Virgin Radio Montreal doesn’t have a lot of veterans, but while the weekday shows have gone through several shuffles over the years, one constant was the MC Mario show on Friday and Saturday nights.
Until now, that is. Mario posted on Instagram on Friday that, effective immediately, his show “will not air any longer on Virgin Radio Montreal” after an impressive 30 years.
Numeris has released top-line numbers for its summer ratings period, and those figures show The Beat still at twice Virgin’s audience, while CJAD’s audience has continued to slip.
Here’s the market share for Montreal anglophones, ages 12+, for May 27 to Aug. 25, 2019:
Remaining stations are below 2%.
Virgin has tried turning things around by replacing its morning team of Freeway and Natasha with Cousin Vinny and Shannon King. It’s too early to tell if that had any impact on ratings. But at least Virgin has climbed back above CBC, which it was below during the last ratings book.
Among Montreal francophones (also 12+, May 27 to Aug. 25, 2019):
Remaining stations are below 1%.
Not much change here, with news-talk station 98,5 ahead and Rythme the top music station. Énergie’s numbers are very low, falling below CHOM. Expect some change there if the numbers don’t rebound soon. Their numbers were so bad they made a video making fun of the very idea of ratings.
Updated with announcement of new hosts.
“Freeway” Frank Depalo and Natasha Gargiulo in 2011.
Until Wednesday, these were the two big faces of Montreal’s Virgin Radio station. On Thursday the station was pretending they never existed. Standard operating procedure in the industry, unfortunately.
“Freeway Frank” Depalo and Natasha Gargiulo, who have been together on the morning show since shortly after The Beat launched in 2011, disappeared from the station’s website, Mike Cohen noticed yesterday. They confirmed the news in a video posted on Thursday.
We’ve shared so much together.
It’s been a historic run. No words.
Except for these .Thank U / Merci MTL for your continued decade long of ?? & support. we miss u @freewayfrank & @natasha_gargiulo always have each other’s back See u soon #FREEWAYANDNATASHA @virginradiomontreal pic.twitter.com/O6bGCwzGbi— Natasha Gargiulo (@NatashaGargiulo) August 8, 2019
Thursday morning, in their place on air were Lee Haberkorn and Kelly Alexander, hosting the nameless “Virgin Radio Mornings” with no mention of the previous hosts, talking about various lifestyle topics like nothing changed.
Cousin Vinny and Shannon King in their new publicity photo.
On Monday morning, Virgin announced its new lineup, finally confirming the rumour that it had hired Cousin Vinny Barrucco back from The Beat. He’s being paired with Shannon King, who comes from Kiss radio in Sudbury.
Barrucco left The Beat six months ago and promised recently he would soon announce where he’s going. So apparently his non-compete clause is six months.
Bell Media did not respond to my request for comment about the firing, and made no mention of Freeway and Natasha in its announcement of its new lineup. None of the remaining Virgin personalities have commented publicly on social media about their departed colleagues, likely because they were told to by management, which makes them seem heartless to some listeners.
Also in the new Virgin lineup:
Going with a three-show lineup between 5:30am and 8pm, each one about five hours long, shows Bell Media will still be stretching the shifts of its announcers — The Beat has four shifts in that time and starts its evening show at 7pm.
The new lineup announcement doesn’t mention Kelly Alexander, who has been with the station since 2007 and seems to have been passed over for a promotion to a more prominent (and stable) job once again. She’s currently hosting weekends.
Virgin also recently parted ways with program director Mark Bergman, who surprisingly resurfaced at The Beat. He has been replaced by Blair Bartrem.
Virgin Radio’s loyal audience, like any other, isn’t pleased with two personalities they have spent a decade getting to know suddenly disappearing without a word. A video posted to Facebook teasing the new show generated more than 200 comments, mostly negative. A video announcing the new hosts generated 180 comments in three hours, and 89 “angry” reaction emotes.
Firing on-air talent is never easy, but perhaps it’s time for radio stations in particular to re-examine how they go about it. You never want to put someone you’ve just fired in front of a live microphone, but in the age of social media, they kind of have one anyways. A little heart can go a long way. And the fact that Virgin has had this in the works for six months just makes it worse.
Listeners will be wondering why this change was made. The most logical answer is ratings. Virgin slipped behind CHOM and even CBC Radio One in the last ratings book, and the morning show, though not always the highest rated, tends still to be the anchor of the schedule. With the trend against The Beat continuing its slide, a change had to be made. At first, when The Beat climbed above Virgin in the overall ratings, Virgin could content itself to owning the 25-54 demographic, but even that slipped away as the two continued to diverge.
I’m not sure how much this will change things. The music tends to come first, especially when daytime announcers are limited to breaks of only a few seconds between songs. But we’ll see.
UPDATE: I wrote about the change for the Montreal Gazette. Bell Media isn’t making anyone at the station available for an interview.
Numeris has released its quarterly top-line ratings report for metered markets including Montreal.
Someone’s gonna need to explain to me what happened to Virgin Radio.
You can say The Beat took away its stars (Cat Spencer, Nat Lauzon, the since-departed Vinny Barrucco), or that Virgin failed to connect with listeners with too much Ryan Seacrest. You can lay the blame entirely at the feet of program director Mark Bergman (who recently left his job there), or blame the pencil-pushing cost-cutters at Bell Media who care more about profits than ratings. Or maybe there’s something about the music, the main reason people listen to music stations in the first place, that was driving people away.
But either way, something happened in the past few years that has created a huge gap between Virgin and main competitor The Beat. In the summer of 2012, Virgin 96 (as it was called then) had a 20.9% share, almost five points above the recently launched Beat. Now, for the second straight quarter, it’s in the single digits. Its 9.4% share is exactly half of The Beat’s 18.8%.
Numeris released its quarterly metered radio ratings today. There aren’t a lot of surprises, because it’s mostly the same numbers as the last time, and the time before that, and the time before that.
So instead of just excitedly reposting the top-line numbers or fetching the various spins by the broadcasters that make everyone look like they had the best quarter, I thought I’d take a look at some historical data and see how the stations are trending over time.
I did this exercise for Canada’s five metered markets for Cartt.ca after the last ratings book. If you’re a subscriber you can read them there: Vancouver, Edmonton and Calgary, Toronto and Montreal.
In this post, I’ll go into some more detail about the Montreal numbers, with charts!
Market share among anglophone Montrealers, based on Numeris data
Numeris published its latest quarterly report for metered markets today, and the data for Montreal is about the same as it always is, with one exception: Virgin Radio 96 has its lowest overall share ever, and for the first time has dipped below CHOM to fourth place among anglophones — 12.1% to CHOM’s 12.5%. Both stations are owned by Bell Media, so it’s not a huge deal in terms of competition, but the trend line for Virgin is clearly heading down, from a high of 20% in 2012.
I have no magical explanation for this trend, and I’m sure everyone has their theories, from its use of syndicated programming like Ryan Seacrest to its loss of popular announcers to The Beat, but the most likely explanation is that The Beat has a better idea of what music anglos want to listen to.
The Beat’s press release, announcing itself as the number one radio station (among adults 25-54) is here. Virgin decided to just go with its weekly reach number without trying to rank itself.
Market share among Montreal francophones, based on Numeris data.
On the French side, CHMP-FM 98.5 remains the top-rated station by far among all ages 12+, but Radio-Canada’s ICI Première has climbed into second place, edging out Rythme FM. The trend line for Radio-Canada is impressive, taking a big jump in the fall of 2016 and continuing to improve. (Alain Gravel took over as morning show host on the station in the fall of 2015.)
Both adult contemporary stations Rythme FM (Cogeco) and Rouge (Bell) have declined significantly over the past two years, with Rouge falling from third place to fifth. Its major shakeup this fall, bringing in most of the on-air staff from sister station Énergie, hasn’t done much to help yet. (And since the top of that list was Éric Salvail, it’s not getting better soon.) CKOI and Énergie are about the same as they were two years ago in terms of share, with Énergie getting about the same number of francophone listeners as the three English-language music stations (dotted lines in the chart above).
Bell Media tried to polish the ratings turd as well as it could, crowing about how Énergie is the most improved francophone music station in Montreal, and how Rouge FM is … also the most improved? … actually how Rouge has seen the biggest gain in overall reach in the past six months, and how the drive-home show is best among women 25-54 despite “un mois d’octobre tumultueux.”
At the bottom of the chart (I’m excluding stations below 1%), RNC Media’s 91.9 Sports continues to slowly improve its numbers. This is the first time since it was a jazz station that it has kept the same format and brand for more than two years. And it looks like the city’s only French-language full-time sports station has finally found something that works.
The chart line for CJPX-FM Radio Classique stops this summer. The station was not included in the Numeris report, meaning that it has stopped subscribing to the service.
Still below 1% are Evanov’s CHRF 980 AM, Cogeco traffic station Circulation 730, and community station CIBL 101.5, which have average minute audiences of 900, 300 and 100, respectively.
Numeris released its quarterly ratings report this week for Montreal and other metered markets. The Montreal top-line results show once again a significant margin between 92.5 The Beat (CKBE-FM) and Virgin Radio 95.9 (CJFM-FM).
Here they are translated into English. Audience shares among Montreal anglophones (all ages) from Aug. 29 to Nov. 27, 2016 (with their average-minute audience for a 24-hour day):
Other measured stations had shares under 1%.
Once again, among overall anglophone audiences, CJAD is the clear winner with a 29.6% share, tied with last winter as its highest share in the past five years. The Beat clearly beats Virgin, up by two and a half points. It’s also ahead in the adults 25-54 demographic, which Virgin had a bit of an edge in historically. And even when counting in francophone audiences, The Beat is still ahead.
CHOM, meanwhile, had its worst book in the past half-decade, dropping more than two points.
Radio ratings share (Montreal anglophones, ages 2+). Data by Numeris. Click for larger version.
But it would be irresponsible to make sweeping conclusions based on one ratings report. Instead, it makes more sense to look at long-term trends. And here’s what we see from that:
CHOM’s bad book could easily be an outlier, so we’ll have to see.
As for TSN 690, a lot of people seem to be very concerned about their ratings (and, like with CJAD, very eager to blame problems on a particular on-air personality), but it’s about the same place it always is. The latest rating is slightly below where it was a year ago, and slightly above where it was two years ago at the same time of the season.
Naturally, every station tried to spin the results to make themselves look good:
Among Montreal francophones (all ages):
Once again, news-talker 98.5 FM is the leader among all audiences, though Rythme FM declared victory in the adults 25-54 group.
Radio-Canada bounced back big time from a bad book in the summer, taking third spot overall. CKOI’s rating is also noteworthy. After being stuck with shares around 6%, it’s now several points up on that. Meanwhile, Énergie, whose lineup includes Dominic Arpin, Mélanie Maynard and Éric Salvail, gets smaller audiences overall than Virgin and The Beat.
Self-congratulatory statements from:
Also roundups from La Presse, InfoPresse and ActusMédias.
CHRF 980 AM, which seems to have an actual programming strategy now, had its best ratings ever. Except it only started reporting ratings in the past year, and its share is 0.3% among francophones and 0.4% among anglophones, for about 800 average-minute listeners total.
New on the ratings chart is CIBL-FM 101.5, the community station whose studios are at the corner of St-Laurent Blvd. and Ste-Catherine St. The station unsurprisingly scored zeros for anglophones, and starts on the francophone chart as a 0.1% share, 300 average listeners and an average daily reach of 16,800. The only station with a worse rating among francophones is TSN 690. It’s certainly not a win for them, but the ratings book should give them a lot of information about their audience that they didn’t have before.
Montreal’s radio community is in mourning this weekend, with the news that Andre Maisonneuve, the morning and afternoon host on Mix 96, has died of cancer.
The Ottawa Citizen has a story on Maisonneuve, speaking to his brother and a long-time friend.
Outside of Montreal, Maisonneuve was better known as “Katfish Morgan”, and for the past decade worked at Live 88.5 in Ottawa. The station, owned by Newcap Radio, posted a tribute to him on Saturday.
Maisonneuve worked in radio for 18 years before getting a gig here in his hometown, at stations in London, Ont., Calgary, Halifax and Toronto. In 1998, he was named the morning man at Mix 96, along with Ted Bird. A year later, Bird reunited with Terry DiMonte on CHOM and Maisonneuve was paired with Nat Lauzon. (They notably inaugurated their new show by driving a Zamboni to Toronto, which garnered them some media attention in small towns along the 401.)
Lauzon, who had also worked with Maisonneuve at Mix 99.9 in Toronto a couple of years earlier, took the news particularly hard. Even before he died, she had often shared cherished memories of the Andre and Nat show on her Facebook page.
I asked Lauzon for comment about her friend’s passing. She didn’t want to talk on the phone because of her fragile emotional state, so she wrote this to me instead:
In a terrible year where we have lost so many of the greats, I consider Andre among them.
Andre could do anything. He was that rare blend of uber-talented jock but with the kind of vulnerability that allowed listeners to know him as a person, too. He was warm, kind, interested, creative and genuinely, naturally funny. On the air, Andre would take you places that were silly and ridiculous, then grow them and explore them without fear. And if they bombed, so what? And if they were winners, so what? The joy was in getting there, the reward was in trying. He was never afraid to be the foil or take chances. But more so, he was happy to stand back and let you shine. He could trust a moment and let it breathe instead of filling it will noise. He knew how to work WITH people, on the air. He was a careful listener and built the moment instead of clamouring for punchlines. (I don’t need to tell any “radio person” how rare a quality this is.)
He was a master of voices, with an impressive and ever-expanding stable of impersonations and characters. In a radio age, where so many “bits” come packaged from prep services, we wrote our own. Because Andre could handle any special voice requirements those bits entailed — from impersonations to accents to singing … it was endless, often surprising even himself! We laughed. So much. Andre had a winning, engaging laugh.
What I’ve said here of course, is all radio-related and barely scratches the surface of who he was personally (and at one point, I hope to write more on that), but it’s not difficult to find echoes of these same sentiments from across the country, from folks who knew Andre at various points in his lengthy radio career.
Andre was my colleague, but he was also my big brother and my teacher and my friend. His is a huge loss to radio — but also to those who loved him. My heart breaks for his two amazing kids, who he was fiercely proud of. I am hardly alone in admitting that losing him has me roiling with grief and anger. Very simply, I adored him. I will love and miss him always.
Maisonneuve and Lauzon broke up (work-wise) in 2002 when the station’s lineup was shuffled and both moved to other parts of the day. He went back to the morning show in 2004, paired with Lisa Player. In 2005, Maisonneuve moved to Ottawa for the launch of Live 88.5 (CILV-FM) and became Katfish Morgan again. He stayed there until just recently, when his disease forced him off the air, though he didn’t publicize that fact.
The station’s tribute reads in part:
Andre was a great broadcaster, a tremendous team player and a fearless leader.
Andre gave birth to LiVE 88.5. He “lived life large” and he was an absolutely magnificent human being. He taught us all to live in and for the moment. All those that enjoyed the pleasure of his company on and off the air knew and felt that he was always “present.” We built an entire radio station on those very same principles.
Andre was a truly loyal friend to all who knew him. He had a real zeal and a “lust for life” like no one we have ever known.
https://www.youtube.com/watch?v=-EmIUZCf2qU
It was two years ago that Virgin Radio 96 had a silly idea to hold a contest to find a new on-air talent, and the winner was some bearded kid named Lee Haberkorn.
Since then, Haberkorn has become a regular at the station, most recently hosting weekend mornings but also being very active on social media, which he uses to post videos of him engaging in a prank war with afternoon host (and program director/boss) Mark Bergman.
So it was perhaps inevitable that he’d be moving on to better opportunities sooner than later. This month he left the station to join the new Virgin Radio in Kitchener, becoming their new morning man.
Haberkorn’s departure follows that of Andrea Collins, who also left the station but stays in the Bell Media family.
Collins has been replaced in late mornings by perennial schedule-hole-filler Kelly Alexander, who now finally has a solid weekday job. Alexander’s weekend shift is being filled by a new import, Shannon Brooksbank, known on the air as Brooksy, who comes from Corus’s Jump 106.9 in Ottawa (where she worked with former Virgin host Tony Stark).
No replacement for Haberkorn’s weekend morning shift has been announced yet. So far the station has been filling weekend mornings with announcerless music.
Numeris released its spring quarterly ratings report for metered markets this week, of which Montreal is one. The numbers for Montreal’s English market show little change from what we’ve seen for several years now: CJAD leads among all listeners, while Virgin Radio leads among adults age 25-54.
But digging a bit deeper into the numbers by Numeris and research from Bell Media Sales, there are a few things worth noting.
Naturally, both Virgin and The Beat declared victory, with The Beat boasting about its 2+ rating and high numbers from 9-to-5, and Bell Media boasting about Virgin’s 25-to-54 demo lead and the fact that it owns four of the five stations in this market.
Numeris’s charts split the audience into French and English markets, but Virgin, The Beat and CHOM all have more francophone listeners than anglophones. When you add up the two languages, these are the average-minute audiences for the stations in Montreal:
And if you add in the French stations:
Not only does The Beat have more listeners on average than any other anglophone station, it has more listeners on average than all but one of the francophone music stations as well. (Virgin can crow about its larger reach, breaking 2 million, but someone tuning in a minute or two a month isn’t very valuable, I’d think. And besides, The Beat has a slightly higher reach on a weekly basis among anglophones.)
CHMP 98.5 is still at the top, and its average minute audience of 38,100 continues to make it the most popular radio station not only in Montreal but in Canada. The highest-rated station in Toronto, CHFI-FM, has an overall AMA of 27,400. Most other markets don’t have a station above 10,000.
La Presse and the Journal de Montréal focused on drops for Radio-Canada’s ICI Première and morning man Alain Gravel, while Le Devoir picks a few highlights. La Presse notes that Paul Arcand at 98.5 has an average minute audience of 83,440 (and that’s down significantly), and that all 10 of the most listened-to shows on radio in Montreal are either at 98.5 or Rythme FM.
The news isn’t all bad for Radio-Canada, though. Its weekend evening show La soirée est encore jeune is its most popular among adults 25-54, beating even its weekday morning show.
At the bottom of the ratings, CKLX-FM, now 91.9 Sport, seems to be slowly finding its footing, going up from a 0.9% share to a 1.4% share in the past year. Radio Circulation CKAC is still down in the dumps, mainly because of its repetitive format that no one will listen to for more than a few minutes. But even if you judge it by its daily reach (how many people tune in for at least a minute a day), it’s pretty poor. More francophones will check in with CJAD once a day than this station.
And dead last again is CHRF 980 AM, which abandoned Radio Fierté last year after barely trying it out, and now seems to have adopted a French version of owner Evanov Radio’s Jewel easy-listening format. Its schedule shows it’s bringing back live morning and afternoon programming, and has a weekly show for the LGBT community on Saturday evenings. They’ll need more than that, and some serious marketing, if they hope to make a dent in the ratings.
Andrea Collins, the Virgin Radio daytime host and occasional CTV fill-in weather presenter, is pulling up stakes and moving to Toronto after five years.
She made the announcement last week on social media, and today was her last day, which prompted a surprise sendoff from her coworkers.
Collins will be taking a job co-hosting the morning show on Virgin Radio 99.9 in Toronto, replacing Maura Grierson, who’s taking maternity leave. She’s also becoming the “iHeartRadio Canada ambassador” — in January, the U.S. radio brand signed a partnership with Virgin owner Bell Media.
She starts May 2, a few days before she turns 32.
Collins was hired by Virgin in 2011, after previous radio jobs in Winnipeg and Victoria, to replace Nat Lauzon, who bolted for The Beat. Then, after Cousin Vinny Barrucco did the same, she was moved to afternoon drive, becoming the first woman in this market to host an afternoon show solo at a music station. She later moved back to daytime when Mark Bergman went back behind a microphone.
When I profiled her for a Gazette feature in 2013, she described her career as a series of being in the right place at the right time. I think that downplays her talent, but there’s also some truth to it.
No announcement has been made about who will host from 9am to 1pm weekdays now (or maybe it was and I missed it, just like I missed this announcement more than a week ago). A job posting for on-air host at Virgin was made last week.
Quarterly radio ratings from Numeris were released on Thursday. There aren’t any big surprises for the anglophone market. Overall, among all listeners age 2+, these are the average minute audiences from anglophones across the 24/7 week for the top 10 stations:
Little has changed from previous reports, but Virgin and The Beat are in a statistical tie, which meant they had to be creative to proclaim themselves #1.
Virgin stuck to the key age 25-54 demographic, and its slightly higher reach. (And Bell points out that CHOM is tied with The Beat for second place among adults 25-54.) The Beat, meanwhile, points out that it’s higher during the work day (both overall and among women 25-54), which has always been its strong point.
New in this ratings report is the inclusion of CHRF, the former Radio Fierté that now just identifies itself as AM 980 and airs music. The station, which abandoned its LGBT-themed programming less than a year after launching, is in last place among measured stations in both languages.
Among francophones, it has an estimated 100 listeners on average, a market share of 0.1%, and reaches 3,000 listeners a day. More francophones listen to TSN 690 or CJAD.
Among anglophones, its average audience and market share both read as zero, and it reaches 1,100 listeners in an average day.
The station has a lot of work to do if it’s going to attract an audience. It could start by having programming and telling people about it.
Owner Evanov Radio hasn’t announced what its plans are for the station, which has a standard commercial licence and isn’t tied to any format (though it must remain a French-language station).
Looking into the more detailed reports compiled by Bell Media and Cogeco Force Radio (via Infopresse), you can see strengths and weaknesses among the various stations. Some things of note:
In March, when Numeris last released its quarterly ratings, the numbers showed an unusual spike in listenership for The Beat 92.5 (CKBE-FM). It was several points above competitor Virgin Radio 96 and won in key demographics for the first time. For the station, it was a trend, a sign that changes including a new program director had brought more listening hours to them, and it was something that was likely to continue. For Virgin (CJFM-FM) and owner Bell Media, it was a fluke, a figure explained mainly by the fact that the rating period covered Christmas and The Beat tends to do better with Christmas music.
I said we’d know in the next ratings book which side was right. And in the numbers that came out from Numeris this month, it looks like it’s Bell.
What was a 5.7-point lead in overall (ages 2+) listening share has been cut by more than half to 2.1 points. The new numbers are more consistent with what The Beat has been showing over the past couple of years.
Not that this is such a horrible position to be in. It still leads overall (though both stations fall well behind CJAD among all anglophone listeners), and it has a larger reach than it did before. The station’s press release also points out that for the key advertiser-friendly demographic of adults 25-54, which has been mostly won by Virgin recently, The Beat is now better during the work day (9am to 5pm).
Bell Media’s press release, also republished below, notes that Virgin is top among anglos 25-54, and its morning and afternoon drive shows are “dominating” in those demos. And since Bell also owns all the other English-language commercial stations in Montreal, it notes that Bell Media overall has a 72.4% share among anglo listeners.
Among the other stations, there isn’t that much new. CJAD still dominates overall with a quarter of all anglo listening hours. TSN 690 had a good book, matching its spring 2014 share among all listeners thanks to a strong Canadiens playoff run. CBC Radio One is well within that range of 7-8.5% that it usually sits in. Radio Two had its worst rating in at least the past four years with a 1.5% share, though that could just as easily be statistical error as anything else.
Among francophone audiences, CHMP 98.5 still dominates, and The Beat barely edges Virgin in listening hours, though Virgin has the larger reach.
The quarterly radio ratings haven’t interested me much in a while, mainly because there’s few stations owned by even fewer owners, and the ranking never changes. People talk about a few extra listeners here and some demographic shift there, but overall it’s always the same: CJAD has the highest market share*, Virgin is No. 1 with adults 25-54, CHOM does best with men, and we ignore the fact that all three of those stations are owned by the same company.
This time though, there was a noticeable change. And it made a big difference. The Beat 92.5, which had been slightly ahead of Virgin Radio 96 in most reports the past two years but behind in the key demographics, shot ahead under both measures. Instead of them fighting it out at around 16% or 17% of the audience, The Beat had 20% and Virgin was under 15%.
That was enough to write a story for the Gazette and get the program directors on the record.
That wasn’t easy, mind you. Sam Zniber, who was hired last August at The Beat, flat-out refused to tell me what he thought contributed to the ratings increase, fearing his competitor would find out and copy him. He would only say it’s a team effort.
Mark Bergman at Virgin, meanwhile, did his best to put a positive spin on the ratings, pointing out that the station has a larger reach, and saying that because the measured period included December, the numbers biased in favour of The Beat.
That’s half true. Virgin’s market share does go down in the winter ratings period, but The Beat’s doesn’t spike during that period. And it wasn’t nearly this bad last winter, so it must be something else.
I listened to The Beat, trying to figure out what changed. Was it the announcers? No, because their lineup has been stable for the past year. Was it the amount of music? Anne-Marie Withenshaw’s lawsuit suggests a shift toward less time on air for announcers, and I’ve noticed that many breaks are very brief — like seven seconds brief. But studying the “recently played” lists of Virgin and The Beat, they play about the same number of songs per hour (about eight during peak hours when they have contests, traffic and other stuff, and about 13 an hour during off-peak hours).
The type of music played seems to have changed. Instead of just Katy Perry pop, it’s got more R&B, more dance. Its slogan “Montreal’s perfect mix” and describing itself as airing a “variety” of music make it seem more and more like The Beat of today is the Mix 96 of a decade ago.
Or maybe it’s a combination of factors — a new program director bringing in some new ideas, an experienced on-air staff (many of whom used to work at Virgin) keeping the audience loyal, a more popular mix of music, lots of contests and stunts to keep people engaged, a better-than-expected boost from Christmas music season, and a bit of luck.
We’ll know in three months (or maybe six) how sustainable this lead is. I suspect it won’t last long, but the trend (at least among 2+ audience) has clearly been in The Beat’s favour since it relaunched in 2011.
* An earlier version of this post said CJAD had the “most listeners”. As a reader points out, if you count everyone who listens for at least a minute during a day or a measuring period, Virgin has more listeners. I’m more interested in the average, but for clarity I’ve referred instead to market share.
Wayne Bews, hired only a year ago as general manager of The Beat, filling the role vacated by Mark Dickie, has once again fallen victim to corporate management deciding that a station doesn’t need its own general manager. Cogeco tells me that the position has been eliminated and his functions taken over by other people within the company.
Bews left his job at TSN 690 for similar reasons in the fall of 2013, though at least that time Bell got him a job at CTV Montreal.
Meanwhile, a new face at Virgin. Tony Stark’s old evening show has been given to Charli Paige, who comes from 101.3 The Bounce in Halifax, where she was Jillian Blinkhorn. Her show airs 6-11pm Mondays to Thursdays.
Stark, meanwhile, is in the middle of a contest at The Jump in Ottawa to find a morning co-host.
Tony Stark, the evening host at Virgin Radio 96, surprised his listeners Thursday by announcing that that was his last show and he’s leaving the station he’s worked at for four and a half years.
Stark didn’t say why he’s leaving, saying only that he’d make an announcement in a few weeks. This almost certainly suggests that he’s moving to another station that isn’t ready to announce his hiring yet.
My guess on that would be Jump! 106.9 in Ottawa, based on some circumstantial but telling evidence I’ve seen. The station recently announced a job opening for a morning show host, which would make sense. We’ll see if that’s true. Jump, CKQB-FM, was The Bear until a relaunch this spring under the management of Mark Dickie, the former general manager at The Beat in Montreal. It’s a mainstream top 40 station, and has a style similar to Virgin.
UPDATE (Nov. 24): As Neil points out in a comment below, Jump! 106.9 in Ottawa now lists Stark as its morning host. Corus sent out a press release Nov. 27 announcing the Stark hire. His show will be called JUMP! Mornings with Tony Stark and it begins Dec. 1.
Two years ago, Stark announced he was leaving Virgin for another job at a radio station in Halifax. But then he changed his mind and stayed in Montreal. He said the reconsideration was for “personal reasons” without elaborating.
Kelly Alexander has been shuffled over to Stark’s 6-11pm time slot at Virgin. Program Director Mark Bergman says he’ll be “searching the planet for the best possible person to fill this role” over the next few weeks.