After a year of planning and months of construction, CFCF’s newscasts officially moved into their new Studio 12 home today. The noon newscast was the first to inaugurate the studio. CTV Montreal has been doing its newscasts from a temporary set in their newsroom since early July.
The new studio was designed from scratch, is larger (or at least it feels that way) and has plenty of new features. The most striking change besides the design is the fact that it has windows. This studio was designed as a storefront, allowing cameras to see out and potential viewers to see in. (Management there isn’t sure how this will work out – they don’t expect any Today Show-style sign carrying, but you never know.)
The studio is also “HD-ready”, which means cabling is HD-compatible and great attention has been made to detail that wouldn’t have mattered in standard-definition days. But the word is that getting high-definition cameras and editing equipment is still a year or two away.
I got a chance last week to tour the new studio as final preparations were being made to launch it, under the condition that I wait until now to show you photos.
Updated Feb. 23, 2012, with the latest information on transmitters (CKMI now on permanent antenna, CFTU transmitting in digital).
Mount Royal tower is about to go digital
I wrote a feature that appeared in Saturday’s Gazette (Page E3, for those clipping) about the transition from analog television to digital, whose deadline is Aug. 31.
The main story focuses mainly on how local broadcasters are coping with the transition. It’s a big endeavour, and with less than 10% of Canadian households still using antennas to get their television service, it’s difficult to justify the cost (in the neighbourhood of $1 million per transmitter, but varying widely) of replacing the analog with digital.
That’s to say nothing about the consumers, many of whom are on the lower end of the income scale, who must now spend money on new equipment.
The sidebar focuses on consumers, and tries to explain how people can prepare. If you haven’t already heard 1,000 times, cable and satellite subscribers are unaffected. If you get your service by antenna, you either need a TV with a digital ATSC tuner (most new HDTVs have one) or a digital converter box.
My editor was very generous with the assigned length (in all it clocks in at a bit under 2,000 words), but even then there’s a lot of information I had to leave out, including a few conversations I had with actual TV viewers. I’ll try to include most of that information here.
The digital transition in Montreal
First, here’s how the digital transition is going for the nine television stations broadcasting in Montreal (updated 9am Sept. 1):
Five (CFCF/CTV, CFTM/TVA, CIVM/Télé-Québec, CFJP/V and CJNT/Metro 14) have completed the transition, switching off their analog transmitters and replacing them with digital ones that are now transmitting. They should all be at full power from their permanent antennas.
Three (CBMT/CBC, CBFT/Radio-Canada,CKMI-1/Global) have shut down their analog transmitters and have digital ones operating on their permanent assigned channels, but are not yet operating from what will be their permanent antenna on top of the Mount Royal tower. (CBMT and CBFT are also running at reduced power.) Those who don’t get these signals now may see that improve over the coming weeks.
One (CFTU/Canal Savoir) has been given a two-month extension to make the transition. It is still broadcasting in analog until the digital transmitter begins running.
Nagata writes that his decision to leave is not the result of any falling out with CTV or any personal issues, but is more of a philosophical decision based on what he sees are the limitations of the news media, and television in particular. Among them:
“… there is an underlying tension between ‘what the people want to see’ and ‘the important stories we should be bringing to people’.”
“I admit felt a profound discomfort working in an industry that so casually sexualizes its workforce. … The idea has taken root that if the people reporting the news look like your family and neighbours, instead of Barbie and Ken, the station will lose viewers.”
“… the target viewer, according to consultants, is also supposed to like easy stories that reinforce beliefs they already hold.”
“the Kate and Will show. Wall-to-wall, breaking-news coverage of a stage-managed, spoon-fed celebrity visit, justified by the couple’s symbolic relationship to a former colony. … On a weekend where there was real news happening in Bangkok, Misrata, Athens, Washington, and around the world, what we saw instead was a breathless gaggle of normally credible journalists, gushing in live hit after live hit about how the prince is young and his wife is pretty. And the public broadcaster led the charge.”
“I have serious problems with the direction taken by Canadian policy and politics in the last five years. But as a reporter, I feel like I’ve been holding my breath.”
“Within the terms of my employment at CTV, there was a clause in which the corporation (now Bell Media) literally took ownership of my intellectual property output.”
Nagata makes it clear that his criticisms of the television news industry apply as much to the CBC (where he worked before) as to CTV. And presumably the others as well.
“I quit my job because the idea burrowed into my mind that, on the long list of things I could be doing, television news is not the best use of my short life. The ends no longer justified the means,” Nagata writes.
Nagata, who’s all of 24 years old, isn’t sure what he’s going to do next. But he’s already heading out west to Vancouver to be with his family.
“I’m broke, and yet I know I’m rich in love. I’m unemployed and homeless, but I’ve never been more free,” Nagata writes.
I had only one real question for Nagata: “Are you insane?”
His response: “Fair question, and one I’ve been asking myself for a week. … I mean what I say about feeling free. And calm, and happy. And yes, sane. The tradeoff, so far, is worth it.”
Debra Arbec (left) on CBC at 5, and Catherine Sherriffs on CTV at 11:30
Monday was a pretty big day for local TV watchers, with new faces debuting on CBC and CTV newscasts.
Debra Arbec, who left CFCF in May for an evening anchor position at CBMT, saying she wanted a shot at a supper-hour newscast, finally got her first night on air after her contractual obligation to CTV ended on July 1. She co-anchors with Andrew Chang from 5pm to 6:30pm, replacing Jennifer Hall, who has moved back to southern Ontario.
CTV, meanwhile, gave Arbec’s old job of 11:30pm weekday anchor to Catherine Sherriffs, who wasn’t even part of the permanent reporting staff at the time. Sherriffs’s first shift as a television anchor was Monday night.
Both Arbec and Sherriffs were flawless on their first nights, and got lots of praise from their bosses.
Smooth transition for Arbec
“It could not have gone smoother,” said CBC Montreal News Director Mary-Jo Barr, who has been working with Arbec for three weeks. “I was so excited to see the team on air,” she said. “It felt like Christmas morning.”
Asked what the biggest transition issue was, Arbec pointed to technology. CBC uses Avid video editing software, and Arbec had to learn to edit, something she didn’t do at CTV. And in HD, to boot. She and Chang edit the international news roundup themselves.
Arbec also said the change in the schedule took some getting used to. “My body clock has been used to late nights for so long,” she said. Now she has a day job and can spend evenings at home with her husband, Brian Wilde.
Chang, incidentally, also will have a more daytime schedule. It was decided to pull him off the late-night newscast (which runs 10 minutes from 10:55 to 11:05pm) so he could concentrate exclusively on the supper-hour show. Instead of coming in at 3pm and having only two hours to familiarize himself with the show, he can come in and shape it from the beginning. “The show was always a bit of a surprise to him,” Barr said. The move was done by rearranging existing staff, avoiding the need to increase the show’s budget by hiring another person.
Reporter Amanda Margison has been given the late-night host job, which includes some lineup editing and monitoring breaking news during the 5pm newscast.
Arbec heaped praise on her coworkers, including co-host Chang, who she said has been “such a godsend for technology for me.” She’s had a chance to meet the new team (she likened it to moving to a new school) and how to pronounce their names (try saying “Anna Asimakopoulos” without hesitating) and said they were all “really supportive and understanding” about her move there.
Aside from anchoring and preparing the newscast, Arbec will also be introducing a weekly segment called Montrealer of the Week, profiling people who make a difference in the community but aren’t otherwise recognized. Similar in style to the My Montreal series she did at CTV, but focusing on individuals instead of ethnic groups. They will air Fridays, with the first one this coming Friday.
A few hours later at CFCF, it was Sherriffs’s turn behind the desk. A smaller desk, as she was thrown the curveball of having her first day also be the first day of a new temporary set while they build a brand new studio.
“She went into that position a little cold,” said CTV Montreal News Director Jed Kahane. “It’s not a hermetically sealed studio. There’s a lot of distraction. I thought it was great that she was able to do it under those circumstances.”
For Sherriffs herself, it was a bit intimidating doing her first shift as a television news anchor. Other than some time with Todd van der Heyden on Crescent St. during the Formula One broadcasts, she hasn’t had any experience behind the desk. She got some voice coaching (standard for new anchors, Kahane said), but nothing beat the pressure of being live on air by yourself.
“I was more nervous when I came in at the beginning of the shift,” Sherriffs said. By showtime, she realized there was no going back now, and with every segment the nerves became more manageable.
The nervousness showed a bit on air, particularly in more light-hearted segments when she didn’t seem entirely natural. By Tuesday night, it seemed much less apparent and she looked a lot more comfortable in her new role. (Well, as comfortable as you can be with bright lights shining on you, a camera in your face and thousands of people watching you live.)
Like Arbec, Sherriffs credited her crew for helping her get through it. “The crew was amazing,” she said, offering her lots of support.
And in case you were curious, Arbec did watch Sherriffs’s first show, even though it was on what is now a competitor’s channel. She said Sherriffs did a fine job and she wishes her well.
CTV and RDS are really excited about upgraded studios that are being constructed on the ground floor of their building at Papineau St. and René-Lévesque Blvd. But before CTV can move in to the new set in September, it has to vacate its old one. Sunday’s 11:30pm newscast with Paul Karwatsky was the last in the old studio (he’s very proud of that). Starting Monday at noon, the newscasts were being done on a temporary set constructed in the CTV Montreal newsroom.
The temporary set has its issues. For one thing, there’s only one chair behind the anchor desk. Kahane says the plan is to only have one anchor at a time (summer vacations mean the newscasts that normally have two anchors won’t again until September). But it still causes some interesting situations, particularly when they have to switch between news and sports anchor. Currently, one of the two stands when they chat with each other during transitions, which is a bit awkward.
The other thing is that the newsroom is a pretty active place. There was a bit of noise in the audio from the anchor desk on the first night, and people working in the newsroom during a broadcast have to be careful what they yell or what they do when they’re in the camera’s view.
The set added a bit of awkwardness to the introductions, because the establishing shot of the studio can’t be done anymore. Since that’s where the booming voiceover introducing the anchors comes in, that’s gone too. Now, the newscast goes straight from the opening theme to a closeup shot of the anchor. It’s a bit of a jarring transition for someone used to the way the newscast works.
Kahane said most of the work in setting up the temporary studio came in fixing the lighting. There was a camera in the newsroom before that reporters could use to report breaking news and the late anchor would use to say what’s coming up at 11:30, but to do an entire newscast from there, the background needed to be a bit better than the drab and – by television standards – dark cubicles of a newsroom.
Still, the production has a kind of out-of-the-basement feel to it. It looks fine technically, but it doesn’t feel as comfortable.
Kahane said the summer was a good time to do this (it’s kind of a lull in the news industry, and TV ratings are generally down as people head out and do things with their lives). And the move into a new expansive studio (with windows!) will be worth it.
The new studio will be “HD-ready”, meaning the infrastructure will be suitable for HD broadcast, but there are no concrete plans yet to convert the newscast to high definition. CTV has prioritized its specialty channels, which are currently being transitioned. And Montreal hasn’t been made a high priority because of the lack of competitive pressure.
Kahane also said the temporary set will be used as the in-the-newsroom live reporter feed once the new studio is in place, and its look will fit in with the look of the new studio.
And what of their old set? Part of it is being used in the temporary studio, but the big desk and other elements have been donated to Concordia University’s journalism department, where it’s being used in their studio to teach students to become TV anchors themselves.
Sherriffs’s appointment is effective July 4, which, coincidentally or not, is the same day Arbec is scheduled to begin as the 5pm anchor at CBC.
“I’m really excited to still be reporting, it will be great to get out into the city,” Sherriffs says in the story CTV posted online. “But being an anchor is what I always dreamed about. Literally, always. I’ve never wanted to do anything else.”
Sherriffs, from Morin Heights, is a 2007 graduate of Concordia’s journalism program, and got her start on radio. She’s the niece of current CFQR newsman Murray Sherriffs.
The choice of Sherriffs is a bit (but not too much) out of left field. Either of weekend anchors Paul Karwatsky or Tarah Schwartz would have been an obvious choice. Or one of the veteran reporters. But not all of them were interested in a job that would see them lose their weeknights.
Sherriffs hasn’t been contributing to CTV long (in fact, she wasn’t even a permanent member of the staff), but her appointment reminds me of that of Andrew Chang at CBC, who was also a noticeably young (and tiny, and cute) pick but who has turned out to be a very good anchor.
Another pretty face
Of course, the first reaction from TV watchers, and the thing most of us are too polite to point out in public, is that Sherriffs is very pretty. The thought immediately enters one’s mind that she was picked for the job primarily for this reason.
Let’s be honest here: Looks do matter on TV. In a world where your boss will talk to you about your choice of tie, how you look is a big part of how you’re judged. I personally cringe at the thought of how random strangers would judge me if I ever got a regular job that saw my face (and fashion sense) on television.
Look around the dial and you see lots of pretty faces in TV news (not just on Sun News Network). There’s an element of self-selection in this – people (especially women) who are very pretty seem more likely to see themselves as television reporters, or have people suggest that to them. There’s a natural sociological force that brings pretty faces and on-camera TV jobs together. And there are decision-makers who, when presented with two candidates with equal skills and experience, will convince themselves that the prettier one actually has more skills or more experience.
We can say this is wrong, that people should be chosen for their mental qualifications and not their looks, but at the end of the day it’s ratings that matter, and ratings are driven by the viewers.
So, was Sherriffs chosen because she’s pretty? I can’t get into the head of the decision-makers at CTV, so there’s no way to know for sure what they thought consciously or unconsciously. My guess is that it was a minor factor in the decision. Sherriffs’s hosting experience comes from radio, where nobody really cares what you look like. And her work as a TV reporter gives no indication that she’s a dumb girl wandering the streets with a microphone. Pretty works, but it isn’t enough.
The real test will come next month, when she takes over the anchor chair and begins walking the fine line between being a serious news reader and being a warm, relatable human being that people are comfortable spending some time with before they go to bed.
It’ll probably be awkward at first, but give it a few months and she and their viewers will get used to each other.
I’ve never met Catherine Sherriffs, but from what I know about her through her colleagues and her work, I can tell you this: This is what she wants to do, and few people are as motivated as she is to succeed.
Debra Arbec waves goodbye to fans on her last trip on the CTV St. Patrick's Day float
News went out to CTV Montreal staffers early Wednesday morning that evening news anchor Debra Arbec has been poached by CBC Montreal to co-anchor its 5pm newscast, replacing the departing Jennifer Hall as Andrew Chang’s co-anchor.
“It’s been an amazing ride at CTV,” Arbec told me on the phone today, describing the job at CBC as “a great opportunity.” She says her contract there begins July 1 (though she suspects she’ll get that first day off).
Though this is hardly the first change of stations for a local TV newscaster (CTV recently picked Kai Nagata from CBC to fill its Quebec City bureau, weatherman Frank Cavallaro was hired by CBC after his contract at CTV expired, and Global’s evening news anchor Jamie Orchard worked for CTV before she got the bigger job at the smaller station many years ago). But it’s a bit odd to see someone of Arbec’s profile quitting the highest-rated station in the city to go to the No. 2.
For Arbec, who said she’s “not really a numbers person,” the issue was more her placement on the schedule than her placement on the dial. “It’s obvious that a supper-hour show wasn’t in the cards at CTV. Mutsumi (Takahashi) is very much loved in Montreal and will be for a very long time,” she said, with no apparent hard feelings for the city’s most veteran English-language TV news anchor.
Arbec has been hosting CFCF’s 11:30pm newscast since 2003. Though it’s 35 minutes long, only about 15 of that is news, which is a very small amount of daily airtime. CBMT’s supper-hour newscast, meanwhile, is 90 minutes from 5pm to 6:30pm (even if it is a bit repetitive).
Still, ratings are an issue, and Arbec said she knows “a challenge will be to continue to grow CBC’s numbers,” which have just about doubled since the expanded newscast started but are still not even in the same ballpark as CFCF.
“I didn’t make the decision lightly,” Arbec said. She’s been working there for 13 years, and “I love the people there.”
That would obviously include Brian Wilde, who she met at CTV and has been married to for five years. She said it would be different not working together at the same station (they worked the late newscast together last week, which she said was fun), but she doesn’t expect any major changes in their personal lives, except for the fact that she can now spend her late evenings at home.
CTV's Jellybean, confronted by a close friend, finally admits in front of the cameras that he has a problem
Jellybean, the lovable mascot of CTV Montreal (named after Johnny Jellybean, a former star of CFCF-12), came out publicly on Thursday and admitted his long-standing substance-abuse problem, agreeing to enter a rehabilitation facility to help him wean himself off of his dangerous addiction.
It started about three years ago, Jellybean confesses in a special report that will be aired next week during the CTV local news. After a breakup with a long-term partner, and as other aspects of his life began to unravel, he tumbled into depression. “It was a dark period of my life,” Jellybean said. “I was looking for anything to help me escape it.”
At first, Jellybean used it occasionally, as a pick-me-up after a really bad day. “But occasionally became once a day, then a couple of times a day. I even started doing it at work,” he said.
As a mascot, Jellybean is in high demand at public events. Those ramped up with CTV’s Save Local TV campaign and the station’s 50th anniversary. Unfortunately, so did Jellybean’s substance abuse.
He thought he could hide it, but “it was obvious to everyone but him,” said news director Jed Kahane. “I pretended not to notice at first, since it wasn’t affecting his job. But I was naive, I think, to assume that it wouldn’t eventually.”
Before long, the station had to start covering for him. Events were rescheduled at the last minute for mysterious reasons. “We made up all kinds of excuses,” said anchor Todd van der Heyden. “Deaths in the family, illnesses, breaking news, you name it.”
At one point, the station even had a fake Jellybean hired, just a guy in an oversized Jellybean suit, to attend events.
Though they admitted they were tired of compensating for Jellybean’s problems, staff at the station say their primary motivation in staging an intervention was to get Jellybean some help.
“I was really worried that if he continued down this path he would be dead in six months,” said reporter/anchor Paul Karwatsky.
The turning point came a week ago, when police raided Jellybean’s dealer.
Police display cash and drugs seized as part of a raid last week
“They came this close to arresting him,” said sports anchor and long-time friend Randy Tieman. “I think it finally woke him up that this had to stop.”
A flurry of meetings later, police agreed not to press charges if Jellybean entered a substance abuse program. But at first he refused, saying he didn’t have a problem.
“I was just in complete denial,” Jellybean said. “I don’t know …”
Tieman, Kahane and others staged an intervention, confronting Jellybean about his problem and begging him to take the offer from police. With cameras rolling, he finally broke down.
It may have seemed cruel to capture this moment on tape, but even Jellybean admitted it had to be done this way. “It wouldn’t have been real without the cameras,” he said. “It wouldn’t have worked without them.”
With the blessing of Jellybean and his family, the story is being chronicled for a special report that will air next week. “I want to tell my story,” Jellybean said. “If I can help someone else with this problem, I’ll feel better about myself.”
Jellybean has been at an undisclosed rehab facility for three days, and says it’s working. “But they told me this would take a long time. I won’t be done in a weekend.”
CTV’s special report and interview with Jellybean will air next Thursday at noon and 6 p.m.
For the past few years, a loophole in the CRTC’s simultaneous substitution rules has allowed Videotron HD subscribers to watch the Super Bowl and other programming with the U.S. commercials.
This year, CTV is determined to close that loophole, and has setup a digital HD transmitter on Mount Royal to do so.
Though he called the timing “coincidental” (it only just got approval from Industry Canada to start transmitting), CFCF station manager Don Bastien confirmed Friday the rumours that have been spreading online. He says the transmitter has been setup and is expected to begin testing within hours (UPDATE: The transmitter is running, with signal reports coming in from all over). He also says the station informed Videotron and other television distributors weeks ago that it intends to enforce the rule on simultaneous substitution and replace the Super Bowl feed on WFFF (Fox 44) with its own on Feb. 6.
The loophole explained
Simultaneous substitution is a CRTC policy that requires cable companies to replace a U.S. channel with a feed from a local Canadian TV station when the two are running identical programming. The idea is that advertising revenue would remain in Canada, because the advertising is sold by the local station.
Most of the year, this isn’t an issue (assuming it’s done correctly – often there are glitches, particularly when live shows run past their scheduled time). But Super Bowl Sunday has a reputation as much for its million-dollar commercials as its championship football and rocking half-time show. And those while those commercials air nationally in the United States, not all of them will air on Canadian television as well.
Under the rules of simultaneous substitution, the Canadian signal must be a local, broadcasting television signal, which is of equal or greater quality than the American one. Since CFCF was not broadcasting in high definition, Videotron was not obligated to substitute the U.S. HD feed with the special HD feed that CFCF provided the cable company off-air. Nor could they replace the U.S. HD feed with a standard-definition feed from CFCF.
Now, with a digital transmitter running and expected to remain that way during the Super Bowl, the only way to get the game with U.S. commercials (legally) is to setup an antenna and pick up WFFF over the air from across the border. (We’ll see how many bars want to go through that much trouble.)
Temporary transmitter
Because the analog transmitters are still running on Mount Royal, broadcasters have setup temporary digital transmitters across the city in less prime locations. CFCF’s is just next to the Mount Royal transmitter, on Channel 51 (the PSIP system has it show on TVs as “12.1”), with an effective radiated power of about 6,000 Watts. Though it’s nowhere near the 325 kilowatts being put out by its analog transmitter, it’s probably good enough that people who can see the mountain can pick it up over the air.
When asked about preventing Montreal cable viewers from getting U.S. commercials, Bastien wasn’t sympathetic. “We have paid the Canadian rights to the Super Bowl,” he said. “The broadcast should be a Canadian broadcast. It’s not a matter of taking away something from Canadian viewers, but rather us getting what we paid for.”
I suspect that will be cold comfort to some of those viewers.
Watch WFFF over the air with an antenna, assuming you get good enough reception. (Your TV must have an ATSC digital tuner)
Watch the commercials online after the fact, on sites like YouTube. It’s not like the advertisers want to put roadblocks between their works of art and your eyeballs.
UPDATE (Jan. 31): CTV has issued a press release announcing the station being on the air, which I guess means it’s out of testing now. Like most press releases by media companies, it’s intentionally misleading for the sake of pretending to be better than the competition. It says “CTV becomes Canada’s only broadcaster to have HD transmitters in Toronto, Vancouver, Calgary, and Montréal,” but it obviously chooses those cities selectively, leaving out that even with CFCF, it trails Citytv and Global in the number of cities with digital transmitters (and it matches CBC at four). It also talks quite a bit about CFCF’s newscast, which might give people the impression that the newscast will be in high definition, but that’s months, probably years away.
UPDATE (Feb. 6): For the record, Videotron subscribers outside of the following areas get the Super Bowl feed (and other U.S. programming) unsubstituted:
The anniversary special was preceded by a very short newscast. And since I made fun of a Global error the night before, I can’t ignore the fancy camerawork on display during a broadcast that I’m sure many other people also had on their digital video recorders.
Fall 2010 ratings for Montreal anglophone evening newscasts
It’s the kind of statistic that can only be visualized in pie chart form: CFCF (CTV Montreal) continues to dominate the ratings of the three local evening newscasts, according to figures Bill Brownstein put out in Saturday’s story about the station’s anniversary (which, incidentally, is today – happy anniversary). It has more than six times as many viewers as its nearest competitor, and more than four out of every five people watching an anglophone newscast at 6pm is tuned to channel 12.
It’s nothing new. CFCF has been dominating the ratings like this for years, ever since massive budget cuts at the CBC caused people to tune away from NewsWatch.
But the public broadcaster is slowly fighting its way back up. Almost a year and a half since introducing a 90-minute evening newscast (that relied primarily on repeating the same stories), CBMT is seeing a ratings spike in the 5-6pm hour.
“Our audience has almost doubled at 5 and 5:30 since last fall,” news director Mary-Jo Barr explains in an email. “Our share at 5pm is 9% (up from 5% in fall 2009) and our 5:30 share is 10% (up from 6% in Fall 2009). This is the largest audience the CBC has held in the 5-6 timeslot in recent memory. We couldn’t be more pleased.”
This is a sign that Montrealers are realizing there’s a newscast at 5pm on CBC, and if for whatever reason that timeslot is more convenient for them, they can get their news from CBC instead of CTV. It’s nowhere near the kind of ratings CFCF gets for its 6pm newscast, but it should still serve as a lesson to CBMT, Global’s CKMI and other stations who trail badly in the ratings department: Unless you have a truckload of money to waste, don’t try to take beat the leader with a bad copy of what it does.
Barr also credits some content changes for the increased ratings. “We’ve been working hard to make the show as relevant as possible to English Montrealers,” she says. “We’ve more clearly defined each half hour. We’ve increased our investigative reporting by dedicating our Shawn Apel to the beat and by embedding Nancy Wood in Radio-Canada’s investigative unit. We’ve also added a weekly segment, Jennifer Hall’s “Montrealer of the Week”, which features the achievements of everyday Montrealers. We also continue to place special emphasis on breaking news, live reporting, and local news and weather. Seems like the winning formula is starting to pay off.”
(With respect to Apel, who is a solid reporter, an investigative team of one isn’t going to make much of a difference in the grand scheme of things. But I appreciate the effort.)
So where do we go from here? I think CBC should just scrap the last half-hour of its newscast and run a straight hour from 5 to 6, where they have no competition (unfortunately, because too many big decisions are still made in Toronto, that’s not likely to happen here unless it happens everywhere else too). Find places or beats that CFCF either isn’t interested in covering or isn’t doing a good job with, and make those their own.
And what about Global?
Mike Le Couteur hosting what is apparently the Global Maritimes newscast
I hesitate to use the word “laughingstock”, mostly out of respect to the small crew of journalists who are trying their best there. But I tuned in to last night’s News Final (it’s the only local anglo newscast between 11:05 and 11:30) to see that it had a “Global Maritimes” bug in the corner. That lasted about 10 minutes until I mentioned it on Twitter and someone fixed it.
Yes, “it’s just a bug“, but it’s a symptom of the larger problem of what happens when you try to run a newscast on the cheap by producing and directing it in another city. I’ve watched the show many times waiting for the weatherman to accidentally give the Toronto forecast (CKMI’s weather is done by the weather presenter at Global’s Toronto station), and to his credit I haven’t seen Anthony Farnell slip up yet.
There’s some hope on the horizon. With Shaw’s acquisition of Global from Canwest, they’ve promised (as part of a government-mandated compensation package) to invest significantly in the stations, among them a new local morning show set to debut in 2012 (four years after This Morning Live went off the air). It’s unclear at this point how much of that would actually be produced and directed in Montreal, but it fills a gaping hole in local news, where the only thing between midnight and noon is a local news ticker at the bottom of the screen during CTV’s Canada AM.
I think CKMI should consider moving its evening newscast, perhaps to 7pm, and either move those stupid celebrity gossip shows elsewhere or kill them entirely. But they won’t, of course. Global, unfortunately, gave up on local news in this market long ago.
