Monthly Archives: April 2016

TSN 690 personalities raise more than $2,000 for charity with surprisingly good standup comedy

Mitch Melnick performs a standup routine during One Mic Stand at Comedyworks Wednesday night.

Mitch Melnick performs a standup routine during One Mic Stand at Comedyworks Wednesday night.

I didn’t know what to expect paying $15* for a ticket to watch a standup show featuring TSN 690 radio personalities, but they took the exercise seriously enough to deliver a decent night of comedy to the sold-out Comedyworks venue on Bishop St.

One Mic Stand raised a bit more than $2,000 for the Erin Sports Association, which is … actually I don’t know what it is other than it being Irish and about sports. But supposedly it’ll be for a good cause.

They didn’t want anyone filming the event, and I was specifically asked to keep the potentially embarrassing jokes off social media (plus I didn’t have time to write any of them down), so if you didn’t make it I’m afraid you’re going to miss out. That’s probably for the best.

They did allow pictures, though.

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CRTC explores adding a new FM radio station in Quebec City, possibly an English one

The Canadian Radio-television and telecommunications commission is opening the door to adding another commercial FM radio station in Quebec City.

On Thursday, the commission issued a call for comments, prompted by two applications for new commercial radio stations in the provincial capital — one French, one English. The first step in the process is for people to comment on whether they believe the market can handle another station, and if so whether there should be a general call for applications from all interested parties.

The commission published basic information for the two applications it received. Both are for the same frequency, 105.7 MHz, with a power of a few thousand watts.

The French-language station is proposed by Gilles Lapointe and Nelson Sergerie. The English-language one is proposed by Dufferin Communications, a subsidiary of Evanov Radio Group.

Another chance for Evanov?

This isn’t Evanov’s first attempt at a Quebec City station. In 2010, the CRTC denied a similar application — for the same frequency — for an English-language commercial station using the same easy-listening format of Evanov’s Jewel network of stations. (The commission also denied an application by Evanov for a sister French-language station.)

The decision was controversial, even within the commission itself, prompting a dissenting opinion from commissioner Timothy Denton. The majority found, as it had with a similar application from Standard Radio in 2006, that because Quebec City’s anglophone population is so small, a new English-language music station would necessarily have to target francophone listeners, and would introduce unfair competition because English-language stations don’t have French-language music quotas. (A policy the commission is in the process of reviewing.)

Denton argued that it’s not up to the commission to protect French-language stations from competition from English-language stations, nor to protect Evanov from the danger of trying to make money by targeting only the anglophone community.

Has anything changed?

In the six years since that decision, there’s been enough turnover at the CRTC that none of the commissioners who were part of it are still there, including Denton. That could prompt a change in mentality.

The market, meanwhile, appears to have changed fairly little in the past half-decade. Its nine stations have had a profit margin around 20% over the past five years, which is actually down from 30-40% margins when the CRTC made its decision. And advertising revenue is also flat at around $45 million for the market.

The economics are the same, so if the commission does decide to go ahead with a new station, it will be because of a change of mentality of the commissioners or the strength of the applications.

What’s next?

Interested parties, including incumbent radio stations who want to stop competition, and others who might be interested in applying, have until May 30 to comment. After that, the commission will decide if it makes sense to add a new station. If it does, and there’s clear interest from other parties, it will issue a call for applications and set a hearing. If it’s just those two applicants that express interest, it could simply consider those applications without issuing a call or having the parties appear at a public hearing.

If you wish to add your two cents about whether Quebec City can handle another commercial radio station, you can file your comments here until 8pm ET on May 30. Note that all information submitted, including contact information, becomes part of the public record.

More than 40 Quebec TV series have celebrity-guest-of-the-week as part of their concept

When musician Pierre Lapointe appeared on Radio-Canada talk show Tout le monde en parle on Sunday, complaining that Quebec television is too timid and is focused on seeing the same faces over and over again, most Quebecers didn’t see it, ironically because they were busy watching the Gala Artis on TVA, the popularity-contest award show in which the same A-list faces as last year got rewarded for still being popular.

After a clip of Lapointe’s montée-de-lait was posted to YouTube and everyone rewatched the interview online or on their PVRs, the inevitable analyses started appearing. Le Soleil’s Richard Therrien dug around and found out that despite Lapointe’s complaints that his music talk-show series Stereo Pop was badly managed by Radio-Canada, it was actually Lapointe himself that was poorly managing the situation and acting like a diva.

Meanwhile, Radio-Canada VP Louis Lalande responded to Lapointe’s complaints that the public broadcaster is asleep at the wheel when it comes to broadcasting culture.

The issue has gotten so much attention that even my newspaper has a column on it.

I never watched Lapointe’s show, and I’ll leave it to others to debate what happened to it. And there are plenty of reasons to suggest Lapointe might be a hypocrite (he was a judge on La Voix, after all) or to defend or complain about Radio-Canada.

But Lapointe hinted at an issue that goes far beyond the public broadcaster: Quebec television is obsessed with celebrity.

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Andrea Collins leaves Virgin Radio 96 for Toronto

Virgin's Andrea Collins

Andrea Collins, the Virgin Radio daytime host and occasional CTV fill-in weather presenter, is pulling up stakes and moving to Toronto after five years.

She made the announcement last week on social media, and today was her last day, which prompted a surprise sendoff from her coworkers.

Collins will be taking a job co-hosting the morning show on Virgin Radio 99.9 in Toronto, replacing Maura Grierson, who’s taking maternity leave. She’s also becoming the “iHeartRadio Canada ambassador” — in January, the U.S. radio brand signed a partnership with Virgin owner Bell Media.

She starts May 2, a few days before she turns 32.

Collins was hired by Virgin in 2011, after previous radio jobs in Winnipeg and Victoria, to replace Nat Lauzon, who bolted for The Beat. Then, after Cousin Vinny Barrucco did the same, she was moved to afternoon drive, becoming the first woman in this market to host an afternoon show solo at a music station. She later moved back to daytime when Mark Bergman went back behind a microphone.

When I profiled her for a Gazette feature in 2013, she described her career as a series of being in the right place at the right time. I think that downplays her talent, but there’s also some truth to it.

No announcement has been made about who will host from 9am to 1pm weekdays now (or maybe it was and I missed it, just like I missed this announcement more than a week ago). A job posting for on-air host at Virgin was made last week.

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Radio host Jeff Fillion fired for insensitive use of sarcasm, emoji

Today, we learned that even Quebec City’s trash-talk radio has its limit.

Or, well, we learned that again. Because it’s happened several times before, including with the man at the centre of the issue today, the king of the format, Jeff Fillion.

At exactly 1pm on Wednesday, Bell Media and CHIK-FM (Énergie Québec 98.9) announced that Fillion, who hosted the afternoon drive show from 3-6pm weekdays, no longer works for the company. (It’s not explicitly clear if he was fired, quit or some mutual agreement was reached, but it’s clear this was more the company’s doing than his.) The station has put Maxime Tremblay in his timeslot for the time being.

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TVA pulls the plug on Argent

argent-logoArgent, the only French-language business specialty channel in Canada, is being shut down on April 30, owner Groupe TVA announced on Tuesday.

The television and cable industries are in turmoil and TVA Group has concluded that, despite the marketing efforts made in recent years to support Argent, it would be difficult if not impossible to achieve the profitability to continue operating the economic and financial channel.

I’m not sure what those “marketing efforts” were exactly (I’ve never seen an ad for the channel, beyond the branded business pages of the Journal de Montréal), but questions can certainly be raised about TVA’s commitment to the channel, which for one thing was never distributed in high definition, even on Quebecor’s Videotron cable system.

After taking its usual unnecessary swipe at Canada’s public broadcaster (which doesn’t have a business news channel), TVA said the decision would affect an unspecified number of employees. La Presse reports its nine permanent employees will stay with TVA, but their shift to other jobs might affect temporary employees at LCN and elsewhere.

The channel launched in 2005.

According to data submitted to the CRTC, Argent’s financial situation has been in significant decline since 2010-11, going from $4.2 million in revenue to $2.4 million in 2013-14. (Data for the year ending Aug. 31, 2015 should be out within the next month or two.) This is largely because of a decline in subscription revenue (advertising makes up only 2% of revenue), which in turn is because of a decrease in the number of subscribers, from a high of 957,000 in 2010 to 552,000 in 2014.

In the three years from 2012-14, the channel lost almost $2 million, and nothing indicates that 2015 or 2016 would have been any different.

The news of Argent’s shutdown has interesting timing since Canada just added its second English-language business channel (Bloomberg TV Canada) and the first one, Business News Network, is still doing quite well financially, with a 40% profit margin.

And the suggestion that this decision comes out of the CRTC’s recent pick-and-pay TV decision also doesn’t jive with the fact that its financial troubles started long before then and that Videotron, also owned by Quebecor, has been offering custom channel packages for many years now.

But these days it makes more sense for a Canadian business channel to be based in Toronto than Montreal. The only place I remember seeing Argent on TV was at my local Caisse Desjardins bank. I guess they can switch to LCN.

Cuts in QMI’s investigative bureau

UPDATE (April 21): Meanwhile, there were cuts to the investigative reporting team at Agence QMI, Quebecor Media’s shared journalism outlet.

https://twitter.com/AndrewQMI/status/722844090702794753

Andrew McIntosh is an investigative reporter who’s been in the business more than 30 years, working for the Globe and Mail, Montreal Gazette and National Post before joining QMI in 2010 as their top investigative reporter. His awards include three National Newspaper Awards.

You can read some of his reporting for QMI here.

The other high-profile departure is Michel Morin, who was a journalist with Radio-Canada until he became a CRTC commissioner. After his term at the broadcasting regulator ended, he joined QMI’s investigative team. You can read some of his stories here.

Éric Lapointe gets no respect: A quantitative analysis of La Voix

Is Éric Lapointe the least popular coach on La Voix (TVA photo)

Is Éric Lapointe the least popular coach on La Voix (TVA photo)

If you’re at all in tune with French-language TV in Quebec this time of year (and if you aren’t, you really should be), it’s hard to miss the phenomenon that is La Voix, Quebec’s version of the Dutch singing competition show whose distinguishing feature is blind auditions.

(If you don’t care about that show, don’t bother reading the rest of this post. It won’t interest you.)

The show has an audience that hovers around 2.5 million each week, and will probably reach 3 million during Sunday’s finale. To put that in perspective, there are about 6 million people in the province that have French as their first language. And a bit under 1 million of them are watching La Voix’s direct competitor, Tout le monde en parle, on Radio-Canada. That’s half of francophone Quebec watching one of two shows on Sunday nights.

After ignoring it at first (I don’t tend to watch reality competition shows), I kinda got hooked on it a bit last year and have been following it intently this year (even watching the behind-the-scenes shows on Monday and Thursday nights). That means I’ve had my heart crushed when a contestant I liked got eliminated, and I’ve taken sides in the heated debates among fans about who is the better singer, or scandals where the public complains that popular voting has too little say in who wins or that popular voting has too much say in who wins. (But seriously HOW THE HELL DOES THIS NOT WIN? COME ON! #TeamGeneviève)

Anyway, back to those blind auditions. The way they work is the contestant goes on stage and sings for two minutes, and coaches that want the contestant on their team press a button that causes their chair to turn around. If more than one coach turns around, the contestant gets to choose their coach from among those who did so. The process continues until all four coaches have 12 singers on their team.

It didn’t take me long to notice patterns, both in how the coaches acted and how the contestants did. Éric Lapointe, in particular, would often be the first to turn around, especially if the singer was a rocker. And, it seemed, in battles between him and another coach over a contestant, he would more often lose. After I noticed someone else make a joke on TV that suggested the same, I decided to put that theory to the test, analyzing the choices made by coaches and contestants during blind auditions for Seasons 2, 3 and 4 of La Voix. (Lapointe wasn’t a coach in Season 1.)

Here’s what I found.

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