Category Archives: Media

| TV

Tamy takes on America

Tamy Emma Pepin in #TamyUSA

Tamy Emma Pepin in #TamyUSA

A year and a half after taking a social-media-fuelled trip through the U.K., Tamy Emma Pepin is back with another similar travel show for Évasion: #TamyUSA, which starts this week with a show from Seattle.

#TamyUSA follows Pepin through a road trip along the U.S. west coast, exploring the sights of its cities by meeting with people in them who are active on Instagram.

Unlike Tamy @ Royaume-Uni, in which Pepin would go to bed not knowing what she was doing the next day, this time her activities are much more planned. It’s much less chaotic and stressful this way, Pepin tells me.

There are also changes behind the scenes. It’s a different production company, for one. Toxa has been replaced by the tiny Parce Que Films, which has more experience in music videos than television series.

And the series is being put together in a hurry. Pepin returned from the U.S. trip only last month, and with only 40 days between the end of filming and the airing of the first episode, she has spent long nights in the editing room since then.

But the feel of the show is the same as before. From the low-contrast colouring to the creative music selection (thanks to Third Side Music), and particularly the stunning visuals from director of photography Émilie Ricard-Harvey, it’s very familiar to those who followed the U.K. adventure.

And, of course, Tamy is Tamy, a very charismatic host who can be bubbly without being fake, fun-loving without being irresponsible. It’s fun to explore the world with her because her genuine enthusiasm for discovery shines through the camera.

Plus, since Tamy is travelling through another English-speaking country, the show is effectively bilingual, with most interviews happening in English and subtitled in French.

The series isn’t available online, and no one finds that more frustrating than Pepin, who said she’s trying to change that. But Évasion, owned by independent Groupe Serdy, needs shows like this to drive subscriptions to the channel, particularly with rule changes that are pushing people toward pick-and-pay cable packages.

According to the latest data from the CRTC, Évasion gets 78% of its revenue from subscriptions, and a profit margin below 10% with its subscriber base stable at about 2 million subscribers.

Nevertheless, #TamyUSA has a very active website, and after each show premieres on Monday night there’s a free webcast chatting with local Instagrammers in her living room. That’s much less visually interesting than the show, though.

#TamyUSA airs Mondays at 8pm, and rebroadcasts Tuesday 10am, Wednesday 1pm, Friday 3am, Saturday 9am and 8pm and Sunday 4pm on Évasion.

Further reading

 

 

| Montreal, TV

MAtv begins English programming with five shows

Two years after Videotron first proposed creating an English-language community channel for its Montreal-area subscribers, the first English programs on MAtv began airing today, making the service bilingual (about 20% English, which represents about the proportion of the area that speaks English at home).

Over the next two weeks, MAtv launches five new shows in English. Another eight are set to air later in the year, and of the 13 total series, Videotron says 10 were submitted by the public.

The five English shows MAtv starts now are three community-submitted shows and two local shows that MAtv put together.

Community access programs

Street Speaks host Paul Shore

Street Speaks host Paul Shore

The Street Speaks: Submitted and hosted by Paul Shore, this “speaker’s corner” type series features interviews with “everyday” people on the street, which are then cut up and edited into shows on specific themes. Shore notes in his introduction that most people have never been asked their opinions on issues, and this is his attempt to bring their opinions to light.

Living 2 Gether host Vahid Vidah, left, with first filmmaker Andrew Andreoli

Living 2 Gether host Vahid Vidah, left, with first filmmaker Andrew Andreoli

Living 2 Gether: Submitted by Vahid Vidah, each episode of this half-hour series hands the camera over to an amateur filmmaker and has them explore some aspect of the social fabric of the city.

StartLine: Submitted by Gregory Fortin-Vidah, this series doesn’t have a host, but is a documentary-style series about local businesses in the food, arts, multimedia and entrepreneurial sectors.

MAtv local programs

Montreal Billboard is basically Montréalité in English, right down to the weird leave-the-first-guest-sitting-alone-while-you-talk-to-the-next-guest thing.

Montreal Billboard is basically Montréalité in English, right down to the weird leave-the-first-guest-sitting-alone-while-you-talk-to-the-next-guest thing.

Montreal Billboard: Hosted by Richard Dagenais, who was let go from Global Montreal earlier this year, this series features interviews with people who are involved with local community organizations. It’s similar in style (and uses the same set) as Montréalité, hosted by Katerine-Lune Rollet, and is basically an English version of that program. Regular contributors include Amie Watson.

Anyone who watched Dagenais hosting Focus Montreal on Global will find this pretty familiar. In fact, both Montreal Billboard and Focus Montreal this week started their shows with interviews with people from the N.D.G. Food Depot.

CityLife host Tina Tenneriello

CityLife host Tina Tenneriello

CityLife: Hosted by Tina Tenneriello, formerly of CJAD, this show is a weekly current affairs talk show about Montreal, and is basically an English version of Mise à Jour. Contributors include Martin Patriquin on politics, Toula Drimonis on women’s issues, and Egbert Gaye on social and minority issues.

I haven’t listed times for these shows because each one is in about a dozen spots on the schedule. You can look for them here.

I’ll have more on these series and the state of community television in an upcoming feature. In the meantime, enjoy the shows. And if you have an idea for your own, MAtv is eager to hear it.

| Media, Video

The Oasis trademark dispute gets short documentary treatment

You might recall back in 2012 there was a big scandal because of a dispute between Lassonde, the Quebec-based maker of Oasis fruit juice, and Olivia’s Oasis, a small company that makes skin care products.

It wasn’t the cease-and-desist letter that made headlines, or even the court case itself, which resulted in a judge not only dismissing Lassonde’s lawsuit but ordering it to pay costs. Instead, it was a court of appeal judgment that reversed the lower court’s ruling on costs that sparked social media attention when it was written about in La Presse.

Olivia’s Oasis was a small operation, and lawyer’s fees fighting the case would have put it out of business were it not for social media attention (including a Guy A. Lepage tweet) that prompted so much bad publicity for Lassonde that it quickly reached a settlement — on Easter weekend — with Deborah Kudzman, surrendering to a woman they had just beat in court.

Now, Ottawa producers Heidi Lasi and Pat McGowan have published a 14-minute documentary on the subject, which is posted on YouTube, called The Oasis Affair. It’s financed by Bell Media’s BravoFactual production fund.

The documentary is professionally produced and interesting, but it suffers from Lassonde’s refusal to participate, beyond sending an impersonal letter. I get that the company would rather forget about this story, but it would have been great to hear from people in the company at the time about how they reacted to the media onslaught and what they learned through the process. It might even have made the appear more human.

Another wasted opportunity, unfortunately.

| Media

La Presse to become a weekly newspaper on Jan. 1

I’ll admit, I wasn’t sure they had the guts to do it.

Today, La Presse publisher Guy Crevier announced that as of Jan. 1, 2016, La Presse will be published in print form only once a week on Saturdays, down from six days a week. The rest of the week, it will be tablet app La Presse+ that carries the daily news.

People with print subscriptions will see them converted to Saturday-only subscriptions, be extended if they’re prepaid, or reimbursed depending on the payment plan and preference of the subscriber.

The news comes the day after the launch of Star Touch, a tablet app based on La Presse+ by the Toronto Star.

The news isn’t all that surprising. Crevier has said since the launch of La Presse+ that the tablet is now the main platform and that the print edition will eventually be discontinued. His explanation today includes a lot of numbers showing the decline of the print newspaper industry.

And La Presse+ has been successful, reaching 460,000 readers weekly. I’ve heard a lot of skepticism about those numbers, but La Presse had them independently verified, and NADbank, which surveys the population about their reading habits, confirms La Presse’s high digital readership, which makes it more read than Le Journal de Montréal when print and digital readership is combined.

But there’s a psychological shift here, perhaps more significant than the economic one. Is La Presse a daily newspaper? Does it still belong in the same category as papers like the Journal de Montréal, the Montreal Gazette and Le Devoir?

There are also worries that, even with print’s inevitable decline, putting all your eggs in the basket of a tablet app — a platform that didn’t exist more than a decade ago — is risky. Tablets became really popular when they launched, and reached 10% of the population faster than the telephone, television, smartphone or other media-related technologies. But growth has slowed in recent years, and people who watch the industry aren’t nearly as bullish on it as they once were.

And, of course, a lot of people are going to lose their jobs. The exact number isn’t known yet. Crevier is expected to meet with employees on Sept. 24 to lay down the fallout for them.

UPDATE (Sept. 24): La Presse is cutting 158 jobs (102 permanent, 56 temporary), including 43 in the newsroom. The result will be a staff size — 633 — about equal to what it was before La Presse+ launched.

Cutting down print editions means a lot of work no longer becomes necessary. From print edition designers and editors to press operators at Transcontinental to the people who actually deliver the paper door to door, it’s a lot less in expenses for La Presse and a lot less money in the hands of people whose careers depend on this newspaper.

Crevier told the Globe and Mail the paper will save $30 million a year by dropping to one day a week in print.

We’ll see how La Presse’s print subscribers feel about this decision. Many of them don’t have iPads, and will no doubt be disappointed they can’t get their daily news (or, more importantly, comics and puzzles) in the format of their choice.

Meanwhile, La Presse and the Star announced they are shutting down Olive Media, an advertising company they jointly owned. Some of its employees will be laid off, others will be absorbed into the respective papers’ ad teams.

UPDATE: The unions representing La Presse employees sent out a press release complaining that La Presse isn’t being more transparent about it financial situation. They also note that their contracts also expire on Dec. 31.

Meanwhile, Quebecor sent out its own press release that basically trolls La Presse, saying the Journal de Montréal won’t abandon its print readership.

Further reading

| Media

Different strategies as Edmonton Journal, Toronto Star launch new products

This morning, two major Canadian newspapers made big announcements about new ways of consuming their news. One, the Toronto Star, has put a lot of its eggs in the basket of a new tablet app based on La Presse+. The other, the Edmonton Journal, has redesigned its print edition, website and smartphone app based on Postmedia’s 2.0 template, but hasn’t launched a new tablet edition, unlike its Postmedia sister papers.

It’s two very different strategies toward finding new ways to connect with audiences and increase advertising revenues.

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| Media

Journal de Montréal plagiarizes PressProgress, blames “simple omission”

Stories about newbie candidates (usually in no-hope ridings) being shamed for their views expressed on social media seem to be a dime a dozen these days. Opposition researchers and party activists are scouring every Twitter and Facebook account associated with a candidate to find something they wrote years ago that is either downright awful or can be spun in a way to make them intolerant, mean, disgusting or just stupid.

So when the left-wing website PressProgress published a story about a Conservative candidate’s sharing of Russian stories on Facebook, it just got added to the pile. Apparently some of these articles are, to be generous, not politically correct when it comes to gender.

Because the original articles are in Russian, people who don’t understand that language kind of had to take PressProgress’s word on its translations. So there was initial skepticism about the story.

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| TV

Antenna work on Mount Royal tower means more overnight transmitter shutdowns

Mount Royal tower.

Mount Royal tower. (Fagstein file photo)

I’ve been getting a lot of questions (and a few conspiracy theories) from irate over-the-air TV watchers over the past few weeks because Montreal-based stations have been going off the air overnight.

Overnight shutdowns aren’t new. The same thing happened last year when they installed a microwave receiver on the tower.

So I asked Martin Marcotte, director of transmission for CBC, which owns the tower, what was up. He explained that this time they’re installing a standby antenna for UHF digital TV stations — CBC, Radio-Canada, Global and V — which allows those stations to be switched to that antenna in case the main one fails. (Ironically, that requires shutting down the transmitters for safety reasons.)

“Our current UHF antenna for DTV is now over 30 years old. Because of new code restrictions on work in confined spaces, we are no longer able to service that antenna. So the standby antenna is required to ensure continuity of service if ever there are problems on our main antenna as we can no longer repair the main antenna,” Marcotte explains.

The shutdowns, which start shortly after midnight, don’t just affect the four stations broadcasting on the UHF DTV antenna, but also the two using the VHF antenna (CTV and TVA) as well as most of Montreal’s FM radio stations, though most of those have standby facilities that allow them to stay on the air at reduced power (you may have noticed some of them being a bit noisy at night — Virgin Radio in particular seems to have a very poor standby signal).

The plan is to keep the UHF DTV antenna until 2022 when it’s scheduled to be replaced. If something breaks before then, that replacement would be moved up.

Installation work for the standby antenna is continuing. It’s expected to be done by Sept. 18, but that assumes ideal weather and no unforeseen problems.

Delivery of TV and radio signals through cable, satellite and online are not affected by this work.

The work has annoyed OTA viewers partly because the CBC doesn’t have a webpage that explains what they’re doing, and partly because there are often things to watch just after midnight. People missed Jon Stewart’s final Daily Show on CTV and part of Stephen Colbert’s first Late Show on Global because of these shutdowns.

You might wonder if delaying the start of work until, say, 1am each night might solve that problem. But then it would either have to continue later into the morning or be extended over more days.

So I guess you’re just going to have to live with it for another week.

| Media, Navel-gazing

CROP poll of how anglos and francos drink is garbage, based on sample of 30 people

Breakdown of results of CROP poll show sample size of 31 for anglo Montrealers.

Breakdown of results of CROP poll show sample size of 31 for non-francophone Montrealers.

This morning, Éduc’alcool, an organization devoted to moderation in alcohol consumption, released the results of a poll it commissioned from polling firm CROP related to how people in Quebec drink.

The results were offered to the media under embargo yesterday, and stories appear today in the Journal de Montréal, La Presse, Métro, Rouge FM, Radio-Canada, CJAD and elsewhere that focus on interesting results outlined in the organization’s press release: that there’s a significant difference in how francophones and non-francophones in Montreal drink. Francophones drink more and more often than the rest of the city.

You won’t find a story about this in the Montreal Gazette, despite how relevant this kind of information is to its readership. It’s not because there wasn’t a journalist to cover it — a story was written about it and was set to be given good play in today’s paper. But I had it killed last night.

Well, actually the city editor is the one who made the call, but I’m the reason why, and it sounds cooler to say “I had it killed” than “I noticed something and brought it up to an authority figure”.

The reason is simple: All that data about how non-francophones in Montreal drink is based on sample sizes of 30-40 people, which is laughably small for any survey. None of the conclusions on the difference between language groups could be taken seriously, and without that data there’s really no story here.

Continue reading →

| Radio, TV

CBC Daybreak on TV: Slightly enhanced radio makes for awful television

Host Mike Finnerty, right, with sports reporter Andie Bennett in the Daybreak studio.

Host Mike Finnerty, right, in the Daybreak studio.

For almost two weeks now, CBC has been broadcasting an hour of Montreal radio morning show Daybreak on television, with cameras installed in the radio studio. Managing Director Shelagh Kinch explains a bit how it works on her blog. But basically, a handful of cameras are set up in the studio that allow us to see the people on the air as they’re speaking. Because the cameras are voice-activated, the switching happens without the need for human intervention (i.e. without needing to hire someone for it).

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| Radio

91.9 Sport launches with lots of talk, but no sports

Four years after CKAC abandoned its all-sports format, leaving Canada’s largest French-language market without an all-sports radio station in that language, RNC Media’s 91.9 FM officially became 91.9 Sport this morning at 6am. And it made clear that it sees itself as a natural successor to the former CKAC Sports, even though CKAC is owned by its competitor Cogeco Diffusion.

Here’s what the first couple of minutes sounded like today:

RNC announced the format change two months ago, after concluding that talk format “Radio 9” had done about as well as its predecessor “Radio X”.

With the launch, we get some more details about programming. The basics:

  • Live talk shows from 6am to 7pm
  • Repeats (highlights) of the day’s shows from 7pm to midnight
  • Rock music on weekends, 10am to 6pm

The schedule is very similar to what Radio X/9 had before it, and shows that they’re really focusing on daytime audience right now.

No announcements have been made concerning live sports programming. Rights to Canadiens and Alouettes games are held exclusively by Cogeco’s 98.5 FM, which also airs select Impact games. 91.9 Sport could pick up other Impact games, similar to what TVA Sports did when it first started, as well as non-local sports like NFL games. But it doesn’t look like this is a priority for the station.

Some people have been asking how you can have an all-sports radio station without broadcasting rights to live sports, as if this spells immediate doom. But 91.9 isn’t trying to compete during the evenings or weekends, it’s going after daytime audiences that used to listen to CKAC, and daytime at all-sports stations is about talk.

Sure, being the official broadcaster brings prestige and access, but it’s not a dealbreaker. TTP Media, which still plans to launch its own French all-sports station at 850 AM someday, came to the same conclusion: it’s the discussion that matters, not the play-by-play.

The host lineup is as follows:

  • 6-10am: Du sport … le matin! (Michel Langevin and Enrico Ciccone): The return of Langevin to morning radio is probably the clearest link with the old CKAC. He’s joined by former NHLer Ciccone, who like Langevin has been a frequent panelist on shows like 110%.
  • 10am-noon: Langevin en prolongation (Michel Langevin): More Langevin. This guy is going to be on air for six straight hours a day.
  • noon-1pm: Jean-Charles le midi (Jean-Charles Lajoie): One of the Radio 9 personalities to keep his job, Lajoie hosts both the noon show and the drive-home show, but gets a break in between at least.
  • 1-3pm: Laraque et Gonzalez (Georges Laraque and Stéphane Gonzalez): Pairing the former Canadiens enforcer with a numbers guy could be interesting, or could end up as an awkward failure.
  • 3-7pm: Jean-Charles en liberté (Jean-Charles Lajoie): The second half of the Lajoie shift. Langevin and Lajoie alone cover 11 of the 13 hours of daily broadcasts on this station.
  • 7pm-midnight: Les faits saillants: The best moments from the day, condensed, the station’s website promises
  • Weekends, 10am-6pm: Le garage (Jeff Paquet): Like 98.5, 91.9 mainly puts music on weekends.

Add to the list of hosts several regular collaborators, including Michel Villeneuve, Réjean Tremblay, Yvon Pedneault, Daniel Brière, plus non-hockey contributors Étienne Boulay (football), Valérie Tétrault (tennis), Serge Touchette (baseball) and Olivier Brett (soccer).

If you want to get a better idea of 91.9’s on-air team, there’s a half-hour montage posted here, and a “mot du producteur” posted here.

 

| TV

Shakeup in management at City Montreal: Jeffrey Feldman out, Renato Zane in

Updated with comments from Feldman

Jeffrey Feldman, right, takes a picture of the Breakfast Television cast at a fall upfront event in June 2014.

Jeffrey Feldman, right, takes a picture of the Breakfast Television cast at a fall upfront event in June 2014.

A year after its founding executive producer, Bob Babinski, decided to quit to pursue freelance production work, City Montreal has parted ways with Breakfast Television’s supervising producer, Jeffrey Feldman.

Feldman, who worked as a Montreal producer for Bell Media’s eTalk and Fashion Television before joining City in 2013, is no longer with the company, a Rogers Media spokesperson confirmed.

Staff at City Montreal are tight-lipped about Feldman’s departure, referring me to corporate PR in Toronto.

UPDATE: I finally got in touch with Feldman himself. He insists his departure is amicable.

“It was just time to move on,” he said.

He’s considering moving back to his hometown of Toronto, where his family is, but is also considering an offer in Montreal. In the meantime, he’s taking his first real vacation in three years.

But Feldman says he enjoyed his time at City. “It was an amazing two years,” he said.

He said he turned off his Twitter account because he no longer needed it for work, and he didn’t think there was much there anyway.

As for why there was no on-air goodbye or social media well wishes from his colleagues, Feldman noted that he believes “producers’ jobs are supposed to be behind the camera” and he never wanted to draw attention to himself on air.

I guess that makes sense, but it’s still odd that no one has commented on his departure. Feldman mentioned that “I’ve always kept my professional relationships professional”, but that didn’t mean he wasn’t friends with the staff.

He also has only kind words for Renato Zane, the new executive producer (see below), calling him a great guy.

Renato Zane

Renato Zane

Zane, formerly director of news and current affairs at OMNI, has actually been working here for some time now. I met him (and took his photo) in April, and the decision for him to come here had been made, but Rogers wanted me not to reveal his new post until it was official. For some reason that took months.

Zane, who fills Babinski’s former job, admitted he’s new to Montreal, which is a stark contrast to most of the staff at the station, who have strong roots in this city. But he is eager to learn.

On Wednesday, Breakfast Television marked its second anniversary.

Antenna work

People watching City Montreal over the air have been noticing reception issues. Says Rogers: “We are currently in the process of returning the tower to our engineering standards, a long-term solution that will improve both the quality of our signal and its over-the-air reception by viewers; we hope to have these repairs completed very soon.”

City Montreal (CJNT-DT) broadcasts from a small tower next to the CBC Mount Royal antenna tower, which is undergoing its own maintenance this summer. Its lower height and 4kW power have made it more difficult to receive than other Montreal stations.

| Radio

CRTC approves sale of CKIN-FM to Neeti P. Ray

Montreal has a new player in the ethnic radio game. On Tuesday, the CRTC approved the sale of CKIN-FM 106.3 from Groupe CHCR (Marie Griffiths, who owns CKDG-FM aka Mike FM 105.1) to Neeti P. Ray, the owner of ethnic radio stations CINA Mississauga and CINA-FM Windsor.

Ray is purchasing CKIN-FM for $500,000, plus an $18,000 consulting contract for current management, plus $22,500 to take over the antenna lease. The commission also added $150,000 to the calculation for the assumed lease of office space over five years even though the contract says the buyer will leave after one at the most.

The application filed with the CRTC projected no major changes to programming on CKIN, which would continue to be managed in Montreal, but will cease to be sister stations with CKDG.

The CRTC’s decision notes a comment on Radio Humsafar, the company behind a yet-to-launch ethnic station at 1610 AM that also targets the South Asian community. It asked the commission to restrict CKIN’s programming it wouldn’t compete directly with their new station. The commission rejected that proposal, noting that Humsafar was aware of CKIN’s presence when it applied for its licence.

The change in ownership will result in $41,430 being injected into the Canadian content development system as a result of the CRTC’s tangible benefits policy. Most of that will go toward funds supporting Canadian music artists.

Griffiths told the CRTC the purchase money would go toward CKDG’s financial health, eliminating its third-party debt.

| Opinion, TV

Another step in Global’s faking of local news

When Global TV decided to have late-night and weekend newscasts for its less popular markets anchored out of Toronto, it described it as an innovation, a way to increase local news instead of reducing it.

The day before it began in Montreal, it was described as something that will “allow for more local news gathering in the field.”

While it’s still early to judge something so new, after watching a few episodes of the newscast, I think I can at least evaluate Global’s promise of “more local news gathering”, at least as far as it concerns those newscasts:

It’s total bullshit.

The amount of local news gathering is about the same on weekends. What’s different is that it’s now presented by an anchor who has at best a vague understanding of the local market. Not that one is necessary for most of the show because after the first 10 minutes or so it stops reporting on local news.

Let’s break down the newscasts to explain this.

glb-intro

The show starts with the usual teasers and an announcer saying “From the Global News Centre, the Evening News with Kris Reyes.”

Global’s use of green-screen virtual sets means Global can make Reyes appear to be anywhere just by inserting the word “Montreal” behind her in a computer.

glb-skyline

The same goes for the Montreal skyline inserted behind her at the desk when she presents more local news. It almost looks like she’s in the Global Montreal studio.

glb-backdrop

Coming back from the first commercial break, the background changes. Suddenly she’s in front of a control room that has lots of screens but no people. I don’t think it’s a coincidence that this corresponds to the part of the local newscast devoid of local news. Putting Reyes in a generic could-be-anywhere set allows Global to produce part of a newscast filled with national and international news and copy-paste it into local newscasts across the country.

This is similar to what they’ve done with the Morning News, which goes back and forth between local and national segments.

glb-weather

Another commercial break and we’re back to the Montreal cityscape, and an usual sight for Global, the weather presenter sitting at the anchor desk. This wasn’t possible before because the weather presenter has been in Toronto for years. Moving the anchor there too means they can be seen on camera together instead of in a double box.

Judging by the radar maps used, the weather segments appear to be recorded 1-2 hours before the newscast. That’s not much worse than before — because the weatherman was shared with Global Toronto, they were prerecorded before this change too. And weather forecasts don’t change that much in an hour (says the guy whose newspaper includes weather forecasts which, by the time anyone reads them, are at least 12 hours old).

glb-sports

Back to Generic Set, and Reyes introduces Megan Robinson doing the sports roundup. Previously, Global Montreal’s local newscasts didn’t have sports segments because they didn’t have sportscasters. (They’d do quick highlights of local games, but that’s about it.)

Of course, the Blue Jays are the top story. Even though Michael Sam had made history the previous night in an Alouettes game, neither Sam nor the game made the Aug. 8 sports roundup. But you’ll be happy to know that they got in a roundup of the Shaw Charity Classic golf tournament in Calgary.

glb-outro

After more time-filling news stories from elsewhere, Reyes does a goodbye that seems to be carefully generic so it can be copy-pasted anywhere. Heck, they could just rerun the same clip at the end of every newscast every day. She might not be wearing the same dress next time, but if viewers haven’t spotted all the other trickery going on, they probably won’t notice that.

glb-jackets

Finally, a 30-second collection of cityscape videos that appear to have been taken in the spring because people are wearing sweaters and winter jackets, we’re off to Global National.

The first newscast had two packaged reports from local reporters. I found this suspicious because normally there aren’t that many local resources available on weekends. Sure enough, the next weekend it was down to one local reporter.

Even with those two local reporters, the total amount of local news represented only six minutes of the local newscast. If you add the weather segments, which are also done out of Toronto, it goes up to 10.5 minutes. Add the 30-second cityscape montage to close the newscast (looks like the timing was off for the first show), and it’s 11 minutes, out of a 22-minute newscast.

Production-wise, the newscast went smoothly (aside from being a bit short). There were no technical errors or awkward silences or glitches that I could see. Having the newscast anchored out of Toronto didn’t seem to be that noticeable, except for the changing backdrops and the awkward pronunciations of French names and the use of terms like “Honoré Mercier” (for the Mercier Bridge) that are dead giveaways that someone isn’t from around here.

Day 2, 3…

For the first late newscast, it was much of the same, except that the sports segment began with a roundup of that night’s Montreal Impact game. A 22-second roundup. Followed by a minute and 20 seconds on the day’s Toronto Blue Jays game.

Day 2, the evening news started four minutes late because of golf, but still finished on time. The evening news sports segment consisted entirely of highlights of the Blue Jays game. At 11pm, it also included PGA golf and the Shaw tournament, and ran through a list of Quebec athletes who won medals at the Parapan Am Games in Toronto.

The second weekend is, I’m assuming, more representative of what we should expect from this newscast. I watched the Aug. 15 6pm newscast with a stopwatch and broke it down. Those elements in bold are local stories:

  • 0:00-0:43 Intro
  • 0:43-3:00 Billy Shields on missing man
  • 3:00-3:24 Accident brief
  • 3:24-3:42 Lane closures brief
  • 3:42-4:34 Horses brief (SOT)
  • 4:34-4:58 PKP wedding brief
  • 4:58-5:36 Roosh V Toronto brief
  • 5:36-6:47 Weather short-term forecast
  • 6:47-7:40 Slide the City brief (SOT)
  • 7:40-8:06 Promos
  • 8:06-10:25 Commercials
  • 10:25-11:08 Trudeau on the campaign trail
  • 11:08-11:38 Fires in western Canada
  • 11:38-13:29 California drought/fires
  • 13:29-15:05 Beijing explosion
  • 15:05-15:35 Promos
  • 15:35-18:21 Commercials
  • 18:21-21:27 Weather forecast
  • 21:27-24:26 Sports with Anthony Bruno
  • 24:26-24:43 Promos
  • 24:43-27:53 Commercials
  • 27:53-29:30 Straight Outta Compton story from Florida
  • 29:30-30:00 Outro

Added up, this amounts to five minutes and eight seconds of local news. Add in the four minutes and 17 seconds of local weather, and you have 9:25 total in that half hour. Another 8:15 were commercials, 2:36 consisted of promos and the goodbye, 2:59 on sports, and the other 6:45 were national and international news stories. Broken down percentage-wise:

  • 17% local news
  • 14% local weather
  • 10% sports
  • 9% promos and filler
  • 22.5% national and international news
  • 27.5% commercials

When there’s more national and international news than local news, you wonder if it can really be called a local newscast.

Saturday’s late newscast was about the same, though it included a story about Michael Sam leaving football again. The story, whose original reporting consisted of a Skype interview, was reported by Jennifer Tryon out of Toronto.

If only all local news could be reported that way.

“Innovation”

This outsourcing of local news is just the latest step in a long process of saving money by centralizing work for small local stations. Even before the change, evening and late-night newscasts were produced in another city, with a weather presenter in Toronto and only local journalists and the local anchor in Montreal. And even before the change, much of these half-hour local newscasts, especially on weekends, were filled with reports from other Global markets or foreign news services.

And though the union has protested the whole way, the last time the Canadian Radio-television and Telecommunications Commission looked at it, it passed on the opportunity to conclude that Global was no longer producing local programming.

Does the location of the anchor make much of a difference here? We might see the commission be forced to re-evaluate the situation. But it’s hard not to think the boat has already sailed here.

On one hand, Shaw Media is a private company, so it can do what it wants. If it wants to treat local news this way, it can. If it believes that copy-pasting prerecorded segments in Toronto results in a better product than a live local newscast made in Montreal, it can do that.

But on the other hand, it’s trying to sell us on the idea that it’s adding local newsgathering resources when it’s not, and more importantly it’s pretending to the CRTC that this constitutes 30 minutes of local programming when less than a third of it is in any way local.

I understand Shaw’s motivation. The late-night and weekend newscasts have poor ratings. (There wasn’t exactly any protest online when this change happened, because so few people were watching anyway.) And it is adding some resources, including a soon-to-launch noon local newscast.

But I don’t like being deceived, especially by journalists. And so much of this new system seems designed to deceive us into thinking that this is a local newscast when at best it’s half that. If you’re going to anchor a Montreal newscast out of Toronto, just be straight with us instead of using TV magic to try to hide it.

I get that local news doesn’t pay. But local programming is what broadcasters are expected to provide in exchange for the privileges that come with having a television station. If Global doesn’t want to do local news here, maybe it should consider some other form of local programming, or just offer the airtime to community groups that can offer something that truly reflects Montreal.

Because having a Toronto anchor introduce a story from Calgary and calling it local Montreal news is an insult to our intelligence.

The Toronto-produced Evening News and News Final air at 6pm and 11pm, respectively, on Saturdays and Sundays. The weeknight News Final will be similarly moved to Toronto starting in September. Global News at Noon starts Aug. 27.

News at Noon begins

Today was the first episode of News at Noon, a new half-hour local newscast that is produced out of Montreal. Jamie Orchard is the permanent host, but Camille Ross took over those duties today while staff is shuffled because of vacations.

glb-camille

The show had about what you’d expect from a noon newscast: two live hits from reporters in the field (morning reporter Kelly Greig and evening reporter Tim Sargeant), a packaged report from the previous night, and some briefs.

I won’t do a detailed breakdown because I suspect the first show might not be representative of what we should expect on a regular basis. I’ll wait until a future date to give this a more thorough evaluation. But it followed a formula similar to the weekend newscasts, with the first half of it local news and weather and the second half mainly national news and packages and video from other Global stations, particularly in western Canada.

Two of the briefs dated to Saturday, which is a bit of a stretch for a Monday noon newscast. Worse, Global failed to send a camera to the Péladeau-Snyder wedding in Quebec City, so it relied on TVA footage, photos posted to social media and file video of the couple attending Jacques Parizeau’s funeral instead.

Despite all this, it went better than I expected. The production was smooth and it felt more live and local than the stuff I’d been watching on the weekend. We’ll see if they can keep that up.

glb-jessica

I don’t know what hope this newscast can have against CTV News at Noon, which has far more reporting resources and viewer loyalty. But it’s better to have this than not to have it.

| Media

Proposed travel ban would create headaches for journalists

The Conservative Party has come up with a new idea to make us safe: Making it illegal to travel to terrorist hotspots.

Setting aside the fact that the only other countries to do things like this are places like China and North Korea, there’s a practical problem in this proposal for people who are not terrorists.

Harper said there might be exceptions for aid workers and journalists and other people with noble intentions, but the line between journalist and non-journalist is blurry and easily movable.

We don’t have specifics of how the government would determine if someone is a journalist. But it would be tricky to do so using just about any criteria. Make it too lenient, and any freedom fighter can simply claim to be a journalist in order to get around the ban. Make it too strict, and plenty of independent journalists could find themselves imprisoned for trying to cover a war zone.

 

 

It’s one thing if you’re a reporter for the National Post or Maclean’s, but what if you’re a freelancer with Vice? Or you’re publishing your dispatches on Rabble.ca? Or you work for Ezra Levant?

This isn’t a theoretical problem. In Quebec, we’ve seen many people caught in this grey area. During student protests, student journalists have been caught up in police kettles, and refused freedom because the police consider their student press credentials insufficiently mainstream. Meanwhile, many student journalists were also actively involved in the protests and clearly supporting them.

The government could pre-approve people’s journalistic credentials before they enter war zones, but that brings up a whole new set of problems.

Maybe this idea is just that, an idea that will never see the light of day. But maybe it isn’t. And before people start jumping on the bandwagon because they think it’s a common-sense solution to the problem of people heading overseas to join ISIS, think about the fact that the Canadian government doesn’t have any way to legally distinguish between people who are and are not journalists. And there’s a very good reason for that — journalism is a fundamental part of a free society, and everyone has the constitutionally-protected right to practice it.

| TV

Global Montreal begins outsourcing weekend newscasts tonight

A plan to have local newscasts on Global Montreal anchored out of Toronto begins tonight, Shaw Media has confirmed.

The change means that we won’t see usual weekend anchor Peter Anthony Holder on the air tonight, but the company says the timing isn’t related to recent controversy surrounding him.

https://twitter.com/brrreaking_news/status/627889052474322944

Holder was criticized by Bloc Québécois candidate Catherine Fournier for retweeting this tweet last week, and replying that he agreed and thought it was funny. That led to several news stories about it, and Holder deleted his tweets and apologized.

Shaw Media wouldn’t comment on Holder, and Holder himself did not respond to a request for comment (both he and the station have ignored or refused requests for comment since the beginning), but the rumour is that Holder won’t be returning to the station in any role, even as occasional fill-in anchor or reporter.

Despite being the main weekend news anchor, Holder was technically considered a freelancer, which means the company doesn’t have to justify firing him.

The outsourced newscasts, in which a Toronto anchor does local news for all markets except Vancouver, Edmonton and Calgary, will be hosted by Kris Reyes, who had been part of the national Morning Show at 9am weekdays.

Shaw Media reiterates that this change is meant to “allow for more local news gathering in the field” and it’s an “innovative way to deliver quality programming with more local news to viewers.”

We’ll see.

The 11pm weeknight newscast is also being similarly outsourced (insourced? Whatever.) But that starts in early September. The original plan had been a one-hour newscast, but after Global picked up the rights to the Late Show with Stephen Colbert, that was shortened to 35 minutes to allow for simulcasting with CBS.

 

Noon newscast to start Aug. 27, hosted by Jamie Orchard

Another previously announced change, the addition of a half-hour noon newscast, has a start date. Global News at noon starts Aug. 27, and Jamie Orchard, who does the 6pm newscast (soon to become the 5:30pm newscast) will be the anchor.

Eventually, anyway. She’s on vacation for the first two weeks of the show, so Elysia Bryan-Baynes and Camille Ross will share anchor duties for those weeks. (After that, Bryan-Baynes returns to 11pm for just two nights. Her last late newscast is Sept. 4.)

New hires

  • Kelly Greig, the former Sportsnet Central Montreal reporter recently hired as a videojournalist at Global, is joining the morning show. She starts on Monday. A news reporter is something the morning show really needs, especially since the launch of Breakfast Television on City, which has had a live in-the-field reporter since the beginning.
  • Brian Daly, a former CTV Montreal staffer who joined QMI Agency and the Sun News Network until that went belly-up, has been hired as the new lineup editor, and will help in the production of the noon newscast. He started Aug. 4.