Category Archives: Media

| Montreal, Radio

Community centre proposes new low-power station in St-Laurent at 90.7 FM

voix-st-lo-logo

Despite protestations that the FM band is full in Montreal and every last available frequency has been taken, more attempts to squeeze in new stations keep appearing.

The latest is an application by La Voix de St-Lo, an online radio station operated by the Centre communautaire Bon Courage de Place Benoit in St-Laurent. It proposes a French-language community radio station at 90.7 FM, with a 50-watt transmitter from right next to the community centre.

The station appears to have picked the callsign CHIL-FM, though it’s unclear if they will be able to use that if the application is approved.

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| Opinion, TV

Does BazzoTV deserve a tax credit?

Marie-France Bazzo's BazzoTV is financed in part through a Canadian government tax credit.

Marie-France Bazzo’s BazzoTV is financed in part through a Canadian government tax credit.

The scandale du jour in Quebec media: The government has cut funding to BazzoTV, forcing the Télé-Québec current affairs show to shut down for good after this season.

Bazzo’s production company issued a statement, the show posted a page on its website, Marie-France Bazzo herself tweeted about it and there are plenty of news stories about the change, with Bazzo not being afraid to express her opinion on what this decision means for the future of television.

Reaction has been negative toward the government and supportive of Bazzo. One Journal de Montréal blowhard called it murder.

So what happened, exactly?

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| Media

Dave Stubbs leaves Montreal Gazette to become columnist for NHL.com

Dave Stubbs, a veteran sports columnist for the Montreal Gazette who has been mainly covering hockey — with occasional sidesteps into auto racing and other sports where necessary — is leaving the paper, taking on a new job as a columnist for NHL.com.

The new job is pretty well a perfect fit for Stubbs, who has always had a thing for history and statistics and random bits of hockey trivia (particularly when it comes to goaltenders for some reason).

But it’s a loss for the Montreal Gazette, whose parent company Postmedia hasn’t had a lot of great news recently.

There’s no word yet on whether Stubbs will be replaced. The Gazette also counts on beat writer Pat Hickey and columnist Stu Cowan for Canadiens coverage, plus Herb Zurkowsky covering the Alouettes and boxing beats.

UPDATE: Stubbs writes his farewell column on the Professional Hockey Writers Association website, since he could not do so in the Gazette.

| Media, TV

Corus buying Shaw Media is a big deal, but it’s not a Big Deal

The news broke as I was busy preparing for and going to the annual shareholders meeting of Cogeco: Shaw Media is being sold to Corus Entertainment for $2.65 billion. The people who own Teletoon and YTV will now also control Global TV, Showcase, Food Network and other channels.

But as huge as the purchase figure is, the deal itself is more of a corporate reorganization than a major media merger. Here’s why:

Corus was formed in 1999 as a Shaw spinoff company. Shaw put all its media assets in the Corus portfolio and created a separate, publicly-traded company. But through Corus and Shaw are publicly traded and have their own boards of directors, both are still under the control of the Shaw family.

For this reason, the CRTC considers that they’re related companies. That means they probably won’t oppose the deal. And it means Corus is probably not going to be asked to pay a tangible benefits package to secure the deal, so there won’t be millions of dollars going to various production funds or content development initiatives.

Here’s how the assets will break down once the deal is completed (assets changing hands in bold):

  • Shaw Communications:
    • Shaw Cablesystems
    • Shaw Direct satellite TV
    • Wind Mobile (once that transaction is complete)
    • Shomi (50%, with Rogers having the other half)
  • Corus Entertainment:
    • Global Television Network
    • Three CTV affiliates in Ontario
    • Specialty channels Action, BBC Canada (80%), DejaView, DIY Network, DTour, Food Network, FYI, Global News BC1, History, H2, HGTV, IFC, Lifetime, MovieTime, Crime + Investigation, National Geographic Channel (80%), Nat Geo Wild, Showcase, Slice
    • Kids specialty channels Disney Channel (fr/en), Disney Jr, Disney XD, Nickelodeon, Teletoon (fr/en), YTV, Cartoon Network, Treehouse
    • Specialty channels ABC Spark, CMT Canada, Cosmo TV, OWN Canada, Sundance Channel, W Movies, W Network, Historia, Séries+
    • Pay TV channels Movie Central and Encore Avenue (until Bell replaces them with a national Movie Network), including 50% stake in HBO Canada
    • Telelatino Network and its associated third-language channels
    • Production company Nelvana
    • 39 radio stations
    • Kids Can Press

 

There are some minor assets whose eventual owner is unclear right now (TV station CJBN in Kenora, Ont., is owned directly by Shaw and isn’t part of Shaw Media), but these are the basics. Notably, Shaw will have a 39% stake in Corus directly as a result of the stock portion of this purchase. That might make it easier down the road for Shaw to take over Corus and make it a real subsidiary.

Combined, Corus and Shaw have about a 35% share of viewing to English-language television in Canada, which is the same as Bell Media and about as much as the CRTC is comfortable giving any one group. Rogers and CBC have about 10% each, and the rest is everyone else.

What changes?

The big question is what changes as a result of this transaction. On one hand, the ultimate owner of these assets is the same. But on the other hand, because the companies are run separately, they haven’t taken advantage of centralization or things like collective bargaining with TV providers to get a better deal.

Practically, this will probably mean that:

  • Instead of ads for Shaw TV on Global, we’ll see more ads for YTV, Teletoon and OWN.
  • In markets where Corus will own both a Global TV station and a news-talk radio station (Vancouver, Calgary, Edmonton, Winnipeg, Toronto), there could be cross-promotion or even content partnerships of some sort. We could see a rationalization of news-gathering staff and people asked to report for both TV and radio.
  • Those three CTV affiliates in south/eastern Ontario (Peterborough, Oshawa and Kingston) will probably eventually become Global TV stations.
  • Maybe more programming aimed at children and families on Global TV.

Beyond that, the concentration of media ownership already happened (the biggest step was when Shaw acquired Canwest’s TV assets in 2010), and this is really only a minor step in that process.

Which is why despite a $2.65-billion transaction, my media ownership chart doesn’t change.

| TV

Shaw wants to reduce Global Montreal’s local programming requirement

Later this month, the CRTC will hold a hearing looking into the future of local and community television. Included in that review will be a look at how much local programming local television stations should produce, and what that should be.

The proceeding has attracted thousands of pages of comments, including from Canada’s major broadcasters.

Shaw Media, which owns Global TV, filed comments in which it unsurprisingly defended its model for local news, which involves local newscasts not only being produced and directed outside of local markets, but anchored there as well.

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| Media

Unanswered questions going into 2016

At the beginning of 2015, I did a wrapup of issues that remained unresolved from 2014 in the form of a list of unanswered questions. Looking back at them now, I find that many of them remain unanswered as we enter 2016. Since some issues continue at a glacial pace, I figure it’s useful to once again present to you a list of things someone, somewhere, will need to figure out.

We’ll start this year’s unanswered questions by revisiting those from last year. Here they are:

Television (national)

What decisions will come out of the CRTC’s Let’s Talk TV process?

The commission’s long review of television policy resulted in rules that we expected. The big headline was about specialty channels, that will have to be available for individual purchase and in small packages by the end of 2016.

Less headline-grabbing but much more important was the complete removal of not only genre protection for specialty channels but the elimination of natures of service. This means that these channels will be able to broadcast whatever they want (with a limit only on live sports), regardless of what they were originally designed for. The History channel will no longer be limited to shows that have something to do with history. Book Television won’t have to talk about books. Travel + escape can be a channel about people staying in their beds.

On one hand, this means a lot more freedom for channels that have lost their way. On the other, it means a rush to the lowest common denominator, and fewer niche channels in favour of general entertainment stuff that captures a larger audience.

There’s also a lot of stuff that didn’t happen in the Let’s Talk TV decisions. Simultaneous substitution hasn’t changed, except for during the Super Bowl (starting in 2017) and the imposing of still-undetermined penalties if it’s done incorrectly. Decisions on local TV were kicked down the road and will be reviewed later this month along with community TV. And the commission hasn’t made any move to try to impose anything on Netflix.

Will Global’s all-news channel plan work?

We don’t know yet.

We learned about this plan for a hybrid national/local all-news network in the summer of 2014, but the CRTC still hasn’t posted the application. It could be waiting to handle local TV regulations first, or … who knows. The commission doesn’t talk about unpublished applications.

It’s an unusual application, and in the end the CRTC might decide that Global’s request for local advertising in exchange for a bit of local news isn’t worth it, but right now we’re just waiting.

Will OTA TV stations have to undergo another transition?

At this point, it doesn’t look like it yet. You might recall Industry Canada’s proposal to match a U.S. move to reallocate TV frequencies to wireless services. This issue is progressing in the United States, but Canada is mostly just waiting and seeing. It makes little sense for Canada to do anything other than follow the Americans’ lead on this.

What happens to Sun News Network?

Sun News Network shut down on Feb. 13 after attempts to sell it failed. Its talent has scattered, some heading to more traditional broadcast media, others to their other jobs at the Toronto Sun. Ezra Levant started his own website with the help of some of his Sun friends.

Will V send MusiquePlus and Musimax into the gutter?

A lot of people were upset at the cancelling of long-running shows like M. Net in 2014 after V bought the two music channels out of the Bell-Astral merger. In 2015, the transformation continued with the launch of programs like Lip Sync Battle, Pop de jam and Fabriqué au Québec. But the year ended with Claude Rajotte being let go. And they often feel like V2 and V3 with reruns of Éric Salvail’s shows and other programming from V.

What happens to Bio, G4, Book Television and other neglected specialty channels?

So far, nothing. But most of them have been freed from their nature-of-service obligations, which means they’re free to rebrand into almost anything. Rogers is expected to turn one of its channels into a Vice channel. Other rebrands should probably follow later this year. There’s no rush until the new CRTC packaging rules take effect and people start dropping the less popular channels, because right now they have no original programming, no employees and profit margins well above 50%.

Will Avis de recherche survive the year?

Despite a 2013 CRTC decision that the public safety information channel wasn’t worthy of mandatory funding after Sept. 1, 2015, the channel has stayed running through regulatory and legal manoeuvring. Bell and Videotron have both said they want to pull the channel, but ADR complained to the CRTC. The commission expedited the application so it can be dealt with quickly. We could see a decision soon, though ADR could continue fighting this through other legal avenues (that it will also eventually lose).

Will the English version of 19-2 break away from the French?

The second season of the Montreal-set cop show followed the original French version pretty well in the major plot line, though many of the specifics were changed. The third season, which airs this year on Bravo, is likely to diverge even further, to the point where it might continue for a fourth, even though the French version ended for good after three.

How long does analog cable have left?

Not long, but it’s still been a slow decline, at least around here. Videotron is down to about 10% of its subscribers who don’t have digital TV service yet.

Is radio-on-the-TV a fad, or a concept that’s here to stay?

CBC started airing its morning shows on local television in September. City is still doing the same in Winnipeg. Tim and Sid is still going strong on Sportsnet. And ARTV put a Radio-Canada radio show on TV.

Whether or not it’s great TV seems to have become largely irrelevant because it’s still cheap.

Television (local)

Will ICI’s business model work?

The little ethnic TV station that could is still going, with lots of original local programming. I don’t know how successful they are financially, but it’s still on the air.

Will MYtv see the light of day?

Yes, kinda. Videotron started airing English community programming in the fall, though the original plan to have a separate English-language channel was dropped. MAtv faces another complaint from an independent group alleging that it is failing to meet its regulatory obligations.

Who will win the battle of the morning shows?

Global’s Morning News and City’s Breakfast Television are still going. Both had host changes — Global dropped Richard Dagenais and City parted ways with Alex Despatie, replacing him with Derick Fage. But both are still going, in large part because of CRTC obligations. Ratings have suggested they’re doing about as well as each other, and far behind CTV’s Canada AM.

Will CBC Montreal’s newscast cut be another Canada Now-style disaster?

The drop from 90 to 30 minutes hasn’t made too many waves that I can see. And the hourly local news updates were a good move. We’ll see what the CBC does about improving local news and local programming with the extra millions it’ll get from the Liberal government.

Will the 12 job cuts at CTV Montreal affect the quality of its product?

This question is pretty funny considering how many Bell Media cuts were to come in the following year. The station ended up losing its general manager (though he was re-hired as a sales manager). Sean Coleman was hired to anchor weekends, replacing Andre Corbeil. The station is making due with fewer staff, though it escaped more serious cuts that affected other stations this year.

The cuts haven’t been that noticeable, except for sports coverage. With only Brian Wilde reporting (and that’s only when Randy Tieman isn’t on vacation), there’s no time for amateur sports, and when there’s news from more than one of the Canadiens, Alouettes and Impact, decisions have to be made.

Radio (national)

Will HD Radio take off in Canada?

Corus implemented HD Radio on a Hamilton FM station, and used its second channel to simulcast its Toronto AM talk station. Otherwise, there hasn’t been much open interest in the technology.

Will Jian Ghomeshi be convicted of assault? Will executives be forced to walk the plank? And will anything change?

Ghomeshi’s criminal charges are still pending, and it could be a while before they’re resolved. Executives did walk the plank in the wake of the scandal, and the corporation is undoubtedly more sensitive to workplace behaviour. But whether anything will change in the long term is still unclear.

Will NRJ go all-talk?

The network rebranded as Énergie, severing its ties with the radio brand from France. And it’s new programming in the mornings is more talk, less music. But it stopped short of a wholesale change to a talk format.

Radio (local)

Will TTP Media’s radio stations ever see the light of day?

Sigh. We’re still waiting. This group has a knack for making it seem to regulators that they’re doing something while not apparently doing anything. The next deadline is in May, when their first extension for 850AM ends. They’ll probably get another one, which means the next real deadline is November 2016. I’d like to say that if they’re not on the air by then it’s over, but that’s what I thought a year ago.

Will Evanov Radio become a major player in the Montreal market?

It’s a player, but still not a major one. CHSV-FM 106.7 The Jewel in Hudson/St-Lazare is running with familar on-air personalities Ted Bird and Tasso. Radio Fierté (CHRF 980 AM) had less success. The format has apparently been abandoned and after a couple of months of non-stop Christmas music it’s now airing something similar to The Jewel but in French, with no on-air staff. The sale of CFMB 1280 to Evanov went through, but Evanov hasn’t made any major changes to the station.

Will CJLO get permission to interfere with Vermont Public Radio?

No. It’s not that the CRTC wanted to protect VPR, but it felt CJLO could find better solutions than taking the last available FM frequency here. CJLO’s engineer disagrees, so we’re left at an impasse.

Will The Beat and Virgin remain in a deadlock?

Yes. The Beat has a larger anglo audience overall, but Virgin is better in the demographics.

Will new ethnic stations be a success?

Neither Radio Humsafar 1610 AM nor ITR 102.9 FM, approved in May 2014, are on the air yet. Radio Humsafar has requested a technical change, moving its transmitter site, and says it would be ready to broadcast soon after that’s approved.

Will AM music stations survive?

CJMS 1040 AM, which got a new owner, and CJLV 1570 AM, which is owned by Humsafar, are still on the air.

What will Gregory Charles do to Radio Classique?

He made the stations share just about all their programming with each other, gave himself a show, and hired Bernard Derome as his morning man.

Will Radio 9 succeed where Radio X didn’t?

Nope. The Radio 9 talk format was dumped in favour of an all-sports format that hasn’t made the ratings dial move much yet. Rumours persist of RNC Media being for sale.

Print

Will the Competition Bureau approve the sale of Sun Media to Postmedia?

Yes.

Whose tablet strategy will come out on top?

La Presse+ is still going strong, to the point where La Presse decided to drop the weekday print edition. Postmedia (my employer), which had an evening tablet edition strategy, dropped it this fall after a year.

Will TVA Publications rationalize its magazine portfolio?

The acquisition of magazines from Transcontinental did indeed lead to dropping some titles, including Le Lundi.

Is the Hudson Gazette gone for good?

No one’s heard from it since. It’s dead.

Online

Will Ricochet become a major media outlet or just another outlet for left-wing opinion?

Look at the website of the bilingual crowdfunded media outlet, and you see lots of opinions and columnists, but very little original news.

Other

Where will orphaned media personalities end up?

I listed four people a year ago: Mary-Jo Barr, Alyson Lozoff, Catherine Sherriffs and Andre Corbeil. Barr took a job at Pfizer, Corbeil is working for a livestock feed company, and Lozoff and Sherriffs have been off the radar the past year.

You can add to that list other names that got cut from or voluntarily left their jobs this year: Alex Despatie, Elliott Price, Suzanne Desautels, Rob Kemp, Ronny Mack, Angelica Montgomery, Peggy Curran, Sue Montgomery, and former employees of the West Island Chronicle and Westmount Examiner.

Others have been luckier. Abe Hefter is teaching at Concordia, and Richard Dagenais is hosting a show on MAtv and reading the news on weekends on CJAD.

New questions

Television

What’s the future of local and community television?

The CRTC has handled specialty channels, but other than deciding that transmitters must stay on the air, there’s been little decided for conventional TV. This month, the commission holds hearings on local and community television policy, and we’ll see things like how much local programming stations should be obliged to broadcast, how much of that should be local news, whether community stations should be run by TV providers or local organizations, and how to regulate how money is spent on community TV.

Will there be a rush to the middle among specialty channels?

The deregulation of most specialty channels means more freedom to stray from niches. But in a pick-and-pay universe, and with the availability of Netflix and other streaming services with large libraries, a channel devoted to Seinfeld reruns might not be successful either. So what will work? Channels like AMC and FX that have one or two must-have series but fill the rest of the schedule with reruns and crap? Channels like Family, Crime+Investigation and Food Network that still target a niche or demographic? Or will everything just become general entertainment programming, a mix of scripted dramas and comedies, reality TV shows and lifestyle shows?

Will we see more channels adopt American branding?

A lot of Canadian specialty channels share names and logos with American counterparts. The reasons are mainly economic. You don’t need to design your own logo, or create your own marketing campaign, or worry about confusion when people in the U.S. talk about a show being on some network when it has a different name north of the border. Canadian channels that keep a distinct brand tend to do so either because of their age (YTV, Much) or because they were stuck in their niche (G4, Bio, Book, Fashion). The latter issue becomes irrelevant now.

Does Vice succeed as a TV channel?

Rogers is bringing the brand to Canadian televisions, probably by rebranding a poorly performing channel like G4 or Bio. Vice gets attention online, but whether that translates to a 24/7 cable channel is still to be determined.

What will CBC do with its extra millions?

I put the question to you recently.

Radio

What happens to Radio Shalom?

The Jewish AM station’s owner says he’s no longer willing to financially support the station and is asking others to step up. If no one does, we could end up with dead air at 1650 AM.

Do community stations get enough money to survive?

Radio Centre-Ville came far short of its goal crowdfunding a new cultural space, but launched it anyway. CIBL is about a third of the way toward its crowdfunding goal to save the station. CKUT looks like it will be short of its annual funding drive goal. Radio Ville-Marie is always seeking donations, and I just told you about Radio Shalom. Will this reliance on direct donations to pay the bills result in a station going under?

How does the new ethnic radio station environment look?

Montreal has a lot of ethnic/third-language radio stations, and most are required to have programming in several languages, though they tend to focus on one or two. CFMB 1280 is mainly Italian, CKDG 105.1 is mainly Greek, CHOU 1450 covers the Middle East, the new Radio Humsafar 1610 will serve mainly South Asia, CJWI 1410 serves the Haitian community.

CKIN-FM, which was sold by Canadian Hellenic Cable Radio (owner of CKDG) to businessman Neeti P. Ray, has a new schedule that’s Arabic during the day and Spanish in the evenings.

Is that the way it will stay? Or will CKIN’s change and the emergence of Humsafar prompt other adjustments at other stations?

Print

Does La Presse succeed as tablet-only during the week?

It was a bold move to kill the weekday edition of La Presse. It cuts down a lot on cost, but is there something more intangible about being a daily newspaper that La Presse loses now, even if it’s publishing daily tablet editions? We’ll see. But there were already more people reading it on tablet than print before the change.

Does Postmedia shut down more papers?

Rumours persist about Ottawa, Calgary and Edmonton, where Postmedia owns the two subscription dailies. Postmedia denies any plans to shut down the Suns in those markets. And while it shut down publications in Muskoka, that’s an “isolated” situation. My employer isn’t in the best financial situation, but it’s still expected to survive in the short term overall.

Online

Do new online news outlets grow or contract in 2016?

Vice. Buzzfeed. Canadaland. iPolitics. The Tyee. Huffington Post. Online-only media in Canada have grown more serious in recent years, hiring professional journalists and tackling serious issues, while funding themselves using different models (crowdfunding, native advertising, paywalls, partnerships with big-money media). Will these new outlets with diverse funding sources and more targeted audiences fill the hole made by traditional media’s cuts, or will they find that their recent spending on professionals isn’t sustainable without a lot more revenue?

Will CraveTV and Shomi emerge as real competitors to Netflix?

Shomi, owned by Rogers and Shaw, just recently opened itself up to subscriptions from all Canadians. CraveTV, owned by Bell, has promised to do the same this year, but hasn’t set a date yet. That’s significant because providing all this content without requiring cable subscriptions could entice more people to cut the cord, and these companies make a lot of money from people who pay for TV.

We might also hit a wall with streaming services. Netflix is less than $10 a month, but if you add Crave, and Shomi, and other services like sports streaming and iTunes, or if Amazon or Hulu or others come to Canada, consumers might find their over-the-top bills about as high as what they were paying for the cord they cut in the first place — and a lot less live TV to show for it.

What questions will Fagstein forget to add to this list?

Next question.

| Media, Sports

Baby steps for women’s hockey

If you’ve been reading me for a while you might remember that in 2012 I noted how Montreal’s top women’s hockey team needed help from the media. And in 2014 I mentioned how the team needed help from fans.

There are many reasons why the Canadian Women’s Hockey League isn’t getting as much attention as the National Hockey League, and not all of them could be boiled down to the quality of the product on the ice. Marketing, fan support, player salary, media attention, availability of broadcasts and other factors all needed help, and fixing one wouldn’t change much without fixing the rest.

I’m happy to see that we’re seeing some real progress in making the women’s game better. Last March, the NHL’s Canadiens stepped up to the plate and offered help on the organizational and marketing side. That led to a new name — the Canadiennes — a new logo and a new jersey this fall.

Fan support seems to have grown, from what I can tell. The home games I’ve gone to this year have seen fans well into the upper half of the Étienne Desmarteau arena, which I saw less of in seasons past.

On Dec. 31, the Canadiennes got to play outside as part of the NHL’s Winter Classic event. The game was abbreviated, it wasn’t broadcast on TV, and few fans showed up to see it, but they were there.

And the media is paying more attention. Sportsnet is now airing the Clarkson Cup women’s hockey tournament, as well as some regular-season games. Others (though not all) are broadcast online. And we’re seeing more coverage of the team, the league and its players.

We’re nowhere near getting the CWHL to the same level as the NHL, or the AHL, or even the junior leagues, and future progress still requires each of the parties to go the extra mile, but we’re headed in the right direction.

Sports reporter Robyn Flynn

Sports reporter Robyn Flynn

One of the people fighting the good fight more than others is Robyn Flynn, a whatever-you-need-me-to-do worker at TSN 690 and CJAD. She, along with Jared Book, are contributing stories about the Canadiennes to the Eyes on the Prize website. On her weekly Sunday morning show Centre Ice — a rare sports radio show hosted by a woman — she makes it a point to talk about the women’s game as well as the men’s game, and do things like talk to women’s hockey players. And she’s a regular at the Canadiennes home games, because she’s part of the broadcast team.

This Saturday, as Montreal played Boston’s CWHL team (two days after playing Boston’s NWHL team), Flynn made her debut as a play-by-play announcer, with Kelly Greig doing colour commentary. She’s no Mike Emrick yet, but you got to start somewhere.

It takes a lot of effort to get the media to pay attention to something new on a consistent basis, especially when the public’s interest doesn’t follow right away. That makes contributions like Flynn’s all the more important, and admirable.

If you want to watch the Canadiennes and the CWHL’s athletes in action, the next Canadiennes home games are Jan. 30 at 5:30pm, and Jan. 31 at 1:30pm, against Calgary, at the Desmarteau arena. Tickets are $15.

Centre Ice with Robyn Flynn airs Sundays from 10-11am on TSN Radio 690.

| TV

Shows to check out during the Débrouillage des Fêtes

Every year over the holidays, most of Canada’s French-language entertainment specialty channels offer themselves for free to entice people to check them out and hopefully subscribe.

Unlike in the rest of the country, which will only be moving away from big everything-included packages this year as new CRTC regulations take effect, in Quebec a lot of TV subscribers choose their channels à la carte, which makes the importance of such free previews even larger.

Bell Media, Groupe TVA (Quebecor), Groupe Serdy and Radio-Canada are all offering their entertainment/lifestyle channels for free from Dec. 14 to Jan. 14. News and sports channels are not offered, and other channels offered differ by provider.

Videotron is offering these channels, and Bell is also offering most of them:

  • AddikTV
  • Canal D
  • Canal Vie
  • Casa
  • Évasion
  • ICI ARTV
  • ICI Explora
  • Investigation
  • MOI&cie
  • Prise 2
  • Vrak
  • Yoopa
  • Z
  • Zeste

I don’t usually subscribe to most of these channels, so I made it a point of checking them out during the holidays. A lot of their content is dubbed series imported from the U.S. Those series that are created here tend to be low-budget reality TV, which can be very hit and miss.

I haven’t gotten close to seeing everything, but here are some series I’d recommend from what I did watch, in order of what channel they’re on:

Monsieur Homme (ICI Explora)

If you were a fan of the Radio-Canada series Les Pieds dans la marge, and star Mathieu Pichette, you’ll probably enjoy this self-deprecating faux educational series about things that affect men. Pichette brings out his silly fake gravitas and has fun with guests as they try to get us to pay attention to real issues (like the causes of death that are more likely to affect men than women).

Dis-moi (MOI&cie)

Talk shows are a dime a dozen, but they usually involve host and subject sitting in a studio together. Host Mitsou makes things a bit more interesting by taking her guests (all of them women) outside and doing stuff. The setting, combined with the it’s-just-between-us-girls feel results in some interesting revelations and emotional moments.

Le coeur a ses raisons (Prise 2)

Prise 2 is a rerun channel, with lots to choose from among American and Quebec series. This parody of a soap opera, starring Marc Labrèche and Anne Dorval, is deliciously over-the-top in costumes, makeup and prosthetics, music and, of course, acting and writing.

Vedette Inc. (Canal Vie)

How do you manage a personal brand? It’s one thing if you’re just an actor or musician or blogger, but what if you have a real business, with real employees, whose work is based at least in part about how the public feels about you as a person? This documentary series tries to answer that with interviews with celebrities about the business side of what they do. It’s a bit fluffy — in French they’d call it a “docu-feuilleton” — but it’s nice to see these personalities shed their public entertainment persona for a bit to talk business. The part of the episode where the vedette is given the results of a public survey about them — and inevitably are shocked to discover they’re not as well known as they think they are — is worth the price.

On efface et on recommence (Canal Vie)

What’s the easiest way to get someone to break down with emotion on camera? Take someone who’s had a personal drama, and do something for them that would cost a lot of money, then record their reaction when you show it to them with a big reveal.

That’s basically the concept of this series, hosted by Chantal Lacroix (who’s kind of a veteran of these types of shows). She gets people in the community to contribute to rebuilding a home or otherwise putting someone’s life back together (and plugs their mom-and-pop companies in exchange) and we watch as the subject cries with gratitude at the end.

Code F. (Vrak.tv)

Sit girls on stools in front of green screens and have them talk about girl stuff. It’s better than it sounds, mainly because the women on screen (and sometimes men) are mostly comedians and they don’t hold back when making jokes about various aspects of life. The editing means it’s fast-paced with quick one-liners, and it really looks like the people on screen are having fun.

Les Testeurs (Vrak.tv)

This series is mainly worth watching because of the chemistry between Patrice Bélanger and Étienne Boulay as they test ideas, consumer goods and random stuff they found on the Internet. What works and what doesn’t? Who cares really when they’re hitting each other with rulers.

Carol, bar de danseuses (Z)

What happens when you put Le Gros Cave, Jean-François Mercier, in a strip club? A surprisingly interesting peek into this world that most of us are too prudish to enter. Mercier doesn’t ogle and demean, but rather lets the women speak for themselves for the most part, about why they do what they do, the challenges of doing it, and what happens afterward.

Gang de malades (Z)

Get people with physical disabilities to exploit their differences for cheap laughs? How could that possibly end well?

Well, if it’s done right, it can. The joke isn’t on them so much as us. Hosted by Pierre Hébert, this hidden-camera series puts its visibly different stars in ridiculous situations (a doorman with no arms, a blind person driving a car) and filming unsuspecting strangers as their fear of offending prevents them from pointing out the obvious.

Hébert does a good job of making sure his co-stars are in on the joke, and what comes out of the show seems to be as educational as it is funny (for those of you who think awkwardness is funny, anyway).

This is just a sampling of shows available on these channels. I know there are plenty of shows that I would like that I haven’t had a chance to check out yet. Do you have a favourite original series that airs on a French-language specialty channel? Offer your picks in the comments. And if you have cable TV, take a bit of time over the next week and a half to check these channels out.

| TV

The best song parodies on TV this new year’s eve

It’s an annual French-Canadian media tradition: Criticizing a 75-minute sketch comedy show because it doesn’t meet our insanely inflated expectations.

So I’m just not going to partake. I could laud Bye-Bye 2015’s spot-on impersonations, impressively transformative makeup and prosthetics and expertly-done song parodies. Or, more likely, I could point out that it’s hit-and-miss on the laughs, occasionally politically insensitive or downright racist, and had a Montreal-centric (and certainly Quebec-centric) view of the year’s issues. I could declare Infoman the better of the New Year’s Eve specials, which is apparently de mode, or I could crap all over the Air Farce (and deservedly so).

But everyone else is doing that, so instead I’ll focus this post on something more enjoyable.

As a fan of Weird Al, you won’t be surprised to learn I’m big on song parodies. And there were a bunch of them on TV on New Year’s Eve. Some of them were lazy and unfunny. But some were very clever, and I feel they deserve more attention.

Here are my picks from the Canadian New Year’s Eve specials this year, in both official languages:

Continue reading →

| Media

The end of an era for La Presse as last weekday print edition is published

Among the many things that are changing as 2015 becomes 2016, La Presse is moving from a six-days-a-week newspaper to a Saturday-only one, publishing the other six days (including Sundays) on its tablet edition La Presse+.

In a note to readers, publisher Guy Crevier notes that the tablet app has more than half a million readers every week, and 70,000 new readers every week more weekly readers since Sept. 1*. And notes that with 283 employees, La Presse will still have the largest newsroom in Quebec.

We don’t know much more than we did in September when this move was announced, but it certainly feels more real now. And that’s not just for readers. With the reduction in printing, La Presse saves a lot of money, but much of that money went to people — printing plant employees, home delivery people, print advertising and layout people and others, whether directly employed by La Presse or a contractor. La Presse is cutting 158 jobs directly, which the union has been trying to fight. It recently scored a victory getting the company to offer buyouts, according to the Globe and Mail.

The Globe and other media (CBC, Radio-Canada, Journal de Montréal, Presse Canadienne, CTV) have been reporting on the print edition’s demise, including interviews with print subscribers unhappy about switching to a tablet (or steadfastly refusing to do so).

For a more detailed analysis of La Presse+, I’ll point you to this post from two years ago, as well as this long series from the website NetNewsCheck.

The big thing that’s changed since then is that sales of iPads have slowed and even declined in the past two years. Whether that’s because they’re too expensive or people aren’t replacing them fast enough, I don’t know.

That’s not to say La Presse+ is doomed, since it already has those half a million readers. It’s because of La Presse+ that La Presse is more read now than the Journal de Montréal. But it emphasizes that this is a huge gamble, replacing something that’s more than a century old by something that’s about a decade old.

Not that newspapers have the luxury of playing it safe anymore.

*Corrected to note that the 70,000 new readers figure is since Sept. 1, not every week. Thanks to John D. for spotting this error.

UPDATE (Jan. 22): Le Devoir tells Radio-Canada its subscriptions have gone up 10-15% since the beginning of the year. Le Soleil and Le Nouvelliste have also reported print subscription increases. (No word on the Journal de Montréal.)

| Media, Opinion

How independent are newsrooms from their owners?

Depending on your preconceived notions, there is either something very weird or very understandable going on in Las Vegas.

Recently, the century-old Las Vegas Review-Journal was purchased by a company that, bizarrely, refused to disclose who owned it. Eventually it was determined that the owner is Sheldon Adelson, a billionaire who seems intent on spending a lot of his money supporting Republican candidates for political office.

It gets worse. After Adelson bought the paper, but before anyone found out it was him who owned it, reporters were told to investigate judges who were unfriendly to Adelson. Not asked, ordered. And perhaps the most bizarre part of this story is that the newspaper that broke it was the Review-Journal itself.

A newspaper deliberately embarrassing itself is not something you see every day. And the fact that they did that seems to be the main argument in favour of convincing readers that their editorial integrity remains intact.

An editorial published last week includes this unbelievable passage:

You can be assured that if the Adelsons attempt to skew coverage, by ordering some stories covered and others killed or watered down, the Review-Journal’s editors and reporters will fight it. How can you be sure? One way is to look at how we covered the secrecy surrounding the newspaper’s sale. We dug in. We refused to stand down. We will fight for your trust. Every. Single. Day. Even if our former owners and current operators don’t want us to.

How often does a newspaper vow to protect itself from its owner?

And yet, for all the proclamations that the new owners will protect the newsroom and only control the editorial page, the fact that the newspaper’s editor suddenly left the paper doesn’t inspire confidence. Nor does that whole judge thing, which still hasn’t been explained. It’s definitely still a scandal, and one that’s getting national attention.

Editorial interference in Canada

There have been several cases north of the border in which the question of ownership interference in newsrooms have come up. Among them:

  • Bell Media president Kevin Crull twice attempts to direct CTV News coverage of an issue affecting Bell. In the first, it’s chalked up to a misunderstanding. After the second, in which Crull’s orders were eventually ignored by CTV National News staff, Crull is fired. Bell cites the actions of its journalists, and its decision to fire Crull, as proof that Bell Media’s newsrooms are independent. But there is not a single measure in place to ensure that something like this doesn’t happen again.
  • Postmedia (my employer) orders Alberta papers to endorse the Progressive Conservative party in the Alberta provincial election. Months later, all Postmedia papers, including its recently purchased Sun Media chain, endorse the federal Conservatives, apparently on orders from Postmedia brass. The editorials in the Sun Media papers are signed “Postmedia Network”, while those in the other papers are unsigned, leading readers to believe they were written and decided on by the individual papers’ editorial boards. Postmedia CEO Paul Godfrey states that it’s understood that ownership decides on endorsements, a statement that the chair of the Toronto Star board didn’t agree with.
  • Quebecor Media’s controlling shareholder remains Pierre Karl Péladeau, the leader of the Parti Québécois. Péladeau has placed his shares in trust, but it’s not a blind trust because the trustee cannot sell the shares. Because he is not a member of the cabinet, he is not obliged to use a blind trust, but the rules on conflict of interest weren’t designed for a case where the asset is a media giant. Though it’s whispered and rumoured everywhere that Péladeau was a control freak before he entered politics, there’s little proof that he personally attempted to interfere in any news coverage. When Enquête looked into the issue in 2011, the best it could find was a case where a Journal de Montréal manager tried to fix the results of a list of most influential personalities. Péladeau has repeatedly said that Quebecor’s newsrooms are independent, and specifically points to its collective agreements as proof, even though the Journal de Montréal just about dismantled its union in a long lockout.
  • Groupe Capitales Médias, a company owned by former politician Martin Cauchon, buys six newspapers from Gesca — every one but La Presse. Though there’s been no suggestion Cauchon attempted to interfere with editorial, he refuses to disclose where the financing came from for this purchase (or even the amount). That has led to unsubstantiated allegations from people in the Quebecor camp that Cauchon is merely a puppet of Power Corp., which owns Gesca.

There are countless other examples at smaller players, or cases where newsrooms act in such a way as to promote their owners’ interests (a Saturday Night Live preview in a Global TV newscast, or cross-promotion between the Journal de Montréal and TVA).

But how does it work on a daily basis?

I have limited experience working in other newsrooms, though I have plenty of friends and contacts who work for various media. And I can tell you two things for certain:

  1. It’s a caricature that owners, whether a single mega-rich person or the CEO of a publicly traded corporation, call up newspaper editors on a daily basis or write their own front-page headlines or decide how a TV newscast is lined up. The reality is that they don’t have time to do stuff like that, and most of the time they don’t care.
  2. Anyone who tells you a newsroom is completely independent of its ownership is lying.

There are plenty of cases of overt interference. Endorsements are a good example. It’s one of the few times an owner of a chain of newspapers will care about their editorials. There are also cases that are relatively benign, such as Bell Media putting all its news resources into promoting the annual Bell Let’s Talk charity campaign. And there are cases in between, where an editor is asked to run any particularly sensitive stories up the chain to get ownership’s okay, but the latter won’t censor news just because it might make them look bad.

But then there are all the cases of self-censorship, cases in which a journalist or editor will choose not to cover a story that makes the owners look bad, even if there wouldn’t have been any repercussions for doing so, even if they’re protected by their union, even if the owner has promised not to interfere.

I honestly don’t know — and most people in newsrooms I speak to don’t know for sure — whether owners pick up the phone and bark orders at middle managers on what to cover. I can only speak to what I see on the front lines, which is that journalists are almost always free to cover stories as they warrant. And when reporters are reined in, it’s almost always because of a legitimate, journalistic reason.

But it’s not absolute. And when one newspaper owner (Postmedia’s Godfrey) says it’s obvious ownership sets the editorial direction and another newspaper owner (Quebecor’s Péladeau) says it’s obvious newsrooms are independent of ownership, the only thing that’s obvious to me is that people don’t know which is true.

How do we fix this? Well, readers and outside organizations should continue to hold media owners’ feet to the fire to demand transparency, accountability and independence. And owners should make it abundantly clear that their newsrooms are independent, putting in place measures to prevent them from interfering, whether it’s a public editor or ombudsman or other independent body that has the power to expose any such interference.

But I think the better solution is healthy competition in media. If different outlets have different owners, it’s hard for one owner to keep a story under wraps. And if consumers make transparency and trust a priority when choosing what media to consume, the media will do whatever it can to earn that trust.

| Radio

CBC Quebec says goodbye to Jacquie Czernin

Jacquie Czernin (CBC photo)

Jacquie Czernin (CBC photo)

It’s been almost two years since Jacqueline (Jacquie) Czernin left her job as host of Breakaway on CBC Radio to be with her ailing mother in Kelowna, B.C., on what was supposed to be a temporary leave. But every time she was supposed to return, the date got pushed back.

Finally, it reached the breaking point, and last month it was announced she wouldn’t be coming back.

Today, her show aired a long-distance conversation between her and Quebec AM host Susan Campbell about Czernin’s 25-year career at CBC, including some clips of Czernin’s work (like getting Brian Mulroney to sing).

The staff at Breakaway, which is based in Quebec City and can be heard on the Quebec Community Network (most CBC Radio One stations in Quebec outside Montreal), have been getting messages of support from listeners, and Czernin, who gets a bit emotional during the interview, repeatedly expresses gratitude.

A permanent replacement host hasn’t been announced publicly, but Rachelle Solomon, who has been hosting Breakaway since Czernin left, would be the obvious choice.

| Radio

CRTC approves frequency swap allowing Ottawa station to boost power

Existing (purple) and proposed (black) coverage map for CIDG-FM Ottawa.

Existing (purple) and proposed (black) coverage map for CIDG-FM Ottawa.

In its last day of decisions for 2015, the Canadian Radio-television and Telecommunications Commission has approved a plan proposed by Torres Media’s CIDG-FM (Dawg FM) to pay a community station more than $150,000 to swap frequencies.

The plan, which I told you about in May, goes as follows:

  • CHIP-FM, a community radio station based in Fort Coulonge, Quebec, about 90km northwest of Gatineau, changes frequency from 101.7 to 101.9 MHz
  • CIDG-FM, a commercial station based in Ottawa, changes from 101.9 to 101.7, and because the new frequency has fewer restrictions on it, the station can increase its power from 5,500W to 19,500W.
  • Torres Media, which owns CIDG-FM, pays Pontiac Community Radio, owner of CHIP-FM. The amount isn’t disclosed in the application or decision, but a financial projection included in the application shows it’s at least six figures. It includes Torres Media taking care of all the expenses related to the application itself and the change in frequency for CHIP-FM.

As a result of the change, which also comes with a new transmitter site, Dawg FM would improve its signal considerably toward the southwest, areas like Nepean and Stittsville. The signal still wouldn’t be as good as the older FMs that have unrestricted allocations, but it would be able to fight on a slightly more even level.

Dawg FM, which broadcasts a blues/rock format and launched in 2011, has a 0.5% share among anglophones and 0.2% among francophones in the latest Numeris ratings.

| TV

Derick Fage hired as Breakfast Television Montreal co-host

Derick Fage (Rogers Media photo)

Derick Fage (Rogers Media photo)

Less than three weeks after officially announcing the departure of Alexandre Despatie, Rogers Media has announced his replacement: Derick Fage, a host on the Rogers TV community channel in Ottawa who has filled in as host at BT Montreal this year.

He starts Jan. 4. Wilder Weir, who has been co-hosting with Joanne Vrakas in the interim, returns to his role as Live Eye reporter, in addition to being the host of Sportsnet Central Montreal.

“Derick’s contagious energy makes him a perfect fit for the Breakfast Television format. We believe Montreal viewers will look forward to waking up with Derick and Joanne for their daily dose of entertainment, news, and lifestyle information.”
— Jordan Schwartz, Vice President, In-House Productions, Rogers, in their press release

| TV

CTV, Global appoint Quebec City bureau chiefs

It’s not just the Quebec government that pushed through some labour deals just before Christmas. This week both CTV and Global filled their vacant Quebec City bureau chief positions.

Maya Johnson (CTV News photo)

Maya Johnson (CTV News photo)

CTV’s choice is Maya Johnson, who has been at CTV Montreal for a decade now, and was working on Quebec politics while the position was vacant following Max Harrold’s move back to Montreal (he’s now an assignment editor at CTV Montreal). The choice was, frankly, obvious and you wonder what took them so long.

As a result of the Bell Media cuts, Johnson’s Montreal reporter job won’t be filled.

Hopefully this will give CTV’s Quebec City bureau the kind of stability it hasn’t seen since John Grant held the position.

Raquel Fletcher (Global News photo)

Raquel Fletcher (Global News photo)

Global News, meanwhile, went with Raquel Fletcher, who was the anchor of Focus Saskatchewan at Global TV in Regina. Before that she was at CTV Regina. Fletcher was born and raised in the rectangular province, which means she’ll have a steep learning curve in Quebec City. But she won’t be the first child of Saskatchewan who’s now reporting on Quebec.

Fletcher’s career path is similar to that of Global Montreal morning host Camille Ross, who worked at CTV in Yorkton and Global in Regina.

Fletcher succeeds Caroline Plante, who was hired by the Montreal Gazette this summer.

The National Assembly is recessed for the holidays and resumes on Feb. 9. That gives these reporters a bit of time to get settled in their new positions.

Daigle heading to London

Thomas Daigle (CBC photo)

Thomas Daigle (CBC photo)

Not to be outdone, there’s staffing news at CBC as well. Thomas Daigle, originally from Quispamsis, N.B., but based for several years now in Montreal, will be the new CBC News correspondent in London.

Daigle, 28, worked at CJAD, Global Montreal and Radio-Canada Acadie before joining CBC Montreal. He was named the anchor for weekend newscasts when CBC Montreal added them back to its schedule, then he was moved to the National Assembly and eventually into the position of national reporter in Montreal.