Category Archives: Media

My contribution to solving the two solitudes: Get bilingual anglos to watch more French TV

I never used to watch French TV. Even in the days of analog cable, we’d skip past Radio-Canada, TVA and TQS to get to CTV, CBC and Global. Wouldn’t even bother seeing what’s on. It was in French, and we didn’t want to watch it.

There were a few reasons for this. One, my French comprehension wasn’t quite good enough at a young age to be able to properly understand the fast-talking faces on screen. The fact that many of these series were primarily dialogue-driven (faute de moyens, as they say) made it worse. But perhaps just as important, I was disconnected from the culture. I didn’t get the popular references, I didn’t know the actors, and I wasn’t familiar with the series.

It changed about 10 years ago. I can’t point to a specific moment, or even say why it happened exactly or what the first show I watched was. But it started not long after I moved into a building where all my neighbours were francophones. Combined with writing this blog and covering media including francophone media, I got exposed to a lot more French than before — reading it, speaking it, understanding it.

Nowadays, French-language TV is a large part of my (rather gluttonous) TV-watching diet. A lot of it is low-budget and has horrible writing. But as American TV has reached its so-called golden age, Canadian TV in both languages has also dramatically improved in writing and production quality, at least at the high end.

Watching French TV has given me a lot more insight into Quebec culture, in addition to providing conversation material for the extended (francophone) family get-togethers on New Year’s Day. It’s something I wanted more people to be exposed to, especially as the idea of “two solitudes” in Quebec seems to persist despite how much of both sides of it understand the other language.

So with that in mind I proposed an idea to the Gazette, which was quickly accepted, to compile a list of suggestions of French TV series for bilingual anglophones to check out. A Top 15 list of French TV series is published in Saturday’s Culture section.

Initially, my plan was to look at series that could serve as gateways for anglos. Series without too much complex, fast-talking dialogue or cultural references. And I didn’t restrict it to fictional series either. But in the end the suggestions were all works of fiction, almost all of them dramas, and heavily weighted to more recent series. And some of these series might not be easiest for people who struggle in French (pro tip: turn on closed captioning. I still have to rely on it sometimes when I can’t make out a key word that was spoken).

As part of the effort to unite the languages, I reached out to some experts for suggestions. Three were kind enough to offer them: Marc-André Lemieux from the Journal de Montréal, Amélie Gaudreau from Le Devoir, and Thérèse Parisien from 98.5 FM and C’est juste de la TV. All three watch TV for a living, so they know what they’re talking about.

I also got plenty of suggestions from Twitter in response to this tweet. As well as several responses from anglos who wanted to take note of those suggestions, which is encouraging.

I intentionally left off Tout le monde en parle, the Sunday night talk show on Radio-Canada, which I think is a special case because it’s big enough to be newsworthy in itself. But I included a bonus mention of C’est juste de la TV, which offers TV suggestions and reviews on a weekly basis.

If I were to suggest other non-fiction series, I would suggest hospital documentary series De Garde 24/7, Radio-Canada’s Enquête, En direct de l’univers, and whatever Véronique Cloutier’s latest variety show is.

Feel free to suggest more series, fiction, non-fiction or other, in the comments. And like broccoli and Brussels sprouts, at least try some before you decide you don’t like it.

Media News Digest: La Presse union deal, Cogeco drops TSN/RDS streaming, new CEOs at Postmedia and Videotron

News about news

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Cogeco completes radio stations’ transition to new antenna on Mount Royal

A five-stage reorganizing of radio station antennas on the Mount Royal Antenna has been completed, with the most notable change being that the city’s most powerful FM transmitter CKOI is now broadcasting from Mount Royal instead of the CIBC building downtown.

Cogeco Media president Michel Lorrain told me the process (approved by the CRTC in September) was completed before the holidays, but the stations were at 80% power until everything could be properly tested, and the ramp up to full power happened last week.

(Warning: Lots of technical nerdy antenna talk ahead.)

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CRTC approves Quebecor’s acquisition of Évasion and Zeste TV channels

Quebec’s television industry is about to lose a voice.

On Monday, the CRTC approved the proposed acquisition of Groupe Serdy, owner of French-language specialty channels Évasion (travel) and Zeste (food) by Quebecor’s Groupe TVA for $21 million.

The acquisition was challenged by V, on the grounds that TVA already has too much power in the market, but the CRTC said the increased market share would be minimal, and in any case still lower than the 45% limit above which it would normally deny such applications.

The application to transfer the licences was supported by dozens of interveners, including many producers.

In addition to $1.8 million in tangible benefits, split between the Canada Media Fund, the Quebecor Fund and Telefilm Canada’s Talent Fund, the transaction will also result in an increase in Canadian spending quotas for both channels, as they’re integrated into the TVA group licence. Évasion must spend 40% of its revenues on Canadian content, while Zeste has no quota. As a condition of approval, both must now come up to the TVA group quota of 45%. And 15% of their revenues must be spent on “programs of national interest” (scripted drama and comedy, documentary and award shows) for the TVA group.

A similar transaction, involving Bell attempting to buy Historia and Séries+ from Corus, was blocked by the Competition Bureau.

CFNV 940 AM begins simulcasting programming from online radio station

Robert Arcand in the CNV studio, via one of its webstreaming cameras

Several radio watchers have noticed that they’ve been hearing live voices on CFNV 940 AM the past few days, talking between the songs and giving weather and news updates.

Though the programming is still mostly music, far from the news-talk-debate format that owner TTP Media promised the CRTC when they first applied for a licence in 2011, or even the wellness-talk format that they seemed to move to when they renewed that licence in 2018, there’s at least something. (The hosts they have are veterans of the low-budget radio scene, where wellness programs have flourished, with shows on stations like CJMS 1040, CJLV 1570.)

But the voices are not original to the station. Instead, the shows are being simulcast from Mirabel-based digital radio station CNV (it appears to be a mix of programming from its main feed and its Succès absolus second channel, but there’s also some music that’s coming from neither of those sources).

Hosts being simulcasted include Robert Arcand (weekday mornings) and Diane Lafrance (weekdays at 11am). On their shows and on social media, they’re noting the simulcast.

No word on anything yet from the English sister station CFQR 600. I’ll update this if I hear more.

Media News Digest: Public editor roundups, Brunette is Breakaway’s new host, Chesterman retires Gazette column

Okay everybody, back to work. Here’s what you missed over the holidays.

News about news

https://twitter.com/PaNormandin/status/1074671122547920897

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Nat Lauzon on her ears, her job, her love of dogs and random other stuff

Nat Lauzon in The Beat’s studio

In the decade or so I’ve been writing about local media, I’ve met most of the people in local TV and radio, at least in passing. But until December, Nat Lauzon wasn’t one of those people. She has worked weekends since 2011, so that has a lot to do with it. In fact, the only photo I had of her was this one taken of her while she was on the Virgin float at the St. Patrick’s Parade in 2011.

Nat Lauzon in 2011.

Nevertheless, I’ve wanted to write about her for a bit, because of the ironic situation she faces, being a person who deals with audio for a living but is losing her hearing.

It didn’t take long to convince my newspaper that this was a good story, and the result is this article that appears in Thursday’s paper. It focuses almost exclusively on an area in Lauzon’s head that’s smaller than a grape (or, well, two grapes since there’s one on each side), but since I had the chance to sit down with her, we talked about a bunch of other stuff, too.

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Journalists of Tomorrow … or not: Safia Ahmad

Every year, I speak to winners of Concordia’s journalism school awards as they’re presented at the Montreal Gazette offices. Today, one of the 2016 winners of the Philip Fisher bursary, Safia Ahmad.

Not everyone who graduates from journalism school goes into what you would normally think of as journalism. In fact, I would guess that a majority don’t. Some decide that journalism isn’t for them and pursue something entirely different, others struggle to find jobs (not everyone from my graduating class could be a national journalist at the CBC, not that I’m jealous or anything Catherine), but a lot of people find that their skills and passion are more suited to a job that is like journalism, but not quite.

There are a lot of what I would call journalism-adjacent jobs out there. Arguably, as a copy editor, I’m in one myself. And just because you’re not hounding prime ministers with questions doesn’t mean you’re not doing something valuable in the media ecosystem.

Safia Ahmad, after being honoured with a journalism award in 2016, became a summer reporting intern at the Montreal Gazette the next year, writing many stories that I and my colleagues edited.

But she’s since decided that it’s not for her, as she lays out below. Now, the 25-year-old born-and-bred Montrealer works in communications, notably as media relations manager for Les Canadiennes of the Canadian Women’s Hockey League, where I’ve run into her at games.

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Elias Makos to replace Leslie Roberts on CJAD 800

Elias Makos in 2013, before entering television puberty.

Elias Makos, who announced last week he was suddenly leaving Citytv’s Breakfast Television Montreal, has been hired at CJAD to host the 9am to noon show, replacing Leslie Roberts, who leaves at the end of this week.

The news was announced on CJAD’s newscast on Monday, via Bell Media press release, and with a post on CJAD’s website.

The not-very-creatively-named Elias Makos Show will feature “breaking news, debate, interviews, and discussion with listeners,” with a goal to not reinvent the wheel, Makos tells the Gazette’s Bill Brownstein.

In addition to CJAD hosting duties, Makos will be an online media analyst for CTV Montreal, returning to a role he had previously held on a freelance basis before joining BT.

Makos starts in his new roles on Dec. 31.

Update: A confidential source close to Elias Makos, whom I’ll name Malias Ekos, informs me that Mr. Makos doesn’t look like the picture above anymore. My source managed to acquire this image of Makos as he appears currently.

Elias Makos in 2018.

Journalists of Tomorrow: Josie Fomé

Every year, I speak to winners of Concordia’s journalism school awards as they’re presented at the Montreal Gazette offices. Today, the 2017 winner of the Susan Carson award, Josephine (Josie) Fomé.

Josie Fomé

I could write this long introduction about Josie Fomé and her history, but fortunately she’s already done that for a first-person photo essay on Concordia’s website.

In short, Fomé, 24, was born in Cameroon and grew up in Columbia, S.C. She studied at Dawson College and then did an undergraduate degree in Communication Studies with a minor in Human Relations.

“My very first job was as a cashier at my neighbourhood’s mom and pop grocery store, where I got paid waayy below minimum wage but also learned skills that still benefit me to this day,” she says. “After that, various work experiences have included camp counsellor, helpline phone operator, set up and take down of gyms at school, events assistant with Concordia’s Alumni department, receptionist, mail clerk, internship coordinator, etc. I’ve done so many temp jobs, some of my friends like to call me ‘Josie the temp.'”

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Media News Digest: Vice loses in Supreme Court, DeMelt replaces Schwartz at CTV, Makos leaves City

News about news

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Journalists of Tomorrow: Stéphane Grasso

Every year, I speak to winners of Concordia’s journalism school awards as they’re presented at the Montreal Gazette offices. Today, one of the 2016 winners of the Philip Fisher bursary, Stéphane Grasso.

Stéphane Grasso in 2016.

Stéphane Grasso is an artist. His specialty is in film production, thanks to his education at Concordia’s Mel Hoppenheim School of Cinema that started 15 years ago.

As he explains below, he produced documentaries for non-profits like World Vision, and that work led to a desire to focus on underrepresented people, so he decided to study journalism.

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Quebec City still isn’t ready for its first English-language commercial radio station, CRTC finds

Evanov Radio’s controversial plan to launch Quebec City’s first English-language commercial radio station will have to wait some more after being denied again by the CRTC.

In a decision released Thursday, the commission said the Quebec City radio market “cannot sustain an additional radio station at this time” and that the two applications for new stations — the other by Gilles Lapointe and Nelson Sergerie is for a French station — would be returned.

Evanov had previously tried a decade ago to convince the CRTC to move forward with an English music station in the provincial capital, but the commission denied its application in 2010, in a controversial decision that included a dissenting opinion.

The application is controversial because the other stations in the market argue that Quebec City’s English-language population is far too small to sustain a commercial radio station, so Evanov would instead target the francophone population. By being an English station, it would not be subject to the 65% French-language music rule, which would give it an unfair competitive advantage by allowing it to play more American and U.K. hit songs that are very popular among francophone audiences.

Evanov, who wants to launch a Jewel brand station in Quebec City, argues it wants to serve the anglophone community as well as the anglophone tourist market (though Quebec City already has an English tourist information station), and that it has experience in running radio stations in small markets.

The 2010 decision includes a detailed analysis of the anglophone market in Quebec City. But today’s decision only analyzes the market conditions overall, without commenting specifically on the appropriateness of an English radio station in Quebec.

The current applications for Quebec City actually date from 2016, but were put on hold when the CRTC ran low on French-speaking commissioners.

Under CRTC rules, it won’t consider new applications for Quebec City for the next two years. In December 2020, they can try again.

The news was better in neighbouring communities. In Sainte-Marie-de-Beauce, an application by Attraction Radio for a second music station there will go ahead. And in Portneuf, which is technically still the home of CHXX-FM (Pop 100.9), the commission will proceed with an application by Michel Lambert. Both raised concerns from the commercial broadcasters in Quebec City for fear that they might eventually target the Quebec City market. The Beauce application was also opposed by Groupe Radio Simard, which owns stations in Saint-Georges-de-Beauce.

The applications themselves haven’t yet been published, but should be soon. a public hearing is scheduled for Feb. 20 (to hear an application for Leclerc Communication to buy CHOI Radio X and 91,9 Sports from RNC Media), but these items will not require any oral presentations.

How The Beat beat Virgin (and other trends of Montreal radio ratings)

Numeris released its quarterly metered radio ratings today. There aren’t a lot of surprises, because it’s mostly the same numbers as the last time, and the time before that, and the time before that.

So instead of just excitedly reposting the top-line numbers or fetching the various spins by the broadcasters that make everyone look like they had the best quarter, I thought I’d take a look at some historical data and see how the stations are trending over time.

I did this exercise for Canada’s five metered markets for Cartt.ca after the last ratings book. If you’re a subscriber you can read them there: VancouverEdmonton and Calgary, Toronto and Montreal.

In this post, I’ll go into some more detail about the Montreal numbers, with charts!

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CRTC decision clears way for Kanesatake station to launch rebuild plan

CKHQ-FM Kanesatake in 2014.

There was a sigh of relief in Kanesatake on Monday that relations between the federal government and the Mohawk reserve wouldn’t be strained over a radio frequency coordination issue.

The Canadian Radio-television and Telecommunications Commission released a decision denying a licence application for a new Christian music radio station in Lachute. The application by LS Telecom proposed a 300-watt station at 101.7 MHz.

That same frequency is used by CKHQ-FM (Kanesatake United Voices Radio), a low-power (27W) community station serving the reserve about 25 kilometres away. And though the applicant’s engineers said (and the CRTC agreed) that the new station could co-exist with this existing one, because CKHQ is low-power it does not have a right to its frequency and could be forced to find a new one if a licensed station would receive interference. Because of Kanesatake’s proximity to Montreal, there aren’t other frequencies available that would be nearly as good, even for such a low-power station.

The Lachute station would also have limited CKHQ’s ability to seek an increase in power (though the CRTC says it “would not affect the ability of CKHQ-FM to serve its principal market” and “would not prevent CKHQ-FM from expanding to a regular power station”).

The Lachute application was denied, not because of concerns about CKHQ, but because of issues with the application itself. The commission seemed to think it was a bad application in general, that LS Telecom “did not provide a quality application and did not demonstrate an understanding of the regulations and policies for commercial radio and religious broadcasting.” But it particularly showed concern with the complete lack of news programming proposed, even after the CRTC reminded them that such a thing is expected of commercial FM radio stations, religious or not.

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