Category Archives: TV

Canada’s TV industry still needs to get its act together on streaming

Want to watch the Super Bowl tonight online or on mobile? No problem. You just have to prove you’re subscribed to CTV through a participating TV provider.

Now, that might sound a bit ridiculous, since CTV is a free-to-air television network and doesn’t collect subscription fees, but it’s nevertheless true. Bell Media is streaming the Super Bowl only on its CTV GO app, and that application works only if your TV provider has a contract with Bell Media to provide it.

Unfortunately, while English Canada’s big providers — Rogers, Shaw, Telus, Eastlink and of course Bell itself — are participating providers, Videotron and Cogeco are not. It doesn’t matter how many RDS or TSN channels you subscribe to, you can’t get mobile access to the Super Bowl or other Bell Media sports content until they make a deal. And there’s no word on when that’s going to happen.

I explore this frustration a bit in this business story, which appears in Saturday’s Montreal Gazette. It quotes Videotron saying they’re negotiating, and noting that they have Global GO, TMN GO and some other services, but that’s it.

There are gaps all across the compatibility chart. I can’t find one cable provider that offers all TV everywhere products, nor any broadcaster that’s available on all cable systems.

Quebecor seems to be the worst offender on both sides. Videotron subscribers don’t have access to most Bell Media, Rogers or Corus applications. Meanwhile TVA Sports has live streaming available only to Videotron and Cogeco subscribers.

Why is it like this? Because as Canada’s vertically integrated media companies get bigger, they’re more able to play hardball. Negotiations for carriage become more complicated, and a company like Quebecor trying to hold out for a better deal for itself and its customers ends up getting left out.

(Of course, since negotiations are secret, we have no idea which side is being unreasonable in its demands.)

Online streaming isn’t regulated directly by the CRTC, but vertically integrated companies have been told to play nice on TV everywhere products linked to licensed channels. The problem is that a deal can be considered “commercially reasonable” and still be a bad deal.

TV everywhere compatibility has gotten a lot better over the past few years, particularly as Bell, Rogers and Shaw signed deals to make their programming available on each others’ systems. But if the industry wants to show the CRTC and the government that the free market works better than government regulation, if it wants to show customers that cable is still better than over-the-top streaming, it needs to grow up, sit down together and make this work.

TV everywhere should work everywhere. If it doesn’t … well, just remember how easy piracy is these days.

Sportsnet admits it’s using Canadiens Saturday night games as subscription bait

If you’ve been paying attention to the scheduling of Hockey Night in Canada, you might have noticed that Canadiens games are more likely to be on Sportsnet this season, whereas last season they were more likely to be on City.

This season, of the 13 Saturday evening games that have aired so far, plus the next one (Feb. 27 against the Leafs) that has already been assigned, six were put on Sportsnet, two on City and six on CBC or CBC and City. Of those six, three are games against the Maple Leafs, and two were nights the Leafs weren’t playing. Only once, on Oct. 17 (in the middle of their season-opening hot streak) did the Canadiens go on CBC and bump the Leafs to another channel (in that case, City), which caused plenty of frustration from Leafs fans who had been used to just owning CBC on Saturday nights.

The Leafs’ dominance on CBC is nothing new. The same thing happened last season. And it makes sense. The Canadiens have stronger ratings overall, but if you discount francophones who will watch those games on TVA Sports, the Leafs are the more popular team on English television on Saturday nights. And so Rogers gives them the network with the largest overall reach.

But what’s changed this year appears to be the order of priority when it comes to channel assignments. It used to be CBC > City > Sportsnet > Sportsnet One or 360. But now it appears Sportsnet has moved to the No. 2 spot on Saturday nights, to the point where City has on some weeks had either simulcasts of the CBC game or an all-American matchup.

I asked Scott Moore, the president of Sportsnet, about this during an interview I did for a Gazette story that appears in Saturday’s paper about the difficulty in finding live sports online.

“We want to put whatever games we can to the widest distribution,” he said.

But Moore, who noted he’s a Habs fan, admitted that the scheduling strategy has changed this year, and “the second best game has moved to Sportsnet and the third best game has gone to City.”

“That’s simply for a subscription play,” he said.

What does that mean? It means Rogers is putting that second-best game, whether it’s the Canadiens or Senators or Jets, on Sportsnet as a way of getting more people to subscribe to Sportsnet.

Sportsnet gets 72% of its revenue through subscriptions (75% if you also count Sportsnet One, 360 and World), and only 23% through advertising, according to figures from 2013-14 submitted to the CRTC. And as the CRTC mandates channels be offered on a pick-and-pay or small-package basis as of March 1 (and both as of Dec. 1), it’s in Sportsnet’s best interest to protect that subscription revenue.

It’s a balancing act from a capitalist perspective. Lock the games down too much on expensive specialty channels and you risk losing fans. Put too many games on free TV and occasional fans won’t bother subscribing to your sports channels because they don’t need them.

For a company that spent $5.2 billion on a 12-year deal with the NHL, finding that balance on the sport’s marquee night of the week is very important.

“It’s not so much a science as it is a feel,” Moore notes of how Saturday night games are assigned. That’s the big reason why channel assignments are only announced a week or two in advance, except where it’s a Canadiens-Leafs game, because that’s obviously going on CBC.

Had the Canadiens continued on their hot streak instead of plunging into the toilet with the rest of the Canadian NHL teams, we might have seen the Canadiens on CBC more often.

Will we see more subscription plays during the playoffs? The math changes then, with audience increasing and ad revenue becoming more important.

But at this rate they might not have to worry about it, because none of the seven Canadian teams are in playoff position (they’re all among the bottom nine teams in the league right now).

“It would be really interesting to see what happens between now and NHL trade deadline,” Moore said, a glimmer of hope in his voice that some miracle would save the postseason audience his company paid so dearly for.

Does BazzoTV deserve a tax credit?

Marie-France Bazzo's BazzoTV is financed in part through a Canadian government tax credit.

Marie-France Bazzo’s BazzoTV is financed in part through a Canadian government tax credit.

The scandale du jour in Quebec media: The government has cut funding to BazzoTV, forcing the Télé-Québec current affairs show to shut down for good after this season.

Bazzo’s production company issued a statement, the show posted a page on its website, Marie-France Bazzo herself tweeted about it and there are plenty of news stories about the change, with Bazzo not being afraid to express her opinion on what this decision means for the future of television.

Reaction has been negative toward the government and supportive of Bazzo. One Journal de Montréal blowhard called it murder.

So what happened, exactly?

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Corus buying Shaw Media is a big deal, but it’s not a Big Deal

The news broke as I was busy preparing for and going to the annual shareholders meeting of Cogeco: Shaw Media is being sold to Corus Entertainment for $2.65 billion. The people who own Teletoon and YTV will now also control Global TV, Showcase, Food Network and other channels.

But as huge as the purchase figure is, the deal itself is more of a corporate reorganization than a major media merger. Here’s why:

Corus was formed in 1999 as a Shaw spinoff company. Shaw put all its media assets in the Corus portfolio and created a separate, publicly-traded company. But through Corus and Shaw are publicly traded and have their own boards of directors, both are still under the control of the Shaw family.

For this reason, the CRTC considers that they’re related companies. That means they probably won’t oppose the deal. And it means Corus is probably not going to be asked to pay a tangible benefits package to secure the deal, so there won’t be millions of dollars going to various production funds or content development initiatives.

Here’s how the assets will break down once the deal is completed (assets changing hands in bold):

  • Shaw Communications:
    • Shaw Cablesystems
    • Shaw Direct satellite TV
    • Wind Mobile (once that transaction is complete)
    • Shomi (50%, with Rogers having the other half)
  • Corus Entertainment:
    • Global Television Network
    • Three CTV affiliates in Ontario
    • Specialty channels Action, BBC Canada (80%), DejaView, DIY Network, DTour, Food Network, FYI, Global News BC1, History, H2, HGTV, IFC, Lifetime, MovieTime, Crime + Investigation, National Geographic Channel (80%), Nat Geo Wild, Showcase, Slice
    • Kids specialty channels Disney Channel (fr/en), Disney Jr, Disney XD, Nickelodeon, Teletoon (fr/en), YTV, Cartoon Network, Treehouse
    • Specialty channels ABC Spark, CMT Canada, Cosmo TV, OWN Canada, Sundance Channel, W Movies, W Network, Historia, Séries+
    • Pay TV channels Movie Central and Encore Avenue (until Bell replaces them with a national Movie Network), including 50% stake in HBO Canada
    • Telelatino Network and its associated third-language channels
    • Production company Nelvana
    • 39 radio stations
    • Kids Can Press

 

There are some minor assets whose eventual owner is unclear right now (TV station CJBN in Kenora, Ont., is owned directly by Shaw and isn’t part of Shaw Media), but these are the basics. Notably, Shaw will have a 39% stake in Corus directly as a result of the stock portion of this purchase. That might make it easier down the road for Shaw to take over Corus and make it a real subsidiary.

Combined, Corus and Shaw have about a 35% share of viewing to English-language television in Canada, which is the same as Bell Media and about as much as the CRTC is comfortable giving any one group. Rogers and CBC have about 10% each, and the rest is everyone else.

What changes?

The big question is what changes as a result of this transaction. On one hand, the ultimate owner of these assets is the same. But on the other hand, because the companies are run separately, they haven’t taken advantage of centralization or things like collective bargaining with TV providers to get a better deal.

Practically, this will probably mean that:

  • Instead of ads for Shaw TV on Global, we’ll see more ads for YTV, Teletoon and OWN.
  • In markets where Corus will own both a Global TV station and a news-talk radio station (Vancouver, Calgary, Edmonton, Winnipeg, Toronto), there could be cross-promotion or even content partnerships of some sort. We could see a rationalization of news-gathering staff and people asked to report for both TV and radio.
  • Those three CTV affiliates in south/eastern Ontario (Peterborough, Oshawa and Kingston) will probably eventually become Global TV stations.
  • Maybe more programming aimed at children and families on Global TV.

Beyond that, the concentration of media ownership already happened (the biggest step was when Shaw acquired Canwest’s TV assets in 2010), and this is really only a minor step in that process.

Which is why despite a $2.65-billion transaction, my media ownership chart doesn’t change.

Shaw wants to reduce Global Montreal’s local programming requirement

Later this month, the CRTC will hold a hearing looking into the future of local and community television. Included in that review will be a look at how much local programming local television stations should produce, and what that should be.

The proceeding has attracted thousands of pages of comments, including from Canada’s major broadcasters.

Shaw Media, which owns Global TV, filed comments in which it unsurprisingly defended its model for local news, which involves local newscasts not only being produced and directed outside of local markets, but anchored there as well.

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Shows to check out during the Débrouillage des Fêtes

Every year over the holidays, most of Canada’s French-language entertainment specialty channels offer themselves for free to entice people to check them out and hopefully subscribe.

Unlike in the rest of the country, which will only be moving away from big everything-included packages this year as new CRTC regulations take effect, in Quebec a lot of TV subscribers choose their channels à la carte, which makes the importance of such free previews even larger.

Bell Media, Groupe TVA (Quebecor), Groupe Serdy and Radio-Canada are all offering their entertainment/lifestyle channels for free from Dec. 14 to Jan. 14. News and sports channels are not offered, and other channels offered differ by provider.

Videotron is offering these channels, and Bell is also offering most of them:

  • AddikTV
  • Canal D
  • Canal Vie
  • Casa
  • Évasion
  • ICI ARTV
  • ICI Explora
  • Investigation
  • MOI&cie
  • Prise 2
  • Vrak
  • Yoopa
  • Z
  • Zeste

I don’t usually subscribe to most of these channels, so I made it a point of checking them out during the holidays. A lot of their content is dubbed series imported from the U.S. Those series that are created here tend to be low-budget reality TV, which can be very hit and miss.

I haven’t gotten close to seeing everything, but here are some series I’d recommend from what I did watch, in order of what channel they’re on:

Monsieur Homme (ICI Explora)

If you were a fan of the Radio-Canada series Les Pieds dans la marge, and star Mathieu Pichette, you’ll probably enjoy this self-deprecating faux educational series about things that affect men. Pichette brings out his silly fake gravitas and has fun with guests as they try to get us to pay attention to real issues (like the causes of death that are more likely to affect men than women).

Dis-moi (MOI&cie)

Talk shows are a dime a dozen, but they usually involve host and subject sitting in a studio together. Host Mitsou makes things a bit more interesting by taking her guests (all of them women) outside and doing stuff. The setting, combined with the it’s-just-between-us-girls feel results in some interesting revelations and emotional moments.

Le coeur a ses raisons (Prise 2)

Prise 2 is a rerun channel, with lots to choose from among American and Quebec series. This parody of a soap opera, starring Marc Labrèche and Anne Dorval, is deliciously over-the-top in costumes, makeup and prosthetics, music and, of course, acting and writing.

Vedette Inc. (Canal Vie)

How do you manage a personal brand? It’s one thing if you’re just an actor or musician or blogger, but what if you have a real business, with real employees, whose work is based at least in part about how the public feels about you as a person? This documentary series tries to answer that with interviews with celebrities about the business side of what they do. It’s a bit fluffy — in French they’d call it a “docu-feuilleton” — but it’s nice to see these personalities shed their public entertainment persona for a bit to talk business. The part of the episode where the vedette is given the results of a public survey about them — and inevitably are shocked to discover they’re not as well known as they think they are — is worth the price.

On efface et on recommence (Canal Vie)

What’s the easiest way to get someone to break down with emotion on camera? Take someone who’s had a personal drama, and do something for them that would cost a lot of money, then record their reaction when you show it to them with a big reveal.

That’s basically the concept of this series, hosted by Chantal Lacroix (who’s kind of a veteran of these types of shows). She gets people in the community to contribute to rebuilding a home or otherwise putting someone’s life back together (and plugs their mom-and-pop companies in exchange) and we watch as the subject cries with gratitude at the end.

Code F. (Vrak.tv)

Sit girls on stools in front of green screens and have them talk about girl stuff. It’s better than it sounds, mainly because the women on screen (and sometimes men) are mostly comedians and they don’t hold back when making jokes about various aspects of life. The editing means it’s fast-paced with quick one-liners, and it really looks like the people on screen are having fun.

Les Testeurs (Vrak.tv)

This series is mainly worth watching because of the chemistry between Patrice Bélanger and Étienne Boulay as they test ideas, consumer goods and random stuff they found on the Internet. What works and what doesn’t? Who cares really when they’re hitting each other with rulers.

Carol, bar de danseuses (Z)

What happens when you put Le Gros Cave, Jean-François Mercier, in a strip club? A surprisingly interesting peek into this world that most of us are too prudish to enter. Mercier doesn’t ogle and demean, but rather lets the women speak for themselves for the most part, about why they do what they do, the challenges of doing it, and what happens afterward.

Gang de malades (Z)

Get people with physical disabilities to exploit their differences for cheap laughs? How could that possibly end well?

Well, if it’s done right, it can. The joke isn’t on them so much as us. Hosted by Pierre Hébert, this hidden-camera series puts its visibly different stars in ridiculous situations (a doorman with no arms, a blind person driving a car) and filming unsuspecting strangers as their fear of offending prevents them from pointing out the obvious.

Hébert does a good job of making sure his co-stars are in on the joke, and what comes out of the show seems to be as educational as it is funny (for those of you who think awkwardness is funny, anyway).

This is just a sampling of shows available on these channels. I know there are plenty of shows that I would like that I haven’t had a chance to check out yet. Do you have a favourite original series that airs on a French-language specialty channel? Offer your picks in the comments. And if you have cable TV, take a bit of time over the next week and a half to check these channels out.

The best song parodies on TV this new year’s eve

It’s an annual French-Canadian media tradition: Criticizing a 75-minute sketch comedy show because it doesn’t meet our insanely inflated expectations.

So I’m just not going to partake. I could laud Bye-Bye 2015’s spot-on impersonations, impressively transformative makeup and prosthetics and expertly-done song parodies. Or, more likely, I could point out that it’s hit-and-miss on the laughs, occasionally politically insensitive or downright racist, and had a Montreal-centric (and certainly Quebec-centric) view of the year’s issues. I could declare Infoman the better of the New Year’s Eve specials, which is apparently de mode, or I could crap all over the Air Farce (and deservedly so).

But everyone else is doing that, so instead I’ll focus this post on something more enjoyable.

As a fan of Weird Al, you won’t be surprised to learn I’m big on song parodies. And there were a bunch of them on TV on New Year’s Eve. Some of them were lazy and unfunny. But some were very clever, and I feel they deserve more attention.

Here are my picks from the Canadian New Year’s Eve specials this year, in both official languages:

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Derick Fage hired as Breakfast Television Montreal co-host

Derick Fage (Rogers Media photo)

Derick Fage (Rogers Media photo)

Less than three weeks after officially announcing the departure of Alexandre Despatie, Rogers Media has announced his replacement: Derick Fage, a host on the Rogers TV community channel in Ottawa who has filled in as host at BT Montreal this year.

He starts Jan. 4. Wilder Weir, who has been co-hosting with Joanne Vrakas in the interim, returns to his role as Live Eye reporter, in addition to being the host of Sportsnet Central Montreal.

“Derick’s contagious energy makes him a perfect fit for the Breakfast Television format. We believe Montreal viewers will look forward to waking up with Derick and Joanne for their daily dose of entertainment, news, and lifestyle information.”
— Jordan Schwartz, Vice President, In-House Productions, Rogers, in their press release

CTV, Global appoint Quebec City bureau chiefs

It’s not just the Quebec government that pushed through some labour deals just before Christmas. This week both CTV and Global filled their vacant Quebec City bureau chief positions.

Maya Johnson (CTV News photo)

Maya Johnson (CTV News photo)

CTV’s choice is Maya Johnson, who has been at CTV Montreal for a decade now, and was working on Quebec politics while the position was vacant following Max Harrold’s move back to Montreal (he’s now an assignment editor at CTV Montreal). The choice was, frankly, obvious and you wonder what took them so long.

As a result of the Bell Media cuts, Johnson’s Montreal reporter job won’t be filled.

Hopefully this will give CTV’s Quebec City bureau the kind of stability it hasn’t seen since John Grant held the position.

Raquel Fletcher (Global News photo)

Raquel Fletcher (Global News photo)

Global News, meanwhile, went with Raquel Fletcher, who was the anchor of Focus Saskatchewan at Global TV in Regina. Before that she was at CTV Regina. Fletcher was born and raised in the rectangular province, which means she’ll have a steep learning curve in Quebec City. But she won’t be the first child of Saskatchewan who’s now reporting on Quebec.

Fletcher’s career path is similar to that of Global Montreal morning host Camille Ross, who worked at CTV in Yorkton and Global in Regina.

Fletcher succeeds Caroline Plante, who was hired by the Montreal Gazette this summer.

The National Assembly is recessed for the holidays and resumes on Feb. 9. That gives these reporters a bit of time to get settled in their new positions.

Daigle heading to London

Thomas Daigle (CBC photo)

Thomas Daigle (CBC photo)

Not to be outdone, there’s staffing news at CBC as well. Thomas Daigle, originally from Quispamsis, N.B., but based for several years now in Montreal, will be the new CBC News correspondent in London.

Daigle, 28, worked at CJAD, Global Montreal and Radio-Canada Acadie before joining CBC Montreal. He was named the anchor for weekend newscasts when CBC Montreal added them back to its schedule, then he was moved to the National Assembly and eventually into the position of national reporter in Montreal.

 

The day local TV died

CHCH, the superstation in Hamilton, Ont., was Canada’s last best hope for the idea of truly local television.

It failed.

On Friday at 4pm, the station aired a 90-second statement from Channel Zero CEO Romen Podzyhun, explaining that the station would be undergoing a major restructuring and would eliminate a large part of its local programming, and the jobs that go with that. The amount of local programming would reportedly drop from 80 hours to 17.5 hours a week, a little more than most large-market local TV stations in Canada. (Its licence requires a minimum of only seven.)

Rather than have local original programming from 4am (they prided themselves on being the first on the air weekday mornings) to 7pm weekdays, they’ll be left with 6pm and 11pm newscasts starting Saturday, and the morning show starting Tuesday.

Other, non-news programming gets cancelled.

The human cost: 129 full-time jobs, and 38 part-timers, according to the Hamilton Spectator. Of them, 58 full-time employees and 23 part-time will be offered new jobs. The cuts include the Niagara bureau, apparently in its entirety.

Channel 11 LP, the company that Channel Zero created to do its local news, and which technically employed CHCH’s news employees, has declared bankruptcy, with $1.6 million owed to employees. (This is being erroneously reported in the media as CHCH itself or its parent company declaring bankruptcy, which is not the case.) The consequence of this is that the company can wash its hands of its union obligations, and the union is not happy, though it focuses its blame on the CRTC and the government.

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Avis de recherche using desperate legal measures to stay on the air

Control room and studio at Avis de recherche

Control room and studio at Avis de recherche

Avis de recherche, the specialty channel devoted to listing missing people and wanted suspects and talking about other aspects of public safety, got a punch to the gut two and a half years ago when the CRTC decided to end its special status as a must-distribute service that every TV subscriber in Quebec was forced to pay for.

Without that mandatory distribution, providers would no longer want to carry the channel, it would lose its subscription revenue and would cease to exist. Owner Vincent Geracitano knows this well because before ADR got that status, he had to pay Videotron to distribute the channel.

Knowing the channel had value as a public service, the commission gave ADR a two-year grace period to find a new business model. That grace period ended on Aug. 31, 2015, despite ADR’s ill-fated request for another extension.

Now, ADR is using every trick in the book to stay alive:

  • It has politicians writing letters to the federal government asking it to order the CRTC to review and reverse its decision.
  • It filed an application to the federal court seeking a judicial review of the decision.
  • It filed a complaint with the RCMP, alleging political interference in the CRTC decision (based mainly in hearsay evidence).
  • It took Videotron to court, arguing it had a distribution agreement until Dec. 31 and got a temporary injunction keeping it on Videotron’s system.
  • For Bell, ADR has gone to the CRTC and filed for dispute resolution. (A standstill provision says Bell must continue distributing the channel while the dispute resolution process proceeds.) ADR also filed a complaint of undue preference, arguing that Bell’s decision to pull ADR benefits its similar service Canal D Investigation. (I find that hard to understand. ADR is a news and information channel, while Investigation is entertainment. It’s like saying the Weather Network competes with a channel that shows nothing but Sharknado movies.)
  • UPDATE (Jan. 31): ADR has also filed an undue preference complaint against Videotron, arguing ADR is similar to LCN.

ADR proposes some solutions to Bell’s actions, which basically involve ordering Bell to keep the channel. It suggests the commission use its power to order Bell to keep distributing the channel until 2018, when all specialty channels will have lost their protections as a result of decisions taken in the CRTC’s Let’s Talk TV process.

Even if ADR is successful at keeping Bell and Videotron from pulling the channel, it’s just kicking the can down the road. Both distributors have made clear they have no desire to keep distributing the channel because there’s no demand for it.

A survey ADR provided in its application seems to confirm that. It shows only 16% of the 1,000 Quebecers surveyed had ever heard of the channel, and after being told what it was only 18% said they’d ever watched it.

Nevertheless, respondents said public security is important, and after some very leading questions about the value of such a channel, respondents expressed support for it and disagreement (69% vs. 18% support) with the CRTC’s decision to remove its mandatory status.

Respondents were asked how much they’d be willing to pay for it at four price points:

  • At its current 6 cents per month: 89% in favour
  • At 25 cents per month: 73% in favour
  • At 75 cents per month: 52% in favour
  • At $1 per month: 43% in favour

ADR makes it clear that without an order keeping it on some form of mandatory distribution, it would go off air “within days.”

The channel notes it is in a unique position as an independent service that once had mandatory distribution and has since lost it. And Geracitano has devoted his life to public service and this channel. It’s entirely understandable that he’s doing everything he can to keep it going.

But the CRTC has determined the public doesn’t absolutely need Avis de recherche, and it’s not about to change its mind on that. Rather than seek a way to offer programming that might generate demand, ADR is going all in on lawyers. I doubt it will work.

The CRTC is treating ADR’s complaint about Bell seriously but expeditiously, allowing only three days for comment. You can download the complaint here (.zip) and file comments here before 8pm ET on Friday, Dec. 11. Note that all information filed with the CRTC, including contact information, becomes part of the public record.

UPDATE (Dec. 14): This proceeding has resulted in dozens of interventions, almost all of them from politicians, public safety agencies and non-profit groups lined up behind ADR.

One group definitely not on ADR’s side is Quebecor. It notes in its intervention that ADR is a Category B specialty service, which means distributors are free to drop it if they want. It suggests allowing ADR to stay on Bell’s system this way would open the door to abuse of process:

ADR doit se rendre à l’évidence qu’elle n’a pas d’autre choix que d’assumer sa part des risques liés aux différentes politiques du CRTC et d’accepter la perte de son statut de distribution obligatoire.

UPDATE (Dec. 17): Bell’s reply has been published by the commission. Among the key quotes (with my highlights):

  • ADR has known since 24 September 2015 that their service would be removed from carriage on 1 December 2015.  Yet they waited two months to file their second standstill request and to file the Application.
  • ADR has already had two years to adjust to the lack of access rights.  In particular, Decision 2013-372 extended ADR’s 9(1)(h) status for two years to allow the licensee time to adapt its business plan. Bell has not seen any evidence of ADR changing its business plan; rather its plan appears to be to argue for continued carriage at its existing wholesale rate.  Bell does not consider this to be adapting to new distribution circumstances.
  • Given that ADR’s programming is a public benefit for law enforcement agencies, it could attempt to obtain sponsorship from various levels of government. … If such an attempt was made and rejected, then it would appear that law enforcement agencies do not see the value in ADR.
  • At mediation, there was a good exchange of information between the parties, but in the end, Bell’s position did not change. Our subscribers see little or no value in receiving this service as evidenced by the viewership chart for the service provided further below.
  • There is no regulatory requirement for BDUs to make reasonable attempts to ensure that programming services remain viable if they do not believe the service appeals to their subscribers.
  • The Wholesale Code does not afford independent services, such as ADR, penetration guarantees; rather, it only allows them the ability to negotiate for one.
  • There is no similarity between the programming offered by ADR and Canal D/Investigation.
  • The programming on Canal D/Investigation takes the form of documentaries, dramas and reality television shows related to justice and forensic science. It is an entertainment service that broadcasts programs on resolved criminal stories of national and international scope, it is not interactive, nor is it a “Crimestoppers” channel.
  • ADR’s viewership pales in comparison to Canal D/Investigation.
  • There is no evidence on file of their ability to solve crimes.
  • ADR suggests … there is no evidence that Bell plans to rebate its customers for the loss of service of ADR. … We do not make rate adjustments each and every time the cost of a programming service increases or decreases or when a service is added or removed from a package.
  • This Application is simply another attempt to have the Commission extend its mandatory-to-basic 9(1)(h) distribution order; a proposal that has already been rejected.

Bell makes reference to viewership data for ADR above. Because ADR does not subscribe to Numeris, Bell instead used set-top box viewership data from Fibe TV customers. The figures it uses are redacted from the public record, because Bell argues that information is commercially sensitive. So we don’t know what ADR’s actual viewership is among Bell customers, either in real numbers or compared to Investigation, other than it being lower.

UPDATE (April 20, 2016): After its CRTC complaints were rejected, the channel has appealed to Canada’s heritage minister to force the commission to force cable companies to keep paying for it to stay on the air.

Concordia students get $650,000 out of a Rogers acquisition

Sportsnet records its president announcing its donation at Concordia University's journalism building on Wednesday.

Sportsnet records its president announcing its donation at Concordia University’s journalism building on Wednesday.

Concordia University journalism students will be getting a financial boost in the coming years thanks to a $650,000 donation from Rogers Sportsnet.

More than half of the donation will be used for scholarships for students over five years:

  • Six scholarships of $3,000 each to undergraduate students
  • Seven scholarships of $4,000 each to graduate diploma students
  • Two scholarships of $6,000 each to masters students
  • Two prizes of $8,500 each to students based on sports journalism portfolios

This works out to $75,000 a year, or $375,000 over the five years of the program. The rest of the money will be used for things like new equipment purchases and other stuff whose details haven’t been finalized, said Concordia journalism department chair Brian Gabrial.

Other than the $8,500 prizes listed above, the scholarships are not specifically sports-related.

Students and staff at Concordia celebrate their donation with Sportsnet president Scott Moore (third from left).

Students and staff at Concordia celebrate their donation with Sportsnet president Scott Moore (third from right).

The donation, the largest in the department’s history, was celebrated with a wine-and-hors-d’oeuvres event at Concordia’s journalism and communications building on the Loyola campus on Wednesday, with Concordia president Alan Shepard Sportsnet president Scott Moore in attendance.

But while this is great news for the university, it’s worth noting where this money is coming from. It’s not something Rogers is doing spontaneously out of the kindness of its heart, but rather a mandatory funding initiative linked to Rogers’s 2013 acquisition of The Score (which it turned into Sportsnet 360).

When the Canadian Radio-television and Telecommunications Commission approved the acquisition of the sports news television channel in 2013, it mandated that 10% of its purchase price (valued at $172 million) be spent on tangible benefits, or donations to programs and initiatives that benefit the broadcasting system as a whole. This is the CRTC’s way of mitigating the loss of diversity that comes from consolidation of ownership.

Rogers had originally proposed more than half of that going to something called the “Sportsnet Winter Games”, an annual amateur sports event. But the commission rejected that, saying it was worried that this would be self-serving. Instead, Rogers broke down the proposed benefits as follows:

  • $5 million for a Sportsnet Independent Production Fund
  • $5 million for a Canadian University Sports Initiative
  • $2.5 million for digital media produciton scholarships
  • $4.7 million for amateur independent sports production

Moore confirmed that the $650,000 donation to Concordia comes out of this tangible benefits package, which has to be paid out over five years. He said internal bureaucracy at Rogers, combined with some major distractions, caused them to get a slow start on this.

Gabrial credits Bob Babinski for helping get this done. Babinski worked with Moore at CBC Sports, and after Moore moved to Rogers Media, he hired Babinski to launch City Montreal. Moore said he called up Babinski and asked about Concordia’s journalism program, and then Sportsnet approached Concordia asking them to put together a proposal.

Moore referred to the donation as an “investment” in the future of journalism. That’s a nice sentiment, though the CRTC rules prevent any quid pro quo.

Other Sportsnet university initiatives include the Sportsnet U Recruited program. Its first recruit is Julian McKenzie, a Concordia journalism student, former sports editor at The Link and producer at CJLO 1690 AM. After the event, McKenzie had lunch with Moore.

A fake Concordian front page announcing the donation.

A fake Concordian front page announcing the donation.

Bell Media rehires Louis Douville as regional sales manager

Louis Douville

Louis Douville

Two months after he lost his job as general manager of CTV Montreal, Louis Douville is back at Bell Media. It was just announced internally that he is taking on the new job of regional sales manager for local TV and radio in Quebec, starting Monday.

In his new job, Douville will be responsible for advertising sales managers at CTV Montreal and Bell Media’s radio stations in both languages throughout the province. He reports directly to Toronto.

Douville tells me he considers the change a lateral move, with “a more focused responsibility” but with a wider scope.

He says he had no hard feelings about being cut as part of hundreds of job cuts at the company this year. “I never took it personally. I was a victim of economic times,” he said. “To be able to stay with a company that I’ve invested in for 33 years is pretty fabulous.”

Advertising is a big challenge, especially for a company like Bell Media, which is looking to increase or at least maintain its revenues while operating with fewer staff. Douville said he has ideas for strategy but wants to discuss them with his staff first. And as for taking on that daunting task, he offered advice he heard from a wise man once:

“If you take a challenge that doesn’t terrify you, you’re not taking on enough of a challenge.”

Alex Despatie leaves Breakfast Television

Alexandre Despatie

Alexandre Despatie, the former world champion diver who was a surprise hire as one of the first hosts of Breakfast Television Montreal, has left the show.

The show has been co-hosted by Wilder Weir the past few weeks, but Despatie’s departure was only announced on air this morning, at the end of the show.

“Alex is moving on to different and exciting projects, so it’s a start to a new chapter in Alex’s life,” co-host Joanne Vrakas said before reminiscing about her screen test with him before they were hired.

The use of boilerplate, combined with the fact that Despatie wasn’t there to offer his own goodbye message certainly raises an eyebrow, but statements offered from both parties suggest an amicable departure. Here’s statements that Rogers PR emailed me afterward:

Colette Watson, VP of Broadcast & Operations, Rogers Media :

“Alex was a big part of our launch in Montreal and we are appreciative to have had the opportunity to work with him.  He is a true professional and we wish him all the best as he moves on to his next venture.”

Alexandre Despatie:

“From a young age I have been motivated by challenges, and the chance to participate in the launch of a new station in such an important role was quite a big one. I want to thank City for offering me this extraordinary opportunity and the viewers who let me into their homes every morning. I was privileged to share the show with a great team both in-front of and behind the camera and I wish them all the best. I would have loved to continue this wonderful experience, but I’m looking forward to my next exciting endeavour.”

It’s unclear what happens now as far as on-air staff. Weir would be the obvious choice to replace Depatie since he’s been doing it as a fill-in. But that opens up Wilder’s position as the “Live Eye” reporter.

To complicate matters further, Vrakas is pregnant, which means she’ll be going on maternity leave soon.

Despatie is the latest major figure to leave City Montreal after only two and a half years of local programming. He follows Montreal Connected host Alyson Lozoff, executive producer Bob Babinski (who hired Despatie), supervising producer Jeffrey Feldman, plus some behind-the-scenes people like news producer Levon Sevunts.

UPDATE (Feb. 5, 2016): Despatie will be on the Radio-Canada Olympic broadcast team in Rio.

ICTV files new CRTC complaint against MAtv

In February, following a complaint by an independent group that wanted to start up their own community TV station in Montreal, the CRTC gave Videotron a deadline of Aug. 31 to put MAtv in compliance with its conditions of licence.

According to the group that filed the original complaint, Videotron has failed to do so. And so it has filed another complaint.

Dated Nov. 5 and posted today, the complaint by ICTV (Independent Community Television) alleges that MAtv fails to meet the requirement of 50% community access programming, and not just in Montreal but in eight of nine zones that MAtv operates in. It also notes that Videotron has no programming for an aboriginal audience, which is expected of community services (though there’s no quantitative quota for it).

It also cites the lack of advisory boards outside of Montreal, and the fact that the Montreal advisory board does not include any representatives of ICTV. (“This exclusionary behaviour by Videotron crossed the line when MAtv General Manager we quoted by the press to have implied his station is at war with ICTV, and by extension the communities we represent,” the application states, without giving a source. While it’s true that Videotron has made no effort to approach ICTV, I am unaware of any effort from ICTV to approach MAtv in a constructive way either.)

ICTV comes to its conclusions by studying the program grids posted online over a sample week (Oct. 8-15 for Montreal, Oct. 21-27 for the other eight zones). By looking at where the program was produced, and by whom, it calculates the amount of access programming per region. According to its analysis, these are the levels of access programming for the various regions:

Montreal: 36.61%
Bas-Saint-Laurent: 35.41%
Cap-de-la-Madeleine: 11.89%
Granby: 50.51%
Outaouais: 15.78%
Quebec City: 27.98%
Saguenay-Lac Saint-Jean: 45.98%
Sherbrooke: 38.89%
Sorel-Tracy: 9.03%

Only Granby meets the 50% minimum, and even then only barely, ICTV says.

The complaint includes a spreadsheet showing the number of hours devoted to each program and how ICTV has categorized it. No doubt Videotron will take issue with some programs being categorized as not being public access.

ICTV asked the CRTC to seek logs from MAtv to confirm its accounting, and the CRTC has in turn asked Videotron to supply those logs.

If the CRTC confirms what ICTV has claimed, it could take serious measures against Videotron, including revoking the licence for MAtv. At that point, an independent community TV service operating in the same region could replace it and get access to its funding. ICTV wants to be that service, though there is also Télévision communautaire Frontenac, which also operates in Montreal and unlike ICTV has a licence.

The CRTC gave Videotron an August deadline because that was when Videotron’s distribution licence was to expire. In July, the commission renewed that licence for a year to give it more time to deal with it.

You can download the application here (.zip file). Comments from the public are being accepted until Dec. 17. You can file comments online here. Note that all information provided, including contact information, becomes part of the public record.