Category Archives: Video

Olympic theme songs to build your national pride

If you were watching the U.S. broadcast of the Super Bowl on Sunday, you missed a few dozen CTV commercials reminding you that the Olympics are coming. Among them, this video featuring Montrealer Nikki Yanofsky singing the English version of CTV’s Olympic theme song, I Believe:

Of course, this being Canada, there’s also a French version, sung by Annie Villeneuve, called J’imagine:

How does this compare to previous Olympic songs?

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Entrevue: Jean-François Codère, ruefrontenac.com

A week before the anniversary of the Journal de Montréal lockout, I went to Rue Frontenac’s offices and sat down with tech journalist Jean-François Codère, and asked him a few questions that had been nagging me.

You’ll have to excuse the background noise, because Gabrielle Duchaine couldn’t shut her bloody pie-hole and stop flirting with me I haven’t gotten around to getting an external microphone for my cheap new video camera.

Some highlights from the interview, for those too lazy to sit through a half hour of a talking head (or who can’t understand French):

  • Codère learned about the idea for Rue Frontenac in December 2008, at which point he undertook the mission to setup “something like Cyberpresse” in a month, in time for the expected Jan. 2 start of the lockout. (Last-minute negotiations pushed into the new year, delaying the lockout until Jan. 24.) The site is based on Joomla, only because they’re familiar with it and the union’s website is based on the same platform.
  • Though the few people organizing the website knew well in advance, and some journalists had an idea of it the week before the lockout, most of the 253 union members didn’t know about Rue Frontenac until the day of the lockout.
  • The three-week delay between the end of the collective agreement and the start of the lockout helped to build up the site, but training everyone on how to use it still took a while, and was the main reason for a four-day delay between the lockout’s start and the launch of Rue Frontenac. (Codère points out Patrick Lagacé’s complaint last year that they weren’t acting fast enough – he says he asked Lagacé about it when he visited Rue Frontenac at Christmas, and Lagacé admitted that nobody remembers or cares anymore)
  • Salaries are paid out of the union’s strike fund, but Rue Frontenac’s other expenses are expected to be self-funded, mainly by advertising and donations.
  • Rue Frontenac works with assignment editors, but most people just cover their own beats. The number of articles journalists might file in a week varies depending on the type of story and other considerations.
  • Non-journalists, like classified and business office workers, tend to do more picketing because there’s not much they can contribute to Rue Frontenac.
  • Most people Codère talks to are at least aware of what Rue Frontenac is, so he doesn’t have trouble getting interviews. (Codère’s experience may be atypical – he’s their tech reporter, so the people he deals with are more connected and more exposed to the website.) Most reporters also already have good relationships with their contacts.
  • Getting access to events like concerts isn’t that difficult, even though they’re the only purely web media accredited at the Bell Centre. They’ve negotiated photographer access to 15 of 42 Habs home games, and hope to get a better deal next year (assuming they’re still locked out).
  • Rue Frontenac uses the Reuters photo service to get images for international stories. But all the text is generated from Rue Frontenac journalists.
  • Working at Rue Frontenac is “fun” compared to the Journal, but Codère is a realist: It’s not profitable to do journalism the way they’re doing it.
  • Some computers come from MédiaMatinQuébec, others are personal laptops used by journalists (many of whom had to get old ones or buy new ones because their work laptops were confiscated after the lockout was called).
  • They enjoy not having to do stories about the weather, Boxing Day and other ridiculousness.
  • Codère has received job offers since the lockout, but so far he’s turned them down to remain a journalist.
  • Yes, Rue Frontenac asked for documents to submit a bid to do news for V (ex-TQS), but that was more to learn from the documents. Considering the CSN is still fighting for former TQS journalists whose jobs are being replaced by this subcontracting of news, actually submitting a bid would put the union in an awkward position to say the least.
  • What happens to Rue Frontenac after the lockout ends will depend on negotiations, but MédiaMatinQuébec’s website was taken down as a condition of the Journal de Québec workers going back. What kind of impact that would have depends on how long it will be, and how much work will have gone into Rue Frontenac. Codère’s ideal would be for the Journal to buy Rue Frontenac and all its content, but he isn’t holding his breath.
  • Despite the success of Rue Frontenac, Codère doesn’t think it’s feasible in the short term to have an online-only news organization without a corresponding newspaper. Newspapers come to you, he points out, whereas you have to go to websites. He thinks it will be at least a few years until a serious online newsroom can be financially sustainable.

And one thing that wasn’t in the interview: Rue Frontenac subscribes to digital television. But for some reason they prefer Bell satellite TV to Videotron cable.

UPDATE (Jan. 28):

Jean-François Codère talks about Rue Frontenac on CFCF's News at Noon

Seems CTV also got the idea that Codère was a good person to talk to about this anniversary.

Roberto, you are insane

An adorable little video from Roberto Rocha, who’s taking a one-year leave of absence from his job as The Gazette’s technology business reporter to go travelling around the world for no reason, starting in February. He went around telling everyone what he was doing and filmed their reactions.

While everyone is surprised and encouraging (except for the always dryly-sarcastic Basem Boshra), the star of the video is definitely business editor Bryan Demchinsky, who unwittingly plays the straight man, wondering aloud how this will affect his section and whether Rocha can be replaced while he’s gone.

The video is being passed around a bit on Twitter, and is featured on a website he’s setup about his upcoming adventure, which includes a description of what they have planned.

Thankfully Bryan is a good sport, otherwise I’d agree with Roberto that his job might not be there when he gets back…

Set phasers to “nosebleed”

You know what, I have to admit the Olympic Stadium actually makes kind of a cool futuristic-looking spaceship.

This is the starship Entrecrise of Stade Trek, part of the end-of-year special of Et dieu créa … Laflaque. It and the other new year’s eve special programming of Radio-Canada (Infoman, Tout le monde en parle) is available for online streaming until the end of January.

Remix in review

The end of the year – and particularly the week between Christmas and New Year’s – is a time for lazy journalism, usually in the form of lists of “the best of” the year that’s passed. The lists are almost always subjective, incomplete, and – when it comes down to it – pointless. They don’t add anything new to the conversation. Maybe such a list might expose you to something you haven’t seen before, but usually “top” means “most popular”, so the likelihood of you not having seen it is low.

This video comes from DJ Earworm, a remix artist (via Dominic Arpin). I’ll link to the YouTube page since the website seems to be suffering under some unexpected viral load. The MP3 is free to download. It’s a remix of the top 25 songs of 2009, as judged by Billboard. That means you’re stuck with two Lady Gaga songs, two Black Eyed Peas songs, two Beyoncé songs and two Taylor Swift songs, along with Katy Perry, The Fray, Kelly Clarkson and Miley Cyrus.

But it’s impressive, while giving a bit of exposure to each song in a way that doesn’t make me cringe. Kind of like I’ll eat mushrooms on a pizza but not by themselves, I’ll take Swift or Cyrus when remixed well with non-crap.

This isn’t a first, either. DJ Earworm did the same for 2008 and 2007.

Just imagine if all the other years in review were this … creative.

FPJQ conference video: behold the elegance

Projet J has uploaded two videos shot at the conference of the Fédération professionnelle des journalistes du Québec held last month. The first video (above) asks the members present about the future of journalism, and has brief interviews with culture minister Christine St-Pierre and Dominique Payette, who will be doing a study into the status of media in Quebec.

The second video (below) focuses on the contested election for FPJQ president, eventually won by Le Devoir’s Brian Myles.

Perhaps I’m missing the big picture here, but the sight of journalists wining and dining at a fancy dinner while complaining about how poor they are doesn’t quite jive with me.

Neither does the B52s soundtrack.

The entirely unbiased history of the Journal de Québec lockout

The Syndicat Canadien de la fonction public publique (Canadian Union of Public Employees) has put together a 23-minute video (in French and with English subtitles) about the 15-month lockout of editorial employees (and subsequent strike by press workers) at the Journal de Québec in 2007 and 2008.

As you can imagine, being a union-produced video, it’s hardly detached from the situation and presents a somewhat distorted view. There are no interviews with Quebecor or Journal management (who knows if the SCFP even tried). Talk of the deal that was eventually reached talks of it being a huge victory for the workers, while in reality it was more of a reasonable compromise between the two sides’ demands.

Even though the labour disruption ended in the summer of 2008, the saga is far from over. The union is appealing a court decision that nullified a labour board ruling that the Journal used scabs as subcontractors during the lockout. There’s also a fight over Quebecor Media wanting to add additional Journal de Québec journalists to the National Assembly to make up for the Journal de Montréal journalists currently being locked out.

Looking back at the conflict also serves as a comparison with the current situation at the Journal de Montréal (and Le Réveil, whose 26 locked-out workers want to go back to the table). The chasm between workers and employer in Montreal is even larger than it was in Quebec, although many of the issues are the same.

But the union, and the documentary, are right about one big thing: The MédiaMatinQuébec experiment changed the face of labour disruptions involving journalists, and is serving as a template. The template couldn’t be entirely replicated by the STIJM in Montreal (Montreal already has two free newspapers – one owned by Quebecor – and the territory is larger than Quebec City), but the Rue Frontenac website might not have happened were it not for MMQ.

Unfortunately for the union members, Quebecor also learned from the Journal de Québec lockout. It learned how to get around anti-scab laws, and made sure its Agence QMI was setup so it could take news from other sources and reproduce them in the Journal de Montréal.

If the Journal de Montréal workers end up with a deal similar to what the Journal de Québec workers got, that will probably also be hailed as a huge victory for the union. But who knows how long it will be until that happens. Both Quebecor and the STIJM are prepared for the long haul.

Le Trente also has some discussion about the SCFP’s video.

The Expos Five Years Later

Elias Makos, who used to work in the Expos’ marketing department before the franchise moved in 2004, moderated a panel at the recent sports journalism workshop at Concordia University looking at Montreal’s major-league baseball team.

And, fortunately for us, his work teaching Concordia students to handle video has come in handy here, and the entire hour-long discussion is available on YouTube:

It has more to do with the Expos and sports business than journalism, but it’s still a fascinating look at what went wrong with this franchise from people who know.

The panel includes:

Jack Todd, of course, also has some thoughts on the matter, which he shared in a column. His talk at the conference is recorded audio-only here, though there’s a lot of noise.