Tag Archives: advertising

Quebec to censor fast-car ads?

It’s pretty well agreed among most reasonable people that speed is bad. Unless you’re speeding just a bit above the speed limit, then it’s ok because everyone else does it and you’re not hurting anyone. But anyone who drives faster than you is a maniac, and everyone who drives slower than you is an idiot.

So, some wonder, why do cars have speedometers that go up to 180kph? Why not just technologically limit how fast they can go and make it simpler for everyone?

Well nobody is doing that quite yet, but Quebec is taking a step in the direction of making automakers responsible for speeding. They’re considering banning all advertising that glorifies excessive speeding. Basically all that “professional driver on closed course” stuff, as well as shots of ski-doos flying through the air.

It’s clear that self-regulation isn’t effective here. Half of car ads feature unsafe driving, possibly in violation of the industry’s own rules about advertising. New Zealand started cracking down on these kinds of ads years ago, and Australia is running interference suggesting speeders have small penises.

To see an example of how bad it is, take a look at this Volkswagen commercial, which features speeding, unsafe driving, near-collisions and apparently drunk driving, with the moral of the story that the car’s safety systems will leave you without a scratch no matter how far you push the envelope.

That’s just irresponsible. It’s time to shut down the closed course.

UPDATE (Dec. 22): Of course, to say that such a law is a ridiculous overstepping of legislative authority, a gross attack on free speech and an outrageous violation of our rights by a nanny-state too concerned with wasting our money pretending we’re idiots would also be true.

Advertiser pressure on the media is subtle

The blogosphere is abuzz with the story of Jeff Gerstmann, who was fired from GameSpot after a negative review of an advertiser’s video game. The company that owns GameSpot insists that this was not the reason for his firing, but neither side will comment on the real reason, hiding behind laws that apparently prevent that.

Closer to home, La Presse chief editorialist André Pratte paid a visit to Francs-Tireurs this week (Part 1 of the interview deals with his views on sovereignty in case you’re interested). In it, he says there’s no “red phone” from the bosses to tell him what to write. However, the paper has an editorial viewpoint, and its opinions follow that.

Over the years, Big Media learned that it’s in their best interest to separate advertising from editorial content. Otherwise, readers wouldn’t trust them and would move on to competing papers.

But while many still follow that mantra officially, various methods have come up for advertisers to influence the editorial process that news media have accepted don’t cross the line:

  • Advertising features: Popular in newspapers, these are advertisements that have layouts that make them look like real newspaper articles. Headlines, bylines, photo captions. Only the tiny word “advertisement” (or in some cases confusing terms like “marketing feature” or “sponsored feature” or “advertising section”) at the top tells you that the content has been paid for. Some newspapers require that such sections use fonts that are clearly different from the editorial content, others don’t.
  • Press releases as news: Media outlets subscribe to press releases from Canada NewsWire and others as if they were wire services. In many cases, that’s how they find out about stories. When you read about that new medical breakthrough, or that survey, or damning statement from a lobby group, chances are the news outlet got that information through a press release. Because groups have to pay to have their releases distributed, it gives an air of authority to the statement. It also discriminates against poor, less organized groups to find your news in this fashion. Issues that people don’t want to (or can’t) pay hundreds of dollars to get in the hands of journalists don’t get reported.
  • Sponsored, but “hands off” coverage: This is what special sections are all about. Companies offer to place advertisements around articles about a specific subject. They make no demands concerning the content of those articles. This is why you see special sections on big-budget things like home renovation, travel, cars, business issues, fashion, but no special sections on world hunger. In smaller publications, this quid pro quo can cross the line even further. Many small businesses actually think they can demand articles be written about them in exchange for advertising.
  • Free gifts: Actual gifts are supposed to be strictly limited. But all sorts of exceptions exist: Free copies of books are much more likely to be evaluated, underpaid journalists are likely to accept a bribe of free food in exchange for attending a press conference or corporate event, and then much more likely to write about them.
  • Self-censorship: There don’t have to be official policies against pissing off big advertisers or owners, but journalists aren’t stupid. Many won’t take the chance if they can avoid it. They write good stories and gloss over bad ones. Meanwhile, behind the scenes they rant about how horrible the company is to fellow journalists, in a way they would never do in print or in public.
  • Finding an excuse: GameSpot said their firing decision was based on an internal review and not on a game company/advertiser’s complaints. That actually sounds entirely plausible. Nobody’s a model employee, and it’s usually fairly easy to find something about an undesirable that’s grounds for dismissal. Unless they’re part of a powerful union, you can fire them and have a ready-made excuse for their lawyer or the media. It also has the advantage of keeping other employees in line (see “self-censorship” above).
  • Buddy-buddy at the top levels: As Big Media get huge, and their advertisers too, big corporate bosses find themselves meeting socially often. Threats turn into favours, and bribes turn into unwritten mutual agreements.
  • Yes men: Middle-management quickly learn that in order to succeed they have to agree with everything their higher-ups tell them. Self-criticism is shunned. Original ideas are ignored or stolen. Advancement is more about ass-kissing than talent and experience. Not rocking the boat is paramount.
  • Cross-promotion: Media properties do stories about other properties belonging to the same owner. A Gazette article about a Global TV show, a TVA documentary about the Journal de Montréal. The coverage itself may not be biased, but the reason behind it is.

When Pratte says there’s no red phone by his desk, I believe him. Big Media publishers and owners are simply too busy making money to care about micromanaging the day-to-day news decisions of their media properties. They have other people hired to do that. It’s very rare that an order comes from the very top that seriously affects journalistic integrity. And when it does, there’s usually a backlash.

So pressures become much more subtle. Advertising is the biggest source of revenue for almost any media operation. They know that it’s hard to exist without it. And so they justify the blurring of the line between editorial and advertising as a necessary evil to stay alive.

Some even call it “innovative.”

Cherry Chocolate Rain

Good God.

Tay Zonday has gone mainstream:

Cherry Chocolate Rain (via Transmission Marketing)It’s cute, but the fact that the original song “Chocolate Rain” was about how racism still permeates society, having its remix/sequel video done throwing money around, surrounded by gangsta rappers and video skanks and shelling a soft drink… I’m not sure if it’s supposed to be ironic.

Good for Tay Zonday for capitalizing on his immense success. As for Dr. Pepper’s marketing department…

UPDATE: I got an email from a company whose job it is to search the Internet for Tay Zonday blog posts, pointing out another version of the song promoting Comedy Central’s Last Laugh ’07 tonight, singing about celebrity gossip (is that worse than a soft drink?). No word on when The Comedy Network will air the program in Canada.

Don’t tase me, ho ho ho

Sorry for the headline, but it’s all I could think of after seeing this ad (via Muddy Hill Post) from the Taser folks:

Santa’s Taser ad

The ad is for the Taser C2, which comes in different colours and is apparently marketed as a form of self-defence mechanism for infants when they’re separated from their mothers.

It’s also “police proven”, as shown from the great Tasersaveslives stories we’ve seen in the news lately. It’s a track record to be proud of.

For those of you unfamiliar with the cultural reference, Wired educates.

Molson flub was about marketing, not Facebook

Molson, the U.S.-owned company that wants to make us feel Canadian, has pulled the plug on a Facebook campaign that encourages college students to submit photos of them drinking the company’s beer.

Because it uses the bloody F-word, this story is getting all sorts of attention from the blogosphere. Thanks to a Bloomberg wire story, it’s getting attention in international media as well.

Molson, for their part, blames this whole new social media thing and how unpredictable it is because it’s so new and stuff.

Oh please. Encouraging college kids to take photos of themselves partying and drinking is obviously going to lead to excessive drinking. For that matter, everything beer companies do encourages the party atmosphere of excessive drinking (not that college kids need much encouragement in that area). To claim that this was some sort of shock is a lame face-saver that all these new media bloggers are eating up because they want to turn this into something more important than it is.

Contests gone embarrassingly wrong is nothing new. (Whether this actually went wrong or not is a matter of judgment — I think they knew exactly what they were doing, and it was the media coverage that caught them flat-footed.) Either way, there’s nothing about this situation could not have happened if it didn’t involve Facebook.

But don’t let that stop the media and blogging firestorm that is ensuing, followed by analysis piece after analysis piece about the dangers of advertising in a medium you have no control over.

More pay walls coming down

The Wall Street Journal’s Lord Master Rupert Murdoch has decided to drop the pay wall on WSJ.com content, just a few weeks after the New York Times decided to let all its content online be free. Both newspapers are betting on the fact that increased online ad revenue will balance out the reduced subscription revenue.

MediaShift has a good blog post summarizing the arguments in favour and against dropping the pay wall, including its effects on paper subscriptions and volatility of the online advertising market.

One of the blog posts it links to says in one sentence my chief concern about all this: “Are we seeing the death of the paid content model?

I like free content. I like not having to pay to download stuff on my computer. I like being able to read articles from all sorts of newspapers. I like blogs and YouTube and Flickr.

But I’m also one of many people who is trying to make a living off of this “content” thing, and along with all this free content is a race to the bottom, with content providers seeking cheaper and cheaper content. Many now seriously expect people to work for them for free, hoping that not even five minutes of maybe-fame will be enough to cloud their judgment and cause them to ignore the fact that they have to put food on their table.

The bigger problem is that as content gets cheaper and cheaper, so does the work being produced for those low salaries. Investigative journalism disappears completely, journalists get lazy and become stenographers, columnists write uninteresting fluff about their daily lives, and the wall between editorial and advertising starts getting blurry.

We seem to accept being charged for content only when it exists on a physical medium, like books, DVDs and newspapers. Is there any purely digital content that people will keep paying for in the future, or is advertising expected to cover everything? (And with all the increasing content on the Internet, can we possibly have enough advertising interest to bankroll it all?)

We’ll see. By my count only two major Canadian dailies still have pay walls on their websites: The Globe and Mail and Le Devoir. Are they coming next, or will they buck the trend?

Canadian Press wants attention

Canadian Press

For some reason, Canada’s biggest news service has decided it needs to “brand” itself. Canadian Press, the nationwide, not-for-profit wire service, is running ads through member organizations such as CTV, Transcontinental, the Toronto Star, Sun Media (Quebecor) and others to “add value for Canadian Press member daily newspapers and media clients by ensuring more of their news consumers recognize The Canadian Press brand as the credible source of Canadian and international content in their papers, newscasts and websites.”

Perhaps I’m missing something about the newspaper industry in Canada, but I honestly don’t understand what the point of this is. Canadian Press is a wire service, and it doesn’t sell anything to the public directly. So who cares if the public is even aware of its existence? And why would media outlets want to publicize the fact that they’re too cheap to hire their own journalists and have to rely on the same wire service their competitors get their news from? It’s like if CJAD ran ads reminding people that its morning news headlines were read straight out of The Gazette.

I know CP is sad about CanWest’s empire pulling out this year, and it’s constantly annoyed by the fact that people refer to it as “Canadian Press” instead of “The Canadian Press”, but this advertising campaign looks like a giant waste of money.

The end of the CP press release also adds that the organization will be “phasing out” the use of (CP) and (PC) for Canadian Press and Presse Canadienne stories, in favour of the wire’s complete name. I find this funny because the wire has little control over how its stories appear in print, online or on the air. Many websites use the full name already, while many print publications use the shortened form to save space (especially on briefs that are only a few lines long to begin with). Whether member organizations comply with this edict remains to be seen.

Respect? Pleasure? On Montreal radio?

In an effort to fool reassure the public that their purchase of Standard Radio to create an even huger media megalopoly isn’t a bad thing, Astral Media ran full-page newspaper ads this weekend:

Astral ad

The ad, which implies that Mix 96, CHOM FM and CJAD won’t … uhh … change the logos they put on their baseball caps, I guess… includes this bit of hilarity:

… Please be assured of our commitment to continue providing the same great listening pleasure you have come to enjoy. Respect for our broadcast audience and the public in general is a core value of Astral Media…

I can only guess from this that Astral Media haven’t actually listened to CHOM or Mix 96 for more than a few minutes.

(The fact that CHOM and Mix 96, two radio stations that should be competing directly, are controlled by the same owner, is an entirely different issue.)

Go Sox!

Now that the impossible has happened for a second time in four years, perhaps it’s time to reflect on how some of the media down south are recognizing this momentous achievement on their websites:

The Boston Globe’s Boston.com:

AGAIN! (Boston.com)

The New York Post:

A-Rod (NYPost)

The New York Daily News:

A-Rod again (NY Daily News)

Yeah.

It’s also as good a time as any to delve into the vault and bring back this jewel of a fake ad from just after the 2004 series, which starts off asking Boston fans what they would give to have the Sox win it all. (Off the Comedy Network’s website since Comedy Central blocks Canadians now. If it doesn’t work, you can get it off YouTube here)

And if you’re the more sentimental type, Nike’s Red Sox Memories of Losing is here.

UPDATE: Never underestimate the Sox.

Newspapers don’t need to advertise in newspapers

The Canadian Newspaper Association is planning a media campaign to remind people who read newspapers that they should be reading newspapers.

Aside from the redundant stupidity of putting ads promoting newspapers in newspapers, is this really necessary? Newspapers aren’t like toilet paper, you don’t go into a grocery store and pick out a newspaper subscription because you recognize the brand. People subscribe or unsubscribe based on the quality over a long period of time.

Instead of spending money to advertise in your own papers, maybe you should spend it hiring journalists to find good stories and editors to collect them and present them without all those glaring typos.

UPDATE (Oct. 9): Transmission Marketing agrees with me that this is preaching to the converted.

So. Many. Ads.

I just went to a page on the Kingston Whig-Standard’s website:

Ads run amok

My God.

Un case you can’t tell, the article starts at the very bottom of the page. And there’s so much advertising on it that they can’t even fit the entire headline on the first screen.

When are mainstream media web properties going to learn how to properly place their ads online? Would you read a newspaper whose front page was almost exclusively advertising? Why are we expecting different for websites?