Numeris released its quarterly ratings report this week for Montreal and other metered markets. The Montreal top-line results show once again a significant margin between 92.5 The Beat (CKBE-FM) and Virgin Radio 95.9 (CJFM-FM).
Here they are translated into English. Audience shares among Montreal anglophones (all ages) from Aug. 29 to Nov. 27, 2016 (with their average-minute audience for a 24-hour day):
- CJAD 800: 29.6% (17,100)
- The Beat 92.5: 17.4% (10,000)
- Virgin Radio 96: 14.9% (8,600)
- CHOM 97.7: 10.2% (5,900)
- CBC Radio One: 6.4% (3,700)
- TSN Radio 690: 3.7% (2,100)
- Rythme FM 105.7: 2.2% (1,300)
- Radio Classique 99.5: 2.0% (1,100)
- CBC Radio Two: 1.8% (1,000)
Other measured stations had shares under 1%.
Once again, among overall anglophone audiences, CJAD is the clear winner with a 29.6% share, tied with last winter as its highest share in the past five years. The Beat clearly beats Virgin, up by two and a half points. It’s also ahead in the adults 25-54 demographic, which Virgin had a bit of an edge in historically. And even when counting in francophone audiences, The Beat is still ahead.
CHOM, meanwhile, had its worst book in the past half-decade, dropping more than two points.
Radio ratings share (Montreal anglophones, ages 2+). Data by Numeris. Click for larger version.
But it would be irresponsible to make sweeping conclusions based on one ratings report. Instead, it makes more sense to look at long-term trends. And here’s what we see from that:
- CJAD is doing well, despite everyone’s opinions (usually negative here) about its programming. Since 2014, it has climbed into the 25-30% range, with noticeable dips in the summer, suggesting Montrealers are tuning in when there’s news. No individual programming change would explain this, though 2013 is when there was the last major reshuffling, getting rid of Ric Peterson.
- The Beat is winning the battle with Virgin. It took about two years after Q92 relaunched itself as The Beat for there to be real traction in the ratings, and a noticeable drop in Virgin’s share around 2013 led to The Beat taking the lead. Since the beginning of 2014, The Beat has led among anglo listeners, though the adults 25-54 demo has gone back and forth a bit.
CHOM’s bad book could easily be an outlier, so we’ll have to see.
As for TSN 690, a lot of people seem to be very concerned about their ratings (and, like with CJAD, very eager to blame problems on a particular on-air personality), but it’s about the same place it always is. The latest rating is slightly below where it was a year ago, and slightly above where it was two years ago at the same time of the season.
Naturally, every station tried to spin the results to make themselves look good:
- CJAD sent out a press release noting their #1 status and adding that it is the best-rated news-talk radio station in Canada in terms of audience share in its central market. (The fact that Montreal has a limited number of English stations is a big factor in that, of course.) And it singled out hosts Andrew Carter (most listened-to radio show in the market), Aaron Rand (most popular afternoon show) and Ken Connors (a 52% share on weekend mornings).
- The Beat also sent out a press release, staking claim to the title of highest-rated music station in the market, as well as the adults 25-54 and women 25-54 demographics that advertisers love, and highlighting its high ratings during the 9-to-5 workday, which continues to be its strength.
- Virgin Radio didn’t send out a press release, though it did post messages on social media noting some ratings wins. It calls Freeway and Natasha “Montreal’s #1 most listened to morning show”, but only in the fine print do you realize they restricted the audience to adults 18-49. Another image pointed to the station having “more than 2 million listeners a week”, which is true, but that counts everyone who tuned in for even one minute during that week. It doesn’t measure how long or often people listen to the station, and The Beat has the same reach.
Among Montreal francophones (all ages):
- 98.5 FM: 19.8% (36,600)
- Rythme FM 105.7: 18.5% (34,300)
- ICI Première: 11.8% (21,900)
- Rouge FM 107.3: 9.3% (17,300)
- CKOI 96.9: 9.1% (16,900)
- Virgin Radio 96: 5.8% (10,700)
- The Beat 92.5: 5.6% (10,300)
- Énergie 94.3: 5.4% (10,000)
- CHOM 97.7: 4.7% (8,700)
- ICI Musique: 2.5% (4,600)
- Radio Classique 99.5: 2.3% (4,300)
- 91.9 Sports: 1.4% (2,600)
Once again, news-talker 98.5 FM is the leader among all audiences, though Rythme FM declared victory in the adults 25-54 group.
Radio-Canada bounced back big time from a bad book in the summer, taking third spot overall. CKOI’s rating is also noteworthy. After being stuck with shares around 6%, it’s now several points up on that. Meanwhile, Énergie, whose lineup includes Dominic Arpin, Mélanie Maynard and Éric Salvail, gets smaller audiences overall than Virgin and The Beat.
Self-congratulatory statements from:
- 98.5FM, which says it’s the most listened-to station in all of Canada (by total average-minute audience, apparently)
- Radio-Canada, which notes a 30% year-over-year increase (good news after a pretty bad report in the summer ratings).
- Bell Media, which highlights the success of Énergie’s afternoon network show Éric est les fantastiques. Because it’s carried on multiple stations, it gets a large audience.
Also roundups from La Presse, InfoPresse and ActusMédias.
CHRF 980 AM, which seems to have an actual programming strategy now, had its best ratings ever. Except it only started reporting ratings in the past year, and its share is 0.3% among francophones and 0.4% among anglophones, for about 800 average-minute listeners total.
New on the ratings chart is CIBL-FM 101.5, the community station whose studios are at the corner of St-Laurent Blvd. and Ste-Catherine St. The station unsurprisingly scored zeros for anglophones, and starts on the francophone chart as a 0.1% share, 300 average listeners and an average daily reach of 16,800. The only station with a worse rating among francophones is TSN 690. It’s certainly not a win for them, but the ratings book should give them a lot of information about their audience that they didn’t have before.