an 18.6% overall share, followed by Rythme FM (13.6%), ICI Première (12.7%), CKOI (10.4%), Rouge (8.8%), The Beat (6.3%) and Énergie (5.8%).

The new kids on the Numeris block, CHRF 980 and CIBL 101.5, are about the same, with 900 and 100 average listeners a minute, respectively.

91,9 Sports had a 2.3% overall share among francophones, its best result since launching that format, putting it just behind ICI Musique and Radio Classique in terms of listeners.

The Athletic Montreal unveils most-star lineup of contributors, launches Monday

The Athletic, an expensive experiment into whether people will pay for quality sports journalism, is getting more expensive.

After its recent announcement that it’s expanding to Montreal in both English and French, and to every other Canadian city with an NHL team, it has announced a full lineup of staff and contributors, led by editor-in-chief Arpon Basu.

Here’s how it breaks down:

Staff

  • Arpon Basu is the editor in chief. The former managing editor for LNH.com, he introduced himself last month.
  • Marc Antoine Godin is the senior writer and managing editor at the French version of the site, Athlétique. He was a sports writer at La Presse since 2000, and at Presse Canadienne before that. Godin introduces himself here.
  • Emna Achour is the associate editor of Athlétique. As a freelancer, she’s worked for the NHL, the Rogers Cup/Tennis Canada, reported on the IIHF World Championship and did research for a KOTV documentary on the Canadiens’ 1970s dynasty.
  • Marc Dumont is an editor and primary Laval Rocket reporter. Dumont is a popular guy on Twitter and contributor to and managing editor of the Habs blog Eyes on the Prize.

Contributors

  • Mitch Melnick, who presumably shouldn’t need introductions but is the afternoon host at TSN 690, is moving his day-after blog The Good The Bad and The Ugly to The Athletic. He introduces himself here.
  • Olivier Bouchard will write a similar column in French. He’s a contributor to LNH.com and the guy behind En attendant les Nordiques.
  • Serge Touchette, former columnist for the Journal de Montréal, and the lockout website Rue Frontenac, “will be writing a weekly column for the French site about whatever he wants.” So probably the Canadiens, but expect some baseball in there as well.
  • Robyn Flynn will be covering the Canadiennes de Montréal CWHL team. She’s a producer at CJAD and host of weekly hockey show Centre Ice on TSN 690, and has been actively following and reporting on the Canadiennes for years. (Dumont and Achour will also cover the team for the French site, Basu says.)
  • Lloyd Barker will be writing weekly about the Montreal Impact. Barker is a former Impact player and commentator in several media including until recently a regular column in the Montreal Gazette. Barker’s columns will be translated into French.
  • Joey Alfieri will be writing weekly about the Montreal Alouettes. Alfieri is a contributor to TSN 690 and several other outlets. His columns will also be translated for the French site.

The lineup is pretty impressive, and certainly anyone who listens regularly to TSN 690 will recognize most of these names. It’s also nice that women’s hockey is going to be covered on a regular basis by a professional journalist, which we haven’t seen much up until now.

Will that be enough for people to pay $10 a month or $70 a year for a subscription? We’ll see. The Athletic is funded mainly by reader subscriptions (it has no ads) but is still going through startup financing, so it’ll be a while until we know if this business model works.

But it’s apparently working enough that the founders of the site are doubling down on their investment, so that’s a good sign.

The Athletic Montreal launches Monday, Sept. 11.

Media News Digest: CHCH picks up House of Cards, TTP is hiring, The Athletic expands again

News about news

At the CRTC

  • Ian Scott is now the CRTC’s chairperson. The Globe and Mail and Financial Post look at the files on his table. They include wireless roaming, broadband access and the Bell Super Bowl ad appeal.
  • After determining that the two markets can sustain a new radio station, the CRTC has received three applications each for new stations in Georgina, Ont. (southeast of Barrie) and Grimsby/Beamsville, Ont. (between Hamilton and Niagara Falls). All six are for music stations and are from small or mid-size broadcasters like My Broadcasting Corp., Evanov Radio, Durham Radio, Byrnes, Frank Torres and Bhupinder Bola.

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How the CRTC screwed over community television to save local news

It’s a new dawn in local television. CTV Montreal has a new 5pm weekday newscast, City Montreal is preparing to launch evening news at 6pm and 11pm, and ICI is getting an infusion of cash thanks to OMNI’s successful bid for mandatory distribution at 12 cents per month per subscriber.

It’s a big enough change that I was asked to write about it for the Montreal Gazette. That story leads Saturday’s Culture section.

But while the new investments are great news for people who like local television (and, indirectly, people like me who like writing about it), there’s a big loser in this that isn’t getting discussed much: community television. The additional money going into local news is coming straight out of their pockets.

Let’s not talk TV

When the CRTC announced it was undertaking a long consultation process it called Let’s Talk TV, proponents of non-profit community television were excited about the prospect of finally bringing their issues to the forefront. A complaint from the independent group ICTV against Videotron’s community channel was in progress (the commission would later find that MAtv had failed to respect its licence conditions in terms of giving enough access to people from the community). And there was a growing opinion that community channels were not fulfilling their mandate.

The Canadian Association of Community Television Users and Stations and other groups filed complaints about other television providers that they felt were doing the same things to their community channels, ignoring their commitments to community access and using their funds to produce professional broadcasts and give side jobs to people affiliated with the company.

But the Let’s Talk TV process didn’t talk much about community television, and when it led to its first decisions in January 2015, the commission decided to kick the can down the road on community television, announcing it would begin a separate process to consider that. And that process would also include discussions of local news.

As expected, a review of the community television process was hijacked by discussions of local commercial television. People were more concerned about whether their local station would stay on the air or how long their local newscast would be than how their local Rogers TV or Shaw TV would be funded.

And the complaints about community channels still haven’t been properly evaluated, years later. That will happen at a hearing on the renewals of their licences, scheduled for October.

Provider TV

Let’s step back a bit and look at what community television is and has become in Canada.

Since 1971, the CRTC has required cable television providers to support community channels. Back then, television equipment was very expensive, very large and hard to obtain and operate. Community access was the only way many people could see themselves on television and communicate with the public through video. Cable companies would set up studios at their head ends and let people from the community broadcast on a special channel they set up.

Since the turn of the millennium, the situation has changed. Getting access to equipment isn’t the biggest problem — as the CRTC says, “many Canadians now carry an HD camera in their pocket in the form of their smartphone” — editing can be done on a home computer, and distribution is much easier thanks to YouTube and other free online services.

Instead, over the past decade, the issue has been more about money.

All cable television providers are required to spend 5% of their gross revenues on Canadian programming, but most are allowed to redirect some of that money to a community channel rather than simply hand it over to a fund like the Canada Media Fund. Most large terrestrial television providers do this because it allows them to keep control of that money, create a service that’s seen to do a public good, and provide added value for subscribers.

Critics might point out some other benefits, such as billing yourself for Internet access and providing side jobs for your employees. (The CRTC limits such overhead costs, but there isn’t a bright line that says you can’t be a supplier to your own community channel.)

Since 1991, the amount of money allowed to be redirected to community channels has been capped at 2% of gross revenues. Though there were many exceptions (small cable companies could devote the full 5% to a community channel, and companies that offered community channels in each official language could devote 2% to each one).

It might not seem like much, but when you have more than a million subscribers paying more than $50 a month, that’s a million dollars a month right there going to community TV.

As budgets for community TV grew, and technology advanced, they started to get more ambitious in terms of programming. Some even started broadcasting professional sports until the CRTC put a stop to that. (The ban doesn’t affect junior sports, and many junior hockey league matches are still broadcast on community channels.)

Community television is in an odd place because on the one hand it’s supposed to be volunteer-driven but on the other hand it’s required to spend money on programming. The pressure has always been there to keep the cable-access stuff to a minimum so more popular professional-looking programming can entice people to buy or keep their cable subscriptions.

And there was the added benefit of using community channel money to benefit related productions and personalities. Bell’s TV1 had shows linked to The Amazing Race Canada, the Much Music Video Awards, the Montreal Canadiens, The Social and eTalk. Videotron’s MAtv had side projects for such Quebecor personalities as Sophie Durocher, Louise Deschâtelets and Dominic Arpin.

This is a big part of the reason why CACTUS and others wanted community television taken out of the hands of big cable providers and put into the hands of non-profit community groups. But the CRTC has repeatedly resisted that effort, believing that the cable companies have the best resources available to provide high-quality community programming on a sustainable basis.

“Flexibility”

In 2010, the commission decided to freeze contributions to community channels. It found that the amount of money going to community television had almost doubled in a decade, and “although the Commission acknowledges that various metrics can be used to evaluate the success of community channels, it nonetheless considers that overall viewing to community channels remains modest relative to the growth in contributions to this sector.” Rather than cut the funding down, though, it decided to freeze it. Existing television providers would be capped at their 2010 levels until those dropped to 1.5% of revenues, and then they would stay at 1.5%.

In June 2016, the CRTC released its new policy on local and community television. There, it cut the contribution from 2% to 1.5%.

But the bigger blow was their decision to allow distributors the “flexibility” to redirect funds from community channels to their affiliated local stations to spend on local programming. For Canada’s five largest cities (Toronto, Montreal, Vancouver, Calgary and Edmonton), that redirection could be 100%, since the CRTC believed that people in those areas “have access to many media sources on television and radio, as well as online and in print, that provide community reflection.” For smaller areas, at least 50% of that money would still need to be spent on community television.

By the CRTC’s estimate, $65 million a year could be redirected from community channels to local stations owned by the major vertically integrated companies.

But what about independent stations? Where do they get additional money?

To help out most of them, there was already a fund called the Small Market Local Production Fund, funded by Canada’s satellite TV providers. The CRTC transformed that into the Independent Local News Fund, adjusted its admission criteria to include larger-market stations like CHCH in Hamilton and the V stations in Quebec and Montreal (while excluding small-market stations owned by the media giants), and required cable companies to contribute into the fund. Everyone kicks in 0.3% of revenues to support independent stations.

So in the end, all independent stations get extra money from this fund, and non-independent stations get funded through TV providers who share the same owner.

News pro quo

In exchange for the extra money, there were new requirements for local stations:

  • In addition to the amount of local programming they have to air each week (still set at 14 hours for major-market stations and 7 hours for smaller ones, with some exceptions), they must air a certain amount of locally reflective news programming as well — six hours in large markets, three in smaller ones.
  • There’s also a financial requirement for investment in local news: 11% of gross revenues for local television stations must be devoted to locally reflective news. (This number, proposed by the three English networks, is based on previous spending on local news.)

For community stations, even though they got less money, there were stricter regulations imposed to ensure that the money they did get was spent correctly:

  • Starting this year, cable companies must spend 60% of their community channel allocations on direct programming expenses. That rises in increments and reaches 75% after 2020.
  • Diverse citizen advisory committees are required in Canada’s five largest markets.
  • Rules on what qualifies as access programming have been tightened to stress that the community member that initiates a project must have creative control, and “is neither employed by a (TV provider) nor a media professional who is known to the public or who already has access to the broadcasting system.” They also can’t profit from the show (by turning it into a de facto infomercial for their business, for example).

The changes took effect on Sept. 1 after being formally approved as amendments to the regulations and enshrined in TV stations’ conditions of licence.

But most companies didn’t wait that long to make major changes:

  • Rogers closed some Rogers TV community stations and cut back at others in the greater Toronto area.
  • Shaw closed Shaw TV in Vancouver, Calgary and Edmonton, eliminating 70 positions and sending $10 million to Global TV stations.
  • Videotron cut the budget of MAtv by 25%, reflecting the drop of the maximum deduction from 2% to 1.5%. (There hasn’t been an announcement of any redirection of funds to TVA stations.) The cuts meant the cancellation of Montreal Billboard, a weekly series featuring interviews with local community groups. MAtv director Steve Desgagné told me the decision to cut that program was strictly budgetary.
  • Bell made serious cuts at its TV1 community channels, which operate in Toronto, Ottawa, Montreal and Quebec City. It declined to provide specifics when I asked.

The result

It’s hard to evaluate the impact on community television by looking at programming, because much of that programming is short-term projects. But you can expect less programming, and especially less of the non-access local programming produced directly by the cable companies, particularly in the larger markets, as a result of these changes.

On the TV side, Bell’s CTV and Rogers’s City have both announced new expansions of local news, both to make use of these new funds and to meet the new locally reflective news requirements. Global has been non-specific about how it’s using the additional money.

What definitely won’t change is the strongly held belief among supporters of community television that cable access needs to be less cable and more access.