Category Archives: Media

Sun News Network 2012 debate translation highlights

This marks the second provincial election campaign in which TVA has decided to separate itself from the consortium that organizes televised leaders’ debates and go it alone with a series of one-on-one debates.

It almost didn’t happen. Pauline Marois and the Parti Québécois said no at first, wanting to limit her to the other, more traditional debate that aired on Radio-Canada and Télé-Québec. But she later relented.

You might recall that the Sun News Network, which like TVA is owned by Quebecor Media, also aired the TVA face-à-face debates in 2012. Few people watched it on Sun News, but when a report about the debate that included two short clips were posted to Sun News’s website, it went a bit viral. The clips came to a total of about 23 seconds, and they were highlights picked by Sun News, so they didn’t show the worst parts.

Since the translated debates weren’t posted online, they might have been lost to history if not for one thing: I recorded all three hour-long debates on my PVR. And they’ve been sitting there ever since.

With the 2014 face-à-face debates only hours away, I recorded some clips from the debate and compiled them into eight minutes of highlights. The result is the video you see above.

A source at Sun News tells me that the network will air tonight’s debate, but that they have hired different translators.

I’ll be PVRing it anyway. Just in case.

TVA’s face-à-face debates air Thursday, March 27 from 8pm to 10pm on TVA and simultaneously translated on Sun News Network. It will also air on CPAC.

UPDATE: After posting the video to YouTube, I went in to clean the automatically-generated captions. But the captions generated for the debate clips were just so great that I couldn’t touch them. They include such gems as:

  • 2:06: “I wouldn’t victims contra months prego merman”
  • 5:28: “second spend your life getting minutes for me his / as Julia and modern yesterday sent / week with the mall butthead”
  • 6:14: “he added that the troops mister sister 20 as you go”
  • 6:34: “thank you so much as a queen of thank you so much musica”
  • 7:21: “and mister across america their leader / how to Chris you’re a doctor becker / he wouldn’t allow your the day all the balls we have”
  • 8:08: “going to help me fire a gritty / you lose my me I cannot do we”
  • 8:37: “your house layout so attacker 7,000 jobs that are you gonna cut people”
  • 8:49: “overheard the Cougar 30 Passa Passa”
  • 8:53: “I hope this exchange farewell lighting you for your torso”

The battle over Videotron’s community TV channel

It was supposed to be simple and non-controversial: An application by Videotron to create a second community television channel in Montreal to serve the anglophone community.

Anglophones had long complained that since Videotron bought CF Cable TV, they have not had a proper voice in community television. The CRTC even asked Videotron to do something about it. Just months before the announcement, the English Language Arts Network publicly called on Videotron to restore English community programming.

So when Videotron made its big splash about starting MYtv, the reaction seemed to be positive, at least at first. ELAN hosted a meeting in September to get input from the community, and though there were few people present, there were some tough questions for Videotron’s representatives.

Now, those questions have been formalized in a complaint to the CRTC.

The complaint, filed by a group calling itself Independent Community Television Montreal (ICTV), includes an 86-page document meticulously arguing that the programming that airs on MAtv does not meet CRTC requirements for a community channel. It argues that the CRTC should declare that MAtv is not complying with its licence conditions, and instead grand a licence to ICTV to operate a multilingual community channel that would replace both MAtv and MYtv.

I summarize the complaint in this story, which appears in Monday’s Gazette.

But as long as the story is, there’s still so much detail I had to leave out.

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Jeremy White moves from The Beat to Edmonton’s Virgin Radio

Jeremy White at The Beat's first anniversary party in 2012. That's CJ over his shoulder.

Jeremy White at The Beat’s first anniversary party in 2012. That’s CJ over his shoulder, and “hot fan girl” Amanda Kline on his arm.

As The Beat’s staff and selected guests were celebrating the station’s first anniversary under its new brand, I chatted with its general manager, Mark Dickie, and its program director Leo Da Estrela. Among the topics we discussed over the loud music was this guy, Jeremy White, an enthusiastic young personality out of Kahnawake who impressed his bosses with his work ethic.

If The Beat’s competitor had any sense, they told me, they’d have stolen White away from them and given him a job at CHOM.

They asked me to keep that to myself, since they didn’t want Astral to actually steal White away from them.

But now Dickie has moved on to another job, Da Estrela is preparing for his own departure, and White has finally been stolen by Bell Media.

The only catch is he won’t be working in Montreal.

Virgin Radio Edmonton announced on Wednesday that White has been hired as their evening host starting March 31. White relayed the news via social media early Thursday while he was still on the air at The Beat. He’s already overhauled his Twitter account with the new job info.

White has another week at The Beat before moving west.

The new job is a step up from his current one doing overnights at The Beat. (He briefly got bumped up to doing the evening job at the Beat after Paul Hayes left, to “give him some prime-time exposure,” and got bumped back when they hired Kim Sullivan. White also hosts the Saturday Party Jam on Saturday evenings.)

CFMG-FM bills itself as “Edmonton’s #1 Hit Music Station,” but it actually has just a 3.9% overall share, behind The Bear (rock), CFCW (country), The Bounce (CHR), Sonic (hot AC), K97 (classic rock), CISN (country), Up 99.3 (AC), Hot 107 (top 40), Cruz FM (adult hits), Fresh FM (hot AC), Now (hot AC) and Capital FM (classic hits), plus talk station CHED and CBC Radio One.

In short, it has a lot of work to do.

As you would expect, White says he’s excited about the new job, but will find it hard to leave Montreal.

Just add his address to the monthly shipment of smoked meat, bagels and poutine to Montreal expats in Alberta.

Radio ratings: The Beat back above Virgin (but…)

Radio ratings March 2014

Total audience share for major ownership groups, winter 2013-14 (ages 2+). Cogeco Diffusion: 98.5 + Rythme FM + CKOI + The Beat + Radio Circulation; Bell Media: NRJ + Rouge FM + CJAD + CHOM + Virgin + TSN 690; CBC/Radio-Canada: CBC Radio One + CBC Radio Two + ICI Première + Espace musique; Other: CJPX Radio Classique + Radio X + non-reporting stations

One year after The Beat took a surprising lead over Virgin among all anglophone listeners, it has done so again. The latest BBM quarterly ratings report, released last week, shows The Beat with an 18.4% share among anglophones, slightly less than its record 18.6% in March 2013. That’s ahead of Virgin Radio at 15.1%.

When you factor in the francophone audience, where Virgin has a slight lead (4.1% vs. 3.9%), The Beat is still ahead overall, though just by a bit. This differs from last year, where Virgin had the lead among all listeners because it was stronger among francophones. The Beat last year had a 2.1% share among francophones, so there’s some significant improvement there.

What’s interesting about this jump back to number one (well, actually number two, behind CJAD) for The Beat is that it happened during the same time of the year last year, suggesting that there may be some seasonal aspect to it. Maybe The Beat has better Christmas music?

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Tamy Emma Pepin’s bilingual trip through the UK

http://vimeo.com/88195530

Tamy Emma Pepin certainly seems to have had a pretty successful career in the media. A contributor to TQS, the Journal de Montréal, and TVA as a freelancer. An editor for Huffington Post Québec. A social media ambassador for Tourism Montreal.

More recently, she was a contributor to Cap sur l’été on Radio-Canada, and she was one of the hosts of local lifestyle series Only in Montreal. That series, sadly, has not been renewed, but she quickly moved on to her next project: a travel series produced by Toxa (the company behind Urbania) and airing on Évasion.

The 13-episode one-hour series, Tamy @ Royaume-Uni, was shot last fall, and debuts Thursday at 8pm. So I had a chat with Pepin and another with producer Raphaëlle Huysmans about the show for a story that appears in Thursday’s Gazette.

It’s a French channel, and voiceovers and explanations to the camera happen in French, but because this is Britain, most of the stuff that happens is in English (which is thankfully subtitled rather than dubbed). Rather than sounding like an instructional video or sales pitch, the series takes a more documentary-style approach, following Pepin around as she plays tourist.

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Pierre Karl Péladeau analysis in point form

Pierre Karl Péladeau

To say that Pierre Karl Péladeau’s announcement that he’s running for the Parti Québécois was a bombshell would be an understatement. The announcement monopolized the news cycle on Sunday and again on Monday. We’re still talking about it because of its implications. Canada’s largest newspaper chain is owned by a separatist. A media mogul is running for office, and everyone expects the media he owns to stay objective on the matter. And his selection is a huge risk for the PQ, which can ride his economic bona fides to power or see itself torn apart by ideological differences (whether or not it wins a majority).

His media outlets insist in French and in English that he has no control over them. Sun News handled the news straight, declaring that they too are not under Péladeau’s control. Here’s Brian Lilley and here’s Lorrie Goldstein. (Ezra Levant is fighting a libel lawsuit and hasn’t been on the air.)

There are news stories and analyses of Péladeau all over the place, but here are a few that are worth reading: 

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Channel Zero licence renewals: It’s not just about CanCon pornography

On Wednesday, the CRTC issued a notice of hearing, calling Channel Zero Inc. to appear in person to discuss issues related to its specialty channel licence renewal applications. Channel Zero owns Movieola (which was rebranded as Rewind in December 2012), Silver Screen Classics, AOV Adult Movie Channel, AOV XXX Action Clips and AOV Maleflixx. The licenses for all these channels expire in August. Channel Zero also owns CHCH TV in Hamilton, whose licence doesn’t expire until 2016, and U.S. channel Fight Now TV, which isn’t regulated by the CRTC.

The commission is calling the company to the hearing because of apparent non-compliance with the licences assigned to these channels. There are many issues, some more serious than others, from unauthorized change of control to failure to meet Canadian content requirements to airing categories of programming that the licences do not allow them to air.

So you can imagine what angle the media took in their stories about these applications: porn, pornporn, porn, porn, pornporn, porn, porn and porn. (I counted one story — in a trade publication — that wasn’t focused on that angle.)

Stories (mostly briefs) about this issue, all with the same angle, appeared in print editions of The Gazette, the Journal de Montréal, the Ottawa Citizen, Toronto Star, Vancouver Sun, Globe and Mail, Edmonton Journal, Saskatoon StarPhoenix, Regina Leader-Post, Windsor Star, National Post, Cape Breton Post, Victoria Times-Colonist, 24 Hours Toronto, the Edmonton Sun and a bunch of other publications. It even made it into Friday’s Philadelphia Daily News, Columbus Dispatch, The Economist and New York Times, has been translated into Danish and sparked poorly-researched editorials in the Globe and Mail, Calgary Herald and Vancouver Province and columns by Jonathan Kay, Ian Robinson and Kate Taylor (which the Globe also created a video for). And CBC’s As it Happens even interviewed a porn star.

The stories are not incorrect (although most stories have small factual errors). The CRTC believes the three AOV adult entertainment channels fell short of their 35% Canadian content requirement. But it also has the same issue with Movieola/Rewind, which is not a porn channel.

More importantly, there are far more serious and less amusing issues on the table here. Specifically:

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Corus kills Ottawa’s 106.9 The Bear, replacing it with “Jump!”

The Bear was rumoured to become Fresh FM 106.9 but has instead relaunched as Jump! with the tag line "non-stop hits"

The Bear was rumoured to become Fresh FM 106.9 but has instead relaunched as Jump! with the tag line “non-stop hits”

(Updated below with news of the relaunch)

Six weeks after Corus Entertainment acquired Ottawa’s 106.9 The Bear from Bell as part of Bell’s Astral Media takeover, and a month after Mark Dickie, the former general manager at The Beat in Montreal was put in charge of it and Corus’s three other stations in Ottawa and Cornwall, The Bear is no more.

Visitors to the station’s website on Thursday were greeted with a message from Dickie explaining that “we have decided to take FM 106.9 in a new direction.” The full statement is below.

Corus told the Ottawa Citizen that the station will air just music and ads until the end of the month, when it launches the new format.

That new direction appears to be Fresh FM, a hot adult contemporary format that Corus is using in Edmonton, WinnipegLondon and Hamilton. Rumours about the format change surfaced in January when someone noticed that Corus had registered 1069freshfm.com as a domain name. (It currently doesn’t lead anywhere, but expect that to change soon.)

On March 31, at 11am, after annoying listeners with nature sounds for a while, the station relaunched as Jump! Ottawa, promising “non-stop hits”. Its first hour features songs by Katy Perry, Pink, Pharrell Williams and Justin Timberlake. Corus’s press release about it is here.

You can listen to the relaunch here. It goes on forever with the nature sounds. A mission-control-themed relaunch announcement starts at six minutes in.

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City won’t renew Only in Montreal (and won’t say why)

On Saturday at 7pm, City TV’s local lifestyle show will present three capsules, one each from its hosts Matt Silver, Tamy Emma Pepin and Dimitrios Koussioulas, as it airs its 30th episode. Which will also be its last.

Last month, Rogers Media confirmed to me that Only in Montreal is not being renewed past its first 30-episode run.

The news is disappointing because Only in Montreal, produced by Whalley-Abbey Media, was actually a really good show. It was well edited, well produced, fun and interesting, and introduced the city to three personalities they had known little of before. And it showcased the city in a way that has been missing on local television for far too long.

But what’s more disappointing is that the decision to cancel the show was made before the latest local TV ratings numbers came out. Since this was the first report since Only in Montreal came on the air last July, we can only conclude that the decision had nothing to do with ratings. And it’s tempting to further conclude that it therefore had nothing to do with the quality of the show.

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Did the CRTC require Sun News be added to analog cable?

We’re now a month away from all (licensed) cable, satellite and IPTV companies in Canada being required to add the Sun News Network to their systems, but one important question remains unanswered: Does Sun News have to be added to analog cable as well as digital?

It may seem like a simple question, but I’ve gotten contradictory answers on it, as I write in this story at Cartt.ca.

When the CRTC made its decision two months ago that all licensed TV distributors in Canada had to make all five national news channels available to all subscribers, it gave them until March 19 to come into compliance with the more important part of its order: adding Sun News to their systems. (Most of them already carry the other four channels — CBC News Network, RDI, CTV News Channel and LCN.) The TV distributors have a further two months, until May 20, to comply with other aspects of the order, requiring the channels to be added to the “best” packages “consistent with their genre and programming,” requiring that each be available à la carte (where possible) and filing affiliation agreements with the CRTC.

But the order, and the decision that led to it, don’t say anything about analog cable. This despite the fact that Sun News made distribution on analog one of its key arguments in favour of a mandatory distribution order. Sun argued that its audience skews older and rural, and that those viewers are more likely to have analog cable service.

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Wayne Bews hired as general manager at The Beat

Wayne Bews, the long-time general manager at Team 990 (then TSN Radio 690), until he was moved into a sales job at CTV Montreal, has been hired to become the new general manager and general sales manager at 92.5 The Beat.

The news was announced on Wednesday to the staff at CTV Montreal and The Beat. Bews replaces Mark Dickie, who left the station a month ago to work for Corus as general manager of its Cornwall and newly-acquired Ottawa stations.

Bews, who by all accounts was well-liked by the staff at CKGM, guided the struggling station as it finally made one format stick. By the time he left last fall, it was still struggling, but had a loyal audience and solid footing, and secured a guaranteed lifeline thanks to parent company Bell’s acquisition of Astral Media.

But it was that same acquisition that pushed Bews out of that job. Last August, Chris Bury was made program director for both CJAD and TSN Radio, and within weeks Bews had found another job within the company as the retail sales manager at CTV Montreal.

Bews started his career as a sales representative for CHOM and CKGM, back when both were owned by CHUM. He’s spent 20 years in this market selling radio advertising and managing radio stations.

He’ll start in his new job in early March. The exact date hasn’t been set yet. CTV Montreal staff were told that he would be helping general manager Louis Douville transition to a replacement, which is interesting since he’s moving to one of Bell’s chief competitors.

Videotron doesn’t want to add ICI to analog cable, asks CRTC for exemption

Sam Norouzi in the control room at ICI's studios in Ahuntsic

Sam Norouzi in the control room at ICI’s studios in Ahuntsic

Analog cable. Remember that? According to the latest statistics from the CRTC, only 11% of television subscribers get their TV that way. For Videotron, that number is higher. According to Quebecor’s latest quarterly report, 82.9% of its television customers were digital, leaving 17.1% of them using analog-only setups.

Since about 2000, the groundwork has been built for the phasing out of analog cable. The CRTC has since licensed new television specialty channels as digital-only. In 2012, Videotron stopped selling new analog cable subscriptions. And it’s expected that within the next few years it will be phasing out its analog cable network, much as other providers are, in order to free that bandwidth for more data and high-definition channels.

I bring all of this up because of an interesting situation that’s come up. The Broadcasting Distribution Regulations, the rules that apply to cable, satellite and other television providers, have a priority list of which channels must be distributed on the basic service. At the top of that list is CBC/Radio-Canada, then educational channels, then all other local television stations, then those special services like CPAC and APTN that the CRTC requires everyone receive and pay for.

The lineup of analog cable channels hasn’t been added to in the past decade. The last new channels added to it here were APTN and Avis de recherche, because of distribution orders for those channels. And with a virtual ban on new channels being forced onto analog, it seemed destined to stay that way.

But in December, a new television station launched in Montreal. ICI, an ethnic station, began broadcasting on Channel 47. And according to the rules, it needs to be added to the systems of all cable distributors operating in Montreal, on both analog an digital.

This issue doesn’t come up often because it’s so rare that a new over-the-air television station starts up. The last real expansion of over-the-air television through new stations was in 1997, which was when Global Quebec and CJNT (what is now City Montreal) went on the air. So cable companies haven’t had to add many new services to analog cable since they started the slow move to digital.

But the rules say that Videotron needs to distribute local stations, and so it needs to put ICI on its analog grid somewhere, at least in the Montreal area.

Except Videotron says it doesn’t have the room to do that. So it has applied to the CRTC for an exception to the distribution rules that would allow it to not have to carry ICI this way.

In its submission, Videotron’s owner Quebecor Media says the commission’s clear intention is to move away from analog television distribution, and that its recent decisions have made it clear it doesn’t want to add new services to analog.

“The analog programming grids for the greater Montreal region are at their maximum capacity and no space is available to add a new station to the basic service,” Quebecor’s Peggy Tabet writes. “In fact, any additional analog channel would require the removal of a channel that’s currently distributed in this format. This type of change has important consequences at the client level and on a financial and technical level. Adding ICI to the analog basic service would result in depriving our subscribers of a service they have always had access to.”

Moreover, Videotron says, removing a service from analog cable would require a 60-day notification period, and its contracts with broadcasters do not allow Videotron to remove those channels from its analog service.

Finally, Videotron says that 93% of its customers in the greater Montreal region have digital set-top boxes, and those subscribers receive ICI in standard and high definition.

Videotron’s explanation is mostly half-true. It definitely has space limitations on its network, and adding a new analog channel would take up a lot of space. And it’s right that removing analog channels is tricky because of customer complaints as well as contractual obligations.

But Videotron isn’t absolutely prevented from adding ICI to its analog network. Assuming there was no analog channel that it could part with to make room for ICI, it could repurpose a digital channel and make it analog again. That might mean fewer HD channels, or more compressed HD channels, but it’s doable.

It would probably be more accurate to say that Videotron simply doesn’t want ICI on its analog network because it would add to its bandwidth management problems and won’t be that popular among its customers.

That kind of explanation usually doesn’t sway the CRTC. But should the commission force Videotron’s hand, requiring it to start fiddling around with an analog network it’s in the slow process of dismantling? Videotron hasn’t set a date for bringing down the analog network in Montreal. It may be a small minority that still has analog cable, but many of them do for a reason, and it will be quite a process to transition all of them at the same time. Plus there are all the people who might have a digital box on their main television but analog cable going into other TVs in the house. Those will also need to be dealt with.

I suspect the CRTC will deny Videotron’s application. But it may grant the exception if it feels that the reins of analog cable need to be let loose so the format can be put out to pasture.

ICI hasn’t commented on the application. Its general manager Sam Norouzi said it will be filing a response opposing it, but didn’t want to comment further.

Videotron’s application can be downloaded here (.zip). It’s open to comment until 8pm ET on Monday. Comments can be filed here. Note that all information provided, including contact info, goes on the public record.

UPDATE (Sept. 3): The CRTC has granted Videotron’s request, despite ICI’s objections.

Why is CBC refusing ads from radio stations?

It sounded like the kind of story that even Sun News Network couldn’t make up: The CBC saying no to money from private industry for the sole reason that it wants to compete with it.

A complaint has been filed with the CRTC by Leclerc Communication, the company that bought Quebec City stations CKOI (CFEL-FM) and WKND (CJEC-FM) when Cogeco was told it couldn’t keep them after its purchase of Corus Quebec. The complaint alleges that the stations have been trying to book advertisements on Radio-Canada’s television station in Quebec City to promote the stations, and that Radio-Canada has issued a blanket refusal because it has a policy not to accept ads from competitors.

This would seem to go against a very clear CRTC policy that says that media companies can’t give themselves preference over their competitors in things like this.

Convinced there must have been a misunderstanding, I contacted the CBC and asked the public broadcaster about the allegation.

Radio-Canada actually confirmed it. CBC and Radio-Canada don’t accept ads from commercial radio stations because they compete with CBC services. And they don’t see anything wrong with that.

I explain the positions of Leclerc and Radio-Canada in this story at Cartt.ca. In short, Leclerc wants to advertise on RadCan because it finds that the demographics of RadCan viewers match the listeners it’s trying to target. And Radio-Canada refuses because its advertising policy prevents it from accepting ads for competitors.

The policy is CBC Programming Policy 1.3.11: Unacceptable advertising. It bans tobacco ads, ads for religious viewpoints, “any advertisement that could place the CBC/Radio-Canada at the centre of a controversy or public debate” and “advertisements for services considered competitive with CBC/Radio-Canada services.”

Now, we can argue whether two Quebec City music stations with personalities like Les Justiciers masqués are competitive with Première and Espace Musique. But even if they were, so what? These are television ads, first of all, not radio ads, and if Leclerc wants to spend money this way, why should the public broadcaster say no?

More importantly, can it even do so legally?

The television broadcasting regulations, which Radio-Canada and all other television broadcasters have to abide by, says a licensee may not “give an undue preference to any person, including itself, or subject any person to an undue disadvantage.”

A similar provision exists for TV distribution, which is why Videotron can’t give Quebecor-owned channels advantages over their competitors unless it can find a good reason to back it up.

But the CBC doesn’t quite see it that way. It argues that it’s not giving anyone an undue advantage, because it’s not accepting ads from anyone. Everyone’s being treated equally, so there’s no advantage.

Leclerc points out, though, that Radio-Canada’s radio services get plenty of advertisement on its television network. And giving free ads to its own radio stations and refusing ads from all competitors is pretty well exactly what this rule was meant to prevent.

Radio-Canada confirmed that the programming policy is set by the CBC board of directors, not by legislation or CRTC condition of licence. So logic would suggest that CRTC regulations take precedence over internal rules at the CBC.

The CBC rule becomes all the more absurd when you consider it in context. The CBC is facing a major cash crunch, seeing government funding tightened and now losing the rights to NHL games. CBC’s president is talking about “dark clouds on the horizon” because of lower revenue. So why say no to what is practically free money?

It would be one thing if this was a big corporate player wanting to buy airtime on the CBC to encourage people not to listen to Radio One or something. But this is a small independent broadcaster that just wants to expose his radio stations to Radio-Canada’s audience in Quebec City.

The CBC is going to have to come up with some real good justification for shutting the door to competitors. Bell or Shaw or Rogers would never be allowed to get away with something like this, and I don’t see why the CBC should be able to.

And if the CBC doesn’t come up with a good reason to refuse these ads, they should expect to be told to shut up and take Leclerc’s money.

Leclerc’s complaint letter can be read here. The full file is on the CRTC’s website in this .zip file. The CRTC is accepting comments on this complaint until March 6. You can submit comments here. Note that all information submitted, including contact information, becomes part of the public record.

(So far, only the Journal de Québec has covered this story aside from myself. We’ll see if others pick it up before the deadline.)

Impact games move back to TSN 690

In news that will surprise precisely nobody, TSN and the Impact announced today that TSN Radio 690 will pick up English-language radio broadcast rights to Montreal Impact games for the next three years.

For the past two seasons, Impact games have aired on CJAD 800, which picked up the rights to home games to help fill the gap left by the loss of the Canadiens to TSN 690 in 2011. Now that CJAD and TSN are sister stations with the Bell purchase of Astral, the two don’t need to fight over such rights, and sports is being consolidated on TSN.

The new deal calls for all regular season and playoff games to air on the radio, which marks the first time that we have all away games on radio.

Rick Moffat, the former CJAD sports guy who has since moved to TSN, and Brian Wilde, CTV Montreal reporter who sidelines as an Impact fan, will “share play-by-play duties”, and former Impact player Grant Needham will do colour commentary during the broadcasts. Program director Chris Bury confirms to me that the broadcast team will travel with the Impact.

The press release says that TSN and CJAD will share broadcasts of the games, which likely means that when an Impact game conflicts with a Canadiens or Alouettes game, it’ll move to CJAD. The Alouettes haven’t released their 2014 schedule yet, and the Impact schedule is incomplete, but we already know that the first two Impact games of the season, on March 8 and 15, will conflict with Canadiens games, so expect those two Impact games to be on CJAD.

Alouettes broadcast rights in English still belong to CJAD, but it’s a formality at this point that most of the games will move back as well to TSN, with only those that conflict with Canadiens games airing on CJAD.

In the unlikely event of a three-way schedule conflict, there’s always CHOM, which has been used during CJAD’s conflicts in the past.

The announcement is good news for Impact fans, who will now be able to access all the games on the radio instead of just the home games and a few marquee away ones. The fact that Bell is sending a broadcast team to those away games — no small expense — is also a strong indication that it believes it’s worth investing in this franchise.

This news has already annoyed some francophone Impact fans because the team does not have a French-language radio partner. CKAC Sports used to air some Impact games before it became an all-traffic station. News-talk station 98.5 FM, which carries Canadiens and Alouettes games, doesn’t seem to be as interested in Impact broadcasts.

CBC Radio Two 93.5 asks CRTC for more powerful signal

Proposed (solid lines) and existing (dotted lines) pattern of CBM-FM Montreal.

Proposed (solid lines) and existing (dotted lines) pattern of CBM-FM Montreal.

Following a similar successful application from Cogeco Diffusion for The Beat and 98.5 FM, the CBC is now also asking to take advantage of the lifting of a moratorium on power increases for Mount Royal transmitters so it can boost power to the maximum allowed for that class of station.

Just before Christmas, the CRTC published an application from the corporation to boost the power of CBM-FM 93.5, the transmitter for Radio Two in Montreal, from 24,600 watts to 100,000 watts.

The application is brief in providing a reasoning for the change. Under the justification section, it reads, in its entirety: “The proposed changes will improve the quality of the Radio 2 service in Montreal, QC”

As a Class C1 station, CBM-FM is protected up to its maximum power of 100,000 watts. The CBC’s technical report shows very little potential for interference, affecting the Rythme FM station in Sherbrooke on 93.7 in the area around Granby, and two U.S. stations at 93.3 and 93.7, just across the border.

The CBC Radio One transmitter (CBME-FM) at 88.5 FM, which was licensed after the Radio Two transmitter, is limited to its current 25,000 watt signal to avoid interference with other stations. But the four Astral FM stations — CHOM-FM, CJFM-FM (Virgin), CKMF-FM (NRJ) and CITE-FM (Rouge FM) are all at about 41,000 watts and could also apply to boost those signals.

The deadline to submit comments on the CBC Radio Two application is 8pm ET on Thursday. You can do so here. Remember that all information submitted, including contact information, becomes part of the public record.

UPDATE (June 2): The CRTC approved the application in May.