Category Archives: TV

| Montreal, My articles, Radio, TV

CBC Montreal adding weekend newscasts

CBC Montreal's TV news studio won't go dark for 65 hours on the weekends anymore

In case you didn’t see the article in Wednesday’s Gazette, CBC Montreal announced this week that it is adding newscasts on weekends as part of the Mother Corp.’s “Everyone, Every Way” strategy that has brought similar announcements of increased local services across the country.

To be specific (because the press release is anything but), starting in May (the exact date is still to be confirmed):

  • CBMT will get a half-hour local newscast at 6pm Saturdays, replacing the national newscast at that same time. It leads into Hockey Night in Canada.
  • CBMT also gets a late newscast at 10:55pm Sundays, after The National.
  • CBME-FM (88.5) gets local hourly newscasts on weekend afternoons, extending local news hours from noon to 5pm on Saturdays and 4pm on Sundays

A couple of questions remain unanswered.

  • Anchor: For the TV newscasts, an anchor hasn’t been chosen yet. The position is to be posted in the coming weeks. Top candidates would probably be Kristin Falcao, Sabrina Marandola, Catherine Cullen and Peter Akman, who have had experience filling in for vacationing anchors.
  • Jobs: It’s not clear at this point how many people will be hired to fill these new newscasts. CBC Quebec managing director Pia Marquard told me there would be “a couple of people at least”. Certainly an anchor will be needed on the TV side and a second news reader on the radio side. Plus one would imagine more reporters being needed on the weekend to file fresh stories for these newscasts. But Marquard seemed to suggest a lot of this would be done by shuffling around existing staff.

I asked Marquard about programming for Quebec communities outside of Montreal. No news there, even though one would think supporting anglophone minority communities in Quebec is part of the public broadcaster’s mandate. Outside of the Quebec AM and Breakaway radio shows out of Quebec City and programs of CBC North out of northern Quebec, the only radio and TV programming produced in the province comes out of Maison Radio-Canada.

I also asked her about the possibility of more non-news local programming. Things along the lines of the Secrets of Montreal special that ran last fall. She pointed to the CBC Montreal Summer Series, which are one-off one-hour specials that air Saturday nights during the summer, when nobody’s watching. Last year’s crop wasn’t particularly impressive. Of the six one-hour specials, two were English versions of Radio-Canada’s Studio 12 music performance show (which won’t return after this season, by the way, so they’re going to have to find another way to produce cheap one-hour shows). It’s not that I don’t like Studio 12, but it’s like those “CBC/Radio-Canada investigations” in which CBC Montreal repackages the work of Radio-Canada and takes credit for it.

Marquard did point out that CBC News Network will be airing the best of these summer series shows on Saturday afternoons this summer (when even fewer people will be watching, I imagine).

I don’t want to be too negative here. CBC television in Montreal has made a lot of progress in the past few years. It wasn’t long ago that all it had was a half-hour newscast on weekdays, producing 2.5 hours a week of programming. With these changes, it’ll go up to nine hours of local news a week, which is still way behind CFCF.

It would be nice if more of an effort was made to produce more local and regional programming for Quebec’s anglophone community from CBC, especially since there are no private English-language TV stations and few English-language radio stations outside of Montreal. And it would be nice if we had some programming that’s not confined to two-minute news reports or six-minute studio interviews, that could reflect the unique culture that is anglophone Quebec.

But for now I guess we’ll have to be satisfied that news that breaks on Saturday morning doesn’t have to wait until Monday at 5pm to be reported on local public television.

UPDATE (Feb. 17): Jobs have been posted for weekend news anchor and weekend meteorologist. The former is strangely listed as “full-time” even though it’s only two days a week.

| Montreal, TV

Global Montreal has a new (virtual) set

Global Montreal's new virtual set debuted Monday

There wasn’t much fanfare. In fact, it wasn’t even explicitly mentioned during the first night. But it would have been hard to miss that Global Montreal’s newscast has a new look, thanks to a new set.

Unlike CFCF, which needed to build a new set from scratch, CKMI’s set is entirely virtual, with anchors sitting at a desk in an all-green room. So while it wasn’t quite as easy as flipping a switch (there were complications in planning that pushed back the launch date), all the changes are in a computer’s memory.

Above you see anchor Jamie Orchard in the new set. She’s the only thing real there. The floor, the windows, the pillar, all have been added digitally through chroma key (a bit more advanced than your usual green screen because the camera’s movements are synchronized with the computer changing the perspective of the digital background).

The background cityscape is the work of Gazette photographer Phil Carpenter. He’ll also be doing a daytime version for use during the summer when it’s daylight at 6pm.

The top of the newscast features graphics that fade in behind the anchor

Having a digital set has its advantages, like cool effects. One involves still images fading into place behind the anchor, covering up the city skyline.

There’s also the fact that the set can seem much bigger than it actually is. That has led some to go a bit overboard with perspective. I’ll leave it to you to decide if Global has gone too far here, or if the fantasy-studio-on-the-waterfront look works.

For the sake of comparison with the previous set, here’s a few before-and-after shots:

Continue reading →

| TV

Should the CBC dump TV?

Recently I’ve been thinking about the Canadian Broadcasting Corporation, and how it spends the billion dollars a year it gets from the Canadian taxpayer. It’s not just because Sun Media is on a mission to have it shut down. There’s also a debate over whether it should be exempt from cuts the federal government is imposing on all its services.

And there are people who think the CBC should be doing more than it does right now. OpenMedia.ca has a project called Reimagine CBC in which people are asked to pitch ideas to transform the public broadcaster and make it more relevant in this new media universe. There are things the CBC does already, like be active on social media. There are ideas that are so vague they sound like they came out of management.

Then there’s Kai Nagata, who is suggesting the CBC get out of producing television entirely and shift all those resources to the Internet so it can become an online news and cultural leader. He even spiced up his submission by posting a video to YouTube parodying the Rick Mercer rants in which he explains his reasoning.

Nagata, you’ll recall, is the former CBC and CTV television reporter who did not own a television.

His reasoning is interesting. He points out that people are moving away from TV and toward online these days, and suggests that abandoning television and focusing on online will give it more bang for their buck.

But I’m not convinced. For one thing, if the CBC succeeds in making killer web videos, wouldn’t it just make sense to put that kind of stuff on television, where it can make more money? The CBC does have a lot of infrastructure, including hundreds of television transmitters, many of them in small communities where the CBC is the only over-the-air television. It also has regional control rooms and studios for newscasts that might be less important if everyone was getting their news from the web.

I think Nagata underestimates the power of television. Canadians still watch it, and many supplement it with online consumption of media. CBC’s ratings may be low compared to CTV and Global, but they’re still high when compared to most cable networks, and more people watch television shows on TV than online.

And that’s assuming we forget all about Radio-Canada. Nagata points to the success of its Tou.tv online video website, but seems to ignore that the thing that makes it so popular is that it has a bunch of television series on it.

What should the CBC get out of?

Still, I like Nagata’s suggestion because it gets us thinking. I don’t want to start sounding like Pierre Karl Péladeau, but it annoys me a bit that the CBC competes directly with private broadcasters in some areas. Particularly areas where the private sector does a better job.

Like local news. In Montreal, the market leader among anglophones is CTV’s CFCF. It kills in the ratings. It has more hours of original local news than its competitors combined. It has more journalists, and more of its news is local.

So why is CBC trying to compete? More importantly, why is the CBC trying to compete by doing the same thing? Why not abandon the supper-hour newscast and do something else, like local cultural programming?

On the French side, it’s a bit more complicated because Radio-Canada is so popular and because the main private broadcaster already produces so much original programming. On one hand, there’s a good argument that the culture is healthy enough that it doesn’t need the CBC’s help, and that removing the public broadcaster would make the private broadcasters healthier and encourage them to invest more in original Canadian programming. On the other hand, shutting down Radio-Canada would lead to having only one major television player in French, and that’s very worrisome. It would also be a net loss for original Canadian television no matter how you slice it.

CBC television can be thought of in two ways: a creator of television programming and a conduit for that programming. For scripted series, “creator” usually means that the CBC hires a production company to produce a TV series and it airs episodes of that series. A scheme could be conceived in which those series are still produced but air on private television, on cable or online.

Or what if the funds that went into the CBC were instead transferred to the Canada Media Fund, which helps fund television series no matter what network they air on? What if we focused our money more on creating better Canadian television series, ones Canadians actually wanted to watch? What if we got rid of the overhead and gave all that money directly to the people who actually produce Canadian television programming?

And what if, instead of a network that carries the CBC network to distant communities, infrastructure was used to bring both private and public Canadian programming to them? What if CBC’s production facilities were made available to ordinary Canadians to make their own television, which could then be uploaded to YouTube or the CBC’s website for people to see?

I don’t think anything like that is going to happen. Even if we establish that it makes sense, there’s still too many unanswered questions. Cutting local stations would seriously affect CBC News Network. And communities will resist efforts to take away their television stations, even if they’re just low-power retransmitters of distant CBC stations.

But this discussion needs to start somewhere. And that means we have to figure out exactly what we need the CBC for, and what we’ll need it for in 10 or 20 years. I don’t have all the answers, but I think technology has changed enough that we don’t need the CBC to be doing the exact same things it was doing 30 years ago.

| Montreal, TV

Montrealers still screwed for Super Bowl XLVI ads

For information about the latest Super Bowl, click here.

Not much has changed since last year, so I’m sorry to report that Montreal TV viewers will, once again, be largely forced to endure simultaneous substitution during Sunday’s Super Bowl and watch commercials from CTV instead of the originating American network. And cable and satellite providers will have to continue to calmly explain to irate subscribers that they’re only doing what they’re required to do by the CRTC, who will have to explain what “simultaneous substitution” is and why it’s there.

CFCF’s digital transmitter closed the loophole where the high-definition feed wasn’t substituted in Montreal, and now Videotron and other cable providers must replace the WPTZ feed with CFCF in standard and high definition.

Here’s how it works for the various options of getting television:

Over the air

This method gets a significant boost this year, because the Super Bowl is being carried by NBC instead of Fox. Montreal antennas can pick up WPTZ Plattsburgh (650kW) much better than WFFF Burlington (47kW), so more people will be able to watch the Super Bowl this way. But it’s still difficult to capture American stations if you have cheap indoor antennas.

This is the best method (and the only legal one) for Montrealers to get American ads in high definition live, along with the Super Bowl itself.

CFCF will be carrying the Super Bowl, but obviously it has the Canadian ads.

Videotron (analog and digital)

Videotron has resisted substitution, especially for the Super Bowl, and does so only when absolutely necessary. Still, it is required to substitute both the standard and high-definition feeds in the area covered by CFCF.

This means all customers in the following areas will see their signals substituted:

  • Montreal and on-island suburbs
  • Laval
  • The north shore
  • The south shore
  • Joliette
  • St. Jérôme
  • Montérégie
  • St. Jean sur Richelieu
  • Vaudreuil-Dorion

Quebecers outside of Montreal (as defined above) and the Gatineau region (which is part of the footprint of CJOH Ottawa) will not have their signals subtituted and will be able to watch the American ads on NBC channels.

Other cable providers (including Bell Fibe)

Same as Videotron, I’m afraid. They don’t have a choice in the matter.

Bell Satellite TV

Because Bell feeds the same data to all its customers via satellite, it is required (as of 2009) to substitute American feeds with Canadian ones nationwide. So even if you’re in an area not covered by a CTV station, you’re still going to see the CTV ads.

Shaw Direct

Because Shaw Direct includes technology allowing the provider to control what signals individual clients receive, it can implement simultaneous substitution selectively. The result will be similar to cable: substitution in areas covered by CTV stations, no substitution elsewhere.

American satellite providers (DirecTV, Dish Network)

These are technically illegal in Canada, but many people have found ways to get service north of the border, either by pirating them or using fake U.S. addresses. Since these are American providers, they are not subject to simultaneous substitution rules.

Online

There’s no legal way to get the Super Bowl itself online except through ways sanctioned by CTV (they’re not streaming it, but it is available on mobile). There will probably be black-market feeds, but why bother when you can get it in HD on cable or over the air?

The ads are another story. Expect all the good ones to be online shortly after broadcast. In fact, many are already online and creating buzz. YouTube has a special site devoted to Super Bowl ads that you can watch whenever you want, in high definition.

Bars

Because most of the loopholes have been closed, there aren’t many bars advertising the American version of the game anymore. To provide a high-definition feed in Montreal, they would either have to set up an antenna capable of receiving the American station or subscribe to an American satellite service and hope nobody notices.

If you spot one that promises to show American ads, let me know in the comments.

Other loopholes

There are also methods that have no guarantee of success. You could try watching west-coast feeds. Some cable companies offer Seattle stations as a way to time-shift, and then forget to do substitution for live events like this. But broadcasters have become wise to people using this loophole and I suspect the chances of it working is low.

You could also, I suppose, just go to Vermont for the weekend and watch the Super Bowl there.

UPDATE (Feb. 3): The Globe and Mail’s Susan Krashinsky explains the reasons why U.S. ads don’t air on Canadian networks. I’d also add that some are for products that simply aren’t available in Canada.

| Montreal, TV

CFCF GM Don Bastien signs off

UPDATED Jan. 21 with comments from new CTV Montreal GM Louis Douville.

Don Bastien speaks at a recent CTV Montreal upfront presentation to advertisers

While viewers concern themselves with a high-profile change behind the anchor desk, there’s another, perhaps more important, staffing change happening behind the scenes at CFCF.

Don Bastien, who as you can see from the photo above has been general manager of CFCF/CTV Montreal since 2001, is retiring. Today, coincidentally the 51st anniversary of the station, is his last day.

Louis Douville, the general manager at CJOH (CTV Ottawa), takes over starting Monday.

Bastien described his retirement to me as having “a touch of sadness” because of all the people he would be leaving. He’s been with CTV and related company Baton Broadcasting since 1972.

“That’s probably the most difficult part, when you’ve been interacting with them on a daily/weekly basis for all this period and all of a sudden that’s going to come to an end.”

Bastien’s planning to take it easy for a while, taking some time to catch up with life and family. They’re going to a ski trip in France next week, and he jokes that he might be playing golf “a little more than I did”. Beyond that, he plans to keep up with various philanthropic activities, and he’s been appointed to the board of St. Elias Mines of B.C., and he’ll be looking for other opportunities to keep active. But he says the days of a Monday-to-Friday 9-to-5 job are over.

The decade under Bastien was transformative for CFCF, in good ways and bad. When he was appointed to the position in 2001 after being CTV’s national sales director based in Montreal, the station had just been bought by CTV from WIC when WIC was bought by Canwest Global. CTV imposed a common brand for all its television stations, and the “CFCF-12” and “Pulse News” brands that had existed for decades were eliminated. A few years later, even the call letters were gone and everything became “CTV”. Many viewers still resent this stripping of the station’s identity.

A few years before the acquisition, the station cut just about all programming except for the newscast. What little additional programming remained would eventually be cancelled as well. The telethon, the morning newscast, Entertainment Spotlight and Sportsnight 360 all disappeared under Bastien’s watch. Some elements of the latter two have been incorporated into the weekend newscasts, but to a large extent CFCF is just a CTV rebroadcaster with a local newscast.

It’s a popular newscast though, with ratings that continue to obliterate the competition, and a high percentage of local news content. Bastien said maintaining this dominance, particularly in the face of increasing pressure from specialty channels, will be a challenge for his successor.

More recently, there has been significant technological change at the station. It began transmitting in high definition, later swapping out its analog transmitter and 50-year-old antenna on Mount Royal. Just last September it moved into its new studio, a million-dollar investment as it prepares to upgrade its newscast to high definition.

But when asked what his biggest challenge was in his decade here, Bastien points to the 2003 move from 405 Ogilvy Ave., where CFCF had been based since just after its launch in 1961, to 1205 Papineau Ave. in what has become the city’s broadcasting neighbourhood.

“The relocation project was a huge undertaking,” Bastien said. “Not necessarily from a technical point of view. But it was an opportunity for us to upgrade technology. When we went from tape-to-tape editing to linear editing. The real challenge in the relocation project was not moving from one building to the next. We were not moving technology, we were moving people, who had worked in a single building all of their career. We were changing areas of the city. That was huge, working with entirely different facilities.”

The move meant CFCF’s master control was moved to Toronto. Though the newscast itself is controlled from their building, advertisements and network programming are handled way down the 401.

The technological change is still ongoing. CTV is moving ahead with upgrades to equipment to prepare for the newscast moving to high definition. This will require new studio and field cameras (scheduled to arrive in the coming weeks) and new editing equipment and servers, which represents a substantial investment. Bastien said it will be dependent on how CTV authorizes capital expenditures. No date has been set, but Bastien said he expects it to happen either this year or next. Hopefully the recent upgrades of both CBMT and CKMI’s newscasts to high definition (or at least partly HD) will put more pressure on CTV to follow suit.

Asked what advice Bastien had for his successor, Bastien said Douville will need to “maintain our connectivity to our viewers, to our market, to our community.”

It’s a connection Montreal anglophone television viewers take very seriously.

Louis Douville

Douville comes back home

“It’s always been a dream to come back home,” says Douville, who takes over as CFCF’s general manager starting Monday. At that point, he said during a phone interview on Friday, he will be introduced to the staff and learn about things like where the photocopiers are. “Monday is mostly going to be about passing the torch,” he said.

But the training should be short. Douville has a lot of experience as general manager of a CTV station and said he’s very familiar with CTV Montreal.

Douville grew up in Montreal, attended Concordia University, and his family lives here. But his 30-year career took him to Edmonton, Saskatchewan and Ottawa before coming back home.

Douville described CFCF as the “crown jewel” of CTV, mainly because it’s the only station covering all of Quebec, while much smaller regions have multiple CTV stations.

“I’m fortunate that I’m taking over a station in good shape,” Douville said. With the station’s ratings dominance, “there are no pressing issues” and he reassures that “I’m not coming in to make many changes.”

Douville recognizes that the conversion to high definition is a priority. “It’s a situation we face in all our CTV stations” outside of Toronto, he said.

But he also said that it’s the content, not the resolution, that matters most. The market share is holding even though the newscast is still standard-definition, he said, and “those numbers speak for themselves.” Douville also said the technical quality is still very high (the lighting, the set design, etc.) and if it wasn’t for the 4:3 aspect ratio people probably wouldn’t notice it wasn’t HD.

CTV Montreal’s 6pm newscast on Friday ended with a brief goodbye to Bastien.

| Montreal, TV

CFCF makes Paul Karwatsky permanent co-anchor

Paul Karwatsky can put the reporter microphone away for good.

When Todd van der Heyden left CFCF for CTV News Channel, the speculation on who would replace him really came down to one choice: Either it’s Paul Karwatsky or it’s not Paul Karwatsky.

Karwatsky was the only other male anchor at the station, and while it wasn’t impossible that a woman would be picked to sit beside Mutsumi Takahashi, managers in TV news are still concerned enough about how things look that such a selection would seem unlikely.

Karwatsky was a great idea on paper. He’s a Montrealer, was already working at CFCF and had anchoring experience. The only strike against him was that he was young. And when your viewers have grown up with people like Bill Haugland and Brian Britt, going young presents a risk. (A risk that has already blown up in their face once.)

But when Karwatsky was selected to be “interim” co-anchor with Takahashi after van der Heyden left, it was just a matter of time before the position was made permanent. Barring some dramatic failure, he was clearly up to the job. And it would have taken a lot for them to decide to go with someone from the outside who CTV Montreal viewers are unfamiliar with.

As it turns out, it required only two weeks. CTV announced on Wednesday evening that Karwatsky has been made a permanent co-anchor with Takahashi. What was essentially a probation period or tryout has clearly been successful.

And being young isn’t the worst thing in the world. Andrew Chang at CBC is younger, and although his appointment as anchor of CBMT’s supper-hour newscast seemed similarly risky back in 2009, he’s fit into the role remarkably well.

The Gazette’s Bill Brownstein has the story, which has many of the same platitudes contained in the CTV story but also some colour about Karwatsky’s background.

What about weekends?

Now that Karwatsky’s position on the weekday desk has been made official, there’s the question of what to do with his former post. Before moving to weekdays, Karwatsky did weekend newscasts at 6pm with Tarah Schwartz and solo at 11:30pm. Schwartz has been doing both newscasts alone, which means her shift starts much later than it used to and the lineup editor has to do more of the work to setup the 6pm newscast.

CTV could choose to continue this way, or could hire someone else to take over Karwatsky’s old job. (UPDATE: News Director Jed Kahane confirms he will be hiring another anchor for the weekend desk.)

Either way, they could probably use another backup anchor. Caroline van Vlaardingen has been substituting on occasion as needed, and Cindy Sherwin has also done some anchoring, but other than that the cupboard is pretty bare.

| Opinion, TV

CTV’s Express feels like anything but

Monday marked Todd van der Heyden’s debut at Express, the afternoon show on CTV News Channel with Amanda Blitz.

Because he’s from Montreal, because he’s a nice guy and because he’s a geek at heart, I wanted to be encouraging and wish him well in his new job.

Unfortunately, after sitting through the first three-hour program, I was left frustrated, both at what CTV seems to be doing with its all-news network and at how that industry is changing in general.

When it launched in 1997, what was then called CTVNews1 was licensed as a continuous 15-minute news wheel, repeating the headlines four times an hour. This was to distinguish it from CBC Newsworld, at a time when all cable channels had genre protection.

But as the CRTC came to realize that cable news was healthy enough to warrant direct competition, restrictions on the CTV network became relaxed, and now the two are effectively head to head in terms of format. This is a good thing.

What’s not good is that rather than focus on more news to keep people better informed, CTV seems to be relying more on pointless, time-wasting banter that just wastes viewers’ time.

Continue reading →

| Montreal, TV

Welcome to CFCF’s postvanderheyden era

Todd van der Heyden won't be seeing Jellybean around much anymore. (Fagstein file photo)

It ended not with a bang or with a whimper, but with the standard anchor goodbye. Friday was Todd van der Heyden’s last day at CFCF, and the 6pm newscast spent a few minutes at the end to acknowledge the departure of one of its anchors.

It was no Farewell to Bill, the special program devoted to long-serving anchor Bill Haugland in 2006, but CFCF’s tribute to van der Heyden was appropriate and classy. For those who missed it, the whole thing has been posted online. You can watch it in the CTV News video player here.

The segment starts with van der Heyden introducing a story about pandas (the usual fluffy, funny and entirely expendable story that fills time at the end of a newscast) only to have producers pull a switcheroo and run a story about van der Heyden put together by reporter/anchor Tarah Schwartz, which includes some testimonials from some of his long-time coworkers. The packaged report is followed by a one-on-one with Schwartz and a speech from van der Heyden thanking viewers for their loyalty (as far as he knew going into this, only the latter part was going to be in the newscast).

Unfortunately for van der Heyden and viewers, there was no message from coanchor Mutsumi Takahashi, nor from weather presenter Lori Graham, nor from sports anchor Randy Tieman. They’re all off on vacation, and I guess nobody thought ahead long enough to have them record a short video message before they left. The result gave some the impression that they had intentionally kept quiet as a snub. And with due respect to the people filling in during the holidays, this kind of moment isn’t the same with Randy Renaud and Paul Graif.

For the record, Takahashi (who was also on vacation at the beginning of the month when the announcement came that van der Heyden would be leaving), had this to say to me on the subject: “Bill, Brian, Todd… All I can say, Steve, is that I’m obviously having trouble holding on to my men…”

Though it’s possible they exist, I don’t know of anyone there who didn’t like van der Heyden. No matter what your opinion of his work, it’s hard not to like him personally once you get to know him.

Mutsumi Takahashi looks at Todd van der Heyden with a mixture of loving affection and facepalming disbelief at his silliness. (Fagstein file photo)

Van der Heyden starts on CTV News Channel on Jan. 16, co-hosting the show Express, weekdays 1-4pm with Amanda Blitz.

At CFCF, no decision has been announced for his permanent replacement, but weekend anchor Paul Karwatsky (who led the list of candidates) has been named the “interim” co-anchor. This gives management more time to make a final decision, and a chance to try out Karwatsky in the post to see if he’s the one they want.

Good luck to him, and to van der Heyden I can only say: Qapla’!

For more on Todd van der Heyden and his departure from CTV Montreal, see my post on the subject from earlier this month. He was also interviewed on CJAD.

| Montreal, My articles, TV

More from CFCF’s new studio

Todd and Mutsumi play with their gadgets between live parts of the newscast.

In September, I visited CFCF to write a story for a magazine about their new studio.

That story just came out in Broadcast Dialogue, a controlled-circulation trade magazine for the radio and television industry in Canada. Fortunately for us without TV and radio stations, it’s posted online.

You can read the story, cryptically called “CTV Montreal’s new studio”, in PDF form. It’s part of the December/January issue, which is available in its complete form here as a PDF or here as a Flash-based digital version.

It marks what is technically my first foray into trade magazines (or freelancing for any magazine, for that matter). And I must say it was a pleasure to work for the Christensens, who run a mom-and-pop operation and wanted to treat freelancers well, a rarity these days. I even got a personal cheque in the mail with my fee just to make sure I got it as soon as possible.

The same image appears on background screens as the rotated plasma

The story is illustrated with photos taken by me during September before, during and after the launch. It starts with a little anecdote about different screens using the same feed of an animated CTV News logo, as illustrated above. It wasn’t a major problem, but required careful attention to camera movements to make sure the screens you see here with rotated graphics weren’t visible in the opening pan shot.

I’ve published photos of the new studio taken before the launch, as well as for my behind-the-scenes look at the first newscasts.

You can find more photos of the new studio sets below:

Continue reading →

| Montreal, TV

Todd van der Heyden leaving for CTV News Channel

Todd van der Heyden, who has been anchoring CTV Montreal’s noon and 6pm newscasts with Mutsumi Takahashi since 2008, will be leaving the station and moving to Toronto to accept a job as an anchor on CTV News Channel, CTV announced on Friday.

CTV Montreal has a story on its website, CTV News Channel has a press release, and Van der Heyden confirmed the news on Twitter. He also announced it to viewers at the end of Friday’s noon newscast (see video above).

His last newscast for CFCF will be Friday, Dec. 30. He starts anchoring CTV News Channel’s Express from 1-4pm weekdays with Amanda Blitz, starting Jan. 16.

You can read the abridged version of all this in the story I wrote for The Gazette. Or, for you TV fanatics, lots of detail and baseless speculation below.

Continue reading →

| Montreal, Radio, TV

Concordia broadcasters want a bigger audience

CJLO's AM antenna in Ville St. Pierre

Concordia University’s student-run television and radio stations are always looking up, looking for ways to grow. It’s been more than a decade now that both have gotten their funding directly from students instead of through the Concordia Student Union. They’ve since split their funding sources and have asked students for increases in their per-credit student fees.

CJLO, the radio station, has been transmitting at 1690 kHz since 2008, out of an antenna in Ville St. Pierre, just down the hill from its Loyola studio. It produces a full schedule of programming, most of it music-based but with some talk and information programs as well. But the 1 kilowatt transmitter on AM doesn’t reach out very far, and many students don’t have AM radios.

CUTV, the television station, has never had a broadcasting license. It can be seen on televisions on campus and on its website. Though it does produce a significant amount of programming, it’s nowhere near enough to fill a full schedule without repeating every program dozens of times.

Both stations are looking to increase their reach through new ways of broadcasting, and to do that they each need more money, so both are in the process of asking students for yet another increase in their per-credit fees.

In a referendum of Concordia Student Union members Tuesday to Thursday this week, CJLO is asking for an increase from 25 to 34 cents per credit. This works out to $10.20 a year for a full-time student taking five classes a semester. CUTV is asking for an increase from 18 cents to 34 cents per credit, which would almost double its funding.

UPDATE (Dec. 3): Both questions passed, The Link reports. Following a rubber-stamp from the university’s board, the fees will be applied to students’ tuition bills.

Broadcasting equipment at CJLO's offices, sending its signal online and to its AM transmitter

The plans

Here’s what they want to do to make themselves more accessible.

CJLO wants to setup a low-power FM retransmitter downtown, which would cover the downtown campus. “The frequency we are looking at is around 10 city blocks and no commercial station seems to want it,” station manager Stephanie Saretsky tells me. “We have been told by our AM consultant that the response from the CRTC should be favorable because of this fact. Obviously nothing is guarenteed, but CJLO cannot start the application process without the fee levy.”

The CRTC has said there isn’t more space on the FM dial in Montreal (106.7 is an exception, now that it has been vacated by Aboriginal Voices Radio and the pirate station KKIC, but an application is pending to use that frequency). But the city is saturated only in terms of high-powered stations. There are options available for low-power transmitters covering a small area, and this seems to be what CJLO is looking for – something just to cover the downtown campus, so students can tune in between classes.

CUTV, meanwhile, doesn’t want to setup a broadcast transmitter, but it does want to get on cable television, where most viewers are anyway. CUTV’s plan is to apply to the CRTC for a community channel license, which would require cable systems to carry the channel. In the short term, the station is looking to get time on VOX, the community channel run by Videotron.

Both plans are admirable, though the campaigns by both groups are tying the increased funding to the new broadcast licenses. Neither group has actually applied for one yet, and the likelihood of success is far from absolute. Getting a new FM transmitter in Montreal – even a low-power one – isn’t easy, particularly if it’s just retransmitting another station. The CRTC process is hardly a formality or a rubber-stamp. For CUTV, the group would have to convince the CRTC to give it a channel on the cable dial even though there already exists a television station in Montreal devoted to programming from its four universities – Canal Savoir.

And it goes without saying that if these applications fail, neither of these groups is going to voluntarily reduce its student fee.

Still, I wish them luck. CJLO deserves to be heard, and a low-power retransmitter covering just the downtown campus makes a lot of sense. CUTV, meanwhile, has a lot of promise, but without a continuous outlet there isn’t much incentive to produce sufficient quality of quantity of television programming.

| Opinion, TV

Kai Nagata’s renaissance

Kai Nagata has found an audience online far larger than he did on TV - at least in the short term (Fagstein file photo)

Let’s get a few things out of the way first:

No, I don’t actually think Kai Nagata is mentally ill. My “are you insane?” question was somewhat tongue-in-cheek. Kai is a friend, one I’ve gotten to know a little bit during his brief stay in Montreal. I’ve admired what was until recently an impressive career in television journalism, but also his creativity in other areas as well. He’s a very smart guy, and a great communicator. That may be part of the reason he seems so eccentric sometimes (like the fact that he made a career in television journalism without owning a television set).

Super viral

When Nagata quit his job at CTV after only nine months and change, I was taken aback. I was just as surprised by the reaction that was sparked by a blog post he wrote explaining why he left. Even though it became public on the evening of Friday, July 8, it went crazy viral over the weekend. Thousands of links on Twitter, including from such heavyweights as Roger Ebert, Margaret Atwood and Jay Rosen. It was reposted by Huffington Post Canada, Rabble.ca, The Tyee and the Toronto Star, and linked to from websites like MetaFilter, Digital Journal, The Mark and Small Dead Animals and some blogs. Nagata said by Monday morning the post had more than 100,000 views, not counting those from other websites that reposted the text. By Tuesday, it was 170,000. By Thursday, 271,000. More than 1,000 comments, many responding to each other.

The mainstream media began to take notice after the Monday-to-Friday crowd came back to work. Nagata was interviewed on CBC Daybreak on Monday morning, later that day on CJAD, and on Wednesday, at length, on The Current. News stories were written by CBC (largely based off the Daybreak interview), the Toronto Star (which drew comments on Toronto.com) and La Presse.

As is their way, many media found ways to relate Nagata’s story to others. Josée Legault and another CBC story packaged it with the News of the World shutdown, as if they were related in any way other than temporally. Others including the Ottawa Citizen and J-Source used Nagata’s story as part of articles about people quitting their jobs. OpenFile was one of many to relate Nagata’s story with that of Claude Adams, who was fired from his job at CBC after making a critical error while rushing on a story. Steve Proulx compared Nagata’s opinions on journalism to those of Gil Courtemanche.

A writer in the Regina Leader-Post said restrictions on Nagata’s ability to express himself also affect workers in other industries, and should be lifted.

But besides all that, the post generated a lot of discussion among his colleagues within CTV Montreal and other local media. And not all of that reaction was positive.

Continue reading →