Category Archives: TV

Alyson Lozoff leaves City, Sportsnet

Alyson Lozoff

Alyson Lozoff

City Montreal is barely a year old (and none of its local programs have even reached that anniversary) but it has already lost its first personality.

Alyson Lozoff, who was the Montreal reporter for Rogers Sportsnet and also the co-host of City TV’s local sports magazine show Montreal Connected, “is no longer with the company,” a Rogers Media spokesperson confirmed to me today.

She wouldn’t comment on why this is, and my attempts to reach Lozoff and City Montreal have failed to generate any response. Her Twitter account has been silent since March 22.

Lozoff’s departure was not addressed at all on the air. She last appeared on Montreal Connected on March 20 with co-host Wilder Weir as if everything was normal, without a hint that it would be her last show. During the week, the show’s Facebook and Twitter accounts were changed to list only Weir as the host.

Weir hosted this week’s episode solo, never explaining why his co-host from the previous week had suddenly disappeared.

This type of disappearance usually indicates a firing or unamicable resignation (say, to join a competitor). I have no idea which of these is the case.

Lozoff’s disappearance is curious because if anything Rogers should be hiring more people to be covering hockey in places like Montreal where it currently doesn’t have any broadcasting rights but will gain them starting this fall. On the other hand, it could be that in the process of re-evaluating its staffing across the country, the company has decided that Lozoff shouldn’t be part of the team.

Or maybe we’ll find out soon that she got hired by TSN or something. I really have no idea.

All I know is that the teeth on City Montreal just got a little less white.

Sun News Network 2012 debate translation highlights

This marks the second provincial election campaign in which TVA has decided to separate itself from the consortium that organizes televised leaders’ debates and go it alone with a series of one-on-one debates.

It almost didn’t happen. Pauline Marois and the Parti Québécois said no at first, wanting to limit her to the other, more traditional debate that aired on Radio-Canada and Télé-Québec. But she later relented.

You might recall that the Sun News Network, which like TVA is owned by Quebecor Media, also aired the TVA face-à-face debates in 2012. Few people watched it on Sun News, but when a report about the debate that included two short clips were posted to Sun News’s website, it went a bit viral. The clips came to a total of about 23 seconds, and they were highlights picked by Sun News, so they didn’t show the worst parts.

Since the translated debates weren’t posted online, they might have been lost to history if not for one thing: I recorded all three hour-long debates on my PVR. And they’ve been sitting there ever since.

With the 2014 face-à-face debates only hours away, I recorded some clips from the debate and compiled them into eight minutes of highlights. The result is the video you see above.

A source at Sun News tells me that the network will air tonight’s debate, but that they have hired different translators.

I’ll be PVRing it anyway. Just in case.

TVA’s face-à-face debates air Thursday, March 27 from 8pm to 10pm on TVA and simultaneously translated on Sun News Network. It will also air on CPAC.

UPDATE: After posting the video to YouTube, I went in to clean the automatically-generated captions. But the captions generated for the debate clips were just so great that I couldn’t touch them. They include such gems as:

  • 2:06: “I wouldn’t victims contra months prego merman”
  • 5:28: “second spend your life getting minutes for me his / as Julia and modern yesterday sent / week with the mall butthead”
  • 6:14: “he added that the troops mister sister 20 as you go”
  • 6:34: “thank you so much as a queen of thank you so much musica”
  • 7:21: “and mister across america their leader / how to Chris you’re a doctor becker / he wouldn’t allow your the day all the balls we have”
  • 8:08: “going to help me fire a gritty / you lose my me I cannot do we”
  • 8:37: “your house layout so attacker 7,000 jobs that are you gonna cut people”
  • 8:49: “overheard the Cougar 30 Passa Passa”
  • 8:53: “I hope this exchange farewell lighting you for your torso”

The battle over Videotron’s community TV channel

It was supposed to be simple and non-controversial: An application by Videotron to create a second community television channel in Montreal to serve the anglophone community.

Anglophones had long complained that since Videotron bought CF Cable TV, they have not had a proper voice in community television. The CRTC even asked Videotron to do something about it. Just months before the announcement, the English Language Arts Network publicly called on Videotron to restore English community programming.

So when Videotron made its big splash about starting MYtv, the reaction seemed to be positive, at least at first. ELAN hosted a meeting in September to get input from the community, and though there were few people present, there were some tough questions for Videotron’s representatives.

Now, those questions have been formalized in a complaint to the CRTC.

The complaint, filed by a group calling itself Independent Community Television Montreal (ICTV), includes an 86-page document meticulously arguing that the programming that airs on MAtv does not meet CRTC requirements for a community channel. It argues that the CRTC should declare that MAtv is not complying with its licence conditions, and instead grand a licence to ICTV to operate a multilingual community channel that would replace both MAtv and MYtv.

I summarize the complaint in this story, which appears in Monday’s Gazette.

But as long as the story is, there’s still so much detail I had to leave out.

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Tamy Emma Pepin’s bilingual trip through the UK

http://vimeo.com/88195530

Tamy Emma Pepin certainly seems to have had a pretty successful career in the media. A contributor to TQS, the Journal de Montréal, and TVA as a freelancer. An editor for Huffington Post Québec. A social media ambassador for Tourism Montreal.

More recently, she was a contributor to Cap sur l’été on Radio-Canada, and she was one of the hosts of local lifestyle series Only in Montreal. That series, sadly, has not been renewed, but she quickly moved on to her next project: a travel series produced by Toxa (the company behind Urbania) and airing on Évasion.

The 13-episode one-hour series, Tamy @ Royaume-Uni, was shot last fall, and debuts Thursday at 8pm. So I had a chat with Pepin and another with producer Raphaëlle Huysmans about the show for a story that appears in Thursday’s Gazette.

It’s a French channel, and voiceovers and explanations to the camera happen in French, but because this is Britain, most of the stuff that happens is in English (which is thankfully subtitled rather than dubbed). Rather than sounding like an instructional video or sales pitch, the series takes a more documentary-style approach, following Pepin around as she plays tourist.

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Channel Zero licence renewals: It’s not just about CanCon pornography

On Wednesday, the CRTC issued a notice of hearing, calling Channel Zero Inc. to appear in person to discuss issues related to its specialty channel licence renewal applications. Channel Zero owns Movieola (which was rebranded as Rewind in December 2012), Silver Screen Classics, AOV Adult Movie Channel, AOV XXX Action Clips and AOV Maleflixx. The licenses for all these channels expire in August. Channel Zero also owns CHCH TV in Hamilton, whose licence doesn’t expire until 2016, and U.S. channel Fight Now TV, which isn’t regulated by the CRTC.

The commission is calling the company to the hearing because of apparent non-compliance with the licences assigned to these channels. There are many issues, some more serious than others, from unauthorized change of control to failure to meet Canadian content requirements to airing categories of programming that the licences do not allow them to air.

So you can imagine what angle the media took in their stories about these applications: porn, pornporn, porn, porn, pornporn, porn, porn and porn. (I counted one story — in a trade publication — that wasn’t focused on that angle.)

Stories (mostly briefs) about this issue, all with the same angle, appeared in print editions of The Gazette, the Journal de Montréal, the Ottawa Citizen, Toronto Star, Vancouver Sun, Globe and Mail, Edmonton Journal, Saskatoon StarPhoenix, Regina Leader-Post, Windsor Star, National Post, Cape Breton Post, Victoria Times-Colonist, 24 Hours Toronto, the Edmonton Sun and a bunch of other publications. It even made it into Friday’s Philadelphia Daily News, Columbus Dispatch, The Economist and New York Times, has been translated into Danish and sparked poorly-researched editorials in the Globe and Mail, Calgary Herald and Vancouver Province and columns by Jonathan Kay, Ian Robinson and Kate Taylor (which the Globe also created a video for). And CBC’s As it Happens even interviewed a porn star.

The stories are not incorrect (although most stories have small factual errors). The CRTC believes the three AOV adult entertainment channels fell short of their 35% Canadian content requirement. But it also has the same issue with Movieola/Rewind, which is not a porn channel.

More importantly, there are far more serious and less amusing issues on the table here. Specifically:

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City won’t renew Only in Montreal (and won’t say why)

On Saturday at 7pm, City TV’s local lifestyle show will present three capsules, one each from its hosts Matt Silver, Tamy Emma Pepin and Dimitrios Koussioulas, as it airs its 30th episode. Which will also be its last.

Last month, Rogers Media confirmed to me that Only in Montreal is not being renewed past its first 30-episode run.

The news is disappointing because Only in Montreal, produced by Whalley-Abbey Media, was actually a really good show. It was well edited, well produced, fun and interesting, and introduced the city to three personalities they had known little of before. And it showcased the city in a way that has been missing on local television for far too long.

But what’s more disappointing is that the decision to cancel the show was made before the latest local TV ratings numbers came out. Since this was the first report since Only in Montreal came on the air last July, we can only conclude that the decision had nothing to do with ratings. And it’s tempting to further conclude that it therefore had nothing to do with the quality of the show.

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Did the CRTC require Sun News be added to analog cable?

We’re now a month away from all (licensed) cable, satellite and IPTV companies in Canada being required to add the Sun News Network to their systems, but one important question remains unanswered: Does Sun News have to be added to analog cable as well as digital?

It may seem like a simple question, but I’ve gotten contradictory answers on it, as I write in this story at Cartt.ca.

When the CRTC made its decision two months ago that all licensed TV distributors in Canada had to make all five national news channels available to all subscribers, it gave them until March 19 to come into compliance with the more important part of its order: adding Sun News to their systems. (Most of them already carry the other four channels — CBC News Network, RDI, CTV News Channel and LCN.) The TV distributors have a further two months, until May 20, to comply with other aspects of the order, requiring the channels to be added to the “best” packages “consistent with their genre and programming,” requiring that each be available à la carte (where possible) and filing affiliation agreements with the CRTC.

But the order, and the decision that led to it, don’t say anything about analog cable. This despite the fact that Sun News made distribution on analog one of its key arguments in favour of a mandatory distribution order. Sun argued that its audience skews older and rural, and that those viewers are more likely to have analog cable service.

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Videotron doesn’t want to add ICI to analog cable, asks CRTC for exemption

Sam Norouzi in the control room at ICI's studios in Ahuntsic

Sam Norouzi in the control room at ICI’s studios in Ahuntsic

Analog cable. Remember that? According to the latest statistics from the CRTC, only 11% of television subscribers get their TV that way. For Videotron, that number is higher. According to Quebecor’s latest quarterly report, 82.9% of its television customers were digital, leaving 17.1% of them using analog-only setups.

Since about 2000, the groundwork has been built for the phasing out of analog cable. The CRTC has since licensed new television specialty channels as digital-only. In 2012, Videotron stopped selling new analog cable subscriptions. And it’s expected that within the next few years it will be phasing out its analog cable network, much as other providers are, in order to free that bandwidth for more data and high-definition channels.

I bring all of this up because of an interesting situation that’s come up. The Broadcasting Distribution Regulations, the rules that apply to cable, satellite and other television providers, have a priority list of which channels must be distributed on the basic service. At the top of that list is CBC/Radio-Canada, then educational channels, then all other local television stations, then those special services like CPAC and APTN that the CRTC requires everyone receive and pay for.

The lineup of analog cable channels hasn’t been added to in the past decade. The last new channels added to it here were APTN and Avis de recherche, because of distribution orders for those channels. And with a virtual ban on new channels being forced onto analog, it seemed destined to stay that way.

But in December, a new television station launched in Montreal. ICI, an ethnic station, began broadcasting on Channel 47. And according to the rules, it needs to be added to the systems of all cable distributors operating in Montreal, on both analog an digital.

This issue doesn’t come up often because it’s so rare that a new over-the-air television station starts up. The last real expansion of over-the-air television through new stations was in 1997, which was when Global Quebec and CJNT (what is now City Montreal) went on the air. So cable companies haven’t had to add many new services to analog cable since they started the slow move to digital.

But the rules say that Videotron needs to distribute local stations, and so it needs to put ICI on its analog grid somewhere, at least in the Montreal area.

Except Videotron says it doesn’t have the room to do that. So it has applied to the CRTC for an exception to the distribution rules that would allow it to not have to carry ICI this way.

In its submission, Videotron’s owner Quebecor Media says the commission’s clear intention is to move away from analog television distribution, and that its recent decisions have made it clear it doesn’t want to add new services to analog.

“The analog programming grids for the greater Montreal region are at their maximum capacity and no space is available to add a new station to the basic service,” Quebecor’s Peggy Tabet writes. “In fact, any additional analog channel would require the removal of a channel that’s currently distributed in this format. This type of change has important consequences at the client level and on a financial and technical level. Adding ICI to the analog basic service would result in depriving our subscribers of a service they have always had access to.”

Moreover, Videotron says, removing a service from analog cable would require a 60-day notification period, and its contracts with broadcasters do not allow Videotron to remove those channels from its analog service.

Finally, Videotron says that 93% of its customers in the greater Montreal region have digital set-top boxes, and those subscribers receive ICI in standard and high definition.

Videotron’s explanation is mostly half-true. It definitely has space limitations on its network, and adding a new analog channel would take up a lot of space. And it’s right that removing analog channels is tricky because of customer complaints as well as contractual obligations.

But Videotron isn’t absolutely prevented from adding ICI to its analog network. Assuming there was no analog channel that it could part with to make room for ICI, it could repurpose a digital channel and make it analog again. That might mean fewer HD channels, or more compressed HD channels, but it’s doable.

It would probably be more accurate to say that Videotron simply doesn’t want ICI on its analog network because it would add to its bandwidth management problems and won’t be that popular among its customers.

That kind of explanation usually doesn’t sway the CRTC. But should the commission force Videotron’s hand, requiring it to start fiddling around with an analog network it’s in the slow process of dismantling? Videotron hasn’t set a date for bringing down the analog network in Montreal. It may be a small minority that still has analog cable, but many of them do for a reason, and it will be quite a process to transition all of them at the same time. Plus there are all the people who might have a digital box on their main television but analog cable going into other TVs in the house. Those will also need to be dealt with.

I suspect the CRTC will deny Videotron’s application. But it may grant the exception if it feels that the reins of analog cable need to be let loose so the format can be put out to pasture.

ICI hasn’t commented on the application. Its general manager Sam Norouzi said it will be filing a response opposing it, but didn’t want to comment further.

Videotron’s application can be downloaded here (.zip). It’s open to comment until 8pm ET on Monday. Comments can be filed here. Note that all information provided, including contact info, goes on the public record.

UPDATE (Sept. 3): The CRTC has granted Videotron’s request, despite ICI’s objections.

Why is CBC refusing ads from radio stations?

It sounded like the kind of story that even Sun News Network couldn’t make up: The CBC saying no to money from private industry for the sole reason that it wants to compete with it.

A complaint has been filed with the CRTC by Leclerc Communication, the company that bought Quebec City stations CKOI (CFEL-FM) and WKND (CJEC-FM) when Cogeco was told it couldn’t keep them after its purchase of Corus Quebec. The complaint alleges that the stations have been trying to book advertisements on Radio-Canada’s television station in Quebec City to promote the stations, and that Radio-Canada has issued a blanket refusal because it has a policy not to accept ads from competitors.

This would seem to go against a very clear CRTC policy that says that media companies can’t give themselves preference over their competitors in things like this.

Convinced there must have been a misunderstanding, I contacted the CBC and asked the public broadcaster about the allegation.

Radio-Canada actually confirmed it. CBC and Radio-Canada don’t accept ads from commercial radio stations because they compete with CBC services. And they don’t see anything wrong with that.

I explain the positions of Leclerc and Radio-Canada in this story at Cartt.ca. In short, Leclerc wants to advertise on RadCan because it finds that the demographics of RadCan viewers match the listeners it’s trying to target. And Radio-Canada refuses because its advertising policy prevents it from accepting ads for competitors.

The policy is CBC Programming Policy 1.3.11: Unacceptable advertising. It bans tobacco ads, ads for religious viewpoints, “any advertisement that could place the CBC/Radio-Canada at the centre of a controversy or public debate” and “advertisements for services considered competitive with CBC/Radio-Canada services.”

Now, we can argue whether two Quebec City music stations with personalities like Les Justiciers masqués are competitive with Première and Espace Musique. But even if they were, so what? These are television ads, first of all, not radio ads, and if Leclerc wants to spend money this way, why should the public broadcaster say no?

More importantly, can it even do so legally?

The television broadcasting regulations, which Radio-Canada and all other television broadcasters have to abide by, says a licensee may not “give an undue preference to any person, including itself, or subject any person to an undue disadvantage.”

A similar provision exists for TV distribution, which is why Videotron can’t give Quebecor-owned channels advantages over their competitors unless it can find a good reason to back it up.

But the CBC doesn’t quite see it that way. It argues that it’s not giving anyone an undue advantage, because it’s not accepting ads from anyone. Everyone’s being treated equally, so there’s no advantage.

Leclerc points out, though, that Radio-Canada’s radio services get plenty of advertisement on its television network. And giving free ads to its own radio stations and refusing ads from all competitors is pretty well exactly what this rule was meant to prevent.

Radio-Canada confirmed that the programming policy is set by the CBC board of directors, not by legislation or CRTC condition of licence. So logic would suggest that CRTC regulations take precedence over internal rules at the CBC.

The CBC rule becomes all the more absurd when you consider it in context. The CBC is facing a major cash crunch, seeing government funding tightened and now losing the rights to NHL games. CBC’s president is talking about “dark clouds on the horizon” because of lower revenue. So why say no to what is practically free money?

It would be one thing if this was a big corporate player wanting to buy airtime on the CBC to encourage people not to listen to Radio One or something. But this is a small independent broadcaster that just wants to expose his radio stations to Radio-Canada’s audience in Quebec City.

The CBC is going to have to come up with some real good justification for shutting the door to competitors. Bell or Shaw or Rogers would never be allowed to get away with something like this, and I don’t see why the CBC should be able to.

And if the CBC doesn’t come up with a good reason to refuse these ads, they should expect to be told to shut up and take Leclerc’s money.

Leclerc’s complaint letter can be read here. The full file is on the CRTC’s website in this .zip file. The CRTC is accepting comments on this complaint until March 6. You can submit comments here. Note that all information submitted, including contact information, becomes part of the public record.

(So far, only the Journal de Québec has covered this story aside from myself. We’ll see if others pick it up before the deadline.)

Twitter reactions to CTV’s Super Bowl broadcast

Seems a lot of Canadians didn’t like not being able to see U.S. Super Bowl ads. Here are some highlights of their chatter during the game on Twitter.


https://twitter.com/Russkun/status/430168567045033984
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CRTC gets testy about simultaneous substitution during Super Bowl

It started with a simple to-the-point reply from a Rogers Twitter account to a Rogers cable customer complaining that the San Francisco-Seattle NFL playoff game on FOX had been replaced with the same broadcast from CTV containing CTV commercials.

But for CRTC chairman Jean-Pierre Blais, it was a source of “dismay” because it provided “contradictory information.” So he sent a letter to Rogers asking for them to make sure their customer service agents provide more accurate information about the nature of simultaneous substitution, and file a report about its training methods.

Specifically, Blais notes that it’s up to the Canadian broadcaster to request simultaneous substitution, and both the broadcaster and the distributor (the cable, satellite or IPTV company) to ensure it’s done properly.

When I first read the letter last week, I thought maybe Blais had become confused, mistaking Rogers the broadcaster for Rogers the distributor. If CTV had blamed the CRTC for this, it would have been one thing, but Rogers is required by CRTC regulation to follow CTV’s request for substitution. So why is the CRTC getting mad at Rogers?

A call from the commission’s communications department, which actively monitors what people say on Twitter about the commission, reassured me that there was no error here. Blais simply wants a more accurate answer to these complaints and for everyone to stop blaming the CRTC.

Except the CRTC is to blame here. And what Rogers answered may not have been complete, but it wasn’t incorrect.

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Comparative review: Global Montreal’s Morning News vs. City Montreal’s Breakfast Television

Breakfast Television cast, from left: Joanne Vrakas, Alexandre Despatie, Catherine Verdon-Diamond, Elias Makos, Wilder Weir and Laura Casella

Breakfast Television cast, from left: Joanne Vrakas, Alexandre Despatie, Catherine Verdon-Diamond, Elias Makos, Wilder Weir and Laura Casella

Tuesday, Jan. 28, marks the first anniversary of Global Montreal’s Morning News, the first of two local English-language TV morning shows that launched in Montreal in 2013. The second, City Montreal’s Breakfast Television, launched on Aug. 26. And though we could just be happy that there are two morning shows serving this community now instead of zero, it’s hard not to think of a battle between the two, even if they both have a long hill to climb to reach the level of Canada AM.

Comparing Morning News and BT comes with two main caveats: Morning News launched seven months before BT, and benefits from being on an established station in this market, while Breakfast Television has a much larger staff and far more resources. Neither of these factors are beyond the control of those stations’ owners (Shaw Media and Rogers Media), so neither I nor viewers should mitigate our reviews based on those facts, but they should be kept in mind if you’re evaluating anyone’s individual performance.

That said, here’s how the shows stack up on key elements:

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Avis de recherche seeks three-year extension of mandatory distribution

Control room and studio at Avis de recherche

Control room and studio at Avis de recherche

The clock is ticking on Avis de recherche, the Montreal-based specialty channel devoted to public safety information (which mainly consists of information on missing and wanted people, but also has other shows). Last August, the CRTC decided that it no longer was deserving of mandatory distribution in Quebec, charging all digital cable and satellite subscribers in the province $0.06 per month to receive the channel. To lessen the blow, the commission allowed the channel to keep the mandatory distribution status for two years, until Aug. 31, 2015, to give it time to find a new business model.

Avis de recherche insists “there is no viable business plan under these conditions.” The channel is not popular enough for people to want to pay for it or insist their providers offer it (in fact, ADR would have to pay distributors $0.05 per subscriber per month to carry the channel, which is what it did when it launched), and advertisers have little interest in the channel because of its low ratings and because advertisers don’t want to see corporate logos next to pictures of criminals.

So in what seems like a move of desperation more than anything else, Avis de recherche has applied to the CRTC for a three-year extension of its mandatory status, to Aug. 31, 2018.

The application, dated Jan. 15 and published on Friday by the CRTC, deals mainly with some related requests for licence condition changes. (You can read the brief attached with the application here (PDF).) ADR is required to ensure 95% of its programming is Canadian, which is exceptionally high. Once it loses the special status, that drops to the standard 35% for Category B channels. ADR argues this changes nothing because its nature of service can’t be met by the broadcast of non-Canadian programs. So it wants the number brought back up to 95% until 2018, when the mandatory status expires and when it wants its next licence renewal hearing to happen.

Another request is to correct a commission error, which had two conditions of licence that conflict with each other.

ADR stresses that it is a public service channel, not an entertainment channel, and should be treated differently.

Though it’s formally a request for an extension, this seems more like a request for the CRTC to reverse its decision to cancel ADR’s mandatory distribution order. ADR’s application gives no reason to believe that they just need more time to come up with a new business model (in fact, it explicitly states that such a business model is impossible), which means another request for an extension would be inevitable in 2018. (By then, perhaps it hopes that turnover in CRTC commissioners would give them more sympathetic ears that would consider a de facto reversal.)

For this reason, I suspect the main subject of this application will be denied. ADR still has a year and a half to come up with a new model, and the CRTC was undoubtedly aware that shutdown was a very real possibility if it didn’t. The commission came to the conclusion that ADR was not a vital service to Canadians (mainly because it couldn’t prove its effectiveness in improving public safety), and it’s unlikely that has changed after only a few months.

The CRTC is accepting comments about Avis de recherche’s application until 8pm ET on Feb. 24. You can file comments here. Note that all information submitted, including contact information, becomes part of the public record. UPDATE: The CRTC appears to have pulled this application from its website. I’m unsure why.

Montreal TV ratings: Global and City morning shows tied

Global Montreal morning show cast, from left: Richard Dagenais, Jessica Laventure, Camille Ross

Global Montreal’s Morning News, with Richard Dagenais, Jessica Laventure and Camille Ross, hasn’t fallen to new competitor Breakfast Television. At least not yet.

The first ratings report after the launch of City’s local programs is out, and so we can finally say which of the two local English morning shows has won the first ratings battle.

As it turns out, neither. They’re tied. Though both of them are far behind CTV’s Toronto-based Canada AM, which has three times more viewers in Montreal than the other two shows combined.

I have some analysis of ratings, and some quotes from the various parties, in this story, which appears in Friday’s Gazette.

But let’s get into some detail.

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Tarah Schwartz opens up about her adoption journey

Tarah Schwartz in June.

Tarah Schwartz in June, chatting with Paul Karwatsky.

This not-so-great photo was taken the last time I saw Tarah Schwartz. It was June 13, at CTV Montreal’s “upfront” presentation of its fall programming to local advertisers. Most of the on-air talent was invited to attend so they could be shown off and shmooze with the people who have big bucks to spend.

It was an emotional time for Schwartz. She was going on leave, and within days was heading to South Korea to finalize the adoption of a young boy. Her colleagues all knew about what she was doing, but it was discussed in hushed tones, not because there was anything embarrassing about the adoption itself, but because nobody wanted to jinx the process by making it public. Schwartz, who had been trying to adopt for years, knew full well nothing was certain until she returned to Montreal with a baby in her arms.

As she left the theatre, everyone wished her luck. And my slow draw with the camera prevented me from getting a picture of her unable to hold back tears. (It was probably for the best.)

I spent part of the evening interviewing Caroline van Vlaardingen, who would fill in for Schwartz during her leave. Schwartz left without any fanfare, and the public started wondering where she disappeared to. (If you go on Google and type in her name, the first suggestion is “Tarah Schwartz leaving CTV”.)

CTV Montreal newscast ends on Aug. 25 with a photo of Tarah Schwartz with husband Enrico and son Sam

CTV Montreal newscast ends on Aug. 25 with a photo of Tarah Schwartz with husband Enrico and son Sam

Fortunately for everyone, the story has a very happy ending. On Aug. 25, the local newscast ended with the news that Tarah Schwartz and her husband Enrico are officially parents.

And as she enters the final month of her maternity leave, Schwartz opens up about the process in a first-person story published in Saturday’s Gazette. It hints at past heartbreak, it talks about the complicated legal process, and it explores the emotions that a would-be adoptive parent goes through, both before and after the adoption. It’s a story foremost about waiting, powerless, knowing that your child is out there, living precious moments of the beginning of his life with some other family. And about the feeling when that long agonizing wait is finally over.

It’s a story about becoming a mom. It is a story that is commonplace, but no less special.

Mazel tov, Tarah. It’s a boy! Now all you have to do is wait for a public daycare space to open up.

Schwartz will be back on the anchor desk on Feb. 8.

UPDATE (Jan. 15): A couple of letters to the editor about Schwartz’s story.