Category Archives: Radio

Cousin Vinny leaves Virgin Radio 96, AJ Reynolds let go from The Beat

This post has been corrected. See below.

"Cousin Vinny" aka Vince Barrucco

Vince Barrucco, better known as Cousin Vinny, has resigned from his post as afternoon drive announcer at CJFM to explore “a new opportunity” in the city after a few months off the air.

Mark Bergman, brand director for Virgin Radio 96, confirmed that Barrucco submitted his resignation letter Monday morning. Bergman said Barrucco didn’t say where he was going.

Through social media, Barrucco was coy about his destination, saying only that it was “a new opportunity” and that he’d be staying in Montreal.

AJ Reynolds: gone from The Beat

But it doesn’t take a rocket scientist to notice that another Montreal drive-time announcer has been scrubbed from the schedule: AJ Reynolds is no longer part of The Beat, his name and face gone from the website (for the most part) and his Beat Twitter account disappeared, all about the same time as Barrucco left Virgin. Barrucco’s sudden disappearance from the air, the lack of announcement about his leaving, and his forced vacation from behind the microphone are all consistent with him being poached by a competitor.

Reynolds, whose Canada’s Top 20 Countdown has been picked up by seven new stations across Canada and will expand to four hours daily as of March 5, according to an ad it’s running on the Airchecker blog, said he was leaving the Beat on good terms and wished them well.

The Beat’s station manager, Mark Dickie, said the station had decided to “make a change” because of disappointing performance at drive time* “things not working out as expected.” He wouldn’t confirm or deny whether Barrucco had been hired to replace Reynolds.

Reynolds’s syndicated show, Canada’s Top 20 Countdown, will remain on the Beat, at least for now, Dickie said. It airs 5-7pm Sundays.

Claudia Marques, the traffic announcer paired with Reynolds, is on maternity leave (as is morning traffic announcer Natasha Hall, which led to plenty of jokes about the fertility powers of the traffic announcer’s equipment there). Dickie said Marques’s job will be waiting for her when she returns.

I asked Bergman about what a trend that seems to have developed, if it is true that Barrucco is heading to the Beat. Barrucco would be the third Virgin star, after Cat Spencer and Nat Lauzon, that has been poached by the Beat in just the past year. This is noteworthy because CJFM consistently does better than CFQR/CKBE in the ratings, so you have to wonder why people are leaving the No. 1 music station for similar jobs at the No. 2.

Dickie also downplayed the trend, pointing out that the Beat has plenty of people from the old Q combined with new talent from elsewhere.

Bergman, who said he didn’t know where Barrucco was going, said he isn’t worried about losing talent, because the team at the station is stronger than any individual announcer. And the numbers suggest he’s right, at least so far. Nevertheless, Bergman stressed that he has the utmost respect and admiration for Barrucco and that he wished him well. Barrucco had been at CJFM since 2009, and on the afternoon drive show since he replaced Bergman in April 2010.

Barrucco told me he’ll be starting his new job at the end of May.

“A great opportunity presented itself that was hard to refuse,” Barrucco said. “I enjoyed my time at Virgin Radio and wish the entire crew the best! Looking forward to the future!”

Astral has posted a job opening for a full-time announcer (the deadline is March 16), though Bergman says he hasn’t discounted the possibility of using someone already on staff to fill the afternoon drive slot and taking on someone new to fill out the schedule. He says he’s searching around for what’s out there in the talent pool.

He’s been doing a lot of that lately, thanks to Cogeco.

*Correction: An earlier version of this post said Beat general manager Mark Dickie expressed disappointment with the performance of the afternoon drive show hosted by AJ Reynolds. In fact, he said that things had not worked out “as expected” – a statement I had apparently interpreted a bit too much. My apologies to Dickie and Reynolds.

CRTC gets an earful from Radio X opponents/Jazz supporters

Updated with interventions published Feb. 14, including one by ADISQ.

Montrealers opposed to an application from RNC Media to change CKLX-FM 91.9 from Planète Jazz to talk radio (likely a Montreal version of their Radio X format in Quebec City and Saguenay) have filed interventions with the Canadian Radio-television and Telecommunications Commission asking them to deny the company’s request for the necessary change in license.

The CRTC website lists 68 74 75 interventions having been filed as of Feb. 14. All but three are in opposition.

The number of interventions is high for an application like this, probably because of campaigns like the one by CIBL to get people to send comments to the CRTC.

Some are factually incorrect. One says RNC already has a talk station in Montreal at 98.5, when CHMP is actually owned by Cogeco. Another seems to think this is about changing the format of a show on CIBL.

Best of the interventions

You can download and read all the interventions yourself, but I’ve compiled a few highlights below. Almost all are either against Radio X, against removing Montreal’s only jazz station, or both. None of those opposed to the application answer the simple question of what the CRTC should do in the face of RNC’s threat to shut down the station if the change in license is not approved, with some suggesting it should continue playing jazz even if it’s not profitable.

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CBC Montreal adding weekend newscasts

CBC Montreal's TV news studio won't go dark for 65 hours on the weekends anymore

In case you didn’t see the article in Wednesday’s Gazette, CBC Montreal announced this week that it is adding newscasts on weekends as part of the Mother Corp.’s “Everyone, Every Way” strategy that has brought similar announcements of increased local services across the country.

To be specific (because the press release is anything but), starting in May (the exact date is still to be confirmed):

  • CBMT will get a half-hour local newscast at 6pm Saturdays, replacing the national newscast at that same time. It leads into Hockey Night in Canada.
  • CBMT also gets a late newscast at 10:55pm Sundays, after The National.
  • CBME-FM (88.5) gets local hourly newscasts on weekend afternoons, extending local news hours from noon to 5pm on Saturdays and 4pm on Sundays

A couple of questions remain unanswered.

  • Anchor: For the TV newscasts, an anchor hasn’t been chosen yet. The position is to be posted in the coming weeks. Top candidates would probably be Kristin Falcao, Sabrina Marandola, Catherine Cullen and Peter Akman, who have had experience filling in for vacationing anchors.
  • Jobs: It’s not clear at this point how many people will be hired to fill these new newscasts. CBC Quebec managing director Pia Marquard told me there would be “a couple of people at least”. Certainly an anchor will be needed on the TV side and a second news reader on the radio side. Plus one would imagine more reporters being needed on the weekend to file fresh stories for these newscasts. But Marquard seemed to suggest a lot of this would be done by shuffling around existing staff.

I asked Marquard about programming for Quebec communities outside of Montreal. No news there, even though one would think supporting anglophone minority communities in Quebec is part of the public broadcaster’s mandate. Outside of the Quebec AM and Breakaway radio shows out of Quebec City and programs of CBC North out of northern Quebec, the only radio and TV programming produced in the province comes out of Maison Radio-Canada.

I also asked her about the possibility of more non-news local programming. Things along the lines of the Secrets of Montreal special that ran last fall. She pointed to the CBC Montreal Summer Series, which are one-off one-hour specials that air Saturday nights during the summer, when nobody’s watching. Last year’s crop wasn’t particularly impressive. Of the six one-hour specials, two were English versions of Radio-Canada’s Studio 12 music performance show (which won’t return after this season, by the way, so they’re going to have to find another way to produce cheap one-hour shows). It’s not that I don’t like Studio 12, but it’s like those “CBC/Radio-Canada investigations” in which CBC Montreal repackages the work of Radio-Canada and takes credit for it.

Marquard did point out that CBC News Network will be airing the best of these summer series shows on Saturday afternoons this summer (when even fewer people will be watching, I imagine).

I don’t want to be too negative here. CBC television in Montreal has made a lot of progress in the past few years. It wasn’t long ago that all it had was a half-hour newscast on weekdays, producing 2.5 hours a week of programming. With these changes, it’ll go up to nine hours of local news a week, which is still way behind CFCF.

It would be nice if more of an effort was made to produce more local and regional programming for Quebec’s anglophone community from CBC, especially since there are no private English-language TV stations and few English-language radio stations outside of Montreal. And it would be nice if we had some programming that’s not confined to two-minute news reports or six-minute studio interviews, that could reflect the unique culture that is anglophone Quebec.

But for now I guess we’ll have to be satisfied that news that breaks on Saturday morning doesn’t have to wait until Monday at 5pm to be reported on local public television.

UPDATE (Feb. 17): Jobs have been posted for weekend news anchor and weekend meteorologist. The former is strangely listed as “full-time” even though it’s only two days a week.

An English commercial radio station in Hudson/St. Lazare?

UPDATE (Oct. 19): The station has been approved by the CRTC.

Coverage area of proposed FM station in Hudson/St. Lazare provided by Dufferin Communications

Is Hudson part of Montreal?

I’m not asking on a technical level, but more on a psychological one. Do people in that triangle between Montreal and the Ontario border consider themselves part of the metropolitan area, or part of their own region? There’s a train that comes once a day to bring commuters into the city, and plenty of people who work on the island live in this region. But is it enough to say that these towns are mere suburbs of greater Montreal?

One Toronto-based company is arguing that it doesn’t, and that forms part of the basis for an application they have submitted to the Canadian Radio-television and Telecommunications Commission for a commercial FM radio station to serve the Hudson/St. Lazare area.

The company is Dufferin Communications. You might recognize them as the company that recently got CRTC approval to setup an AM radio station in Montreal with programming targeted at the region’s LGBT community. That station will be running on 990 AM after CKGM vacates the frequency to move to 690 – hopefully to be up and running by the fall.

I spoke to Dufferin VP Carmela Laurignano for an article that appears in the West Island section of Wednesday’s Gazette about the Hudson application.

This application, for an FM music station, actually predates the AM one, even though the CRTC heard the other one first. Much of the application dates from as far back as 2009. Laurignano said she didn’t know why the CRTC waited so long to hear this application, but that she understands they have a lot on their plate and such long waits are not unusual for matters that aren’t pressing.

Laurignano said the big reason behind this application is the sense that this is an underserved market. The region has a French-language commercial music station, CJVD-FM 100.1 in Vaudreuil, but no corresponding English station yet, even though its English-speaking population is large and getting larger.

The frequency

The application, which can be downloaded from the CRTC’s website here, is for an FM station at 106.7 MHz, with a 500 watt transmitter at a Bell tower on Route Harwood in Hudson. As you can see from the coverage map above, it would cover Hudson, St. Lazare, Rigaud, Vaudreuil-Dorion and the area around Oka, but wouldn’t reach much beyond that before it started seeing interference from WIZN 106.7 FM in Burlington, Vt., and to a lesser extent the adjacent-channel station CKQB 106.9 FM (The Bear) in Ottawa. There’s also a reserved but unused channel of 106.5 for a CBC station in Cornwall.

The frequency is important, because it’s considered the last really desirable one in the Montreal area. It was the former frequency of Aboriginal Voices Radio and was subsequently used by the pirate KKIC radio in Kahnawake before it got CRTC approval for a licensed station at 89.9.

And there’s another application pending for this frequency, too. Canadian Hellenic Cable Radio Ltd., the company behind CKDG (Mike) 105.1 FM and CKIN-FM 106.3, has applied to move the former to 106.7, keeping its transmitter location on Mount Royal but increasing its power. Because the coverage areas of CKDG and the proposed Hudson station would overlap, it’s unlikely the CRTC would allow both on the same frequency. UPDATE: CHCR withdrew its application to change CKDG’s frequency this week. Thanks to ATSC for spotting that through an update to the station’s Wikipedia page.

Dufferin’s application includes a backup frequency should the CRTC judge 106.7 improper. It’s 107.9FM. Assigning that frequency might anger National Public Radio fans in Montreal, as that’s the frequency used by the closest transmitter, in Burlington, Vt. Its reception here is quite good for a border station, but it would be hard to see it overcoming a much closer transmitter on the same frequency in Hudson.

The frequency is also less desirable for Dufferin because it’s adjacent to its own Jewel station at 107.7FM in Hawkesbury.

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Dave Bronstetter retiring from CBC Radio

Dave Bronstetter (CBC photo)

Dave Bronstetter, the veteran CBC Montreal personality who was most recently the host of radio’s All in a Weekend, is hanging up the microphone after more than three decades in broadcasting.

The announcement was made Saturday morning on his show by Sonali Karnick, who has been replacing Bronstetter. Bronstetter has been on leave from his show since last fall for reasons that haven’t been made very clear publicly.

Karnick said Bronstetter will return to do one final show with her on Feb. 18. They will be running some best-of clips between now and then, and have asked listeners to send in their favourite memories and leave goodbye messages for him.

Most Montrealers will associate Bronstetter with his long stints as host of weekday shows Homerun (in the late 80s) and then Daybreak, from when Royal Orr left 1996 until 2006, when he stepped away from a five-day-a-week job to take the reins at All in a Weekend.

At the time, Bronstetter said burnout and fatigue we having serious effects on his health.

I’ve been asked a few times over the past few months about why he’s been on extended leave. Bronstetter himself has been asked about it a lot as well, at least through posts on his Facebook wall. In response, he’s been mostly vague, saying he hopes to come back soon and he’s getting better by the day.

Bronstetter just celebrated his 59th birthday, though his Facebook profile has him listed as being born in 1905.

The announcement didn’t include news about Bronstetter’s permanent replacement at All in a Weekend. Karnick left her job as sports reporter for Daybreak to take up a job at CBC Sports in Toronto. She was recently brought in as the interim host of All in a Weekend, supposedly until the end of the season. Karnick would be an obvious choice, assuming she’s interested in staying.

UPDATE: A story from The Gazette, which confirms no permanent replacement has been chosen but Karnick will continue until the end of the season. The news was also mentioned on CTV’s local newscast.

UPDATE (Feb. 6): Brendan Kelly, who worked with Bronstetter as a regular contributor to Daybreak, talks to Bronstetter, who confirms he’s leaving on the advice of his doctor because he’s burned out and depressed.

Tales from Cogeco

Cogeco President Louis Audet

On Thursday, I got up early (meaning: before noon) and went to the annual shareholders’ meeting of Cogeco, the cable company that is also a big player in the Quebec radio industry.

I covered the meeting for Cartt.ca, the online publication about the broadcasting and telecom industry run by Greg O’Brien. If you’re a subscriber, you can read my report here. If not, it’s not the end of the world. Much of it is industry stuff you probably don’t care about that much.

The stuff you might care about is repeated below:

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Fertility gods open jobs at The Beat

http://www.youtube.com/watch?v=4jnS3ihnZyI

There must be something in the water at CKBE-FM, or maybe a delayed (and unusual) reaction to Aaron Rand’s departure last year, because both the morning and afternoon traffic announcers are pregnant.

The video above is from morning traffic announcer Natasha Hall. She’s been keeping a blog at The Beat’s website chronicling her pregnancy and all the stuff that a first-time mother learns that isn’t in the guidebook or in the movies. (It’s similar to Lisa’s Wedding Blog, a video series done by former CJAD promotions director Lisa Fuoco in 2009-10.) As Natasha’s video title says, she’s got about a month left before that thing the size of her head gets pushed out and she can go back to walking instead of waddling.

The afternoon announcer, Claudia Marques, has a bit more time to wait. She’s at about 30 weeks now.

Cogeco has posted part-time, temporary positions to fill both of their jobs. Requirements include three years of on-air experience and knowledge of Montreal’s road network, along with the usual qualities needed to be an on-air talent at a radio station.

The deadline is Monday.

CHMP beefs up weekend lineup

Weeks after ratings showed a surprising surge for CHMP 98.5, which suddenly vaulted into the top position among Montreal radio stations, the Cogeco-owned talk station is beefing up its weekend lineup slightly.

The company announced this week it is adding three new hosts for weekend programming on the station: Eric Arson, who will host music programming in the afternoons, Mario Langlois who will host an hour-long sports talk show on Sundays, and Isabelle Ménard who will do overnights Saturday and Sunday mornings.

Though 98.5 has a strong lineup on weekdays, as well as weekday evenings since sports programming moved there from CKAC, its weekends are mostly music, which competes poorly with established music stations.

The new schedule doesn’t change that much. Guy Simard and Sylvain Ménard keep their weekend shows as is, and much of the schedule is still devoted to music (particularly when the Canadiens aren’t playing).

One would think there would be more sports or talk programming they could air on weekends, rather than continue to leave it to mostly music.

Here’s how the schedule change compares to what it was previously (changes in bold). The new schedule took effect Jan. 21.

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RNC wants to turn Planète Jazz into Radio X

Update (March 14, 2013): The application has been denied.

If owner RNC Media gets its way with the CRTC, Montreal could soon be getting its own “radio poubelle” station by next fall.

CKLX-FM 91.9 has applied to the CRTC for permission to change its format from jazz to talk radio, citing its poor financial situation and the lack of francophone talk radio options in Montreal.

You can download and read the application here (ZIP).

Planète Jazz, which launched Dec. 14, 2004, is the last commercial jazz radio station in Canada, its owner says, after similar formats in Calgary, Edmonton, Hamilton and Winnipeg abandoned it for other more popular formats. Though it won’t release full details to the public, RNC says CKLX has revenues “well below” $1 million a year, about 18% of what was forecast in the station’s business plan.

It has come to the conclusion that the format does not work, and it must either change formats or consider shutting down the station.

Though it’s not stated explicitly in the application, it’s hinted that the new format would be similar to that of CHOI-FM in Quebec City, a station also owned by RNC Media that has controversial opinionators who talk more than they think (people like Stéphane Dupont). It’s been dubbed “radio poubelle” and compared to right-wing talk-radio stations in the United States, but it’s popular, with more than 200,000 listeners.

RNC Media also owns the similarly-styled CKYK-FM in the Saguenay region, as well as music stations Capitale Rock in Gatineau, Planète-branded stations and other Radio X and Radio X2 stations across Quebec.*

CHOI is so controversial, in fact, that the CRTC ordered it be shut down because of its comments. Only the sale of the station from Genex Communications to RNC Media (and the issuing of a new license) saved it from going dark.

RNC conducted a survey of Montreal listeners to gauge their interest in a new station “that would have a style that discusses subjects in the news, that asks real questions and isn’t afraid of its opinions”. Based on that, it predicts a new talk-radio station would have a 10% market share, and 20% among the key demographic of men 25-49. It also sees its revenues going from $2.6 million in the first year to $8.2 million in the seventh year of its license, far above what they could have hoped for Planète Jazz.

The market for French-language talk radio has been open for opportunity, particularly since CKAC turned into all-traffic last September. Other than Radio-Canada and community/campus stations, the only talk radio station is CHMP 98.5, which has shot to the top of the ratings. It also has to do double-duty as a sports station in the evenings.

The application, survey and other documents curiously make no mention of the license for a talk-radio station recently given to the Tietolman-Tétrault-Pancholy media group. That station is also expected to launch next fall. It’s unclear if they’re unaware of the license or if they’re just ignoring it in their projections.

RNC Media President Raynald Brière declined to comment on the application, saying “le dossier n’est pas complet.”

The application, which would see the license changed from requiring 75% jazz to requiring 50% talk, is a Part 1 application, which means the CRTC has not called a hearing to discuss it, and if there’s no significant opposition it could be approved without the owners having to appear in front of the commission.

The deadline for interventions is 8pm on Feb. 13. You can file an intervention or comment here, by clicking “submit” next to the item about RNC Media.

*UPDATE: This move is strangely the opposite of one being done in Abitibi, where RNC Media is abandoning the Radio X format in favour of Capitale Rock, replacing talk radio with music. (Thanks Psychodork for pointing this out.)

Reaction

UPDATE (Jan. 20): The Journal de Québec reports about this move, getting the manager of its Quebec City stations to comment. The company wants to export the CHOI format to Montreal, but adapting to the market. Less talk of bringing back the Nordiques, more talk about traffic. (Is this really what separates Montreal from Quebec City?) The paper also talks to André Arthur, who thinks they should put Stéphane Dupont (the guy who told Haiti “fuck you” after the earthquake) in Montreal.

There was also a discussion on Tuesday on CHOI itself about the application, with an interview with Patrice Demers. They even discuss potential hosts, saying Patrick Lagacé is unlikely and Jeff Fillion is very doubtful, but nothing is set in stone.

The proposal also was discussed on Radio-Canada’s Les Lionnes, which prompted not one but two discussions on CHOI. You can imagine how Radio Poubelle and a public broadcaster TV show hosted by three women think about each other.

La Presse covers this in the form of a column from Marc Cassivi. There are also blog posts at Voir from Sportnographe’s Olivier Niquet and journalist Fabien Loszach. Each of these got criticized on CHOI, which blasted Cassivi for being uninformed about what can be heard on CHOI, and said Voir’s complaints that CHOI’s programming is sexist, racist or homophobic are simply false.

Stéphane Gendron reacted to the news on Radio X, in which he said he would be interested in an on-air position at the station, because he’s more of a radio guy than a TV personality.

Jeff Fillion himself also comments the news on his Radio Pirate.

At least one blogger has called for people to rise up against this move, and another defends the sophistication of Radio-Canada against its Radio X-supporting critics.

Quebec’s FM93 wants to go mostly-talk

Coincidentally, the application from RNC Media comes about the same time as one from Cogeco Diffusion to change the license of CJMF-FM (FM 93.3) in Quebec City to allow for more talk. Currently the station offers a hybrid format of talk and music, but its survey numbers show more than 60% of its listeners tune in only for talk programming.

The new schedule would see talk programming in the mornings and evenings on weekends (noon to 4pm would remain music) and weekday evenings. Weekday mornings and afternoons are already all-talk.

As an added bonus to Quebec City listeners, the change would mean the station broadcasts all Montreal Canadiens games. Currently it offers only a selection. This will be welcome news to Canadiens fans in the region who may have been able to tune in to the bleu-blanc-rouge on AM station CKAC but have no hope of listening to 98.5.

The deadline for interventions or comments in the CJMF-FM application is Feb. 6. It is also a Part 1 application and can be seen on this page.

Terry DiMonte’s first day at CHOM … again

There are some things at CHOM that will always be constant: The name, the format, the listeners complaining that the same songs get played over and over, and every decade or so the program director deciding to shake things up by putting Terry DiMonte back on mornings.

DiMonte began his first shift back at Montreal’s Spirit of Rock on Monday, and I managed to score an invitation to see it from the studio (even if it meant pulling an all-nighter after a late shift at work). This is the story of that day.

Terry DiMonte reads the paper just before he starts his first show. (And by "the paper", I mean the section in Saturday's Gazette seemingly devoted to him)

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CHOM’s new schedule adds Terry DiMonte, Heather Backman in mornings

UPDATE (Jan. 13): Read more about DiMonte’s first day here. Updates below with more coverage of DiMonte’s return and comments from Chantal Desjardins about her new job at CJAD.

Terry DiMonte does his first show back at CHOM on Jan. 9.

The news that Terry DiMonte was coming back to CHOM came out all the way back in June. The date was set and publicized in November. But details on such things as who his cohosts would be and what happens to the rest of the schedule were kept under wraps until Monday when DiMonte started his first show.

Here’s the details of its new schedule:

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Technology is abandoning AM radio

The only portable AM radio I could find at a huge electronics store - a $10 radio with analog tuner

I did some Boxing Week shopping Thursday night. Despite the cold, I went wandering for about three hours around various stores, though for the first time in years I didn’t have any big-money purchases in mind.

One thing I had been looking for was a portable device capable of receiving AM radio. Ideally it would have had a digital tuner, an antenna of some sort and an internal memory capable of recording the radio. As someone who writes about radio a lot, it helps to be able to record as well as listen.

But going through the aisles of iPods and other MP3 players at Future Shop and Best Buy, I discovered that such a device does not exist. Well, actually, it does, but it’s kind of expensive and you can’t buy it in one of these stores.

In the end, I bought the radio you see above, a Dynex (read: cheap as hell) FM/AM pocket radio. It has an analog tuner and cheap plastic parts (and obviously no recording capability), but it has an antenna and a headphone jack, and though it’s a bit noisy it receives CJAD and CKGM.

It used to be, even as little as a decade ago, that no one in their right mind would try to sell something as a “radio” and not include one of the two bands. But as portable CD players were replaced by smaller MP3 players with lower power demands and no moving parts, FM has become less of a priority and AM has been all but abandoned.

A portable CD player sports a ferrite bar AM antenna (left) about 4cm long and 3mm thick.

There are a few technical reasons for this. For one, because the AM band is at a much lower frequency than FM (centred around 1 MHz vs. around 100 MHz), the antenna has to be much longer. For older portable devices (like my old CD player pictured above), this is accomplished by coiling a long antenna inside the device. Ideally it would be strung out in a straight line for maximum reception, but coiling it is a compromise that works here, though its reception isn’t as good and it’s highly directional (which is why the angle at which you’re holding a portable AM radio affects its reception).

In smaller devices, such an antenna – about the size of a AAA battery – becomes prohibitively large. Smartphones and iPods don’t even have room for that AAA battery, much less an antenna for what has become a secondary function. For FM reception, portable devices ingeniously use the headphone cord for an antenna, but that doesn’t work for AM.

In addition to the size of the antenna, AM radio is more susceptible to interference, requiring even more electronic real estate being used for filtering and amplifying.

"AM RF IN" marks where the AM antenna connects to the circuit board ("RF" means "radio frequency")

And then there’s the simple matter of demand. Music stations long ago moved from AM to FM, as has CBC and Radio-Canada in Montreal. We’re left with only three large commercial AM stations (CKAC 730, CJAD 800 and CKGM 990) and a handful of smaller AM stations that would be very difficult to capture with a portable antenna anyway.

That’s about to change. The CRTC recently awarded two new frequencies (the previously dormant 690 and 940 kHz), and two new AM stations will be on the air at some point in 2012. Two others, who lost in the bidding for those frequencies, may also reapply for other vacant frequencies. By the end of 2013 we could have four new high-power AM radio stations in Montreal, at a time when most broadcasters have all but abandoned the band.

But can these stations survive if there’s nobody left who can listen to them? It’s not just iPods and smartphones. Even larger desktop alarm clock radios have started to abandon AM in favour of iPod connections. Unless a device’s main function is broadcast radio, you’re much less likely to find AM on it. And people like multifunction devices.

The one big thing keeping AM alive is the same thing keeping most radio alive: cars, which are so large there’s no need to worry about space for an antenna. Entertainment for drivers obviously can’t be visual in nature, so radio has become the perfect source for them. And radio has responded in kind by catering to drivers, focusing on rush-hour programming and having regular reports on traffic.

The industry has also responded by offering online streaming as an option, via apps for iPhones or other smartphones. Rather than capture a noisy signal through the air with a big antenna, smartphones can download a high-quality audio stream through the cell network they already use for phone calls and checking their Facebook.

But switching to the Web opens up these broadcasters to competition from all over the world. For people who don’t care as much about local content, there is a seemingly infinite choice of things to listen to.

Five years ago, when asked by Forbes about why its MP3 players didn’t have AM radio, a representative of SanDisk explained the technical reasons behind it, but added that “SanDisk is exploring the possibility of adding an AM receiver to some of its MP3 players.”

I’m still waiting. Hopefully AM radio will still be around by the time a solution is found.

UPDATE (Jan. 9): La Presse has an arts section cover story today about the future of AM radio, which discusses this issue as well as the larger market for the band. It includes quotes from broadcasting consultant Michel Mathieu painting a dire picture for AM radio, which is kind of ironic because Mathieu was hired to get many smaller community stations their broadcast licenses, including stations like CJLO on the AM dial.

There’s also a story about Paul Tietolman and his upcoming French-language talk radio station, with some thoughts from experts about its viability.

Pete Marier leaves CHOM over contract dispute

Pete Marier

 Last update: Dec. 27 at 2am, adding a comment from Marier at the bottom.

“My show on CHOM was terminated last night.”

That was the extent of the comment from Pete Marier Friday morning, on Facebook, to the fact that he’s leaving CHOM.

Rumours about Marier’s impending departure have been flying about for a few weeks, but things came to a head this week when Marier was given an ultimatum, a source close to Marier said. (Marier himself isn’t talking – his only communication with me directly was to confirm the news of his departure.)

According to the source, who asked not to be named for fear of pissing off Bad Pete, Marier was told Thursday after his show to sign a contract that would have decreased his salary by more than half, otherwise he would be terminated as of Friday. Marier refused, which led to a heated verbal confrontation in Astral Media vice-president Martin Spalding’s office on Friday morning. Marier was thrown out of Astral’s Fort St. offices, and called the police to press for charges of (very minor) assault against Spalding, according to the source, who was in the office at the time.

Spalding wouldn’t get into what happened in his office, saying he didn’t want to air dirty laundry, but he did say that emotions got the better of both of them. Spalding confirmed that Astral exercised an out clause when Marier made it clear he would not accept a new contract with a reduced salary, and his last day was set at March 8, 2012. Spalding said the new salary figure, which he wouldn’t specify but said was nowhere near a 50% pay cut, was “very competitive” for an afternoon host in this market, and that even if it’s less than what he would make in mornings, it’s higher than what he made the last time he was doing the afternoon drive show.

Spalding said Marier was given five chances to accept the offer and stay at CHOM. He maintained that Marier was to be one of the three “pillars” with Terry DiMonte and Tootall, and that they wanted him to stay. “He was in our long-term plans,” Spalding said.

“No choice”

“He left us no choice,” he explained. With DiMonte set to return Jan. 9, management wanted to get its schedule finalized by then. Spalding said he and Brand Director André Lallier didn’t want to go through a big launch Jan. 9 and have to make a big change two months later when Marier left.

Spalding said the decision was made Thursday night, after one final offer, to make Friday Marier’s last day. That still gave Marier the chance to say goodbye to listeners, which he seemed to accept on Thursday. But on Friday morning, Marier changed his mind and said he wouldn’t go on air.

Marier remains on CHOM’s payroll, as per the terms of his contract, until March.

“It saddens me because I think he’s a great guy,” Spalding said. Despite their falling out, Spalding had nothing but praise for Marier’s talent and said it was unfortunate that he wouldn’t accept Astral’s offer.

The timing is probably the worst part about this. Marier’s last contract wasn’t set to expire until next September, but with DiMonte’s return so close in the new year, the decision had to be made now.

On Friday, as they have done in the past with acrimonious departures, CHOM scrubbed Marier’s name and photo from its website. The 3-7pm timeslot on the schedule now just reads “The Drive”

Listeners fight back

Marier’s Facebook wall was flooded with comments from angry listeners, one of whom has started a Facebook group to demand CHOM rescind its decision, but its chances to success are just about zero now that the decision has been made. After initially allowing non-profane comments to stay, the people managing CHOM’s Facebook page deleted all comments about Marier. That didn’t stop them, of course, and they kept posting, adding more anger and some sarcasm to their voices.

It used to be that broadcasters, newspapers and other media could control their means of communication, and simply make people or issues disappear. But with social media like Facebook, their power is limited. They could shut down the page completely to comment, but that would throw away the baby with the bathwater.

Unfortunately for Marier, this kind of thing blows over. People aren’t calling in to CBC anymore to complain about Nancy Wood, or calling in to Q92 to complain about the axing of Tasso and Suzanne. CHOM can only hope that the protest about Marier dies down enough by Jan. 9 that it doesn’t harm their promotional plans.

Pillar of CHOM

Marier, 52, has been at CHOM since 1989 (except for a stint in Winnipeg from 2002 to 2005), mainly hosting morning and afternoon programs. He stepped back into mornings with Ted Bird and Chantal Desjardins, then went back to the afternoon drive when CHOM rejigged its schedule to prepare for the return of Terry DiMonte.

At the time, Spalding agreed with myself and many others that Marier’s voice was probably more suited to afternoons than mornings. (Even though CHOM’s ratings actually went up with Marier in the morning show chair.) There was no indication at the time that Marier’s future at the station was in doubt. In fact, Spalding referred to Marier as one of the “pillars of CHOM” – a description he maintained even when discussing Marier’s departure.

Not DiMonte’s fault

There’s been speculation that Marier’s departure is related to DiMonte’s return. It’s true that the timing of that is why this decision came now, and that DiMonte’s return is why Marier moved back to afternoons (and hence was offered less pay), but neither of these things are DiMonte’s fault.

Still, many comments online are extremely negative toward DiMonte, suggesting his return is why Marier is leaving, in part because CHOM spent big bucks for DiMonte and has little left for the rest of its staff.

That’s just not true, DiMonte says.

“The notion that I had anything to do with it is complete nonsense,” DiMonte wrote to me on Saturday. “I was REALLY disappointed that he left. I’ve known Pete for years and we always got along great. He’s a great broadcaster, a Montreal favorite and part of the fabric at CHOM… and I thought with me, him and TooTall it was going to be a helluva lineup. I’m really sorry he left.”

DiMonte also denied that Astral is breaking the bank to bring him home (he denied similar rumours about the kind of money he was supposed to be making in Calgary). He said he’s getting a pay cut, not a pay increase, to come back home. “The notion that there’s nothing left for others is internet claptrap. It’s just not so.”

Spalding similarly flatly denies that other announcers are being offered less because DiMonte got more.

Though DiMonte is getting a say in his morning cohosts (no decision has been announced yet), he said he had no part in Marier’s contract negotiations and was only told about everything after the fact.

“It’s not going to be as much fun without Pete, but I’m not sure what I can do about that.”

Team Pete or Team Astral?

I don’t have access to the dollar figures involved here, so I can’t say whether CHOM’s move was justified or whether the contract was fair. A 20-plus-year veteran is obviously going to attract a lot more sympathy than a faceless corporation, but that doesn’t mean the latter has to cave to the former.

That said, if Marier’s only demand was that he get paid the same salary, it’s hard to be too outraged by it. If Marier was a “pillar” of CHOM, he should have been treated as one. Unless his salary as a morning DJ was unreasonably through the roof, would it have hurt the bottom line so terribly for it to remain at that level?

As with any negotiation, the two sides choose what they can live with. Marier believes his talent (or his dignity) is worth more than Astral offered, and if he’s right he won’t be unemployed for long. (He’s still doing freelance voice work, including a lot of radio commercials – many that are still airing on the station he left.) Astral believes it’s more profitable to let Marier go than to keep paying him a morning-show salary. If it’s right, the company will either save money by not having Marier on payroll, it will do better on ratings and revenue with the money it would have spent on him, or both.

No matter how this ended, or which side is right, it really sucks for something like this to happen two days before Christmas.

Lineup decisions coming soon

No decision has been made about the rest of the CHOM lineup, including who will replace Marier on the drive show. Spalding said Rob Kemp and Chantal Desjardins, who will get the bump from the morning show unless they become DiMonte’s sidekicks, are still part of their plans, and roles for them are being finalized. He said an announcement should be expected within the next two weeks. In any case, it’ll come before Jan. 9.

UPDATE (Dec. 26): From Marier, on Facebook:

Dear Friends, Thanks for the tremendous support and well wishes. Both are greatly appreciated. In spite of recent events (on which I cannot comment right now), my family and I had a great Christmas! I hope you all did too. Merci encore!

“Happy to sit down”?

UPDATE (Jan. 6): A Gazette story from Bill Brownstein on Terry DiMonte coming back to CHOM includes a sidebar that mentions Marier. It includes quotes suggesting reconcilation is possible:

Spalding: “If Pete called me today and if we could come to terms, we’d make it work. We would have him right back in drive. The last thing I ever wanted was to lose him. He’s an incredible talent.”

Marier: “If Astral Media is willing to negotiate a contract with me, I’d be more than happy to sit down with Martin Spalding and try to work it out.”